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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2AB5 it is the complementary color #60D54A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2AB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2AB5 shade: #A42AB0, #B53CC3, #C64ED6, #D760E9 and #E872FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2AB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2AB5 shade: #9F2AB5, #8E18A2, #7D068F, #6C007C and #5B0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2AB5 shade: #A02BB6, #B62BA6, #B62B81, #B62B5B and #B62B36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2AB5 shade: #A02BB6, #7A2BB6, #552BB6, #2F2BB6 and #2B2BB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2AB5 shade matches the following richer shades: #A02BB6, #AC18C8 and #B906DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2AB5 shade: #A02BB6, #933DA4, #874F91, #7B617F and #6E736D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2AB5 shade: #542BB6, #792BB6, #9F2BB6, #B62BA8 and #B62B83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2AB5 shade: #651B73, #822394, #A02BB6, #B939D1 and #C45BD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2AB5 shade: #9F2AB5, #B62F2B and #2BB667

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2AB5 shade: #9F2AB5, #B69F2B and #2BB69F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2AB5 shade: #9F2AB5, #B62F2B, #42B62B and #2BB1B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2AB5 shade: #9F2AB5, #B6592B, #42B62B and #2B87B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 77 / 0 / 29

HEX #9F2AB5

RGB 159 42 181

HSL 290.5, 0.62%, 0.44%

LAB 41.79, 64.59, -49.19

 

Complementary color

CMYK 55 / 0 / 65 / 16

HEX #60D54A

RGB 96 213 74

HSL 110.5, 0.62%, 0.56%

LAB 76.42, -58.47, 56.82

 

CMYK 7 / 76 / 0 / 31

HEX #A42AB0

RGB 164 42 176

HSL 294.63, 0.61%, 0.43%

LAB 42.28, 64.7, -45.4

 

CMYK 7 / 69 / 0 / 24

HEX #B53CC3

RGB 181 60 195

HSL 293.78, 0.53%, 0.5%

LAB 48.25, 65.44, -46.84

 

CMYK 7 / 64 / 0 / 16

HEX #C64ED6

RGB 198 78 214

HSL 292.94, 0.62%, 0.57%

LAB 54.35, 65.58, -47.89

 

CMYK 8 / 59 / 0 / 9

HEX #D760E9

RGB 215 96 233

HSL 292.12, 0.76%, 0.65%

LAB 60.51, 65.35, -48.67

 

CMYK 8 / 55 / 0 / 1

HEX #E872FC

RGB 232 114 252

HSL 291.3, 0.96%, 0.72%

LAB 66.69, 64.91, -49.27

 

CMYK 12 / 77 / 0 / 29

HEX #9F2AB5

RGB 159 42 181

HSL 290.5, 0.62%, 0.44%

LAB 41.79, 64.59, -49.19

 

CMYK 12 / 85 / 0 / 36

HEX #8E18A2

RGB 142 24 162

HSL 291.3, 0.74%, 0.36%

LAB 36.01, 62.98, -47.3

 

CMYK 13 / 96 / 0 / 44

HEX #7D068F

RGB 125 6 143

HSL 292.12, 0.92%, 0.29%

LAB 30.58, 59.99, -44.61

 

CMYK 13 / 100 / 0 / 51

HEX #6C007C

RGB 108 0 124

HSL 292.26, 1%, 0.24%

LAB 25.69, 54.92, -40.75

 

CMYK 13 / 100 / 0 / 59

HEX #5B0069

RGB 91 0 105

HSL 292, 1%, 0.21%

LAB 21, 48.75, -36.26

 

CMYK 12 / 76 / 0 / 29

HEX #A02BB6

RGB 160 43 182

HSL 290.5, 0.62%, 0.44%

LAB 42.12, 64.65, -49.24

 

CMYK 0 / 76 / 9 / 29

HEX #B62BA6

RGB 182 43 166

HSL 306.91, 0.62%, 0.44%

LAB 44.84, 66.61, -35.22

 

