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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2FC1 it is the complementary color #60D03E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2FC1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2FC1 shade: #A42FBC, #B541CF, #C653E2, #D765F5 and #E877FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2FC1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2FC1 shade: #9F2FC1, #8E1DAE, #7D0B9B, #6C0088 and #5B0075

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2FC1 shade: #9F2FC1, #C12FBC, #C12F94, #C12F6D and #C12F45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2FC1 shade: #9F2FC1, #772FC1, #502FC1 and #2F2FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2FC1 shade matches the following richer shades: #9F2FC1, #A91BD4 and #B408E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2FC1 shade: #9F2FC1, #9542AE, #8A569A, #806987 and #757C73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2FC1 shade: #512FC1, #782FC1, #9F2FC1, #C12FBC and #C12F95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2FC1 shade: #681F7F, #8427A0, #9F2FC1, #B247D2 and #C068DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2FC1 shade: #9F2FC1, #C12F34 and #2FC164

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2FC1 shade: #9F2FC1, #C19F2F and #2FC19F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2FC1 shade: #9F2FC1, #C12F34, #51C12F and #2FC1BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2FC1 shade: #9F2FC1, #C1562F, #51C12F and #2F9AC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

Complementary color

CMYK 54 / 0 / 70 / 18

HEX #60D03E

RGB 96 208 62

HSL 106.03, 0.61%, 0.53%

LAB 74.79, -57.66, 59.79

 

CMYK 13 / 75 / 0 / 26

HEX #A42FBC

RGB 164 47 188

HSL 289.79, 0.6%, 0.46%

LAB 43.59, 65.22, -50.37

 

CMYK 13 / 69 / 0 / 19

HEX #B541CF

RGB 181 65 207

HSL 289.01, 0.6%, 0.53%

LAB 49.63, 65.71, -51.57

 

CMYK 12 / 63 / 0 / 11

HEX #C653E2

RGB 198 83 226

HSL 288.25, 0.71%, 0.61%

LAB 55.77, 65.69, -52.42

 

CMYK 12 / 59 / 0 / 4

HEX #D765F5

RGB 215 101 245

HSL 287.5, 0.88%, 0.68%

LAB 61.95, 65.35, -53.05

 

CMYK 9 / 53 / 0 / 0

HEX #E877FF

RGB 232 119 255

HSL 289.85, 1%, 0.73%

LAB 67.7, 63.13, -49.32

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 18 / 83 / 0 / 32

HEX #8E1DAE

RGB 142 29 174

HSL 286.76, 0.71%, 0.4%

LAB 37.27, 63.93, -52.46

 

CMYK 19 / 93 / 0 / 39

HEX #7D0B9B

RGB 125 11 155

HSL 287.5, 0.87%, 0.33%

LAB 31.73, 61.4, -50.11

 

CMYK 21 / 100 / 0 / 47

HEX #6C0088

RGB 108 0 136

HSL 287.65, 1%, 0.27%

LAB 26.64, 57.11, -46.78

 

CMYK 22 / 100 / 0 / 54

HEX #5B0075

RGB 91 0 117

HSL 286.67, 1%, 0.23%

LAB 21.98, 51.01, -42.45

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 0 / 76 / 3 / 24

HEX #C12FBC

RGB 193 47 188

HSL 302.05, 0.61%, 0.47%

LAB 48.26, 71.16, -42.64

 

CMYK 0 / 76 / 23 / 24

HEX #C12F94

RGB 193 47 148

HSL 318.49, 0.61%, 0.47%

LAB 46.32, 65.46, -21.98

 

CMYK 0 / 76 / 44 / 24

HEX #C12F6D

RGB 193 47 109

HSL 334.52, 0.61%, 0.47%

LAB 44.91, 61.09, -0.32

 

CMYK 0 / 76 / 64 / 24

HEX #C12F45

RGB 193 47 69

HSL 350.96, 0.61%, 0.47%

LAB 43.94, 58.01, 23.14

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 38 / 76 / 0 / 24

HEX #772FC1

RGB 119 47 193

HSL 269.59, 0.61%, 0.47%

LAB 37.49, 57.89, -63.48

 

CMYK 59 / 76 / 0 / 24

HEX #502FC1

RGB 80 47 193

HSL 253.56, 0.61%, 0.47%

LAB 33.11, 52.06, -70.83

 

CMYK 76 / 76 / 0 / 24

HEX #2F2FC1

RGB 47 47 193

HSL 240, 0.61%, 0.47%

LAB 30.61, 48.62, -75.04

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 20 / 87 / 0 / 17

HEX #A91BD4

RGB 169 27 212

HSL 286.05, 0.77%, 0.47%

LAB 44.19, 75.75, -63.29

 

