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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F20A7 it is the complementary color #60DF58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F20A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F20A7 shade: #A420A2, #B532B5, #C644C8, #D756DB and #E868EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F20A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F20A7 shade: #9F20A7, #8E0E94, #7D0081, #6C006E and #5B005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F20A7 shade: #9F20A7, #A7208B, #A72066, #A72042 and #A72020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F20A7 shade: #9F20A7, #7B20A7, #5620A7, #3220A7 and #2020A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F20A7 shade matches the following richer shades: #9F20A7 and #AD10B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F20A7 shade: #9F20A7, #913097, #834087, #755077 and #666067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F20A7 shade: #5620A7, #7A20A7, #9E20A7, #A7208C and #A72068

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F20A7 shade: #5D1362, #7E1984, #9F20A7, #C026CA and #D13FDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F20A7 shade: #9F20A7, #A73220 and #20A768

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F20A7 shade: #9F20A7, #A79E20 and #20A79E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F20A7 shade: #9F20A7, #A73220, #29A720 and #2095A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F20A7 shade: #9F20A7, #A75A20, #29A720 and #206CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

Complementary color

CMYK 57 / 0 / 61 / 13

HEX #60DF58

RGB 96 223 88

HSL 116.44, 0.68%, 0.61%

LAB 79.59, -60.72, 54.45

 

CMYK 0 / 80 / 1 / 36

HEX #A420A2

RGB 164 32 162

HSL 300.91, 0.67%, 0.38%

LAB 40.47, 65.22, -39.95

 

CMYK 0 / 72 / 0 / 29

HEX #B532B5

RGB 181 50 181

HSL 300, 0.57%, 0.45%

LAB 46.23, 66.56, -41.89

 

CMYK 1 / 66 / 0 / 22

HEX #C644C8

RGB 198 68 200

HSL 299.09, 0.55%, 0.53%

LAB 52.19, 67.12, -43.32

 

CMYK 2 / 61 / 0 / 14

HEX #D756DB

RGB 215 86 219

HSL 298.2, 0.65%, 0.6%

LAB 58.24, 67.18, -44.41

 

CMYK 3 / 56 / 0 / 7

HEX #E868EE

RGB 232 104 238

HSL 297.31, 0.8%, 0.67%

LAB 64.35, 66.93, -45.25

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 4 / 91 / 0 / 42

HEX #8E0E94

RGB 142 14 148

HSL 297.31, 0.83%, 0.32%

LAB 34.4, 62.56, -41.37

 

CMYK 3 / 100 / 0 / 49

HEX #7D0081

RGB 125 0 129

HSL 298.14, 1%, 0.25%

LAB 29.27, 58.58, -37.97

 

CMYK 2 / 100 / 0 / 57

HEX #6C006E

RGB 108 0 110

HSL 298.91, 1%, 0.22%

LAB 24.68, 52.53, -33.4

 

CMYK 0 / 100 / 0 / 64

HEX #5B005B

RGB 91 0 91

HSL 300, 1%, 0.18%

LAB 19.96, 46.3, -28.67

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 0 / 81 / 17 / 35

HEX #A7208B

RGB 167 32 139

HSL 312.44, 0.68%, 0.39%

LAB 39.77, 62.43, -27.06

 

CMYK 0 / 81 / 39 / 35

HEX #A72066

RGB 167 32 102

HSL 328.89, 0.68%, 0.39%

LAB 38.21, 57.91, -6.37

 

CMYK 0 / 81 / 60 / 35

HEX #A72042

RGB 167 32 66

HSL 344.89, 0.68%, 0.39%

LAB 37.19, 54.83, 15.2

 

CMYK 0 / 81 / 81 / 35

HEX #A72020

RGB 167 32 32

HSL 0, 0.68%, 0.39%

LAB 36.65, 53.16, 35.57

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 26 / 81 / 0 / 35

HEX #7B20A7

RGB 123 32 167

HSL 280.44, 0.68%, 0.39%

LAB 34.05, 58.36, -53.62

 

CMYK 49 / 81 / 0 / 35

HEX #5620A7

RGB 86 32 167

HSL 264, 0.68%, 0.39%

LAB 28.91, 52.51, -62.24

 

CMYK 70 / 81 / 0 / 35

HEX #3220A7

RGB 50 32 167

HSL 248, 0.68%, 0.39%

LAB 25.26, 48.4, -68.38

 

CMYK 81 / 81 / 0 / 35

HEX #2020A7

RGB 32 32 167

HSL 240, 0.68%, 0.39%

LAB 24.1, 47.08, -70.34

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 5 / 91 / 0 / 28

HEX #AD10B7

RGB 173 16 183

HSL 296.41, 0.84%, 0.39%

LAB 42.27, 73.28, -49.48

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 4 / 68 / 0 / 41

HEX #913097

RGB 145 48 151

HSL 296.5, 0.52%, 0.39%

LAB 38.49, 53.93, -36.64

 

