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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F40AC it is the complementary color #60BF53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F40AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F40AC shade: #A440A7, #B552BA, #C664CD, #D776E0 and #E888F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F40AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F40AC shade: #9F40AC, #8E2E99, #7D1C86, #6C0A73 and #5B0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F40AC shade: #9E3FAB, #AB3F9B, #AB3F7E, #AB3F60 and #AB3F43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F40AC shade: #9E3FAB, #813FAB, #643FAB, #463FAB and #3F3FAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F40AC shade matches the following richer shades: #9E3FAB, #AC2CBE, #BB19D1 and #C906E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F40AC shade: #9E3FAB, #8F5298, #816585, #737872 and #648B5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F40AC shade: #633FAB, #803FAB, #9C3FAB, #AB3F9C and #AB3F80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F40AC shade: #66296F, #82348D, #9E3FAB, #B254BF and #C072CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F40AC shade: #9F40AC, #AB463F and #3FAB71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F40AC shade: #9F40AC, #AB9C3F and #3FAB9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F40AC shade: #9F40AC, #AB463F, #4DAB3F and #3FA4AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F40AC shade: #9F40AC, #AB663F, #4DAB3F and #3F83AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 63 / 0 / 33

HEX #9F40AC

RGB 159 64 172

HSL 292.78, 0.46%, 0.46%

LAB 44.26, 54.44, -39.93

 

Complementary color

CMYK 50 / 0 / 57 / 25

HEX #60BF53

RGB 96 191 83

HSL 112.78, 0.46%, 0.54%

LAB 69.73, -49.12, 45.32

 

CMYK 2 / 62 / 0 / 35

HEX #A440A7

RGB 164 64 167

HSL 298.25, 0.45%, 0.45%

LAB 44.73, 54.78, -36.18

 

CMYK 3 / 56 / 0 / 27

HEX #B552BA

RGB 181 82 186

HSL 297.12, 0.43%, 0.53%

LAB 51.16, 54.47, -37.03

 

CMYK 3 / 51 / 0 / 20

HEX #C664CD

RGB 198 100 205

HSL 296, 0.51%, 0.6%

LAB 57.59, 53.94, -37.67

 

CMYK 4 / 47 / 0 / 12

HEX #D776E0

RGB 215 118 224

HSL 294.91, 0.63%, 0.67%

LAB 63.99, 53.28, -38.19

 

CMYK 5 / 44 / 0 / 5

HEX #E888F3

RGB 232 136 243

HSL 293.83, 0.82%, 0.74%

LAB 70.34, 52.58, -38.61

 

CMYK 8 / 63 / 0 / 33

HEX #9F40AC

RGB 159 64 172

HSL 292.78, 0.46%, 0.46%

LAB 44.26, 54.44, -39.93

 

CMYK 7 / 70 / 0 / 40

HEX #8E2E99

RGB 142 46 153

HSL 293.83, 0.54%, 0.39%

LAB 37.85, 54.39, -38.9

 

CMYK 7 / 79 / 0 / 47

HEX #7D1C86

RGB 125 28 134

HSL 294.91, 0.65%, 0.32%

LAB 31.61, 53.58, -37.37

 

CMYK 6 / 91 / 0 / 55

HEX #6C0A73

RGB 108 10 115

HSL 296, 0.84%, 0.25%

LAB 25.69, 51.41, -35

 

CMYK 5 / 100 / 0 / 62

HEX #5B0060

RGB 91 0 96

HSL 296.88, 1%, 0.19%

LAB 20.32, 47.15, -31.43

 

CMYK 8 / 63 / 0 / 33

HEX #9E3FAB

RGB 158 63 171

HSL 292.78, 0.46%, 0.46%

LAB 43.89, 54.45, -39.93

 

CMYK 0 / 63 / 9 / 33

HEX #AB3F9B

RGB 171 63 155

HSL 308.89, 0.46%, 0.46%

LAB 45.05, 55, -28.44

 

CMYK 0 / 63 / 26 / 33

HEX #AB3F7E

RGB 171 63 126

HSL 325, 0.46%, 0.46%

LAB 43.83, 50.68, -12.79

 

