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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2BCC it is the complementary color #60D433. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2BCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2BCC shade: #A42BC7, #B53DDA, #C64FED, #D761FF and #E873FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2BCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2BCC shade: #9F2BCC, #8E19B9, #7D07A6, #6C0093 and #5B0080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2BCC shade: #9D2BCA, #C82BCA, #CA2BA1, #CA2B76 and #CA2B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2BCC shade: #9D2BCA, #732BCA, #482BCA and #2B2BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2BCC shade matches the following richer shades: #9D2BCA, #A617DE and #AF03F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2BCC shade: #9D2BCA, #953FB6, #8C52A2, #83668F and #7B7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2BCC shade: #482BCA, #722BCA, #9D2BCA, #C72BCA and #CA2BA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2BCC shade: #681C86, #8324A8, #9D2BCA, #AF46D8 and #BE68DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2BCC shade: #9F2BCC, #CA2B38 and #2BCA5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2BCC shade: #9F2BCC, #CA9D2B and #2BCA9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2BCC shade: #9F2BCC, #CA2B38, #58CA2B and #2BCABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2BCC shade: #9F2BCC, #CA4D2B, #58CA2B and #2BA7CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 79 / 0 / 20

HEX #9F2BCC

RGB 159 43 204

HSL 283.23, 0.65%, 0.48%

LAB 43.45, 68.6, -59.96

 

Complementary color

CMYK 55 / 0 / 76 / 17

HEX #60D433

RGB 96 212 51

HSL 103.23, 0.65%, 0.52%

LAB 75.95, -59.88, 64.78

 

CMYK 18 / 78 / 0 / 22

HEX #A42BC7

RGB 164 43 199

HSL 286.54, 0.64%, 0.47%

LAB 43.86, 68.54, -56.35

 

CMYK 17 / 72 / 0 / 15

HEX #B53DDA

RGB 181 61 218

HSL 285.86, 0.68%, 0.55%

LAB 49.77, 69.29, -57.64

 

CMYK 16 / 67 / 0 / 7

HEX #C64FED

RGB 198 79 237

HSL 285.19, 0.81%, 0.62%

LAB 55.8, 69.45, -58.55

 

CMYK 16 / 62 / 0 / 0

HEX #D761FF

RGB 215 97 255

HSL 284.81, 1%, 0.69%

LAB 61.84, 69.04, -58.75

 

CMYK 9 / 55 / 0 / 0

HEX #E873FF

RGB 232 115 255

HSL 290.14, 1%, 0.73%

LAB 67, 65, -50.42

 

CMYK 22 / 79 / 0 / 20

HEX #9F2BCC

RGB 159 43 204

HSL 283.23, 0.65%, 0.48%

LAB 43.45, 68.6, -59.96

 

CMYK 23 / 86 / 0 / 27

HEX #8E19B9

RGB 142 25 185

HSL 283.88, 0.76%, 0.41%

LAB 37.75, 67, -58.21

 

CMYK 25 / 96 / 0 / 35

HEX #7D07A6

RGB 125 7 166

HSL 284.53, 0.92%, 0.34%

LAB 32.4, 64.05, -55.69

 

CMYK 27 / 100 / 0 / 42

HEX #6C0093

RGB 108 0 147

HSL 284.08, 1%, 0.29%

LAB 27.56, 59.19, -52.12

 

CMYK 29 / 100 / 0 / 50

HEX #5B0080

RGB 91 0 128

HSL 282.66, 1%, 0.25%

LAB 22.94, 53.19, -47.9

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

CMYK 1 / 79 / 0 / 21

HEX #C82BCA

RGB 200 43 202

HSL 299.25, 0.65%, 0.48%

LAB 49.82, 75.83, -48.21

 

CMYK 0 / 79 / 20 / 21

HEX #CA2BA1

RGB 202 43 161

HSL 315.47, 0.65%, 0.48%

LAB 48.08, 70.37, -26.92

 

CMYK 0 / 79 / 42 / 21

HEX #CA2B76

RGB 202 43 118

HSL 331.7, 0.65%, 0.48%

LAB 46.44, 65.51, -3.42

 

CMYK 0 / 79 / 63 / 21

HEX #CA2B4B

RGB 202 43 75

HSL 347.92, 0.65%, 0.48%

LAB 45.35, 62.17, 21.6

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

CMYK 43 / 79 / 0 / 21

HEX #732BCA

RGB 115 43 202

HSL 267.17, 0.65%, 0.48%

LAB 37.18, 61.02, -69.27

 

CMYK 64 / 79 / 0 / 21

HEX #482BCA

RGB 72 43 202

HSL 250.94, 0.65%, 0.48%

LAB 32.63, 55.66, -76.91

 

CMYK 79 / 79 / 0 / 21

HEX #2B2BCA

RGB 43 43 202

HSL 240, 0.65%, 0.48%

LAB 30.65, 53.32, -80.25

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

CMYK 25 / 90 / 0 / 13

HEX #A617DE

RGB 166 23 222

HSL 283.12, 0.81%, 0.48%

LAB 44.22, 77.86, -69

 

CMYK 28 / 99 / 0 / 5

HEX #AF03F2

RGB 175 3 242

HSL 283.18, 0.98%, 0.48%

LAB 46.43, 84.92, -76.68

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

CMYK 18 / 65 / 0 / 29

HEX #953FB6

RGB 149 63 182

HSL 283.36, 0.49%, 0.48%

LAB 43.24, 54.47, -47.53

 