CMYK 3 / 53 / 0 / 47

HEX #834087

RGB 131 64 135

HSL 296.62, 0.36%, 0.39%

LAB 38.27, 39.63, -27.37

 

CMYK 2 / 33 / 0 / 53

HEX #755077

RGB 117 80 119

HSL 296.92, 0.2%, 0.39%

LAB 39.33, 22.61, -16.04

 

CMYK 1 / 7 / 0 / 60

HEX #666067

RGB 102 96 103

HSL 291.43, 0.04%, 0.39%

LAB 41.48, 3.82, -3.12

 

CMYK 49 / 81 / 0 / 35

HEX #5620A7

RGB 86 32 167

HSL 264, 0.68%, 0.39%

LAB 28.91, 52.51, -62.24

 

CMYK 27 / 81 / 0 / 35

HEX #7A20A7

RGB 122 32 167

HSL 280, 0.68%, 0.39%

LAB 33.9, 58.18, -53.88

 

CMYK 5 / 81 / 0 / 35

HEX #9E20A7

RGB 158 32 167

HSL 296, 0.68%, 0.39%

LAB 39.74, 64.85, -44.17

 

CMYK 0 / 81 / 16 / 35

HEX #A7208C

RGB 167 32 140

HSL 312, 0.68%, 0.39%

LAB 39.82, 62.57, -27.59

 

CMYK 0 / 81 / 38 / 35

HEX #A72068

RGB 167 32 104

HSL 328, 0.68%, 0.39%

LAB 38.28, 58.12, -7.53

 

CMYK 5 / 81 / 0 / 62

HEX #5D1362

RGB 93 19 98

HSL 296.2, 0.68%, 0.23%

LAB 22.57, 42.87, -29.12

 

CMYK 5 / 81 / 0 / 48

HEX #7E1984

RGB 126 25 132

HSL 296.64, 0.68%, 0.31%

LAB 31.34, 54.33, -36.53

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 5 / 81 / 0 / 21

HEX #C026CA

RGB 192 38 202

HSL 296.34, 0.68%, 0.47%

LAB 48.08, 75.54, -51.07

 

CMYK 4 / 71 / 0 / 15

HEX #D13FDA

RGB 209 63 218

HSL 296.52, 0.68%, 0.55%

LAB 54.21, 74.32, -50.29

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 0 / 70 / 81 / 35

HEX #A73220

RGB 167 50 32

HSL 8, 0.68%, 0.39%

LAB 38.9, 46.93, 37.82

 

CMYK 81 / 0 / 38 / 35

HEX #20A768

RGB 32 167 104

HSL 152, 0.68%, 0.39%

LAB 60.73, -49.51, 22.96

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 0 / 5 / 81 / 35

HEX #A79E20

RGB 167 158 32

HSL 56, 0.68%, 0.39%

LAB 63.98, -10.37, 60.97

 

CMYK 81 / 0 / 5 / 35

HEX #20A79E

RGB 32 167 158

HSL 176, 0.68%, 0.39%

LAB 62.01, -35.97, -5.23

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 0 / 70 / 81 / 35

HEX #A73220

RGB 167 50 32

HSL 8, 0.68%, 0.39%

LAB 38.9, 46.93, 37.82

 

CMYK 75 / 0 / 81 / 35

HEX #29A720

RGB 41 167 32

HSL 116, 0.68%, 0.39%

LAB 60.08, -57.77, 54.97

 

CMYK 81 / 11 / 0 / 35

HEX #2095A7

RGB 32 149 167

HSL 188, 0.68%, 0.39%

LAB 56.68, -24.44, -18.34

 

CMYK 5 / 81 / 0 / 35

HEX #9F20A7

RGB 159 32 167

HSL 296.44, 0.68%, 0.39%

LAB 39.91, 65.04, -43.89

 

CMYK 0 / 46 / 81 / 35

HEX #A75A20

RGB 167 90 32

HSL 25.78, 0.68%, 0.39%

LAB 46.49, 27.32, 45.15

 

CMYK 75 / 0 / 81 / 35

HEX #29A720

RGB 41 167 32

HSL 116, 0.68%, 0.39%

LAB 60.08, -57.77, 54.97

 

CMYK 81 / 35 / 0 / 35

HEX #206CA7

RGB 32 108 167

HSL 206.22, 0.68%, 0.39%

LAB 43.98, -1.35, -38.07

 

Description

Color code: HEX #9F20A7 | qconv.com Color code: HEX #9F20A7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 32 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 32 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 81 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 81% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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