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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F38B3 it is the complementary color #60C74C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F38B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F38B3 shade: #A438AE, #B54AC1, #C65CD4, #D76EE7 and #E880FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F38B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F38B3 shade: #9F38B3, #8E26A0, #7D148D, #6C027A and #5B0067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F38B3 shade: #9E38B2, #B238A5, #B23884, #B23863 and #B23843

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F38B3 shade: #9E38B2, #7E38B2, #5D38B2, #3C38B2 and #3838B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F38B3 shade matches the following richer shades: #9E38B2, #AB25C5 and #B812D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F38B3 shade: #9E38B2, #924B9F, #855E8C, #787179 and #6B8466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F38B3 shade: #5D38B2, #7D38B2, #9E38B2, #B238A6 and #B23886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F38B3 shade: #672474, #832E93, #9E38B2, #B34DC7 and #C06CD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F38B3 shade: #9F38B3, #B23C38 and #38B26D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F38B3 shade: #9F38B3, #B29E38 and #38B29E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F38B3 shade: #9F38B3, #B23C38, #4DB238 and #38AEB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F38B3 shade: #9F38B3, #B26138, #4DB238 and #388AB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 69 / 0 / 30

HEX #9F38B3

RGB 159 56 179

HSL 290.24, 0.52%, 0.46%

LAB 43.44, 59.16, -45.37

 

Complementary color

CMYK 52 / 0 / 62 / 22

HEX #60C74C

RGB 96 199 76

HSL 110.24, 0.52%, 0.54%

LAB 72.13, -53.02, 51.24

 

CMYK 6 / 68 / 0 / 32

HEX #A438AE

RGB 164 56 174

HSL 294.92, 0.51%, 0.45%

LAB 43.91, 59.38, -41.62

 

CMYK 6 / 62 / 0 / 24

HEX #B54AC1

RGB 181 74 193

HSL 293.95, 0.49%, 0.52%

LAB 50.18, 59.39, -42.62

 

CMYK 7 / 57 / 0 / 17

HEX #C65CD4

RGB 198 92 212

HSL 293, 0.58%, 0.6%

LAB 56.5, 59.05, -43.35

 

CMYK 7 / 52 / 0 / 9

HEX #D76EE7

RGB 215 110 231

HSL 292.07, 0.72%, 0.67%

LAB 62.82, 58.51, -43.92

 

CMYK 7 / 49 / 0 / 2

HEX #E880FA

RGB 232 128 250

HSL 291.15, 0.92%, 0.74%

LAB 69.11, 57.86, -44.37

 

CMYK 11 / 69 / 0 / 30

HEX #9F38B3

RGB 159 56 179

HSL 290.24, 0.52%, 0.46%

LAB 43.44, 59.16, -45.37

 

CMYK 11 / 76 / 0 / 37

HEX #8E26A0

RGB 142 38 160

HSL 291.15, 0.62%, 0.39%

LAB 37.25, 58.62, -44.09

 

CMYK 11 / 86 / 0 / 45

HEX #7D148D

RGB 125 20 141

HSL 292.07, 0.75%, 0.32%

LAB 31.31, 57.06, -42.19

 

CMYK 11 / 98 / 0 / 52

HEX #6C027A

RGB 108 2 122

HSL 293, 0.97%, 0.24%

LAB 25.67, 54.18, -39.51

 

CMYK 12 / 100 / 0 / 60

HEX #5B0067

RGB 91 0 103

HSL 293.01, 1%, 0.2%

LAB 20.84, 48.39, -35.2

 

CMYK 11 / 69 / 0 / 30

HEX #9E38B2

RGB 158 56 178

HSL 290.16, 0.52%, 0.46%

LAB 43.23, 58.75, -45.12

 

CMYK 0 / 69 / 7 / 30

HEX #B238A5

RGB 178 56 165

HSL 306.39, 0.52%, 0.46%

LAB 45.65, 61.19, -33.39

 