CMYK 14 / 49 / 0 / 36

HEX #8C52A2

RGB 140 82 162

HSL 283.5, 0.33%, 0.48%

LAB 44.54, 38.17, -33.72

 

CMYK 8 / 29 / 0 / 44

HEX #83668F

RGB 131 102 143

HSL 282.44, 0.17%, 0.48%

LAB 47.38, 19.52, -18.1

 

CMYK 0 / 1 / 0 / 52

HEX #7B7A7B

RGB 123 122 123

HSL 300, 0%, 0.48%

LAB 51.34, 0.58, -0.42

 

CMYK 64 / 79 / 0 / 21

HEX #482BCA

RGB 72 43 202

HSL 250.94, 0.65%, 0.48%

LAB 32.63, 55.66, -76.91

 

CMYK 44 / 79 / 0 / 21

HEX #722BCA

RGB 114 43 202

HSL 266.79, 0.65%, 0.48%

LAB 37.06, 60.88, -69.47

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

CMYK 1 / 79 / 0 / 21

HEX #C72BCA

RGB 199 43 202

HSL 298.87, 0.65%, 0.48%

LAB 49.66, 75.64, -48.48

 

CMYK 0 / 79 / 20 / 21

HEX #CA2BA2

RGB 202 43 162

HSL 315.09, 0.65%, 0.48%

LAB 48.12, 70.5, -27.44

 

CMYK 22 / 79 / 0 / 47

HEX #681C86

RGB 104 28 134

HSL 283.02, 0.65%, 0.32%

LAB 28.1, 49.27, -43.19

 

CMYK 22 / 79 / 0 / 34

HEX #8324A8

RGB 131 36 168

HSL 283.18, 0.65%, 0.4%

LAB 35.82, 58.68, -51.3

 

CMYK 22 / 79 / 0 / 21

HEX #9D2BCA

RGB 157 43 202

HSL 283.02, 0.65%, 0.48%

LAB 43, 67.86, -59.53

 

CMYK 19 / 68 / 0 / 15

HEX #AF46D8

RGB 175 70 216

HSL 283.15, 0.65%, 0.56%

LAB 50.04, 64.13, -56.1

 

CMYK 15 / 53 / 0 / 13

HEX #BE68DF

RGB 190 104 223

HSL 283.36, 0.65%, 0.64%

LAB 58.2, 53.3, -46.93

 

CMYK 22 / 79 / 0 / 20

HEX #9F2BCC

RGB 159 43 204

HSL 283.23, 0.65%, 0.48%

LAB 43.45, 68.6, -59.96

 

CMYK 0 / 79 / 72 / 21

HEX #CA2B38

RGB 202 43 56

HSL 355.09, 0.65%, 0.48%

LAB 45.04, 61.2, 32.74

 

CMYK 79 / 0 / 54 / 21

HEX #2BCA5D

RGB 43 202 93

HSL 138.87, 0.65%, 0.48%

LAB 71.92, -62.54, 42.87

 

CMYK 22 / 79 / 0 / 20

HEX #9F2BCC

RGB 159 43 204

HSL 283.23, 0.65%, 0.48%

LAB 43.45, 68.6, -59.96

 

CMYK 0 / 22 / 79 / 21

HEX #CA9D2B

RGB 202 157 43

HSL 43.02, 0.65%, 0.48%

LAB 67.16, 6.14, 61.56

 

CMYK 79 / 0 / 22 / 21

HEX #2BCA9D

RGB 43 202 157

HSL 163.02, 0.65%, 0.48%

LAB 73.02, -50.2, 11.28

 

CMYK 22 / 79 / 0 / 20

HEX #9F2BCC

RGB 159 43 204

HSL 283.23, 0.65%, 0.48%

LAB 43.45, 68.6, -59.96

 

CMYK 0 / 79 / 72 / 21

HEX #CA2B38

RGB 202 43 56

HSL 355.09, 0.65%, 0.48%

LAB 45.04, 61.2, 32.74

 

CMYK 56 / 0 / 79 / 21

HEX #58CA2B

RGB 88 202 43

HSL 103.02, 0.65%, 0.48%

LAB 72.55, -58.88, 63.9

 

CMYK 79 / 0 / 6 / 21

HEX #2BCABD

RGB 43 202 189

HSL 175.09, 0.65%, 0.48%

LAB 73.82, -41.88, -4.85

 

CMYK 22 / 79 / 0 / 20

HEX #9F2BCC

RGB 159 43 204

HSL 283.23, 0.65%, 0.48%

LAB 43.45, 68.6, -59.96

 

CMYK 0 / 62 / 79 / 21

HEX #CA4D2B

RGB 202 77 43

HSL 12.83, 0.65%, 0.48%

LAB 49.54, 47.97, 44.79

 

CMYK 56 / 0 / 79 / 21

HEX #58CA2B

RGB 88 202 43

HSL 103.02, 0.65%, 0.48%

LAB 72.55, -58.88, 63.9

 

CMYK 79 / 17 / 0 / 21

HEX #2BA7CA

RGB 43 167 202

HSL 193.21, 0.65%, 0.48%

LAB 63.68, -21.09, -27.3

 

Description

Color code: HEX #9F2BCC | qconv.com Color code: HEX #9F2BCC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 43 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 43 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 79 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 79% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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