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Color name
HEX #9F2574

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2574 it is the complementary color #60DA8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2574. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2574 shade: #A4256F, #B53782, #C64995, #D75BA8 and #E86DBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2574. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2574 shade: #9F2574, #8E1361, #7D014E, #6C003B and #5B0028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2574 shade: #9D2573, #9D2552, #9D2532 and #9D2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2574 shade: #9D2573, #9D2593, #87259D, #66259D and #46259D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2574 shade matches the following richer shades: #9D2573, #AD1577 and #BC057C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2574 shade: #9D2573, #8D356E, #7E4469, #6E5465 and #5E6460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2574 shade: #87259D, #9D2593, #9D2573, #9D2553 and #9D2533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2574 shade: #5A1542, #7C1D5A, #9D2573, #BE2D8B and #D342A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2574 shade: #9F2574, #9D6725 and #259D97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2574 shade: #9F2574, #739D25 and #25739D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2574 shade: #9F2574, #9D6725, #259D4F and #255B9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2574 shade: #9F2574, #9D8B25, #259D4F and #25379D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 27 / 38

HEX #9F2574

RGB 159 37 116

HSL 321.15, 0.62%, 0.38%

LAB 37.76, 56, -16.03

 

Complementary color

CMYK 56 / 0 / 36 / 15

HEX #60DA8B

RGB 96 218 139

HSL 141.15, 0.62%, 0.62%

LAB 78.75, -51.54, 28.85

 

CMYK 0 / 77 / 32 / 36

HEX #A4256F

RGB 164 37 111

HSL 325.04, 0.63%, 0.39%

LAB 38.49, 56.68, -11.7

 

CMYK 0 / 70 / 28 / 29

HEX #B53782

RGB 181 55 130

HSL 324.29, 0.53%, 0.46%

LAB 44.47, 57.34, -14.09

 

CMYK 0 / 63 / 25 / 22

HEX #C64995

RGB 198 73 149

HSL 323.52, 0.52%, 0.53%

LAB 50.62, 57.38, -15.93

 

CMYK 0 / 58 / 22 / 16

HEX #D75BA8

RGB 215 91 168

HSL 322.74, 0.61%, 0.6%

LAB 56.84, 57.06, -17.39

 

CMYK 0 / 53 / 19 / 9

HEX #E86DBB

RGB 232 109 187

HSL 321.95, 0.73%, 0.67%

LAB 63.08, 56.53, -18.59

 

CMYK 0 / 77 / 27 / 38

HEX #9F2574

RGB 159 37 116

HSL 321.15, 0.62%, 0.38%

LAB 37.76, 56, -16.03

 

CMYK 0 / 87 / 32 / 44

HEX #8E1361

RGB 142 19 97

HSL 321.95, 0.76%, 0.32%

LAB 31.99, 54.33, -13.05

 

CMYK 0 / 99 / 38 / 51

HEX #7D014E

RGB 125 1 78

HSL 322.74, 0.98%, 0.25%

LAB 26.54, 51.44, -9.15

 

CMYK 0 / 100 / 45 / 58

HEX #6C003B

RGB 108 0 59

HSL 327.22, 1%, 0.21%

LAB 21.96, 45.71, -3.43

 

CMYK 0 / 100 / 56 / 64

HEX #5B0028

RGB 91 0 40

HSL 333.63, 1%, 0.18%

LAB 17.35, 39.72, 2.88

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 76 / 48 / 38

HEX #9D2552

RGB 157 37 82

HSL 337.5, 0.62%, 0.38%

LAB 36.18, 51.69, 3.19

 

CMYK 0 / 76 / 68 / 38

HEX #9D2532

RGB 157 37 50

HSL 353.5, 0.62%, 0.38%

LAB 35.44, 49.32, 22.75

 

CMYK 0 / 76 / 76 / 38

HEX #9D2525

RGB 157 37 37

HSL 0, 0.62%, 0.38%

LAB 35.25, 48.69, 30.55

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 76 / 6 / 38

HEX #9D2593

RGB 157 37 147

HSL 305, 0.62%, 0.38%

LAB 38.89, 59.95, -33.45

 

CMYK 14 / 76 / 0 / 38

HEX #87259D

RGB 135 37 157

HSL 289, 0.62%, 0.38%

LAB 35.81, 56.96, -44.66

 

CMYK 35 / 76 / 0 / 38

HEX #66259D

RGB 102 37 157

HSL 272.5, 0.62%, 0.38%

LAB 30.84, 50.52, -52.94

 

CMYK 55 / 76 / 0 / 38

HEX #46259D

RGB 70 37 157

HSL 256.5, 0.62%, 0.38%

LAB 26.9, 45.25, -59.53

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 88 / 31 / 32

HEX #AD1577

RGB 173 21 119

HSL 321.32, 0.78%, 0.38%

LAB 39.16, 63.7, -15.53

 

CMYK 0 / 97 / 34 / 26

HEX #BC057C

RGB 188 5 124

HSL 320.98, 0.95%, 0.38%

LAB 41.62, 69.55, -14.62

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 62 / 22 / 45

HEX #8D356E

RGB 141 53 110

HSL 321.14, 0.45%, 0.38%

LAB 36.62, 43.82, -14.28

 