CMYK 22 / 97 / 0 / 9

HEX #B408E8

RGB 180 8 232

HSL 286.07, 0.93%, 0.47%

LAB 46.58, 83.35, -70.75

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 14 / 62 / 0 / 32

HEX #9542AE

RGB 149 66 174

HSL 286.11, 0.45%, 0.47%

LAB 43.27, 51.42, -42.77

 

CMYK 10 / 44 / 0 / 40

HEX #8A569A

RGB 138 86 154

HSL 285.88, 0.28%, 0.47%

LAB 44.79, 33.58, -28.6

 

CMYK 5 / 22 / 0 / 47

HEX #806987

RGB 128 105 135

HSL 286, 0.13%, 0.47%

LAB 47.55, 14.94, -13.11

 

CMYK 6 / 0 / 7 / 51

HEX #757C73

RGB 117 124 115

HSL 106.67, 0.04%, 0.47%

LAB 51.19, -4.43, 4.01

 

CMYK 58 / 76 / 0 / 24

HEX #512FC1

RGB 81 47 193

HSL 253.97, 0.61%, 0.47%

LAB 33.21, 52.19, -70.67

 

CMYK 38 / 76 / 0 / 24

HEX #782FC1

RGB 120 47 193

HSL 270, 0.61%, 0.47%

LAB 37.62, 58.06, -63.27

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 0 / 76 / 3 / 24

HEX #C12FBC

RGB 193 47 188

HSL 302.05, 0.61%, 0.47%

LAB 48.26, 71.16, -42.64

 

CMYK 0 / 76 / 23 / 24

HEX #C12F95

RGB 193 47 149

HSL 318.08, 0.61%, 0.47%

LAB 46.37, 65.58, -22.52

 

CMYK 18 / 76 / 0 / 50

HEX #681F7F

RGB 104 31 127

HSL 285.63, 0.61%, 0.31%

LAB 27.99, 46.64, -38.97

 

CMYK 18 / 76 / 0 / 37

HEX #8427A0

RGB 132 39 160

HSL 286.12, 0.61%, 0.39%

LAB 35.78, 56.22, -46.54

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 15 / 66 / 0 / 18

HEX #B247D2

RGB 178 71 210

HSL 286.19, 0.61%, 0.55%

LAB 50.25, 63.19, -52.32

 

CMYK 12 / 52 / 0 / 15

HEX #C068DA

RGB 192 104 218

HSL 286.32, 0.61%, 0.63%

LAB 58.2, 52.82, -44.12

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 0 / 76 / 73 / 24

HEX #C12F34

RGB 193 47 52

HSL 357.95, 0.61%, 0.47%

LAB 43.68, 57.15, 33.08

 

CMYK 76 / 0 / 48 / 24

HEX #2FC164

RGB 47 193 100

HSL 141.78, 0.61%, 0.47%

LAB 69.23, -57.87, 36.13

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 0 / 18 / 76 / 24

HEX #C19F2F

RGB 193 159 47

HSL 46.03, 0.61%, 0.47%

LAB 66.78, 1.25, 59.43

 

CMYK 76 / 0 / 18 / 24

HEX #2FC19F

RGB 47 193 159

HSL 166.03, 0.61%, 0.47%

LAB 70.35, -45.55, 6.4

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 0 / 76 / 73 / 24

HEX #C12F34

RGB 193 47 52

HSL 357.95, 0.61%, 0.47%

LAB 43.68, 57.15, 33.08

 

CMYK 58 / 0 / 76 / 24

HEX #51C12F

RGB 81 193 47

HSL 106.03, 0.61%, 0.47%

LAB 69.54, -57.22, 59.66

 

CMYK 76 / 0 / 3 / 24

HEX #2FC1BC

RGB 47 193 188

HSL 177.95, 0.61%, 0.47%

LAB 71.13, -37.72, -8.29

 

CMYK 18 / 76 / 0 / 24

HEX #9F2FC1

RGB 159 47 193

HSL 286.03, 0.61%, 0.47%

LAB 43.14, 65.17, -54.05

 

CMYK 0 / 55 / 76 / 24

HEX #C1562F

RGB 193 86 47

HSL 16.03, 0.61%, 0.47%

LAB 49.74, 40.54, 42.49

 

CMYK 58 / 0 / 76 / 24

HEX #51C12F

RGB 81 193 47

HSL 106.03, 0.61%, 0.47%

LAB 69.54, -57.22, 59.66

 

CMYK 76 / 20 / 0 / 24

HEX #2F9AC1

RGB 47 154 193

HSL 196.03, 0.61%, 0.47%

LAB 59.49, -16.78, -28.73

 

Description

Color code: HEX #9F2FC1 | qconv.com Color code: HEX #9F2FC1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 47 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 47 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 76 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 76% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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