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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F3296 it is the complementary color #60CD69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F3296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F3296 shade: #A43291, #B544A4, #C656B7, #D768CA and #E87ADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F3296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F3296 shade: #9F3296, #8E2083, #7D0E70, #6C005D and #5B004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F3296 shade: #9F3296, #9F3279, #9F325B, #9F323E and #9F3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F3296 shade: #9F3296, #8B329F, #6D329F, #50329F and #33329F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F3296 shade matches the following richer shades: #9F3296, #B021A4 and #C110B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F3296 shade: #9F3296, #8E4388, #7D547A, #6C656C and #5B765D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F3296 shade: #6C329F, #89329F, #9F3298, #9F327B and #9F325E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F3296 shade: #601E5B, #802878, #9F3296, #BE3CB4 and #CB59C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F3296 shade: #9F3296, #9F4F32 and #329F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F3296 shade: #9F3296, #989F32 and #32989F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F3296 shade: #9F3296, #9F4F32, #329F39 and #32829F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F3296 shade: #9F3296, #9F7032, #329F39 and #32619F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

Complementary color

CMYK 53 / 0 / 49 / 20

HEX #60CD69

RGB 96 205 105

HSL 124.95, 0.52%, 0.59%

LAB 74.3, -51.82, 40.26

 

CMYK 0 / 70 / 12 / 36

HEX #A43291

RGB 164 50 145

HSL 310, 0.53%, 0.42%

LAB 41.56, 56.83, -27.96

 

CMYK 0 / 62 / 9 / 29

HEX #B544A4

RGB 181 68 164

HSL 309.03, 0.45%, 0.49%

LAB 47.8, 56.99, -29.4

 

CMYK 0 / 57 / 8 / 22

HEX #C656B7

RGB 198 86 183

HSL 308.04, 0.5%, 0.56%

LAB 54.11, 56.73, -30.49

 

CMYK 0 / 52 / 6 / 16

HEX #D768CA

RGB 215 104 202

HSL 307.03, 0.58%, 0.63%

LAB 60.44, 56.25, -31.36

 

CMYK 0 / 47 / 5 / 9

HEX #E87ADD

RGB 232 122 221

HSL 306, 0.71%, 0.69%

LAB 66.74, 55.63, -32.06

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 77 / 8 / 44

HEX #8E2083

RGB 142 32 131

HSL 306, 0.63%, 0.34%

LAB 34.85, 55.57, -30.16

 

CMYK 0 / 89 / 10 / 51

HEX #7D0E70

RGB 125 14 112

HSL 307.03, 0.8%, 0.27%

LAB 29.02, 53.55, -27.59

 

CMYK 0 / 100 / 14 / 58

HEX #6C005D

RGB 108 0 93

HSL 308.33, 1%, 0.21%

LAB 23.6, 49.88, -24

 

CMYK 0 / 100 / 19 / 64

HEX #5B004A

RGB 91 0 74

HSL 311.21, 1%, 0.18%

LAB 18.88, 43.64, -18.86

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 69 / 24 / 38

HEX #9F3279

RGB 159 50 121

HSL 320.92, 0.52%, 0.41%

LAB 39.64, 51.98, -16.27

 

CMYK 0 / 69 / 43 / 38

HEX #9F325B

RGB 159 50 91

HSL 337.43, 0.52%, 0.41%

LAB 38.56, 48.32, 0.95

 

CMYK 0 / 69 / 61 / 38

HEX #9F323E

RGB 159 50 62

HSL 353.39, 0.52%, 0.41%

LAB 37.84, 45.76, 18.33

 

CMYK 0 / 69 / 69 / 38

HEX #9F3232

RGB 159 50 50

HSL 0, 0.52%, 0.41%

LAB 37.63, 44.99, 25.53

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 13 / 69 / 0 / 38

HEX #8B329F

RGB 139 50 159

HSL 288.99, 0.52%, 0.41%

LAB 38.33, 53.2, -41.79

 

CMYK 31 / 69 / 0 / 38

HEX #6D329F

RGB 109 50 159

HSL 272.48, 0.52%, 0.41%

LAB 34.06, 46.43, -48.89

 

CMYK 50 / 69 / 0 / 38

HEX #50329F

RGB 80 50 159

HSL 256.51, 0.52%, 0.41%

LAB 30.62, 40.55, -54.63

 

CMYK 68 / 69 / 0 / 38

HEX #33329F

RGB 51 50 159

HSL 240.55, 0.52%, 0.41%

LAB 28.08, 35.87, -58.88

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 81 / 7 / 31

HEX #B021A4

RGB 176 33 164

HSL 305.03, 0.68%, 0.41%

LAB 42.76, 67.72, -37.38

 

