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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F3483 it is the complementary color #60CB7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F3483. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F3483 shade: #A4347E, #B54691, #C658A4, #D76AB7 and #E87CCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F3483. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F3483 shade: #9F3483, #8E2270, #7D105D, #6C004A and #5B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F3483 shade: #9E3382, #9E3365, #9E3348 and #9E3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F3483 shade: #9E3382, #9D339E, #80339E, #64339E and #47339E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F3483 shade matches the following richer shades: #9E3382, #AF228A, #C01192 and #D1009A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F3483 shade: #9E3382, #8D447A, #7C5572, #6B666A and #5A7762

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F3483 shade: #80339E, #9C339E, #9E3383, #9E3367 and #9E334A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F3483 shade: #601F4F, #7F2968, #9E3382, #BD3D9C and #C95AAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F3483 shade: #9F3483, #9E6333 and #339E8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F3483 shade: #9F3483, #839E33 and #33839E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F3483 shade: #9F3483, #9E6333, #339E4E and #336E9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F3483 shade: #9F3483, #9E8333, #339E4E and #334E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 38

HEX #9F3483

RGB 159 52 131

HSL 315.7, 0.51%, 0.41%

LAB 40.35, 52.61, -21.34

 

Complementary color

CMYK 53 / 0 / 39 / 20

HEX #60CB7C

RGB 96 203 124

HSL 135.7, 0.51%, 0.59%

LAB 73.97, -48.05, 30.24

 

CMYK 0 / 68 / 23 / 36

HEX #A4347E

RGB 164 52 126

HSL 320.36, 0.52%, 0.42%

LAB 40.98, 53.27, -17.22

 

CMYK 0 / 61 / 20 / 29

HEX #B54691

RGB 181 70 145

HSL 319.46, 0.44%, 0.49%

LAB 47.3, 53.21, -18.85

 

CMYK 0 / 56 / 17 / 22

HEX #C658A4

RGB 198 88 164

HSL 318.55, 0.49%, 0.56%

LAB 53.67, 52.81, -20.12

 

CMYK 0 / 51 / 15 / 16

HEX #D76AB7

RGB 215 106 183

HSL 317.61, 0.58%, 0.63%

LAB 60.05, 52.22, -21.14

 

CMYK 0 / 47 / 13 / 9

HEX #E87CCA

RGB 232 124 202

HSL 316.67, 0.7%, 0.7%

LAB 66.39, 51.54, -22

 

CMYK 0 / 67 / 18 / 38

HEX #9F3483

RGB 159 52 131

HSL 315.7, 0.51%, 0.41%

LAB 40.35, 52.61, -21.34

 

CMYK 0 / 76 / 21 / 44

HEX #8E2270

RGB 142 34 112

HSL 316.67, 0.61%, 0.35%

LAB 34.12, 52.07, -19.38

 

CMYK 0 / 87 / 26 / 51

HEX #7D105D

RGB 125 16 93

HSL 317.61, 0.77%, 0.28%

LAB 28.17, 50.42, -16.6

 

CMYK 0 / 100 / 31 / 58

HEX #6C004A

RGB 108 0 74

HSL 318.89, 1%, 0.21%

LAB 22.59, 47.35, -12.8

 

CMYK 0 / 100 / 40 / 64

HEX #5B0037

RGB 91 0 55

HSL 323.74, 1%, 0.18%

LAB 17.92, 41.2, -7.07

 

CMYK 0 / 68 / 18 / 38

HEX #9E3382

RGB 158 51 130

HSL 315.7, 0.51%, 0.41%

LAB 40, 52.59, -21.3

 

CMYK 0 / 68 / 36 / 38

HEX #9E3365

RGB 158 51 101

HSL 331.96, 0.51%, 0.41%

LAB 38.86, 48.71, -4.96

 

CMYK 0 / 68 / 54 / 38

HEX #9E3348

RGB 158 51 72

HSL 348.22, 0.51%, 0.41%

LAB 38.03, 45.78, 12.23

 

