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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F1ED7 it is the complementary color #60E128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F1ED7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F1ED7 shade: #A41ED2, #B530E5, #C642F8, #D754FF and #E866FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F1ED7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F1ED7 shade: #9F1ED7, #8E0CC4, #7D00B1, #6C009E and #5B008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F1ED7 shade: #9F1DD7, #D11DD7, #D71DAB, #D71D79 and #D71D47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F1ED7 shade: #9F1DD7, #6D1DD7, #3B1DD7 and #1D1DD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F1ED7 shade matches the following richer shades: #9F1DD7 and #A70AEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F1ED7 shade: #9F1DD7, #9731C4, #8F45B0, #88599C and #806D88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F1ED7 shade: #391DD7, #6B1DD7, #9D1DD7, #CE1DD7 and #D71DAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F1ED7 shade: #69138F, #8418B3, #9F1DD7, #B13AE4 and #BF5EE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F1ED7 shade: #9F1ED7, #D71D33 and #1DD752

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F1ED7 shade: #9F1ED7, #D79D1D and #1DD79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F1ED7 shade: #9F1ED7, #D71D33, #58D71D and #1DD7C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F1ED7 shade: #9F1ED7, #D73F1D, #58D71D and #1DB5D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 86 / 0 / 16

HEX #9F1ED7

RGB 159 30 215

HSL 281.84, 0.76%, 0.48%

LAB 43.07, 74.18, -66.91

 

Complementary color

CMYK 57 / 0 / 82 / 12

HEX #60E128

RGB 96 225 40

HSL 101.84, 0.76%, 0.52%

LAB 79.89, -65.01, 71.57

 

CMYK 22 / 86 / 0 / 18

HEX #A41ED2

RGB 164 30 210

HSL 284.67, 0.75%, 0.47%

LAB 43.47, 73.99, -63.35

 

CMYK 21 / 79 / 0 / 10

HEX #B530E5

RGB 181 48 229

HSL 284.09, 0.78%, 0.54%

LAB 49, 75.65, -65.12

 

CMYK 20 / 73 / 0 / 3

HEX #C642F8

RGB 198 66 248

HSL 283.52, 0.93%, 0.62%

LAB 54.74, 76.47, -66.4

 

CMYK 16 / 67 / 0 / 0

HEX #D754FF

RGB 215 84 255

HSL 285.96, 1%, 0.66%

LAB 59.9, 74.45, -61.86

 

CMYK 9 / 60 / 0 / 0

HEX #E866FF

RGB 232 102 255

HSL 290.98, 1%, 0.7%

LAB 64.87, 70.81, -53.8

 

CMYK 26 / 86 / 0 / 16

HEX #9F1ED7

RGB 159 30 215

HSL 281.84, 0.76%, 0.48%

LAB 43.07, 74.18, -66.91

 

CMYK 28 / 94 / 0 / 23

HEX #8E0CC4

RGB 142 12 196

HSL 282.39, 0.88%, 0.41%

LAB 37.84, 71.4, -64.53

 

CMYK 29 / 100 / 0 / 31

HEX #7D00B1

RGB 125 0 177

HSL 282.37, 1%, 0.35%

LAB 32.99, 67.14, -61.33

 

CMYK 32 / 100 / 0 / 38

HEX #6C009E

RGB 108 0 158

HSL 281.01, 1%, 0.31%

LAB 28.53, 61.35, -57.28

 

CMYK 35 / 100 / 0 / 45

HEX #5B008B

RGB 91 0 139

HSL 279.28, 1%, 0.27%

LAB 23.96, 55.44, -53.15

 

CMYK 26 / 87 / 0 / 16

HEX #9F1DD7

RGB 159 29 215

HSL 281.94, 0.76%, 0.48%

LAB 43, 74.4, -67.03

 

CMYK 3 / 87 / 0 / 16

HEX #D11DD7

RGB 209 29 215

HSL 298.06, 0.76%, 0.48%

LAB 51.08, 82.39, -53.57

 