CMYK 0 / 63 / 44 / 33

HEX #AB3F60

RGB 171 63 96

HSL 341.67, 0.46%, 0.46%

LAB 42.85, 47.08, 4.27

 

CMYK 0 / 63 / 61 / 33

HEX #AB3F43

RGB 171 63 67

HSL 357.78, 0.46%, 0.46%

LAB 42.18, 44.54, 21.3

 

CMYK 8 / 63 / 0 / 33

HEX #9E3FAB

RGB 158 63 171

HSL 292.78, 0.46%, 0.46%

LAB 43.89, 54.45, -39.93

 

CMYK 25 / 63 / 0 / 33

HEX #813FAB

RGB 129 63 171

HSL 276.67, 0.46%, 0.46%

LAB 39.85, 47.35, -46.61

 

CMYK 42 / 63 / 0 / 33

HEX #643FAB

RGB 100 63 171

HSL 260.56, 0.46%, 0.46%

LAB 36.38, 40.69, -52.39

 

CMYK 59 / 63 / 0 / 33

HEX #463FAB

RGB 70 63 171

HSL 243.89, 0.46%, 0.46%

LAB 33.56, 34.79, -57.1

 

CMYK 63 / 63 / 0 / 33

HEX #3F3FAB

RGB 63 63 171

HSL 240, 0.46%, 0.46%

LAB 33.03, 33.63, -57.98

 

CMYK 8 / 63 / 0 / 33

HEX #9E3FAB

RGB 158 63 171

HSL 292.78, 0.46%, 0.46%

LAB 43.89, 54.45, -39.93

 

CMYK 9 / 77 / 0 / 25

HEX #AC2CBE

RGB 172 44 190

HSL 292.6, 0.62%, 0.46%

LAB 44.65, 68.12, -49.78

 

CMYK 11 / 88 / 0 / 18

HEX #BB19D1

RGB 187 25 209

HSL 292.83, 0.79%, 0.46%

LAB 46.79, 78.43, -57.22

 

CMYK 12 / 97 / 0 / 11

HEX #C906E4

RGB 201 6 228

HSL 292.7, 0.95%, 0.46%

LAB 49.68, 85.76, -63.31

 

CMYK 8 / 63 / 0 / 33

HEX #9E3FAB

RGB 158 63 171

HSL 292.78, 0.46%, 0.46%

LAB 43.89, 54.45, -39.93

 

CMYK 6 / 46 / 0 / 40

HEX #8F5298

RGB 143 82 152

HSL 292.29, 0.3%, 0.46%

LAB 44.43, 36.96, -27.91

 

CMYK 3 / 24 / 0 / 48

HEX #816585

RGB 129 101 133

HSL 292.5, 0.14%, 0.46%

LAB 46.54, 17.26, -13.44

 

CMYK 4 / 0 / 5 / 53

HEX #737872

RGB 115 120 114

HSL 110, 0.03%, 0.46%

LAB 49.85, -3.1, 2.63

 

CMYK 28 / 0 / 32 / 45

HEX #648B5F

RGB 100 139 95

HSL 113.18, 0.19%, 0.46%

LAB 54.03, -22.62, 19.31

 

CMYK 42 / 63 / 0 / 33

HEX #633FAB

RGB 99 63 171

HSL 260, 0.46%, 0.46%

LAB 36.27, 40.48, -52.57

 

CMYK 25 / 63 / 0 / 33

HEX #803FAB

RGB 128 63 171

HSL 276.11, 0.46%, 0.46%

LAB 39.72, 47.11, -46.83

 

CMYK 9 / 63 / 0 / 33

HEX #9C3FAB

RGB 156 63 171

HSL 291.67, 0.46%, 0.46%

LAB 43.6, 53.95, -40.41

 

CMYK 0 / 63 / 9 / 33

HEX #AB3F9C

RGB 171 63 156

HSL 308.33, 0.46%, 0.46%

LAB 45.1, 55.16, -28.97

 

