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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2AE7 it is the complementary color #60D518. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2AE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2AE7 shade: #A42AE2, #B53CF5, #C64EFF, #D760FF and #E872FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2AE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2AE7 shade: #9F2AE7, #8E18D4, #7D06C1, #6C00AE and #5B009B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2AE7 shade: #A02CE8, #D32CE8, #E82CCA, #E82C97 and #E82C65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2AE7 shade: #A02CE8, #6D2CE8, #3B2CE8 and #2C2CE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2AE7 shade matches the following richer shades: #A02CE8 and #A519FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2AE7 shade: #A02CE8, #9C3FD5, #9752C2, #9265AF and #8E789C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2AE7 shade: #3C2CE8, #6E2CE8, #A02CE8, #D22CE8 and #E82CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2AE7 shade: #7313AE, #8B17D3, #A02CE8, #B151EC and #C176F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2AE7 shade: #9F2AE7, #E82C4E and #2CE855

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2AE7 shade: #9F2AE7, #E8A02C and #2CE8A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2AE7 shade: #9F2AE7, #E82C4E, #74E82C and #2CE8C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2AE7 shade: #9F2AE7, #E8422C, #74E82C and #2CD2E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 82 / 0 / 9

HEX #9F2AE7

RGB 159 42 231

HSL 277.14, 0.8%, 0.54%

LAB 45.35, 74.26, -72.33

 

Complementary color

CMYK 55 / 0 / 89 / 16

HEX #60D518

RGB 96 213 24

HSL 97.14, 0.8%, 0.46%

LAB 76.16, -61.46, 71.69

 

CMYK 27 / 81 / 0 / 11

HEX #A42AE2

RGB 164 42 226

HSL 279.78, 0.76%, 0.53%

LAB 45.69, 74.02, -68.91

 

CMYK 26 / 76 / 0 / 4

HEX #B53CF5

RGB 181 60 245

HSL 279.24, 0.9%, 0.6%

LAB 51.44, 74.91, -70.18

 

CMYK 22 / 69 / 0 / 0

HEX #C64EFF

RGB 198 78 255

HSL 280.68, 1%, 0.65%

LAB 56.76, 73.37, -67.03

 

CMYK 16 / 62 / 0 / 0

HEX #D760FF

RGB 215 96 255

HSL 284.91, 1%, 0.69%

LAB 61.68, 69.48, -59.01

 

CMYK 9 / 55 / 0 / 0

HEX #E872FF

RGB 232 114 255

HSL 290.21, 1%, 0.72%

LAB 66.83, 65.46, -50.69

 

CMYK 31 / 82 / 0 / 9

HEX #9F2AE7

RGB 159 42 231

HSL 277.14, 0.8%, 0.54%

LAB 45.35, 74.26, -72.33

 

CMYK 33 / 89 / 0 / 17

HEX #8E18D4

RGB 142 24 212

HSL 277.66, 0.8%, 0.46%

LAB 39.84, 72.51, -70.56

 

CMYK 35 / 97 / 0 / 24

HEX #7D06C1

RGB 125 6 193

HSL 278.18, 0.94%, 0.39%

LAB 34.68, 69.46, -68.05

 

CMYK 38 / 100 / 0 / 32

HEX #6C00AE

RGB 108 0 174

HSL 277.24, 1%, 0.34%

LAB 30.02, 64.59, -64.51

 

CMYK 41 / 100 / 0 / 39

HEX #5B009B

RGB 91 0 155

HSL 275.23, 1%, 0.3%

LAB 25.54, 58.81, -60.46

 

CMYK 31 / 81 / 0 / 9

HEX #A02CE8

RGB 160 44 232

HSL 277.02, 0.8%, 0.54%

LAB 45.77, 74.03, -72.2

 

CMYK 9 / 81 / 0 / 9

HEX #D32CE8

RGB 211 44 232

HSL 293.3, 0.8%, 0.54%

LAB 53.47, 82.41, -59.38

 