CMYK 0 / 92 / 8 / 24

HEX #C110B2

RGB 193 16 178

HSL 305.08, 0.85%, 0.41%

LAB 45.53, 76.03, -41.11

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 53 / 4 / 44

HEX #8E4388

RGB 142 67 136

HSL 304.8, 0.36%, 0.41%

LAB 40.48, 41.58, -24.42

 

CMYK 0 / 33 / 2 / 51

HEX #7D547A

RGB 125 84 122

HSL 304.39, 0.2%, 0.41%

LAB 41.38, 23.7, -14.66

 

CMYK 0 / 6 / 0 / 58

HEX #6C656C

RGB 108 101 108

HSL 300, 0.03%, 0.41%

LAB 43.62, 4.17, -2.95

 

CMYK 23 / 0 / 21 / 54

HEX #5B765D

RGB 91 118 93

HSL 124.44, 0.13%, 0.41%

LAB 46.94, -15.2, 10.62

 

CMYK 32 / 69 / 0 / 38

HEX #6C329F

RGB 108 50 159

HSL 271.93, 0.52%, 0.41%

LAB 33.93, 46.21, -49.11

 

CMYK 14 / 69 / 0 / 38

HEX #89329F

RGB 137 50 159

HSL 287.89, 0.52%, 0.41%

LAB 38.03, 52.74, -42.29

 

CMYK 0 / 69 / 4 / 38

HEX #9F3298

RGB 159 50 152

HSL 303.85, 0.52%, 0.41%

LAB 41.09, 56.71, -33

 

CMYK 0 / 69 / 23 / 38

HEX #9F327B

RGB 159 50 123

HSL 319.82, 0.52%, 0.41%

LAB 39.72, 52.26, -17.39

 

CMYK 0 / 69 / 41 / 38

HEX #9F325E

RGB 159 50 94

HSL 335.78, 0.52%, 0.41%

LAB 38.66, 48.64, -0.82

 

CMYK 0 / 69 / 5 / 62

HEX #601E5B

RGB 96 30 91

HSL 304.55, 0.52%, 0.25%

LAB 24.23, 37.93, -21.84

 

CMYK 0 / 69 / 6 / 50

HEX #802878

RGB 128 40 120

HSL 305.45, 0.52%, 0.33%

LAB 32.84, 47.44, -26.61

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 68 / 5 / 25

HEX #BE3CB4

RGB 190 60 180

HSL 304.62, 0.52%, 0.49%

LAB 48.85, 64.97, -37.07

 

CMYK 0 / 56 / 5 / 20

HEX #CB59C1

RGB 203 89 193

HSL 305.26, 0.52%, 0.57%

LAB 55.78, 58.4, -33.6

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 50 / 69 / 38

HEX #9F4F32

RGB 159 79 50

HSL 15.96, 0.52%, 0.41%

LAB 43.05, 30.83, 31.99

 

CMYK 69 / 0 / 23 / 38

HEX #329F7B

RGB 50 159 123

HSL 160.18, 0.52%, 0.41%

LAB 58.89, -39.48, 9.97

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 4 / 0 / 69 / 38

HEX #989F32

RGB 152 159 50

HSL 63.85, 0.52%, 0.41%

LAB 63.1, -16.68, 53.41

 

CMYK 69 / 4 / 0 / 38

HEX #32989F

RGB 50 152 159

HSL 183.85, 0.52%, 0.41%

LAB 57.69, -26.3, -12.21

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 50 / 69 / 38

HEX #9F4F32

RGB 159 79 50

HSL 15.96, 0.52%, 0.41%

LAB 43.05, 30.83, 31.99

 

CMYK 69 / 0 / 64 / 38

HEX #329F39

RGB 50 159 57

HSL 123.85, 0.52%, 0.41%

LAB 57.82, -51.31, 43.22

 

CMYK 69 / 18 / 0 / 38

HEX #32829F

RGB 50 130 159

HSL 195.96, 0.52%, 0.41%

LAB 50.86, -14.68, -22.61

 

CMYK 0 / 69 / 6 / 38

HEX #9F3296

RGB 159 50 150

HSL 304.95, 0.52%, 0.41%

LAB 40.98, 56.38, -31.95

 

CMYK 0 / 30 / 69 / 38

HEX #9F7032

RGB 159 112 50

HSL 34.13, 0.52%, 0.41%

LAB 50.91, 12.27, 40.84

 

CMYK 69 / 0 / 64 / 38

HEX #329F39

RGB 50 159 57

HSL 123.85, 0.52%, 0.41%

LAB 57.82, -51.31, 43.22

 

CMYK 69 / 39 / 0 / 38

HEX #32619F

RGB 50 97 159

HSL 214.13, 0.52%, 0.41%

LAB 40.78, 5.01, -38.37

 

Description

Color code: HEX #9F3296 | qconv.com Color code: HEX #9F3296 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 50 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 50 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 6 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 6% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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