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Color name
HEX #9F4474

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F4474 it is the complementary color #60BB8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F4474. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F4474 shade: #A4446F, #B55682, #C66895, #D77AA8 and #E88CBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F4474. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F4474 shade: #9F4474, #8E3261, #7D204E, #6C0E3B and #5B0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F4474 shade: #A14575, #A1455D and #A14545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F4474 shade: #A14575, #A1458E, #9B45A1, #8245A1 and #6945A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F4474 shade matches the following richer shades: #A14575, #B33276, #C62077 and #D80D78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F4474 shade: #A14575, #8E5774, #7C6A73, #697D72 and #568F71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F4474 shade: #9B45A1, #A1458E, #A14576, #A1455D and #A14545

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F4474 shade: #672C4B, #843860, #A14575, #B7588A and #C4749E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F4474 shade: #9F4474, #A18245 and #459BA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F4474 shade: #9F4474, #76A145 and #4576A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F4474 shade: #9F4474, #A18245, #45A170 and #4563A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F4474 shade: #9F4474, #A19E45, #45A170 and #4548A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 27 / 38

HEX #9F4474

RGB 159 68 116

HSL 328.35, 0.4%, 0.45%

LAB 42.41, 43.22, -8.98

 

Complementary color

CMYK 49 / 0 / 26 / 27

HEX #60BB8B

RGB 96 187 139

HSL 148.35, 0.4%, 0.55%

LAB 69.39, -38.36, 16.1

 

CMYK 0 / 59 / 32 / 36

HEX #A4446F

RGB 164 68 111

HSL 333.13, 0.41%, 0.45%

LAB 43.02, 44.19, -4.89

 

CMYK 0 / 52 / 28 / 29

HEX #B55682

RGB 181 86 130

HSL 332.21, 0.39%, 0.52%

LAB 49.61, 43.5, -6.37

 

CMYK 0 / 47 / 25 / 22

HEX #C66895

RGB 198 104 149

HSL 331.28, 0.45%, 0.59%

LAB 56.16, 42.71, -7.58

 

CMYK 0 / 43 / 22 / 16

HEX #D77AA8

RGB 215 122 168

HSL 330.32, 0.54%, 0.66%

LAB 62.67, 41.9, -8.61

 

CMYK 0 / 40 / 19 / 9

HEX #E88CBB

RGB 232 140 187

HSL 329.35, 0.67%, 0.73%

LAB 69.11, 41.1, -9.5

 

CMYK 0 / 57 / 27 / 38

HEX #9F4474

RGB 159 68 116

HSL 328.35, 0.4%, 0.45%

LAB 42.41, 43.22, -8.98

 

CMYK 0 / 65 / 32 / 44

HEX #8E3261

RGB 142 50 97

HSL 329.35, 0.48%, 0.38%

LAB 35.78, 43.68, -7.31

 

CMYK 0 / 74 / 38 / 51

HEX #7D204E

RGB 125 32 78

HSL 330.32, 0.59%, 0.31%

LAB 29.27, 43.64, -5.05

 

CMYK 0 / 87 / 45 / 58

HEX #6C0E3B

RGB 108 14 59

HSL 331.28, 0.77%, 0.24%

LAB 23.06, 42.52, -1.8

 

CMYK 0 / 100 / 56 / 64

HEX #5B0028

RGB 91 0 40

HSL 333.63, 1%, 0.18%

LAB 17.35, 39.72, 2.88

 

CMYK 0 / 57 / 27 / 37

HEX #A14575

RGB 161 69 117

HSL 328.7, 0.4%, 0.45%

LAB 42.94, 43.53, -8.76

 

CMYK 0 / 57 / 42 / 37

HEX #A1455D

RGB 161 69 93

HSL 344.35, 0.4%, 0.45%

LAB 42.19, 40.51, 4.97

 

CMYK 0 / 57 / 57 / 37

HEX #A14545

RGB 161 69 69

HSL 0, 0.4%, 0.45%

LAB 41.63, 38.19, 19.04

 

CMYK 0 / 57 / 27 / 37

HEX #A14575

RGB 161 69 117

HSL 328.7, 0.4%, 0.45%

LAB 42.94, 43.53, -8.76

 

CMYK 0 / 57 / 12 / 37

HEX #A1458E

RGB 161 69 142

HSL 312.39, 0.4%, 0.45%

LAB 43.92, 47.34, -22.5

 

CMYK 4 / 57 / 0 / 37

HEX #9B45A1

RGB 155 69 161

HSL 296.09, 0.4%, 0.45%

LAB 43.94, 48.99, -33.94

 

CMYK 19 / 57 / 0 / 37

HEX #8245A1

RGB 130 69 161

HSL 279.78, 0.4%, 0.45%

LAB 40.53, 42.21, -39.55

 

CMYK 35 / 57 / 0 / 37

HEX #6945A1

RGB 105 69 161

HSL 263.48, 0.4%, 0.45%

LAB 37.54, 35.69, -44.51

 

CMYK 0 / 57 / 27 / 37

HEX #A14575

RGB 161 69 117

HSL 328.7, 0.4%, 0.45%

LAB 42.94, 43.53, -8.76

 

CMYK 0 / 72 / 34 / 30

HEX #B33276

RGB 179 50 118

HSL 328.37, 0.56%, 0.45%

LAB 43.02, 57.17, -8.95

 

CMYK 0 / 84 / 40 / 22

HEX #C62077

RGB 198 32 119

HSL 328.55, 0.72%, 0.45%

LAB 44.76, 67.33, -6.6

 

CMYK 0 / 94 / 44 / 15

HEX #D80D78

RGB 216 13 120

HSL 328.37, 0.89%, 0.45%

LAB 47.29, 74.49, -3.08

 

