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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F4463 it is the complementary color #60BB9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F4463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F4463 shade: #A4445E, #B55671, #C66884, #D77A97 and #E88CAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F4463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F4463 shade: #9F4463, #8E3250, #7D203D, #6C0E2A and #5B0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F4463 shade: #A14564, #A1454B and #A14545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F4463 shade: #A14564, #A1457D, #A14596, #9345A1 and #7A45A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F4463 shade matches the following richer shades: #A14564, #B3325E, #C62058 and #D80D52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F4463 shade: #A14564, #8E576A, #7C6A70, #697D76 and #568F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F4463 shade: #A14596, #A1457D, #A14565, #A1454D and #A15645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F4463 shade: #672C40, #843852, #A14564, #B75878 and #C4748F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F4463 shade: #9F4463, #A19345 and #458AA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F4463 shade: #9F4463, #65A145 and #4565A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F4463 shade: #9F4463, #A19345, #45A181 and #4553A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F4463 shade: #9F4463, #93A145, #45A181 and #5345A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 38 / 38

HEX #9F4463

RGB 159 68 99

HSL 339.56, 0.4%, 0.45%

LAB 41.85, 41.01, 0.72

 

Complementary color

CMYK 49 / 0 / 17 / 27

HEX #60BB9C

RGB 96 187 156

HSL 159.56, 0.4%, 0.55%

LAB 69.77, -34.68, 7.38

 

CMYK 0 / 59 / 43 / 36

HEX #A4445E

RGB 164 68 94

HSL 343.75, 0.41%, 0.45%

LAB 42.51, 42.16, 4.88

 

CMYK 0 / 52 / 38 / 29

HEX #B55671

RGB 181 86 113

HSL 342.95, 0.39%, 0.52%

LAB 49.1, 41.33, 3.09

 

CMYK 0 / 47 / 33 / 22

HEX #C66884

RGB 198 104 132

HSL 342.13, 0.45%, 0.59%

LAB 55.66, 40.43, 1.62

 

CMYK 0 / 43 / 30 / 16

HEX #D77A97

RGB 215 122 151

HSL 341.29, 0.54%, 0.66%

LAB 62.17, 39.53, 0.37

 

CMYK 0 / 40 / 27 / 9

HEX #E88CAA

RGB 232 140 170

HSL 340.43, 0.67%, 0.73%

LAB 68.62, 38.67, -0.72

 

CMYK 0 / 57 / 38 / 38

HEX #9F4463

RGB 159 68 99

HSL 339.56, 0.4%, 0.45%

LAB 41.85, 41.01, 0.72

 

CMYK 0 / 65 / 44 / 44

HEX #8E3250

RGB 142 50 80

HSL 340.43, 0.48%, 0.38%

LAB 35.22, 41.64, 2.75

 

CMYK 0 / 74 / 51 / 51

HEX #7D203D

RGB 125 32 61

HSL 341.29, 0.59%, 0.31%

LAB 28.72, 41.83, 5.47

 

CMYK 0 / 87 / 61 / 58

HEX #6C0E2A

RGB 108 14 42

HSL 342.13, 0.77%, 0.24%

LAB 22.55, 41, 9.3

 

CMYK 0 / 100 / 75 / 64

HEX #5B0017

RGB 91 0 23

HSL 344.84, 1%, 0.18%

LAB 16.92, 38.56, 14.65

 

CMYK 0 / 57 / 38 / 37

HEX #A14564

RGB 161 69 100

HSL 339.78, 0.4%, 0.45%

LAB 42.39, 41.32, 0.92

 

CMYK 0 / 57 / 53 / 37

HEX #A1454B

RGB 161 69 75

HSL 356.09, 0.4%, 0.45%

LAB 41.75, 38.7, 15.51

 

CMYK 0 / 57 / 57 / 37

HEX #A14545

RGB 161 69 69

HSL 0, 0.4%, 0.45%

LAB 41.63, 38.19, 19.04

 

CMYK 0 / 57 / 38 / 37

HEX #A14564

RGB 161 69 100

HSL 339.78, 0.4%, 0.45%

LAB 42.39, 41.32, 0.92

 

CMYK 0 / 57 / 22 / 37

HEX #A1457D

RGB 161 69 125

HSL 323.48, 0.4%, 0.45%

LAB 43.23, 44.68, -13.23

 

CMYK 0 / 57 / 7 / 37

HEX #A14596

RGB 161 69 150

HSL 307.17, 0.4%, 0.45%

LAB 44.28, 48.68, -26.76

 

CMYK 9 / 57 / 0 / 37

HEX #9345A1

RGB 147 69 161

HSL 290.87, 0.4%, 0.45%

LAB 42.81, 46.81, -35.8

 

CMYK 24 / 57 / 0 / 37

HEX #7A45A1

RGB 122 69 161

HSL 274.57, 0.4%, 0.45%

LAB 39.52, 40.08, -41.22

 

CMYK 0 / 57 / 38 / 37

HEX #A14564

RGB 161 69 100

HSL 339.78, 0.4%, 0.45%

LAB 42.39, 41.32, 0.92

 

CMYK 0 / 72 / 47 / 30

HEX #B3325E

RGB 179 50 94

HSL 339.53, 0.56%, 0.45%

LAB 42.27, 54.69, 4.87

 

CMYK 0 / 84 / 56 / 22

HEX #C62058

RGB 198 32 88

HSL 339.76, 0.72%, 0.45%

LAB 43.86, 64.73, 11.39

 

CMYK 0 / 94 / 62 / 15

HEX #D80D52

RGB 216 13 82

HSL 339.61, 0.89%, 0.45%

LAB 46.31, 71.82, 19.05

 