CMYK 0 / 87 / 20 / 16

HEX #D71DAB

RGB 215 29 171

HSL 314.19, 0.76%, 0.48%

LAB 49.82, 77.45, -29.96

 

CMYK 0 / 87 / 44 / 16

HEX #D71D79

RGB 215 29 121

HSL 330.32, 0.76%, 0.48%

LAB 47.89, 72.15, -2.84

 

CMYK 0 / 87 / 67 / 16

HEX #D71D47

RGB 215 29 71

HSL 346.45, 0.76%, 0.48%

LAB 46.69, 68.72, 26.29

 

CMYK 26 / 87 / 0 / 16

HEX #9F1DD7

RGB 159 29 215

HSL 281.94, 0.76%, 0.48%

LAB 43, 74.4, -67.03

 

CMYK 49 / 87 / 0 / 16

HEX #6D1DD7

RGB 109 29 215

HSL 265.81, 0.76%, 0.48%

LAB 36.05, 68.04, -78.68

 

CMYK 73 / 87 / 0 / 16

HEX #3B1DD7

RGB 59 29 215

HSL 249.68, 0.76%, 0.48%

LAB 31.15, 63.99, -86.96

 

CMYK 87 / 87 / 0 / 16

HEX #1D1DD7

RGB 29 29 215

HSL 240, 0.76%, 0.48%

LAB 29.53, 62.76, -89.7

 

CMYK 26 / 87 / 0 / 16

HEX #9F1DD7

RGB 159 29 215

HSL 281.94, 0.76%, 0.48%

LAB 43, 74.4, -67.03

 

CMYK 29 / 96 / 0 / 8

HEX #A70AEB

RGB 167 10 235

HSL 281.87, 0.92%, 0.48%

LAB 44.84, 82.06, -75.38

 

CMYK 26 / 87 / 0 / 16

HEX #9F1DD7

RGB 159 29 215

HSL 281.94, 0.76%, 0.48%

LAB 43, 74.4, -67.03

 

CMYK 23 / 75 / 0 / 23

HEX #9731C4

RGB 151 49 196

HSL 281.63, 0.6%, 0.48%

LAB 42.4, 63.53, -57.06

 

CMYK 19 / 61 / 0 / 31

HEX #8F45B0

RGB 143 69 176

HSL 281.5, 0.44%, 0.48%

LAB 43.11, 48.89, -44.26

 

CMYK 13 / 43 / 0 / 39

HEX #88599C

RGB 136 89 156

HSL 282.09, 0.27%, 0.48%

LAB 45.33, 31.68, -28.96

 

CMYK 6 / 20 / 0 / 47

HEX #806D88

RGB 128 109 136

HSL 282.22, 0.11%, 0.48%

LAB 48.64, 12.78, -12.06

 

CMYK 73 / 87 / 0 / 16

HEX #391DD7

RGB 57 29 215

HSL 249.03, 0.76%, 0.48%

LAB 31.01, 63.88, -87.19

 

CMYK 50 / 87 / 0 / 16

HEX #6B1DD7

RGB 107 29 215

HSL 265.16, 0.76%, 0.48%

LAB 35.81, 67.83, -79.09

 

CMYK 27 / 87 / 0 / 16

HEX #9D1DD7

RGB 157 29 215

HSL 281.29, 0.76%, 0.48%

LAB 42.69, 74.11, -67.54

 

CMYK 4 / 87 / 0 / 16

HEX #CE1DD7

RGB 206 29 215

HSL 297.1, 0.76%, 0.48%

LAB 50.58, 81.88, -54.41

 

CMYK 0 / 87 / 19 / 16

HEX #D71DAF

RGB 215 29 175

HSL 312.9, 0.76%, 0.48%

LAB 50, 77.94, -32.03

 

