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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F1ED2 it is the complementary color #60E12D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F1ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F1ED2 shade: #A41ECD, #B530E0, #C642F3, #D754FF and #E866FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F1ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F1ED2 shade: #9F1ED2, #8E0CBF, #7D00AC, #6C0099 and #5B0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F1ED2 shade: #9E1DD1, #CF1DD1, #D11DA3, #D11D73 and #D11D42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F1ED2 shade: #9E1DD1, #6E1DD1, #3D1DD1 and #1D1DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F1ED2 shade matches the following richer shades: #9E1DD1 and #A70AE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F1ED2 shade: #9E1DD1, #9631BE, #8D44AA, #855897 and #7D6B84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F1ED2 shade: #3E1DD1, #6E1DD1, #9E1DD1, #CE1DD1 and #D11DA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F1ED2 shade: #681389, #8318AD, #9E1DD1, #B136E2 and #BF5AE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F1ED2 shade: #9F1ED2, #D11D2C and #1DD156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F1ED2 shade: #9F1ED2, #D19E1D and #1DD19E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F1ED2 shade: #9F1ED2, #D11D2C, #50D11D and #1DD1C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F1ED2 shade: #9F1ED2, #D1441D, #50D11D and #1DAAD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 86 / 0 / 18

HEX #9F1ED2

RGB 159 30 210

HSL 283, 0.75%, 0.47%

LAB 42.69, 73.23, -64.65

 

Complementary color

CMYK 57 / 0 / 80 / 12

HEX #60E12D

RGB 96 225 45

HSL 103, 0.75%, 0.53%

LAB 79.91, -64.78, 70.3

 

CMYK 20 / 85 / 0 / 20

HEX #A41ECD

RGB 164 30 205

HSL 285.94, 0.74%, 0.46%

LAB 43.11, 73.08, -61.05

 

CMYK 19 / 79 / 0 / 12

HEX #B530E0

RGB 181 48 224

HSL 285.34, 0.74%, 0.53%

LAB 48.66, 74.72, -62.84

 

CMYK 19 / 73 / 0 / 5

HEX #C642F3

RGB 198 66 243

HSL 284.75, 0.88%, 0.61%

LAB 54.42, 75.52, -64.12

 

CMYK 16 / 67 / 0 / 0

HEX #D754FF

RGB 215 84 255

HSL 285.96, 1%, 0.66%

LAB 59.9, 74.45, -61.86

 

CMYK 9 / 60 / 0 / 0

HEX #E866FF

RGB 232 102 255

HSL 290.98, 1%, 0.7%

LAB 64.87, 70.81, -53.8

 

CMYK 24 / 86 / 0 / 18

HEX #9F1ED2

RGB 159 30 210

HSL 283, 0.75%, 0.47%

LAB 42.69, 73.23, -64.65

 

CMYK 26 / 94 / 0 / 25

HEX #8E0CBF

RGB 142 12 191

HSL 283.58, 0.88%, 0.4%

LAB 37.44, 70.45, -62.26

 

CMYK 27 / 100 / 0 / 33

HEX #7D00AC

RGB 125 0 172

HSL 283.6, 1%, 0.34%

LAB 32.57, 66.19, -59.04

 

CMYK 29 / 100 / 0 / 40

HEX #6C0099

RGB 108 0 153

HSL 282.35, 1%, 0.3%

LAB 28.08, 60.36, -54.95

 

CMYK 32 / 100 / 0 / 47

HEX #5B0086

RGB 91 0 134

HSL 280.75, 1%, 0.26%

LAB 23.49, 54.41, -50.79

 

CMYK 24 / 86 / 0 / 18

HEX #9E1DD1

RGB 158 29 209

HSL 283, 0.76%, 0.47%

LAB 42.39, 73.11, -64.58

 

CMYK 1 / 86 / 0 / 18

HEX #CF1DD1

RGB 207 29 209

HSL 299.33, 0.76%, 0.47%

LAB 50.39, 81.14, -51.26

 

CMYK 0 / 86 / 22 / 18

HEX #D11DA3

RGB 209 29 163

HSL 315.33, 0.76%, 0.47%

LAB 48.36, 75.23, -27.58

 

CMYK 0 / 86 / 45 / 18

HEX #D11D73

RGB 209 29 115

HSL 331.33, 0.76%, 0.47%

LAB 46.54, 70.21, -1.27

 

CMYK 0 / 86 / 68 / 18

HEX #D11D42

RGB 209 29 66

HSL 347.67, 0.76%, 0.47%

LAB 45.4, 66.93, 27.47

 

CMYK 24 / 86 / 0 / 18

HEX #9E1DD1

RGB 158 29 209

HSL 283, 0.76%, 0.47%

LAB 42.39, 73.11, -64.58

 

CMYK 47 / 86 / 0 / 18

HEX #6E1DD1

RGB 110 29 209

HSL 267, 0.76%, 0.47%

LAB 35.59, 66.76, -75.97

 

CMYK 71 / 86 / 0 / 18

HEX #3D1DD1

RGB 61 29 209

HSL 250.67, 0.76%, 0.47%

LAB 30.58, 62.48, -84.42

 

CMYK 86 / 86 / 0 / 18

HEX #1D1DD1

RGB 29 29 209

HSL 240, 0.76%, 0.47%

LAB 28.76, 61.05, -87.51

 

CMYK 24 / 86 / 0 / 18

HEX #9E1DD1

RGB 158 29 209

HSL 283, 0.76%, 0.47%

LAB 42.39, 73.11, -64.58

 

CMYK 27 / 96 / 0 / 10

HEX #A70AE5

RGB 167 10 229

HSL 283.01, 0.92%, 0.47%

LAB 44.36, 80.96, -72.76

 