CMYK 0 / 76 / 29 / 29

HEX #B62B81

RGB 182 43 129

HSL 322.88, 0.62%, 0.44%

LAB 43.15, 61.59, -15.48

 

CMYK 0 / 76 / 50 / 29

HEX #B62B5B

RGB 182 43 91

HSL 339.28, 0.62%, 0.44%

LAB 41.89, 57.68, 6.28

 

CMYK 0 / 76 / 70 / 29

HEX #B62B36

RGB 182 43 54

HSL 355.25, 0.62%, 0.44%

LAB 41.12, 55.21, 28.34

 

CMYK 12 / 76 / 0 / 29

HEX #A02BB6

RGB 160 43 182

HSL 290.5, 0.62%, 0.44%

LAB 42.12, 64.65, -49.24

 

CMYK 33 / 76 / 0 / 29

HEX #7A2BB6

RGB 122 43 182

HSL 274.1, 0.62%, 0.44%

LAB 36.45, 57.48, -58.69

 

CMYK 53 / 76 / 0 / 29

HEX #552BB6

RGB 85 43 182

HSL 258.13, 0.62%, 0.44%

LAB 31.89, 51.55, -66.33

 

CMYK 74 / 76 / 0 / 29

HEX #2F2BB6

RGB 47 43 182

HSL 241.73, 0.62%, 0.44%

LAB 28.67, 47.23, -71.75

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB6

RGB 43 43 182

HSL 240, 0.62%, 0.44%

LAB 28.43, 46.9, -72.15

 

CMYK 12 / 76 / 0 / 29

HEX #A02BB6

RGB 160 43 182

HSL 290.5, 0.62%, 0.44%

LAB 42.12, 64.65, -49.24

 

CMYK 14 / 88 / 0 / 22

HEX #AC18C8

RGB 172 24 200

HSL 290.45, 0.79%, 0.44%

LAB 43.65, 74.67, -57.22

 

CMYK 15 / 97 / 0 / 15

HEX #B906DA

RGB 185 6 218

HSL 290.66, 0.95%, 0.44%

LAB 46.32, 81.83, -63.17

 

CMYK 12 / 76 / 0 / 29

HEX #A02BB6

RGB 160 43 182

HSL 290.5, 0.62%, 0.44%

LAB 42.12, 64.65, -49.24

 

CMYK 10 / 63 / 0 / 36

HEX #933DA4

RGB 147 61 164

HSL 290.1, 0.46%, 0.44%

LAB 41.57, 51.25, -39.56

 

CMYK 7 / 46 / 0 / 43

HEX #874F91

RGB 135 79 145

HSL 290.91, 0.29%, 0.44%

LAB 42.44, 34.69, -26.89

 

CMYK 3 / 24 / 0 / 50

HEX #7B617F

RGB 123 97 127

HSL 292, 0.13%, 0.44%

LAB 44.65, 16.22, -12.75

 

CMYK 4 / 0 / 5 / 55

HEX #6E736D

RGB 110 115 109

HSL 110, 0.03%, 0.44%

LAB 47.86, -3.12, 2.65

 

CMYK 54 / 76 / 0 / 29

HEX #542BB6

RGB 84 43 182

HSL 257.7, 0.62%, 0.44%

LAB 31.78, 51.41, -66.5

 

CMYK 34 / 76 / 0 / 29

HEX #792BB6

RGB 121 43 182

HSL 273.67, 0.62%, 0.44%

LAB 36.31, 57.3, -58.92

 

CMYK 13 / 76 / 0 / 29

HEX #9F2BB6

RGB 159 43 182

HSL 290.07, 0.62%, 0.44%

LAB 41.96, 64.45, -49.5

 

CMYK 0 / 76 / 8 / 29

HEX #B62BA8

RGB 182 43 168

HSL 306.04, 0.62%, 0.44%

LAB 44.94, 66.91, -36.24

 

CMYK 0 / 76 / 28 / 29

HEX #B62B83

RGB 182 43 131

HSL 322.01, 0.62%, 0.44%

LAB 43.23, 61.83, -16.58

 