CMYK 0 / 46 / 17 / 51

HEX #7E4469

RGB 126 68 105

HSL 321.72, 0.3%, 0.38%

LAB 37.1, 30.21, -10.63

 

CMYK 0 / 24 / 8 / 57

HEX #6E5465

RGB 110 84 101

HSL 320.77, 0.13%, 0.38%

LAB 38.89, 13.89, -5.65

 

CMYK 6 / 0 / 4 / 61

HEX #5E6460

RGB 94 100 96

HSL 140, 0.03%, 0.38%

LAB 41.75, -3.17, 1.46

 

CMYK 14 / 76 / 0 / 38

HEX #87259D

RGB 135 37 157

HSL 289, 0.62%, 0.38%

LAB 35.81, 56.96, -44.66

 

CMYK 0 / 76 / 6 / 38

HEX #9D2593

RGB 157 37 147

HSL 305, 0.62%, 0.38%

LAB 38.89, 59.95, -33.45

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 76 / 47 / 38

HEX #9D2553

RGB 157 37 83

HSL 337, 0.62%, 0.38%

LAB 36.21, 51.78, 2.59

 

CMYK 0 / 76 / 68 / 38

HEX #9D2533

RGB 157 37 51

HSL 353, 0.62%, 0.38%

LAB 35.46, 49.37, 22.14

 

CMYK 0 / 77 / 27 / 65

HEX #5A1542

RGB 90 21 66

HSL 320.87, 0.62%, 0.22%

LAB 20.45, 35.89, -10.92

 

CMYK 0 / 77 / 27 / 51

HEX #7C1D5A

RGB 124 29 90

HSL 321.47, 0.62%, 0.3%

LAB 29.16, 45.98, -13.12

 

CMYK 0 / 76 / 27 / 38

HEX #9D2573

RGB 157 37 115

HSL 321, 0.62%, 0.38%

LAB 37.35, 55.35, -16.06

 

CMYK 0 / 76 / 27 / 25

HEX #BE2D8B

RGB 190 45 139

HSL 321.1, 0.62%, 0.46%

LAB 45.2, 64.2, -18.31

 

CMYK 0 / 69 / 24 / 17

HEX #D342A0

RGB 211 66 160

HSL 321.1, 0.62%, 0.54%

LAB 52.16, 65.14, -19.91

 

CMYK 0 / 77 / 27 / 38

HEX #9F2574

RGB 159 37 116

HSL 321.15, 0.62%, 0.38%

LAB 37.76, 56, -16.03

 

CMYK 0 / 34 / 76 / 38

HEX #9D6725

RGB 157 103 37

HSL 33, 0.62%, 0.38%

LAB 48.26, 15.81, 44.17

 

CMYK 76 / 0 / 4 / 38

HEX #259D97

RGB 37 157 151

HSL 177, 0.62%, 0.38%

LAB 58.73, -32.86, -6.12

 

CMYK 0 / 77 / 27 / 38

HEX #9F2574

RGB 159 37 116

HSL 321.15, 0.62%, 0.38%

LAB 37.76, 56, -16.03

 

CMYK 27 / 0 / 76 / 38

HEX #739D25

RGB 115 157 37

HSL 81, 0.62%, 0.38%

LAB 59.79, -31.99, 54.11

 

CMYK 76 / 27 / 0 / 38

HEX #25739D

RGB 37 115 157

HSL 201, 0.62%, 0.38%

LAB 45.76, -8.71, -29.38

 

CMYK 0 / 77 / 27 / 38

HEX #9F2574

RGB 159 37 116

HSL 321.15, 0.62%, 0.38%

LAB 37.76, 56, -16.03

 

CMYK 0 / 34 / 76 / 38

HEX #9D6725

RGB 157 103 37

HSL 33, 0.62%, 0.38%

LAB 48.26, 15.81, 44.17

 

CMYK 76 / 0 / 50 / 38

HEX #259D4F

RGB 37 157 79

HSL 141, 0.62%, 0.38%

LAB 57.15, -49.78, 31.61

 

CMYK 76 / 42 / 0 / 38

HEX #255B9D

RGB 37 91 157

HSL 213, 0.62%, 0.38%

LAB 38.39, 6.14, -41.01

 

CMYK 0 / 77 / 27 / 38

HEX #9F2574

RGB 159 37 116

HSL 321.15, 0.62%, 0.38%

LAB 37.76, 56, -16.03

 

CMYK 0 / 11 / 76 / 38

HEX #9D8B25

RGB 157 139 37

HSL 51, 0.62%, 0.38%

LAB 57.82, -4.48, 53.4

 

CMYK 76 / 0 / 50 / 38

HEX #259D4F

RGB 37 157 79

HSL 141, 0.62%, 0.38%

LAB 57.15, -49.78, 31.61

 

CMYK 76 / 65 / 0 / 38

HEX #25379D

RGB 37 55 157

HSL 231, 0.62%, 0.38%

LAB 28.27, 30.23, -57.38

 

Description

Color code: HEX #9F2574 | qconv.com Color code: HEX #9F2574 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 37 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 37 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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