CMYK 24 / 86 / 0 / 18

HEX #9E1DD1

RGB 158 29 209

HSL 283, 0.76%, 0.47%

LAB 42.39, 73.11, -64.58

 

CMYK 21 / 74 / 0 / 25

HEX #9631BE

RGB 150 49 190

HSL 282.98, 0.59%, 0.47%

LAB 41.84, 62.12, -54.47

 

CMYK 17 / 60 / 0 / 33

HEX #8D44AA

RGB 141 68 170

HSL 282.94, 0.43%, 0.47%

LAB 42.31, 47.59, -42

 

CMYK 12 / 42 / 0 / 41

HEX #855897

RGB 133 88 151

HSL 282.86, 0.26%, 0.47%

LAB 44.52, 30.2, -27.27

 

CMYK 5 / 19 / 0 / 48

HEX #7D6B84

RGB 125 107 132

HSL 283.2, 0.1%, 0.47%

LAB 47.68, 12.02, -11.16

 

CMYK 70 / 86 / 0 / 18

HEX #3E1DD1

RGB 62 29 209

HSL 251, 0.76%, 0.47%

LAB 30.66, 62.55, -84.29

 

CMYK 47 / 86 / 0 / 18

HEX #6E1DD1

RGB 110 29 209

HSL 267, 0.76%, 0.47%

LAB 35.59, 66.76, -75.97

 

CMYK 24 / 86 / 0 / 18

HEX #9E1DD1

RGB 158 29 209

HSL 283, 0.76%, 0.47%

LAB 42.39, 73.11, -64.58

 

CMYK 1 / 86 / 0 / 18

HEX #CE1DD1

RGB 206 29 209

HSL 299, 0.76%, 0.47%

LAB 50.22, 80.96, -51.54

 

CMYK 0 / 86 / 22 / 18

HEX #D11DA4

RGB 209 29 164

HSL 315, 0.76%, 0.47%

LAB 48.4, 75.36, -28.1

 

CMYK 24 / 86 / 0 / 46

HEX #681389

RGB 104 19 137

HSL 283.22, 0.76%, 0.31%

LAB 27.34, 52.78, -46.3

 

CMYK 24 / 86 / 0 / 32

HEX #8318AD

RGB 131 24 173

HSL 283.09, 0.76%, 0.39%

LAB 34.99, 63.17, -55.64

 

CMYK 24 / 86 / 0 / 18

HEX #9E1DD1

RGB 158 29 209

HSL 283, 0.76%, 0.47%

LAB 42.39, 73.11, -64.58

 

CMYK 22 / 76 / 0 / 11

HEX #B136E2

RGB 177 54 226

HSL 282.91, 0.75%, 0.55%

LAB 48.85, 72.51, -63.69

 

CMYK 17 / 61 / 0 / 9

HEX #BF5AE7

RGB 191 90 231

HSL 282.98, 0.75%, 0.63%

LAB 56.25, 61.93, -54.53

 

CMYK 24 / 86 / 0 / 18

HEX #9F1ED2

RGB 159 30 210

HSL 283, 0.75%, 0.47%

LAB 42.69, 73.23, -64.65

 

CMYK 0 / 86 / 79 / 18

HEX #D11D2C

RGB 209 29 44

HSL 355, 0.76%, 0.47%

LAB 45.1, 66.07, 40.16

 

CMYK 86 / 0 / 59 / 18

HEX #1DD156

RGB 29 209 86

HSL 139, 0.76%, 0.47%

LAB 73.89, -67.16, 48.42

 

CMYK 24 / 86 / 0 / 18

HEX #9F1ED2

RGB 159 30 210

HSL 283, 0.75%, 0.47%

LAB 42.69, 73.23, -64.65

 

CMYK 0 / 24 / 86 / 18

HEX #D19E1D

RGB 209 158 29

HSL 43, 0.76%, 0.47%

LAB 68.09, 8.26, 66.93

 

CMYK 86 / 0 / 24 / 18

HEX #1DD19E

RGB 29 209 158

HSL 163, 0.76%, 0.47%

LAB 75.03, -53.93, 13.57

 

CMYK 24 / 86 / 0 / 18

HEX #9F1ED2

RGB 159 30 210

HSL 283, 0.75%, 0.47%

LAB 42.69, 73.23, -64.65

 

CMYK 0 / 86 / 79 / 18

HEX #D11D2C

RGB 209 29 44

HSL 355, 0.76%, 0.47%

LAB 45.1, 66.07, 40.16

 

CMYK 62 / 0 / 86 / 18

HEX #50D11D

RGB 80 209 29

HSL 103, 0.76%, 0.47%

LAB 74.44, -63.89, 69.06

 

CMYK 86 / 0 / 7 / 18

HEX #1DD1C2

RGB 29 209 194

HSL 175, 0.76%, 0.47%

LAB 75.92, -44.63, -4.48

 

CMYK 24 / 86 / 0 / 18

HEX #9F1ED2

RGB 159 30 210

HSL 283, 0.75%, 0.47%

LAB 42.69, 73.23, -64.65

 

CMYK 0 / 67 / 86 / 18

HEX #D1441D

RGB 209 68 29

HSL 13, 0.76%, 0.47%

LAB 49.23, 53.84, 51.47

 

CMYK 62 / 0 / 86 / 18

HEX #50D11D

RGB 80 209 29

HSL 103, 0.76%, 0.47%

LAB 74.44, -63.89, 69.06

 

CMYK 86 / 19 / 0 / 18

HEX #1DAAD1

RGB 29 170 209

HSL 193, 0.76%, 0.47%

LAB 64.66, -21.46, -29.7

 

Description

Color code: HEX #9F1ED2 | qconv.com Color code: HEX #9F1ED2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 30 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 30 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 86 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 86% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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