CMYK 0 / 69 / 26 / 30

HEX #B23884

RGB 178 56 132

HSL 322.62, 0.52%, 0.46%

LAB 44.17, 56.39, -15.81

 

CMYK 0 / 69 / 44 / 30

HEX #B23863

RGB 178 56 99

HSL 338.85, 0.52%, 0.46%

LAB 43.05, 52.57, 2.86

 

CMYK 0 / 69 / 62 / 30

HEX #B23843

RGB 178 56 67

HSL 354.59, 0.52%, 0.46%

LAB 42.31, 49.93, 21.7

 

CMYK 11 / 69 / 0 / 30

HEX #9E38B2

RGB 158 56 178

HSL 290.16, 0.52%, 0.46%

LAB 43.23, 58.75, -45.12

 

CMYK 29 / 69 / 0 / 30

HEX #7E38B2

RGB 126 56 178

HSL 274.43, 0.52%, 0.46%

LAB 38.69, 51.7, -52.66

 

CMYK 48 / 69 / 0 / 30

HEX #5D38B2

RGB 93 56 178

HSL 258.2, 0.52%, 0.46%

LAB 34.74, 45.12, -59.25

 

CMYK 66 / 69 / 0 / 30

HEX #3C38B2

RGB 60 56 178

HSL 241.97, 0.52%, 0.46%

LAB 31.81, 39.86, -64.15

 

CMYK 69 / 69 / 0 / 30

HEX #3838B2

RGB 56 56 178

HSL 240, 0.52%, 0.46%

LAB 31.54, 39.34, -64.61

 

CMYK 11 / 69 / 0 / 30

HEX #9E38B2

RGB 158 56 178

HSL 290.16, 0.52%, 0.46%

LAB 43.23, 58.75, -45.12

 

CMYK 13 / 81 / 0 / 23

HEX #AB25C5

RGB 171 37 197

HSL 290.25, 0.68%, 0.46%

LAB 44.25, 71.14, -54.5

 

CMYK 15 / 92 / 0 / 15

HEX #B812D8

RGB 184 18 216

HSL 290.3, 0.85%, 0.46%

LAB 46.42, 80.15, -61.87

 

CMYK 11 / 69 / 0 / 30

HEX #9E38B2

RGB 158 56 178

HSL 290.16, 0.52%, 0.46%

LAB 43.23, 58.75, -45.12

 

CMYK 8 / 53 / 0 / 38

HEX #924B9F

RGB 146 75 159

HSL 290.71, 0.36%, 0.46%

LAB 43.72, 43.06, -33.18

 

CMYK 5 / 33 / 0 / 45

HEX #855E8C

RGB 133 94 140

HSL 290.87, 0.2%, 0.46%

LAB 45.48, 24.3, -19.21

 

CMYK 1 / 7 / 0 / 53

HEX #787179

RGB 120 113 121

HSL 292.5, 0.03%, 0.46%

LAB 48.49, 4.3, -3.45

 

CMYK 19 / 0 / 23 / 48

HEX #6B8466

RGB 107 132 102

HSL 110, 0.13%, 0.46%

LAB 52.5, -15.12, 13.3

 

CMYK 48 / 69 / 0 / 30

HEX #5D38B2

RGB 93 56 178

HSL 258.2, 0.52%, 0.46%

LAB 34.74, 45.12, -59.25

 

CMYK 30 / 69 / 0 / 30

HEX #7D38B2

RGB 125 56 178

HSL 273.93, 0.52%, 0.46%

LAB 38.56, 51.49, -52.88

 

CMYK 11 / 69 / 0 / 30

HEX #9E38B2

RGB 158 56 178

HSL 290.16, 0.52%, 0.46%

LAB 43.23, 58.75, -45.12

 

CMYK 0 / 69 / 7 / 30

HEX #B238A6

RGB 178 56 166

HSL 305.9, 0.52%, 0.46%

LAB 45.7, 61.35, -33.91

 

