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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F3097 it is the complementary color #60CF68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F3097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F3097 shade: #A43092, #B542A5, #C654B8, #D766CB and #E878DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F3097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F3097 shade: #9F3097, #8E1E84, #7D0C71, #6C005E and #5B004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F3097 shade: #A13099, #A1307A, #A1305C, #A1303E and #A13030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F3097 shade: #A13099, #8B30A1, #6C30A1, #4E30A1 and #3030A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F3097 shade matches the following richer shades: #A13099, #B21FA7 and #C30EB6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F3097 shade: #A13099, #90418A, #7F527C, #6E636D and #5D745F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F3097 shade: #6C30A1, #8A30A1, #A13099, #A1307B and #A1305D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F3097 shade: #611D5D, #81277B, #A13099, #C13AB7 and #CD57C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F3097 shade: #9F3097, #A14E30 and #30A17B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F3097 shade: #9F3097, #99A130 and #3099A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F3097 shade: #9F3097, #A14E30, #30A138 and #3083A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F3097 shade: #9F3097, #A17030, #30A138 and #3061A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 5 / 38

HEX #9F3097

RGB 159 48 151

HSL 304.32, 0.54%, 0.41%

LAB 40.77, 57.31, -32.9

 

Complementary color

CMYK 54 / 0 / 50 / 19

HEX #60CF68

RGB 96 207 104

HSL 124.32, 0.54%, 0.59%

LAB 74.9, -52.74, 41.49

 

CMYK 0 / 71 / 11 / 36

HEX #A43092

RGB 164 48 146

HSL 309.31, 0.55%, 0.42%

LAB 41.35, 57.73, -28.9

 

CMYK 0 / 64 / 9 / 29

HEX #B542A5

RGB 181 66 165

HSL 308.35, 0.47%, 0.48%

LAB 47.54, 57.99, -30.39

 

CMYK 0 / 58 / 7 / 22

HEX #C654B8

RGB 198 84 184

HSL 307.37, 0.5%, 0.55%

LAB 53.82, 57.8, -31.52

 

CMYK 0 / 53 / 6 / 16

HEX #D766CB

RGB 215 102 203

HSL 306.37, 0.59%, 0.62%

LAB 60.12, 57.36, -32.41

 

CMYK 0 / 48 / 4 / 9

HEX #E878DE

RGB 232 120 222

HSL 305.36, 0.71%, 0.69%

LAB 66.41, 56.77, -33.13

 

CMYK 0 / 70 / 5 / 38

HEX #9F3097

RGB 159 48 151

HSL 304.32, 0.54%, 0.41%

LAB 40.77, 57.31, -32.9

 

CMYK 0 / 79 / 7 / 44

HEX #8E1E84

RGB 142 30 132

HSL 305.36, 0.65%, 0.34%

LAB 34.69, 56.33, -31.03

 

CMYK 0 / 90 / 10 / 51

HEX #7D0C71

RGB 125 12 113

HSL 306.37, 0.82%, 0.27%

LAB 28.94, 54.08, -28.35

 

CMYK 0 / 100 / 13 / 58

HEX #6C005E

RGB 108 0 94

HSL 307.78, 1%, 0.21%

LAB 23.66, 50.03, -24.57

 

CMYK 0 / 100 / 18 / 64

HEX #5B004B

RGB 91 0 75

HSL 310.55, 1%, 0.18%

LAB 18.94, 43.79, -19.46

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 0 / 70 / 24 / 37

HEX #A1307A

RGB 161 48 122

HSL 320.71, 0.54%, 0.41%

LAB 39.74, 53.45, -16.7

 

CMYK 0 / 70 / 43 / 37

HEX #A1305C

RGB 161 48 92

HSL 336.64, 0.54%, 0.41%

LAB 38.66, 49.84, 0.5

 

CMYK 0 / 70 / 61 / 37

HEX #A1303E

RGB 161 48 62

HSL 352.57, 0.54%, 0.41%

LAB 37.91, 47.24, 18.49

 

CMYK 0 / 70 / 70 / 37

HEX #A13030

RGB 161 48 48

HSL 0, 0.54%, 0.41%

LAB 37.67, 46.39, 26.89

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 14 / 70 / 0 / 37

HEX #8B30A1

RGB 139 48 161

HSL 288.32, 0.54%, 0.41%

LAB 38.16, 54.43, -43.27

 

CMYK 33 / 70 / 0 / 37

HEX #6C30A1

RGB 108 48 161

HSL 271.86, 0.54%, 0.41%

LAB 33.72, 47.68, -50.64

 

CMYK 52 / 70 / 0 / 37

HEX #4E30A1

RGB 78 48 161

HSL 255.93, 0.54%, 0.41%

LAB 30.17, 41.89, -56.57

 

CMYK 70 / 70 / 0 / 37

HEX #3030A1

RGB 48 48 161

HSL 240, 0.54%, 0.41%

LAB 27.62, 37.42, -60.87

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 0 / 83 / 6 / 30

HEX #B21FA7

RGB 178 31 167

HSL 304.49, 0.7%, 0.41%

LAB 43.12, 69.04, -38.58

 

CMYK 0 / 93 / 7 / 24

HEX #C30EB6

RGB 195 14 182

HSL 304.31, 0.87%, 0.41%

LAB 46.03, 77.18, -42.65

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 0 / 55 / 4 / 44

HEX #90418A

RGB 144 65 138

HSL 304.56, 0.38%, 0.41%

LAB 40.48, 43.56, -25.61

 