CMYK 0 / 68 / 68 / 38

HEX #9E3333

RGB 158 51 51

HSL 0, 0.51%, 0.41%

LAB 37.62, 44.28, 24.86

 

CMYK 0 / 68 / 18 / 38

HEX #9E3382

RGB 158 51 130

HSL 315.7, 0.51%, 0.41%

LAB 40, 52.59, -21.3

 

CMYK 1 / 68 / 0 / 38

HEX #9D339E

RGB 157 51 158

HSL 299.44, 0.51%, 0.41%

LAB 41.22, 56.86, -36.42

 

CMYK 19 / 68 / 0 / 38

HEX #80339E

RGB 128 51 158

HSL 283.18, 0.51%, 0.41%

LAB 36.79, 50, -43.74

 

CMYK 37 / 68 / 0 / 38

HEX #64339E

RGB 100 51 158

HSL 267.48, 0.51%, 0.41%

LAB 33.02, 43.73, -50.02

 

CMYK 55 / 68 / 0 / 38

HEX #47339E

RGB 71 51 158

HSL 251.21, 0.51%, 0.41%

LAB 29.85, 38.04, -55.31

 

CMYK 0 / 68 / 18 / 38

HEX #9E3382

RGB 158 51 130

HSL 315.7, 0.51%, 0.41%

LAB 40, 52.59, -21.3

 

CMYK 0 / 81 / 21 / 31

HEX #AF228A

RGB 175 34 138

HSL 315.74, 0.67%, 0.41%

LAB 41.36, 63.59, -23.85

 

CMYK 0 / 91 / 24 / 25

HEX #C01192

RGB 192 17 146

HSL 315.77, 0.84%, 0.41%

LAB 43.77, 71.55, -24.73

 

CMYK 0 / 100 / 26 / 18

HEX #D1009A

RGB 209 0 154

HSL 315.79, 1%, 0.41%

LAB 46.83, 77.49, -24.57

 

CMYK 0 / 68 / 18 / 38

HEX #9E3382

RGB 158 51 130

HSL 315.7, 0.51%, 0.41%

LAB 40, 52.59, -21.3

 

CMYK 0 / 52 / 13 / 45

HEX #8D447A

RGB 141 68 122

HSL 315.62, 0.35%, 0.41%

LAB 39.92, 38.26, -16.71

 

CMYK 0 / 31 / 8 / 51

HEX #7C5572

RGB 124 85 114

HSL 315.38, 0.19%, 0.41%

LAB 41.21, 21.16, -10.03

 

CMYK 0 / 5 / 1 / 58

HEX #6B666A

RGB 107 102 106

HSL 312, 0.02%, 0.41%

LAB 43.75, 2.77, -1.55

 

CMYK 24 / 0 / 18 / 53

HEX #5A7762

RGB 90 119 98

HSL 136.55, 0.14%, 0.41%

LAB 47.3, -15.11, 8.18

 

CMYK 19 / 68 / 0 / 38

HEX #80339E

RGB 128 51 158

HSL 283.18, 0.51%, 0.41%

LAB 36.79, 50, -43.74

 

CMYK 1 / 68 / 0 / 38

HEX #9C339E

RGB 156 51 158

HSL 298.88, 0.51%, 0.41%

LAB 41.06, 56.62, -36.68

 

CMYK 0 / 68 / 17 / 38

HEX #9E3383

RGB 158 51 131

HSL 315.14, 0.51%, 0.41%

LAB 40.04, 52.74, -21.84

 

CMYK 0 / 68 / 35 / 38

HEX #9E3367

RGB 158 51 103

HSL 330.84, 0.51%, 0.41%

LAB 38.93, 48.95, -6.12

 

CMYK 0 / 68 / 53 / 38

HEX #9E334A

RGB 158 51 74

HSL 347.1, 0.51%, 0.41%

LAB 38.08, 45.95, 11.02

 

