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Color name
HEX #9F12B8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F12B8 it is the complementary color #60ED47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F12B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F12B8 shade: #A412B3, #B524C6, #C636D9, #D748EC and #E85AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F12B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F12B8 shade: #9F12B8, #8E00A5, #7D0092, #6C007F and #5B006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F12B8 shade: #A012BA, #BA12A6, #BA1279, #BA124C and #BA121E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F12B8 shade: #A012BA, #7312BA, #4612BA, #1912BA and #1212BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F12B8 shade matches the following richer shades: #A012BA and #AC02CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F12B8 shade: #A012BA, #9523A9, #893399, #7E4488 and #725478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F12B8 shade: #4512BA, #7112BA, #9E12BA, #BA12A9 and #BA127C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F12B8 shade: #600B6F, #800F94, #A012BA, #C116DF and #CF34EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F12B8 shade: #9F12B8, #BA1812 and #12BA5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F12B8 shade: #9F12B8, #BA9E12 and #12BA9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F12B8 shade: #9F12B8, #BA1812, #2EBA12 and #12B4BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F12B8 shade: #9F12B8, #BA4A12, #2EBA12 and #1282BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 90 / 0 / 28

HEX #9F12B8

RGB 159 18 184

HSL 290.96, 0.82%, 0.4%

LAB 40.02, 70.85, -53.81

 

Complementary color

CMYK 59 / 0 / 70 / 7

HEX #60ED47

RGB 96 237 71

HSL 110.96, 0.82%, 0.6%

LAB 83.71, -67.2, 65.7

 

CMYK 8 / 90 / 0 / 30

HEX #A412B3

RGB 164 18 179

HSL 294.41, 0.82%, 0.39%

LAB 40.54, 70.83, -49.97

 

CMYK 9 / 82 / 0 / 22

HEX #B524C6

RGB 181 36 198

HSL 293.7, 0.69%, 0.46%

LAB 45.86, 73.36, -52.42

 

CMYK 9 / 75 / 0 / 15

HEX #C636D9

RGB 198 54 217

HSL 293.01, 0.68%, 0.53%

LAB 51.44, 74.81, -54.24

 

CMYK 9 / 69 / 0 / 7

HEX #D748EC

RGB 215 72 236

HSL 292.32, 0.81%, 0.6%

LAB 57.21, 75.53, -55.6

 

CMYK 9 / 65 / 0 / 0

HEX #E85AFF

RGB 232 90 255

HSL 291.64, 1%, 0.68%

LAB 63.08, 75.74, -56.63

 

CMYK 14 / 90 / 0 / 28

HEX #9F12B8

RGB 159 18 184

HSL 290.96, 0.82%, 0.4%

LAB 40.02, 70.85, -53.81

 

CMYK 14 / 100 / 0 / 35

HEX #8E00A5

RGB 142 0 165

HSL 291.64, 1%, 0.32%

LAB 34.94, 67.29, -50.84

 

CMYK 14 / 100 / 0 / 43

HEX #7D0092

RGB 125 0 146

HSL 291.37, 1%, 0.29%

LAB 30.49, 61.45, -46.61

 

CMYK 15 / 100 / 0 / 50

HEX #6C007F

RGB 108 0 127

HSL 291.02, 1%, 0.25%

LAB 25.92, 55.46, -42.28

 

CMYK 16 / 100 / 0 / 58

HEX #5B006C

RGB 91 0 108

HSL 290.56, 1%, 0.21%

LAB 21.23, 49.31, -37.83

 

CMYK 14 / 90 / 0 / 27

HEX #A012BA

RGB 160 18 186

HSL 290.71, 0.82%, 0.4%

LAB 40.33, 71.36, -54.48

 

CMYK 0 / 90 / 11 / 27

HEX #BA12A6

RGB 186 18 166

HSL 307.14, 0.82%, 0.4%

LAB 43.69, 72.81, -36.98

 

CMYK 0 / 90 / 35 / 27

HEX #BA1279

RGB 186 18 121

HSL 323.21, 0.82%, 0.4%

LAB 41.61, 67.33, -12.81

 

CMYK 0 / 90 / 59 / 27

HEX #BA124C

RGB 186 18 76

HSL 339.29, 0.82%, 0.4%

LAB 40.24, 63.53, 13.58

 

CMYK 0 / 90 / 84 / 27

HEX #BA121E

RGB 186 18 30

HSL 355.71, 0.82%, 0.4%

LAB 39.52, 61.51, 40.81

 

CMYK 14 / 90 / 0 / 27

HEX #A012BA

RGB 160 18 186

HSL 290.71, 0.82%, 0.4%

LAB 40.33, 71.36, -54.48

 

CMYK 38 / 90 / 0 / 27

HEX #7312BA

RGB 115 18 186

HSL 274.64, 0.82%, 0.4%

LAB 33.18, 64.93, -66.43

 

CMYK 62 / 90 / 0 / 27

HEX #4612BA

RGB 70 18 186

HSL 258.57, 0.82%, 0.4%

LAB 27.52, 60.47, -75.97

 

CMYK 87 / 90 / 0 / 27

HEX #1912BA

RGB 25 18 186

HSL 242.5, 0.82%, 0.4%

LAB 24.27, 58.29, -81.46

 

CMYK 90 / 90 / 0 / 27

HEX #1212BA

RGB 18 18 186

HSL 240, 0.82%, 0.4%

LAB 24.02, 58.14, -81.89

 