CMYK 0 / 35 / 2 / 50

HEX #7F527C

RGB 127 82 124

HSL 304, 0.22%, 0.41%

LAB 41.22, 25.99, -16.11

 

CMYK 0 / 10 / 1 / 57

HEX #6E636D

RGB 110 99 109

HSL 305.45, 0.05%, 0.41%

LAB 43.28, 6.36, -4.05

 

CMYK 20 / 0 / 18 / 55

HEX #5D745F

RGB 93 116 95

HSL 125.22, 0.11%, 0.41%

LAB 46.5, -12.96, 8.86

 

CMYK 33 / 70 / 0 / 37

HEX #6C30A1

RGB 108 48 161

HSL 271.86, 0.54%, 0.41%

LAB 33.72, 47.68, -50.64

 

CMYK 14 / 70 / 0 / 37

HEX #8A30A1

RGB 138 48 161

HSL 287.79, 0.54%, 0.41%

LAB 38, 54.2, -43.53

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 0 / 70 / 24 / 37

HEX #A1307B

RGB 161 48 123

HSL 320.18, 0.54%, 0.41%

LAB 39.78, 53.59, -17.26

 

CMYK 0 / 70 / 42 / 37

HEX #A1305D

RGB 161 48 93

HSL 336.11, 0.54%, 0.41%

LAB 38.69, 49.95, -0.09

 

CMYK 0 / 70 / 4 / 62

HEX #611D5D

RGB 97 29 93

HSL 303.53, 0.54%, 0.25%

LAB 24.36, 39.03, -22.95

 

CMYK 0 / 70 / 5 / 49

HEX #81277B

RGB 129 39 123

HSL 304, 0.54%, 0.33%

LAB 33.02, 48.62, -28.19

 

CMYK 0 / 70 / 5 / 37

HEX #A13099

RGB 161 48 153

HSL 304.25, 0.54%, 0.41%

LAB 41.2, 58.11, -33.4

 

CMYK 0 / 70 / 5 / 24

HEX #C13AB7

RGB 193 58 183

HSL 304.44, 0.54%, 0.49%

LAB 49.23, 66.86, -38.19

 

CMYK 0 / 58 / 4 / 20

HEX #CD57C4

RGB 205 87 196

HSL 304.58, 0.54%, 0.57%

LAB 55.87, 60.33, -35.16

 

CMYK 0 / 70 / 5 / 38

HEX #9F3097

RGB 159 48 151

HSL 304.32, 0.54%, 0.41%

LAB 40.77, 57.31, -32.9

 

CMYK 0 / 52 / 70 / 37

HEX #A14E30

RGB 161 78 48

HSL 15.93, 0.54%, 0.41%

LAB 43.12, 32.06, 33.27

 

CMYK 70 / 0 / 24 / 37

HEX #30A17B

RGB 48 161 123

HSL 159.82, 0.54%, 0.41%

LAB 59.48, -40.68, 10.8

 

CMYK 0 / 70 / 5 / 38

HEX #9F3097

RGB 159 48 151

HSL 304.32, 0.54%, 0.41%

LAB 40.77, 57.31, -32.9

 

CMYK 5 / 0 / 70 / 37

HEX #99A130

RGB 153 161 48

HSL 64.25, 0.54%, 0.41%

LAB 63.73, -17.39, 54.86

 

CMYK 70 / 5 / 0 / 37

HEX #3099A1

RGB 48 153 161

HSL 184.25, 0.54%, 0.41%

LAB 58.02, -26.49, -12.85

 

CMYK 0 / 70 / 5 / 38

HEX #9F3097

RGB 159 48 151

HSL 304.32, 0.54%, 0.41%

LAB 40.77, 57.31, -32.9

 

CMYK 0 / 52 / 70 / 37

HEX #A14E30

RGB 161 78 48

HSL 15.93, 0.54%, 0.41%

LAB 43.12, 32.06, 33.27

 

CMYK 70 / 0 / 65 / 37

HEX #30A138

RGB 48 161 56

HSL 124.25, 0.54%, 0.41%

LAB 58.42, -52.52, 44.32

 

CMYK 70 / 19 / 0 / 37

HEX #3083A1

RGB 48 131 161

HSL 195.93, 0.54%, 0.41%

LAB 51.19, -14.88, -23.26

 

CMYK 0 / 70 / 5 / 38

HEX #9F3097

RGB 159 48 151

HSL 304.32, 0.54%, 0.41%

LAB 40.77, 57.31, -32.9

 

CMYK 0 / 30 / 70 / 37

HEX #A17030

RGB 161 112 48

HSL 33.98, 0.54%, 0.41%

LAB 51.13, 13.05, 42.13

 

CMYK 70 / 0 / 65 / 37

HEX #30A138

RGB 48 161 56

HSL 124.25, 0.54%, 0.41%

LAB 58.42, -52.52, 44.32

 

CMYK 70 / 40 / 0 / 37

HEX #3061A1

RGB 48 97 161

HSL 213.98, 0.54%, 0.41%

LAB 40.82, 5.42, -39.51

 

Description

Color code: HEX #9F3097 | qconv.com Color code: HEX #9F3097 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 48 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 48 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 5 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 5% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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