CMYK 0 / 68 / 18 / 62

HEX #601F4F

RGB 96 31 79

HSL 315.69, 0.51%, 0.25%

LAB 23.77, 35.36, -14.56

 

CMYK 0 / 68 / 18 / 50

HEX #7F2968

RGB 127 41 104

HSL 316.05, 0.51%, 0.33%

LAB 32.03, 44.12, -17.73

 

CMYK 0 / 68 / 18 / 38

HEX #9E3382

RGB 158 51 130

HSL 315.7, 0.51%, 0.41%

LAB 40, 52.59, -21.3

 

CMYK 0 / 68 / 17 / 26

HEX #BD3D9C

RGB 189 61 156

HSL 315.47, 0.51%, 0.49%

LAB 47.7, 60.72, -24.71

 

CMYK 0 / 55 / 14 / 21

HEX #C95AAC

RGB 201 90 172

HSL 315.68, 0.51%, 0.57%

LAB 54.77, 53.98, -23.06

 

CMYK 0 / 67 / 18 / 38

HEX #9F3483

RGB 159 52 131

HSL 315.7, 0.51%, 0.41%

LAB 40.35, 52.61, -21.34

 

CMYK 0 / 37 / 68 / 38

HEX #9E6333

RGB 158 99 51

HSL 26.92, 0.51%, 0.41%

LAB 47.54, 19.31, 36.55

 

CMYK 68 / 0 / 10 / 38

HEX #339E8E

RGB 51 158 142

HSL 171.03, 0.51%, 0.41%

LAB 59.08, -33.97, -0.48

 

CMYK 0 / 67 / 18 / 38

HEX #9F3483

RGB 159 52 131

HSL 315.7, 0.51%, 0.41%

LAB 40.35, 52.61, -21.34

 

CMYK 17 / 0 / 68 / 38

HEX #839E33

RGB 131 158 51

HSL 75.14, 0.51%, 0.41%

LAB 61.24, -25.06, 50.6

 

CMYK 68 / 17 / 0 / 38

HEX #33839E

RGB 51 131 158

HSL 195.14, 0.51%, 0.41%

LAB 51.16, -15.41, -21.56

 

CMYK 0 / 67 / 18 / 38

HEX #9F3483

RGB 159 52 131

HSL 315.7, 0.51%, 0.41%

LAB 40.35, 52.61, -21.34

 

CMYK 0 / 37 / 68 / 38

HEX #9E6333

RGB 158 99 51

HSL 26.92, 0.51%, 0.41%

LAB 47.54, 19.31, 36.55

 

CMYK 68 / 0 / 51 / 38

HEX #339E4E

RGB 51 158 78

HSL 135.14, 0.51%, 0.41%

LAB 57.76, -47.92, 32.96

 

CMYK 68 / 30 / 0 / 38

HEX #336E9E

RGB 51 110 158

HSL 206.92, 0.51%, 0.41%

LAB 44.69, -3.26, -31.6

 

CMYK 0 / 67 / 18 / 38

HEX #9F3483

RGB 159 52 131

HSL 315.7, 0.51%, 0.41%

LAB 40.35, 52.61, -21.34

 

CMYK 0 / 17 / 68 / 38

HEX #9E8333

RGB 158 131 51

HSL 44.86, 0.51%, 0.41%

LAB 55.83, 1.14, 45.63

 

CMYK 68 / 0 / 51 / 38

HEX #339E4E

RGB 51 158 78

HSL 135.14, 0.51%, 0.41%

LAB 57.76, -47.92, 32.96

 

CMYK 68 / 51 / 0 / 38

HEX #334E9E

RGB 51 78 158

HSL 224.86, 0.51%, 0.41%

LAB 35.24, 17.2, -46.63

 

Description

Color code: HEX #9F3483 | qconv.com Color code: HEX #9F3483 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 52 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 52 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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