CMYK 0 / 63 / 25 / 33

HEX #AB3F80

RGB 171 63 128

HSL 323.89, 0.46%, 0.46%

LAB 43.9, 50.95, -13.89

 

CMYK 8 / 63 / 0 / 56

HEX #66296F

RGB 102 41 111

HSL 292.29, 0.46%, 0.3%

LAB 28.27, 38.27, -28.39

 

CMYK 8 / 63 / 0 / 45

HEX #82348D

RGB 130 52 141

HSL 292.58, 0.46%, 0.38%

LAB 36.22, 46.54, -34.29

 

CMYK 8 / 63 / 0 / 33

HEX #9E3FAB

RGB 158 63 171

HSL 292.78, 0.46%, 0.46%

LAB 43.89, 54.45, -39.93

 

CMYK 7 / 56 / 0 / 25

HEX #B254BF

RGB 178 84 191

HSL 292.71, 0.46%, 0.54%

LAB 51.34, 53.65, -39.65

 

CMYK 5 / 44 / 0 / 21

HEX #C072CA

RGB 192 114 202

HSL 293.18, 0.45%, 0.62%

LAB 59.44, 44.51, -33.13

 

CMYK 8 / 63 / 0 / 33

HEX #9F40AC

RGB 159 64 172

HSL 292.78, 0.46%, 0.46%

LAB 44.26, 54.44, -39.93

 

CMYK 0 / 59 / 63 / 33

HEX #AB463F

RGB 171 70 63

HSL 3.89, 0.46%, 0.46%

LAB 43.36, 40.97, 25.23

 

CMYK 63 / 0 / 34 / 33

HEX #3FAB71

RGB 63 171 113

HSL 147.78, 0.46%, 0.46%

LAB 62.82, -44.39, 21

 

CMYK 8 / 63 / 0 / 33

HEX #9F40AC

RGB 159 64 172

HSL 292.78, 0.46%, 0.46%

LAB 44.26, 54.44, -39.93

 

CMYK 0 / 9 / 63 / 33

HEX #AB9C3F

RGB 171 156 63

HSL 51.67, 0.46%, 0.46%

LAB 63.99, -5.96, 49.3

 

CMYK 63 / 0 / 9 / 33

HEX #3FAB9C

RGB 63 171 156

HSL 171.67, 0.46%, 0.46%

LAB 63.82, -34.24, -1.37

 

CMYK 8 / 63 / 0 / 33

HEX #9F40AC

RGB 159 64 172

HSL 292.78, 0.46%, 0.46%

LAB 44.26, 54.44, -39.93

 

CMYK 0 / 59 / 63 / 33

HEX #AB463F

RGB 171 70 63

HSL 3.89, 0.46%, 0.46%

LAB 43.36, 40.97, 25.23

 

CMYK 55 / 0 / 63 / 33

HEX #4DAB3F

RGB 77 171 63

HSL 112.22, 0.46%, 0.46%

LAB 62.56, -48.75, 46.06

 

CMYK 63 / 4 / 0 / 33

HEX #3FA4AB

RGB 63 164 171

HSL 183.89, 0.46%, 0.46%

LAB 62.12, -26.63, -12.3

 

CMYK 8 / 63 / 0 / 33

HEX #9F40AC

RGB 159 64 172

HSL 292.78, 0.46%, 0.46%

LAB 44.26, 54.44, -39.93

 

CMYK 0 / 40 / 63 / 33

HEX #AB663F

RGB 171 102 63

HSL 21.67, 0.46%, 0.46%

LAB 50.12, 24.04, 33.52

 

CMYK 55 / 0 / 63 / 33

HEX #4DAB3F

RGB 77 171 63

HSL 112.22, 0.46%, 0.46%

LAB 62.56, -48.75, 46.06

 

CMYK 63 / 23 / 0 / 33

HEX #3F83AB

RGB 63 131 171

HSL 202.22, 0.46%, 0.46%

LAB 52.1, -8.98, -27.61

 

Description

Color code: HEX #9F40AC | qconv.com Color code: HEX #9F40AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 64 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 64 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 63 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 63% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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