CMYK 0 / 69 / 25 / 30

HEX #B23886

RGB 178 56 134

HSL 321.64, 0.52%, 0.46%

LAB 44.25, 56.65, -16.91

 

CMYK 11 / 69 / 0 / 55

HEX #672474

RGB 103 36 116

HSL 290.25, 0.53%, 0.3%

LAB 27.86, 41.97, -32.22

 

CMYK 11 / 69 / 0 / 42

HEX #832E93

RGB 131 46 147

HSL 290.5, 0.52%, 0.38%

LAB 35.76, 50.66, -38.68

 

CMYK 11 / 69 / 0 / 30

HEX #9E38B2

RGB 158 56 178

HSL 290.16, 0.52%, 0.46%

LAB 43.23, 58.75, -45.12

 

CMYK 10 / 61 / 0 / 22

HEX #B34DC7

RGB 179 77 199

HSL 290.16, 0.52%, 0.54%

LAB 50.7, 58.69, -45.27

 

CMYK 8 / 48 / 0 / 18

HEX #C06CD1

RGB 192 108 209

HSL 289.9, 0.52%, 0.62%

LAB 58.54, 49, -38.5

 

CMYK 11 / 69 / 0 / 30

HEX #9F38B3

RGB 159 56 179

HSL 290.24, 0.52%, 0.46%

LAB 43.44, 59.16, -45.37

 

CMYK 0 / 66 / 69 / 30

HEX #B23C38

RGB 178 60 56

HSL 1.97, 0.52%, 0.46%

LAB 42.74, 47.6, 28.91

 

CMYK 69 / 0 / 39 / 30

HEX #38B26D

RGB 56 178 109

HSL 146.07, 0.52%, 0.46%

LAB 64.79, -49.31, 25.76

 

CMYK 11 / 69 / 0 / 30

HEX #9F38B3

RGB 159 56 179

HSL 290.24, 0.52%, 0.46%

LAB 43.44, 59.16, -45.37

 

CMYK 0 / 11 / 69 / 30

HEX #B29E38

RGB 178 158 56

HSL 50.16, 0.52%, 0.46%

LAB 65.12, -4.39, 53.75

 

CMYK 69 / 0 / 11 / 30

HEX #38B29E

RGB 56 178 158

HSL 170.16, 0.52%, 0.46%

LAB 65.87, -38.06, 0.48

 

CMYK 11 / 69 / 0 / 30

HEX #9F38B3

RGB 159 56 179

HSL 290.24, 0.52%, 0.46%

LAB 43.44, 59.16, -45.37

 

CMYK 0 / 66 / 69 / 30

HEX #B23C38

RGB 178 60 56

HSL 1.97, 0.52%, 0.46%

LAB 42.74, 47.6, 28.91

 

CMYK 57 / 0 / 69 / 30

HEX #4DB238

RGB 77 178 56

HSL 109.67, 0.52%, 0.46%

LAB 64.73, -52.09, 51.39

 

CMYK 69 / 2 / 0 / 30

HEX #38AEB2

RGB 56 174 178

HSL 181.97, 0.52%, 0.46%

LAB 65.22, -30.58, -11.58

 

CMYK 11 / 69 / 0 / 30

HEX #9F38B3

RGB 159 56 179

HSL 290.24, 0.52%, 0.46%

LAB 43.44, 59.16, -45.37

 

CMYK 0 / 46 / 69 / 30

HEX #B26138

RGB 178 97 56

HSL 20.16, 0.52%, 0.46%

LAB 49.86, 29.27, 37.26

 

CMYK 57 / 0 / 69 / 30

HEX #4DB238

RGB 77 178 56

HSL 109.67, 0.52%, 0.46%

LAB 64.73, -52.09, 51.39

 

CMYK 69 / 22 / 0 / 30

HEX #388AB2

RGB 56 138 178

HSL 199.67, 0.52%, 0.46%

LAB 54.27, -11.81, -28.28

 

Description

Color code: HEX #9F38B3 | qconv.com Color code: HEX #9F38B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 56 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 56 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 69 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 69% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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