CMYK 0 / 57 / 38 / 37

HEX #A14564

RGB 161 69 100

HSL 339.78, 0.4%, 0.45%

LAB 42.39, 41.32, 0.92

 

CMYK 0 / 39 / 25 / 44

HEX #8E576A

RGB 142 87 106

HSL 339.27, 0.24%, 0.45%

LAB 43.67, 25.44, -1.24

 

CMYK 0 / 15 / 10 / 51

HEX #7C6A70

RGB 124 106 112

HSL 340, 0.08%, 0.45%

LAB 46.66, 8.21, -0.72

 

CMYK 16 / 0 / 6 / 51

HEX #697D76

RGB 105 125 118

HSL 159, 0.09%, 0.45%

LAB 50.66, -8.81, 1.36

 

CMYK 40 / 0 / 13 / 44

HEX #568F7C

RGB 86 143 124

HSL 160, 0.25%, 0.45%

LAB 55.15, -23.34, 4.24

 

CMYK 0 / 57 / 7 / 37

HEX #A14596

RGB 161 69 150

HSL 307.17, 0.4%, 0.45%

LAB 44.28, 48.68, -26.76

 

CMYK 0 / 57 / 22 / 37

HEX #A1457D

RGB 161 69 125

HSL 323.48, 0.4%, 0.45%

LAB 43.23, 44.68, -13.23

 

CMYK 0 / 57 / 37 / 37

HEX #A14565

RGB 161 69 101

HSL 339.13, 0.4%, 0.45%

LAB 42.42, 41.44, 0.34

 

CMYK 0 / 57 / 52 / 37

HEX #A1454D

RGB 161 69 77

HSL 354.78, 0.4%, 0.45%

LAB 41.8, 38.89, 14.34

 

CMYK 0 / 47 / 57 / 37

HEX #A15645

RGB 161 86 69

HSL 11.09, 0.4%, 0.45%

LAB 45.17, 29.21, 23.65

 

CMYK 0 / 57 / 38 / 60

HEX #672C40

RGB 103 44 64

HSL 339.66, 0.4%, 0.29%

LAB 26.89, 28.81, 0.31

 

CMYK 0 / 58 / 38 / 48

HEX #843852

RGB 132 56 82

HSL 339.47, 0.4%, 0.37%

LAB 34.69, 35.47, 0.48

 

CMYK 0 / 57 / 38 / 37

HEX #A14564

RGB 161 69 100

HSL 339.78, 0.4%, 0.45%

LAB 42.39, 41.32, 0.92

 

CMYK 0 / 52 / 34 / 28

HEX #B75878

RGB 183 88 120

HSL 339.79, 0.4%, 0.53%

LAB 49.98, 41.86, 0.2

 

CMYK 0 / 41 / 27 / 23

HEX #C4748F

RGB 196 116 143

HSL 339.75, 0.4%, 0.61%

LAB 58.24, 34.84, -1.06

 

CMYK 0 / 57 / 38 / 38

HEX #9F4463

RGB 159 68 99

HSL 339.56, 0.4%, 0.45%

LAB 41.85, 41.01, 0.72

 

CMYK 0 / 9 / 57 / 37

HEX #A19345

RGB 161 147 69

HSL 50.87, 0.4%, 0.45%

LAB 60.67, -5.05, 42.49

 

CMYK 57 / 14 / 0 / 37

HEX #458AA1

RGB 69 138 161

HSL 195, 0.4%, 0.45%

LAB 54.04, -14.91, -18.83

 

CMYK 0 / 57 / 38 / 38

HEX #9F4463

RGB 159 68 99

HSL 339.56, 0.4%, 0.45%

LAB 41.85, 41.01, 0.72

 

CMYK 37 / 0 / 57 / 37

HEX #65A145

RGB 101 161 69

HSL 99.13, 0.4%, 0.45%

LAB 60.5, -36.45, 41.2

 

CMYK 57 / 37 / 0 / 37

HEX #4565A1

RGB 69 101 161

HSL 219.13, 0.4%, 0.45%

LAB 42.98, 6.91, -36.01

 

CMYK 0 / 57 / 38 / 38

HEX #9F4463

RGB 159 68 99

HSL 339.56, 0.4%, 0.45%

LAB 41.85, 41.01, 0.72

 

CMYK 0 / 9 / 57 / 37

HEX #A19345

RGB 161 147 69

HSL 50.87, 0.4%, 0.45%

LAB 60.67, -5.05, 42.49

 

CMYK 57 / 0 / 20 / 37

HEX #45A181

RGB 69 161 129

HSL 159.13, 0.4%, 0.45%

LAB 60.19, -35.25, 8.53

 

CMYK 57 / 48 / 0 / 37

HEX #4553A1

RGB 69 83 161

HSL 230.87, 0.4%, 0.45%

LAB 37.89, 18.42, -44.12

 

CMYK 0 / 57 / 38 / 38

HEX #9F4463

RGB 159 68 99

HSL 339.56, 0.4%, 0.45%

LAB 41.85, 41.01, 0.72

 

CMYK 9 / 0 / 57 / 37

HEX #93A145

RGB 147 161 69

HSL 69.13, 0.4%, 0.45%

LAB 63.44, -18.47, 45.35

 

CMYK 57 / 0 / 20 / 37

HEX #45A181

RGB 69 161 129

HSL 159.13, 0.4%, 0.45%

LAB 60.19, -35.25, 8.53

 

CMYK 48 / 57 / 0 / 37

HEX #5345A1

RGB 83 69 161

HSL 249.13, 0.4%, 0.45%

LAB 35.34, 30.44, -48.17

 

Description

Color code: HEX #9F4463 | qconv.com Color code: HEX #9F4463 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 68 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 68 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 38 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 38% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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