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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2DB9 it is the complementary color #60D246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2DB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2DB9 shade: #A42DB4, #B53FC7, #C651DA, #D763ED and #E875FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2DB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2DB9 shade: #9F2DB9, #8E1BA6, #7D0993, #6C0080 and #5B006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2DB9 shade: #9F2DB9, #B92DAD, #B92D87, #B92D61 and #B92D3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2DB9 shade: #9F2DB9, #792DB9, #532DB9 and #2D2DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2DB9 shade matches the following richer shades: #9F2DB9, #AA1ACB and #B608DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2DB9 shade: #9F2DB9, #933FA6, #875294, #7C6481 and #70776E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2DB9 shade: #522DB9, #772DB9, #9D2DB9, #B92DAF and #B92D8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2DB9 shade: #661D76, #822598, #9F2DB9, #B53ED0 and #C260D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2DB9 shade: #9F2DB9, #B92D2D and #2DB965

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2DB9 shade: #9F2DB9, #B99D2D and #2DB99D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2DB9 shade: #9F2DB9, #B92D2D, #49B92D and #2DB9B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2DB9 shade: #9F2DB9, #B9572D, #49B92D and #2D8FB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

Complementary color

CMYK 54 / 0 / 67 / 18

HEX #60D246

RGB 96 210 70

HSL 108.86, 0.61%, 0.55%

LAB 75.47, -57.73, 57.41

 

CMYK 9 / 75 / 0 / 29

HEX #A42DB4

RGB 164 45 180

HSL 292.89, 0.6%, 0.44%

LAB 42.86, 64.44, -46.84

 

CMYK 9 / 68 / 0 / 22

HEX #B53FC7

RGB 181 63 199

HSL 292.06, 0.55%, 0.51%

LAB 48.89, 65.02, -48.15

 

CMYK 9 / 63 / 0 / 15

HEX #C651DA

RGB 198 81 218

HSL 291.24, 0.65%, 0.59%

LAB 55.02, 65.05, -49.09

 

CMYK 9 / 58 / 0 / 7

HEX #D763ED

RGB 215 99 237

HSL 290.43, 0.79%, 0.66%

LAB 61.21, 64.75, -49.8

 

CMYK 9 / 54 / 0 / 0

HEX #E875FF

RGB 232 117 255

HSL 290, 1%, 0.73%

LAB 67.35, 64.07, -49.87

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 14 / 84 / 0 / 35

HEX #8E1BA6

RGB 142 27 166

HSL 289.64, 0.72%, 0.38%

LAB 36.53, 62.97, -48.86

 

CMYK 15 / 94 / 0 / 42

HEX #7D0993

RGB 125 9 147

HSL 290.43, 0.88%, 0.31%

LAB 31.02, 60.24, -46.35

 

CMYK 16 / 100 / 0 / 50

HEX #6C0080

RGB 108 0 128

HSL 290.63, 1%, 0.25%

LAB 26, 55.64, -42.78

 

CMYK 17 / 100 / 0 / 57

HEX #5B006D

RGB 91 0 109

HSL 290.09, 1%, 0.21%

LAB 21.31, 49.49, -38.35

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 0 / 76 / 6 / 27

HEX #B92DAD

RGB 185 45 173

HSL 305.14, 0.61%, 0.45%

LAB 45.92, 67.73, -37.63

 

CMYK 0 / 76 / 27 / 27

HEX #B92D87

RGB 185 45 135

HSL 321.43, 0.61%, 0.45%

LAB 44.15, 62.46, -17.58

 

CMYK 0 / 76 / 48 / 27

HEX #B92D61

RGB 185 45 97

HSL 337.71, 0.61%, 0.45%

LAB 42.84, 58.4, 3.97

 

CMYK 0 / 76 / 68 / 27

HEX #B92D3C

RGB 185 45 60

HSL 353.57, 0.61%, 0.45%

LAB 42.03, 55.77, 25.92

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 35 / 76 / 0 / 27

HEX #792DB9

RGB 121 45 185

HSL 272.57, 0.61%, 0.45%

LAB 36.83, 57.18, -59.85

 

CMYK 55 / 76 / 0 / 27

HEX #532DB9

RGB 83 45 185

HSL 256.29, 0.61%, 0.45%

LAB 32.3, 51.15, -67.44

 

CMYK 76 / 76 / 0 / 27

HEX #2D2DB9

RGB 45 45 185

HSL 240, 0.61%, 0.45%

LAB 29.25, 46.95, -72.56

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 16 / 87 / 0 / 20

HEX #AA1ACB

RGB 170 26 203

HSL 288.81, 0.77%, 0.45%

LAB 43.65, 74.5, -58.97

 