CMYK 0 / 81 / 13 / 9

HEX #E82CCA

RGB 232 44 202

HSL 309.57, 0.8%, 0.54%

LAB 55.3, 81.91, -39.19

 

CMYK 0 / 81 / 35 / 9

HEX #E82C97

RGB 232 44 151

HSL 325.85, 0.8%, 0.54%

LAB 53.16, 75.86, -12.72

 

CMYK 0 / 81 / 56 / 9

HEX #E82C65

RGB 232 44 101

HSL 341.81, 0.8%, 0.54%

LAB 51.72, 71.63, 15.27

 

CMYK 31 / 81 / 0 / 9

HEX #A02CE8

RGB 160 44 232

HSL 277.02, 0.8%, 0.54%

LAB 45.77, 74.03, -72.2

 

CMYK 53 / 81 / 0 / 9

HEX #6D2CE8

RGB 109 44 232

HSL 260.74, 0.8%, 0.54%

LAB 39.38, 67.25, -82.94

 

CMYK 75 / 81 / 0 / 9

HEX #3B2CE8

RGB 59 44 232

HSL 244.79, 0.8%, 0.54%

LAB 35.12, 62.86, -90.12

 

CMYK 81 / 81 / 0 / 9

HEX #2C2CE8

RGB 44 44 232

HSL 240, 0.8%, 0.54%

LAB 34.32, 62.05, -91.47

 

CMYK 31 / 81 / 0 / 9

HEX #A02CE8

RGB 160 44 232

HSL 277.02, 0.8%, 0.54%

LAB 45.77, 74.03, -72.2

 

CMYK 34 / 90 / 0 / 2

HEX #A519FB

RGB 165 25 251

HSL 277.17, 0.97%, 0.54%

LAB 46.52, 82.9, -81.64

 

CMYK 31 / 81 / 0 / 9

HEX #A02CE8

RGB 160 44 232

HSL 277.02, 0.8%, 0.54%

LAB 45.77, 74.03, -72.2

 

CMYK 27 / 70 / 0 / 16

HEX #9C3FD5

RGB 156 63 213

HSL 277.2, 0.64%, 0.54%

LAB 46.21, 62.53, -60.69

 

CMYK 22 / 58 / 0 / 24

HEX #9752C2

RGB 151 82 194

HSL 276.96, 0.48%, 0.54%

LAB 47.64, 48.26, -47.49

 

CMYK 17 / 42 / 0 / 31

HEX #9265AF

RGB 146 101 175

HSL 276.49, 0.32%, 0.54%

LAB 50.11, 32.13, -32.58

 

CMYK 9 / 23 / 0 / 39

HEX #8E789C

RGB 142 120 156

HSL 276.67, 0.15%, 0.54%

LAB 53.58, 15.54, -16.19

 

CMYK 74 / 81 / 0 / 9

HEX #3C2CE8

RGB 60 44 232

HSL 245.11, 0.8%, 0.54%

LAB 35.18, 62.92, -90.01

 

CMYK 53 / 81 / 0 / 9

HEX #6E2CE8

RGB 110 44 232

HSL 261.06, 0.8%, 0.54%

LAB 39.48, 67.36, -82.76

 

CMYK 31 / 81 / 0 / 9

HEX #A02CE8

RGB 160 44 232

HSL 277.02, 0.8%, 0.54%

LAB 45.77, 74.03, -72.2

 

CMYK 9 / 81 / 0 / 9

HEX #D22CE8

RGB 210 44 232

HSL 292.98, 0.8%, 0.54%

LAB 53.31, 82.23, -59.64

 

CMYK 0 / 81 / 13 / 9

HEX #E82CCB

RGB 232 44 203

HSL 309.26, 0.8%, 0.54%

LAB 55.35, 82.04, -39.69

 