CMYK 12 / 77 / 0 / 55

HEX #651B73

RGB 101 27 115

HSL 290.45, 0.62%, 0.28%

LAB 26.12, 45.09, -34.38

 

CMYK 12 / 76 / 0 / 42

HEX #822394

RGB 130 35 148

HSL 290.44, 0.62%, 0.36%

LAB 34.16, 54.9, -41.87

 

CMYK 12 / 76 / 0 / 29

HEX #A02BB6

RGB 160 43 182

HSL 290.5, 0.62%, 0.44%

LAB 42.12, 64.65, -49.24

 

CMYK 11 / 73 / 0 / 18

HEX #B939D1

RGB 185 57 209

HSL 290.53, 0.62%, 0.52%

LAB 49.31, 69.86, -53.2

 

CMYK 9 / 58 / 0 / 15

HEX #C45BD8

RGB 196 91 216

HSL 290.4, 0.62%, 0.6%

LAB 56.26, 59.75, -46.01

 

CMYK 12 / 77 / 0 / 29

HEX #9F2AB5

RGB 159 42 181

HSL 290.5, 0.62%, 0.44%

LAB 41.79, 64.59, -49.19

 

CMYK 0 / 74 / 76 / 29

HEX #B62F2B

RGB 182 47 43

HSL 1.73, 0.62%, 0.44%

LAB 41.46, 53.38, 35.24

 

CMYK 76 / 0 / 43 / 29

HEX #2BB667

RGB 43 182 103

HSL 145.9, 0.62%, 0.44%

LAB 65.71, -53.95, 30.08

 

CMYK 12 / 77 / 0 / 29

HEX #9F2AB5

RGB 159 42 181

HSL 290.5, 0.62%, 0.44%

LAB 41.79, 64.59, -49.19

 

CMYK 0 / 13 / 76 / 29

HEX #B69F2B

RGB 182 159 43

HSL 50.07, 0.62%, 0.44%

LAB 65.68, -3.79, 59.47

 

CMYK 76 / 0 / 13 / 29

HEX #2BB69F

RGB 43 182 159

HSL 170.07, 0.62%, 0.44%

LAB 66.88, -41.29, 1.38

 

CMYK 12 / 77 / 0 / 29

HEX #9F2AB5

RGB 159 42 181

HSL 290.5, 0.62%, 0.44%

LAB 41.79, 64.59, -49.19

 

CMYK 0 / 74 / 76 / 29

HEX #B62F2B

RGB 182 47 43

HSL 1.73, 0.62%, 0.44%

LAB 41.46, 53.38, 35.24

 

CMYK 64 / 0 / 76 / 29

HEX #42B62B

RGB 66 182 43

HSL 110.07, 0.62%, 0.44%

LAB 65.58, -57.21, 56.97

 

CMYK 76 / 3 / 0 / 29

HEX #2BB1B6

RGB 43 177 182

HSL 182.16, 0.62%, 0.44%

LAB 66.01, -32.44, -12.65

 

CMYK 12 / 77 / 0 / 29

HEX #9F2AB5

RGB 159 42 181

HSL 290.5, 0.62%, 0.44%

LAB 41.79, 64.59, -49.19

 

CMYK 0 / 51 / 76 / 29

HEX #B6592B

RGB 182 89 43

HSL 19.86, 0.62%, 0.44%

LAB 48.59, 34.52, 42.79

 

CMYK 64 / 0 / 76 / 29

HEX #42B62B

RGB 66 182 43

HSL 110.07, 0.62%, 0.44%

LAB 65.58, -57.21, 56.97

 

CMYK 76 / 26 / 0 / 29

HEX #2B87B6

RGB 43 135 182

HSL 200.29, 0.62%, 0.44%

LAB 53.19, -10.54, -32.29

 

Description

Color code: HEX #9F2AB5 | qconv.com Color code: HEX #9F2AB5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 42 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 42 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 77 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 77% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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