CMYK 18 / 96 / 0 / 13

HEX #B608DE

RGB 182 8 222

HSL 288.79, 0.93%, 0.45%

LAB 46.17, 81.9, -65.73

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 11 / 62 / 0 / 35

HEX #933FA6

RGB 147 63 166

HSL 288.93, 0.45%, 0.45%

LAB 42.02, 50.72, -40.04

 

CMYK 9 / 45 / 0 / 42

HEX #875294

RGB 135 82 148

HSL 288.18, 0.29%, 0.45%

LAB 43.25, 33.63, -27.44

 

CMYK 4 / 22 / 0 / 49

HEX #7C6481

RGB 124 100 129

HSL 289.66, 0.13%, 0.45%

LAB 45.61, 15.21, -12.49

 

CMYK 6 / 0 / 8 / 53

HEX #70776E

RGB 112 119 110

HSL 106.67, 0.04%, 0.45%

LAB 49.21, -4.46, 4.04

 

CMYK 56 / 76 / 0 / 27

HEX #522DB9

RGB 82 45 185

HSL 255.86, 0.61%, 0.45%

LAB 32.2, 51.01, -67.61

 

CMYK 36 / 76 / 0 / 27

HEX #772DB9

RGB 119 45 185

HSL 271.71, 0.61%, 0.45%

LAB 36.56, 56.83, -60.3

 

CMYK 15 / 76 / 0 / 27

HEX #9D2DB9

RGB 157 45 185

HSL 288, 0.61%, 0.45%

LAB 42.07, 63.95, -51.11

 

CMYK 0 / 76 / 5 / 27

HEX #B92DAF

RGB 185 45 175

HSL 304.29, 0.61%, 0.45%

LAB 46.02, 68.04, -38.65

 

CMYK 0 / 76 / 25 / 27

HEX #B92D8A

RGB 185 45 138

HSL 320.14, 0.61%, 0.45%

LAB 44.27, 62.84, -19.21

 

CMYK 14 / 75 / 0 / 54

HEX #661D76

RGB 102 29 118

HSL 289.21, 0.61%, 0.29%

LAB 26.77, 45.14, -35.26

 

CMYK 14 / 76 / 0 / 40

HEX #822598

RGB 130 37 152

HSL 288.52, 0.61%, 0.37%

LAB 34.67, 54.96, -43.49

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 13 / 70 / 0 / 18

HEX #B53ED0

RGB 181 62 208

HSL 288.9, 0.61%, 0.53%

LAB 49.28, 67.05, -52.7

 

CMYK 10 / 56 / 0 / 15

HEX #C260D8

RGB 194 96 216

HSL 289, 0.61%, 0.61%

LAB 56.87, 56.88, -45.06

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 0 / 76 / 76 / 27

HEX #B92D2D

RGB 185 45 45

HSL 0, 0.61%, 0.45%

LAB 41.81, 55.07, 34.65

 

CMYK 76 / 0 / 45 / 27

HEX #2DB965

RGB 45 185 101

HSL 144, 0.61%, 0.45%

LAB 66.67, -55.12, 32.36

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 0 / 15 / 76 / 27

HEX #B99D2D

RGB 185 157 45

HSL 48, 0.61%, 0.45%

LAB 65.45, -1.3, 58.63

 

CMYK 76 / 0 / 15 / 27

HEX #2DB99D

RGB 45 185 157

HSL 168, 0.61%, 0.45%

LAB 67.79, -42.89, 3.8

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 0 / 76 / 76 / 27

HEX #B92D2D

RGB 185 45 45

HSL 0, 0.61%, 0.45%

LAB 41.81, 55.07, 34.65

 

CMYK 61 / 0 / 76 / 27

HEX #49B92D

RGB 73 185 45

HSL 108, 0.61%, 0.45%

LAB 66.75, -56.49, 57.51

 

CMYK 76 / 0 / 0 / 27

HEX #2DB9B9

RGB 45 185 185

HSL 180, 0.61%, 0.45%

LAB 68.58, -35.11, -10.46

 

CMYK 14 / 76 / 0 / 27

HEX #9F2DB9

RGB 159 45 185

HSL 288.86, 0.61%, 0.45%

LAB 42.38, 64.34, -50.59

 

CMYK 0 / 53 / 76 / 27

HEX #B9572D

RGB 185 87 45

HSL 18, 0.61%, 0.45%

LAB 48.66, 36.83, 42

 

CMYK 61 / 0 / 76 / 27

HEX #49B92D

RGB 73 185 45

HSL 108, 0.61%, 0.45%

LAB 66.75, -56.49, 57.51

 

CMYK 76 / 23 / 0 / 27

HEX #2D8FB9

RGB 45 143 185

HSL 198, 0.61%, 0.45%

LAB 55.79, -13.74, -29.94

 

Description

Color code: HEX #9F2DB9 | qconv.com Color code: HEX #9F2DB9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 45 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 45 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 76 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 76% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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