CMYK 34 / 89 / 0 / 32

HEX #7313AE

RGB 115 19 174

HSL 277.16, 0.8%, 0.38%

LAB 32.18, 62.17, -60.93

 

CMYK 34 / 89 / 0 / 17

HEX #8B17D3

RGB 139 23 211

HSL 277.02, 0.8%, 0.46%

LAB 39.25, 72.12, -70.97

 

CMYK 31 / 81 / 0 / 9

HEX #A02CE8

RGB 160 44 232

HSL 277.02, 0.8%, 0.54%

LAB 45.77, 74.03, -72.2

 

CMYK 25 / 66 / 0 / 7

HEX #B151EC

RGB 177 81 236

HSL 277.16, 0.8%, 0.62%

LAB 53.26, 63.93, -62.21

 

CMYK 20 / 51 / 0 / 6

HEX #C176F0

RGB 193 118 240

HSL 276.89, 0.8%, 0.7%

LAB 62.16, 50.49, -50.13

 

CMYK 31 / 82 / 0 / 9

HEX #9F2AE7

RGB 159 42 231

HSL 277.14, 0.8%, 0.54%

LAB 45.35, 74.26, -72.33

 

CMYK 0 / 81 / 66 / 9

HEX #E82C4E

RGB 232 44 78

HSL 349.15, 0.8%, 0.54%

LAB 51.28, 70.28, 28.55

 

CMYK 81 / 0 / 63 / 9

HEX #2CE855

RGB 44 232 85

HSL 133.09, 0.8%, 0.54%

LAB 81.24, -72.99, 57.28

 

CMYK 31 / 82 / 0 / 9

HEX #9F2AE7

RGB 159 42 231

HSL 277.14, 0.8%, 0.54%

LAB 45.35, 74.26, -72.33

 

CMYK 0 / 31 / 81 / 9

HEX #E8A02C

RGB 232 160 44

HSL 37.02, 0.8%, 0.54%

LAB 71.2, 17.56, 66.09

 

CMYK 81 / 0 / 31 / 9

HEX #2CE8A0

RGB 44 232 160

HSL 157.02, 0.8%, 0.54%

LAB 82.26, -60.98, 22.59

 

CMYK 31 / 82 / 0 / 9

HEX #9F2AE7

RGB 159 42 231

HSL 277.14, 0.8%, 0.54%

LAB 45.35, 74.26, -72.33

 

CMYK 0 / 81 / 66 / 9

HEX #E82C4E

RGB 232 44 78

HSL 349.15, 0.8%, 0.54%

LAB 51.28, 70.28, 28.55

 

CMYK 50 / 0 / 81 / 9

HEX #74E82C

RGB 116 232 44

HSL 97.02, 0.8%, 0.54%

LAB 82.7, -61.97, 73.37

 

CMYK 81 / 0 / 15 / 9

HEX #2CE8C5

RGB 44 232 197

HSL 168.83, 0.8%, 0.54%

LAB 83.06, -52.38, 4.37

 

CMYK 31 / 82 / 0 / 9

HEX #9F2AE7

RGB 159 42 231

HSL 277.14, 0.8%, 0.54%

LAB 45.35, 74.26, -72.33

 

CMYK 0 / 72 / 81 / 9

HEX #E8422C

RGB 232 66 44

HSL 7.02, 0.8%, 0.54%

LAB 53.2, 62.4, 49.66

 

CMYK 50 / 0 / 81 / 9

HEX #74E82C

RGB 116 232 44

HSL 97.02, 0.8%, 0.54%

LAB 82.7, -61.97, 73.37

 

CMYK 81 / 9 / 0 / 9

HEX #2CD2E8

RGB 44 210 232

HSL 187.02, 0.8%, 0.54%

LAB 77.55, -32.81, -22.45

 

Description

Color code: HEX #9F2AE7 | qconv.com Color code: HEX #9F2AE7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 42 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 42 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 82 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 82% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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