CMYK 0 / 57 / 27 / 37

HEX #A14575

RGB 161 69 117

HSL 328.7, 0.4%, 0.45%

LAB 42.94, 43.53, -8.76

 

CMYK 0 / 39 / 18 / 44

HEX #8E5774

RGB 142 87 116

HSL 328.36, 0.24%, 0.45%

LAB 43.99, 27.06, -6.87

 

CMYK 0 / 15 / 7 / 51

HEX #7C6A73

RGB 124 106 115

HSL 330, 0.08%, 0.45%

LAB 46.75, 8.78, -2.39

 

CMYK 16 / 0 / 9 / 51

HEX #697D72

RGB 105 125 114

HSL 147, 0.09%, 0.45%

LAB 50.55, -9.66, 3.55

 

CMYK 40 / 0 / 21 / 44

HEX #568F71

RGB 86 143 113

HSL 148.42, 0.25%, 0.45%

LAB 54.88, -25.81, 10.16

 

CMYK 4 / 57 / 0 / 37

HEX #9B45A1

RGB 155 69 161

HSL 296.09, 0.4%, 0.45%

LAB 43.94, 48.99, -33.94

 

CMYK 0 / 57 / 12 / 37

HEX #A1458E

RGB 161 69 142

HSL 312.39, 0.4%, 0.45%

LAB 43.92, 47.34, -22.5

 

CMYK 0 / 57 / 27 / 37

HEX #A14576

RGB 161 69 118

HSL 328.04, 0.4%, 0.45%

LAB 42.98, 43.67, -9.32

 

CMYK 0 / 57 / 42 / 37

HEX #A1455D

RGB 161 69 93

HSL 344.35, 0.4%, 0.45%

LAB 42.19, 40.51, 4.97

 

CMYK 0 / 57 / 57 / 37

HEX #A14545

RGB 161 69 69

HSL 0, 0.4%, 0.45%

LAB 41.63, 38.19, 19.04

 

CMYK 0 / 57 / 27 / 60

HEX #672C4B

RGB 103 44 75

HSL 328.47, 0.4%, 0.29%

LAB 27.28, 30.41, -6.45

 

CMYK 0 / 58 / 27 / 48

HEX #843860

RGB 132 56 96

HSL 328.42, 0.4%, 0.37%

LAB 35.16, 37.37, -7.78

 

CMYK 0 / 57 / 27 / 37

HEX #A14575

RGB 161 69 117

HSL 328.7, 0.4%, 0.45%

LAB 42.94, 43.53, -8.76

 

CMYK 0 / 52 / 25 / 28

HEX #B7588A

RGB 183 88 138

HSL 328.42, 0.4%, 0.53%

LAB 50.55, 44.28, -9.71

 

CMYK 0 / 41 / 19 / 23

HEX #C4749E

RGB 196 116 158

HSL 328.5, 0.4%, 0.61%

LAB 58.69, 37.06, -9.06

 

CMYK 0 / 57 / 27 / 38

HEX #9F4474

RGB 159 68 116

HSL 328.35, 0.4%, 0.45%

LAB 42.41, 43.22, -8.98

 

CMYK 0 / 19 / 57 / 37

HEX #A18245

RGB 161 130 69

HSL 39.78, 0.4%, 0.45%

LAB 56.06, 4.35, 37.1

 

CMYK 57 / 4 / 0 / 37

HEX #459BA1

RGB 69 155 161

HSL 183.91, 0.4%, 0.45%

LAB 59.23, -23.9, -10.97

 

CMYK 0 / 57 / 27 / 38

HEX #9F4474

RGB 159 68 116

HSL 328.35, 0.4%, 0.45%

LAB 42.41, 43.22, -8.98

 

CMYK 27 / 0 / 57 / 37

HEX #76A145

RGB 118 161 69

HSL 88.04, 0.4%, 0.45%

LAB 61.46, -30.2, 42.55

 

CMYK 57 / 27 / 0 / 37

HEX #4576A1

RGB 69 118 161

HSL 208.04, 0.4%, 0.45%

LAB 48, -3.49, -28.14

 

CMYK 0 / 57 / 27 / 38

HEX #9F4474

RGB 159 68 116

HSL 328.35, 0.4%, 0.45%

LAB 42.41, 43.22, -8.98

 

CMYK 0 / 19 / 57 / 37

HEX #A18245

RGB 161 130 69

HSL 39.78, 0.4%, 0.45%

LAB 56.06, 4.35, 37.1

 

CMYK 57 / 0 / 30 / 37

HEX #45A170

RGB 69 161 112

HSL 148.04, 0.4%, 0.45%

LAB 59.82, -39.03, 17.48

 

CMYK 57 / 39 / 0 / 37

HEX #4563A1

RGB 69 99 161

HSL 220.43, 0.4%, 0.45%

LAB 42.4, 8.17, -36.93

 

CMYK 0 / 57 / 27 / 38

HEX #9F4474

RGB 159 68 116

HSL 328.35, 0.4%, 0.45%

LAB 42.41, 43.22, -8.98

 

CMYK 0 / 2 / 57 / 37

HEX #A19E45

RGB 161 158 69

HSL 58.04, 0.4%, 0.45%

LAB 63.72, -10.94, 45.97

 

CMYK 57 / 0 / 30 / 37

HEX #45A170

RGB 69 161 112

HSL 148.04, 0.4%, 0.45%

LAB 59.82, -39.03, 17.48

 

CMYK 57 / 55 / 0 / 37

HEX #4548A1

RGB 69 72 161

HSL 238.04, 0.4%, 0.45%

LAB 34.95, 25.55, -48.85

 

Description

Color code: HEX #9F4474 | qconv.com Color code: HEX #9F4474 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 68 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 68 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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