CMYK 27 / 87 / 0 / 44

HEX #69138F

RGB 105 19 143

HSL 281.61, 0.77%, 0.32%

LAB 27.99, 54.19, -48.97

 

CMYK 26 / 87 / 0 / 30

HEX #8418B3

RGB 132 24 179

HSL 281.81, 0.76%, 0.4%

LAB 35.62, 64.51, -58.19

 

CMYK 26 / 87 / 0 / 16

HEX #9F1DD7

RGB 159 29 215

HSL 281.94, 0.76%, 0.48%

LAB 43, 74.4, -67.03

 

CMYK 22 / 75 / 0 / 11

HEX #B13AE4

RGB 177 58 228

HSL 282, 0.76%, 0.56%

LAB 49.47, 71.53, -63.83

 

CMYK 18 / 60 / 0 / 9

HEX #BF5EE9

RGB 191 94 233

HSL 281.87, 0.76%, 0.64%

LAB 57.04, 60.47, -54.38

 

CMYK 26 / 86 / 0 / 16

HEX #9F1ED7

RGB 159 30 215

HSL 281.84, 0.76%, 0.48%

LAB 43.07, 74.18, -66.91

 

CMYK 0 / 87 / 76 / 16

HEX #D71D33

RGB 215 29 51

HSL 352.9, 0.76%, 0.48%

LAB 46.4, 67.89, 37.9

 

CMYK 87 / 0 / 62 / 16

HEX #1DD752

RGB 29 215 82

HSL 137.1, 0.76%, 0.48%

LAB 75.74, -69.5, 52.32

 

CMYK 26 / 86 / 0 / 16

HEX #9F1ED7

RGB 159 30 215

HSL 281.84, 0.76%, 0.48%

LAB 43.07, 74.18, -66.91

 

CMYK 0 / 27 / 87 / 16

HEX #D79D1D

RGB 215 157 29

HSL 41.29, 0.76%, 0.48%

LAB 68.5, 11.43, 67.53

 

CMYK 87 / 0 / 27 / 16

HEX #1DD79D

RGB 29 215 157

HSL 161.29, 0.76%, 0.48%

LAB 76.86, -56.47, 16.66

 

CMYK 26 / 86 / 0 / 16

HEX #9F1ED7

RGB 159 30 215

HSL 281.84, 0.76%, 0.48%

LAB 43.07, 74.18, -66.91

 

CMYK 0 / 87 / 76 / 16

HEX #D71D33

RGB 215 29 51

HSL 352.9, 0.76%, 0.48%

LAB 46.4, 67.89, 37.9

 

CMYK 59 / 0 / 87 / 16

HEX #58D71D

RGB 88 215 29

HSL 100.97, 0.76%, 0.48%

LAB 76.54, -64.02, 70.98

 

CMYK 87 / 0 / 10 / 16

HEX #1DD7C2

RGB 29 215 194

HSL 173.23, 0.76%, 0.48%

LAB 77.73, -47.19, -1.82

 

CMYK 26 / 86 / 0 / 16

HEX #9F1ED7

RGB 159 30 215

HSL 281.84, 0.76%, 0.48%

LAB 43.07, 74.18, -66.91

 

CMYK 0 / 71 / 87 / 16

HEX #D73F1D

RGB 215 63 29

HSL 10.97, 0.76%, 0.48%

LAB 49.61, 57.74, 52.23

 

CMYK 59 / 0 / 87 / 16

HEX #58D71D

RGB 88 215 29

HSL 100.97, 0.76%, 0.48%

LAB 76.54, -64.02, 70.98

 

CMYK 87 / 16 / 0 / 16

HEX #1DB5D7

RGB 29 181 215

HSL 190.97, 0.76%, 0.48%

LAB 68.18, -25.09, -27.58

 

Description

Color code: HEX #9F1ED7 | qconv.com Color code: HEX #9F1ED7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 30 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 30 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 86 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 86% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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