CMYK 14 / 90 / 0 / 27

HEX #A012BA

RGB 160 18 186

HSL 290.71, 0.82%, 0.4%

LAB 40.33, 71.36, -54.48

 

CMYK 15 / 99 / 0 / 21

HEX #AC02CA

RGB 172 2 202

HSL 291, 0.98%, 0.4%

LAB 42.88, 77.69, -59.61

 

CMYK 14 / 90 / 0 / 27

HEX #A012BA

RGB 160 18 186

HSL 290.71, 0.82%, 0.4%

LAB 40.33, 71.36, -54.48

 

CMYK 12 / 79 / 0 / 34

HEX #9523A9

RGB 149 35 169

HSL 291.04, 0.66%, 0.4%

LAB 38.65, 62.61, -47.19

 

CMYK 10 / 67 / 0 / 40

HEX #893399

RGB 137 51 153

HSL 290.59, 0.5%, 0.4%

LAB 37.82, 51.12, -39

 

CMYK 7 / 50 / 0 / 47

HEX #7E4488

RGB 126 68 136

HSL 291.18, 0.33%, 0.4%

LAB 38.46, 36.15, -27.74

 

CMYK 5 / 30 / 0 / 53

HEX #725478

RGB 114 84 120

HSL 290, 0.18%, 0.4%

LAB 40.04, 19.33, -15.6

 

CMYK 63 / 90 / 0 / 27

HEX #4512BA

RGB 69 18 186

HSL 258.21, 0.82%, 0.4%

LAB 27.42, 60.4, -76.14

 

CMYK 39 / 90 / 0 / 27

HEX #7112BA

RGB 113 18 186

HSL 273.93, 0.82%, 0.4%

LAB 32.89, 64.69, -66.92

 

CMYK 15 / 90 / 0 / 27

HEX #9E12BA

RGB 158 18 186

HSL 290, 0.82%, 0.4%

LAB 39.99, 71.04, -55.04

 

CMYK 0 / 90 / 9 / 27

HEX #BA12A9

RGB 186 18 169

HSL 306.07, 0.82%, 0.4%

LAB 43.85, 73.23, -38.52

 

CMYK 0 / 90 / 33 / 27

HEX #BA127C

RGB 186 18 124

HSL 322.14, 0.82%, 0.4%

LAB 41.73, 67.64, -14.49

 

CMYK 14 / 90 / 0 / 56

HEX #600B6F

RGB 96 11 111

HSL 291, 0.82%, 0.24%

LAB 23.25, 48.22, -36.47

 

CMYK 14 / 90 / 0 / 42

HEX #800F94

RGB 128 15 148

HSL 290.98, 0.82%, 0.32%

LAB 31.96, 59.92, -45.42

 

CMYK 14 / 90 / 0 / 27

HEX #A012BA

RGB 160 18 186

HSL 290.71, 0.82%, 0.4%

LAB 40.33, 71.36, -54.48

 

CMYK 13 / 90 / 0 / 13

HEX #C116DF

RGB 193 22 223

HSL 291.04, 0.82%, 0.48%

LAB 48.56, 82.14, -62.34

 

CMYK 12 / 78 / 0 / 8

HEX #CF34EB

RGB 207 52 235

HSL 290.82, 0.82%, 0.56%

LAB 53.73, 80.15, -60.68

 

CMYK 14 / 90 / 0 / 28

HEX #9F12B8

RGB 159 18 184

HSL 290.96, 0.82%, 0.4%

LAB 40.02, 70.85, -53.81

 

CMYK 0 / 87 / 90 / 27

HEX #BA1812

RGB 186 24 18

HSL 2.14, 0.82%, 0.4%

LAB 39.81, 60.2, 46.92

 

CMYK 90 / 0 / 51 / 27

HEX #12BA5B

RGB 18 186 91

HSL 146.07, 0.82%, 0.4%

LAB 66.52, -59.81, 37.16

 

CMYK 14 / 90 / 0 / 28

HEX #9F12B8

RGB 159 18 184

HSL 290.96, 0.82%, 0.4%

LAB 40.02, 70.85, -53.81

 

CMYK 0 / 15 / 90 / 27

HEX #BA9E12

RGB 186 158 18

HSL 50, 0.82%, 0.4%

LAB 65.7, -2.21, 66.49

 

CMYK 90 / 0 / 15 / 27

HEX #12BA9E

RGB 18 186 158

HSL 170, 0.82%, 0.4%

LAB 67.81, -45.31, 3.24

 

CMYK 14 / 90 / 0 / 28

HEX #9F12B8

RGB 159 18 184

HSL 290.96, 0.82%, 0.4%

LAB 40.02, 70.85, -53.81

 

CMYK 0 / 87 / 90 / 27

HEX #BA1812

RGB 186 24 18

HSL 2.14, 0.82%, 0.4%

LAB 39.81, 60.2, 46.92

 

CMYK 75 / 0 / 90 / 27

HEX #2EBA12

RGB 46 186 18

HSL 110, 0.82%, 0.4%

LAB 66.32, -63.54, 63.85

 

CMYK 90 / 3 / 0 / 27

HEX #12B4BA

RGB 18 180 186

HSL 182.14, 0.82%, 0.4%

LAB 66.76, -34.53, -13.76

 

CMYK 14 / 90 / 0 / 28

HEX #9F12B8

RGB 159 18 184

HSL 290.96, 0.82%, 0.4%

LAB 40.02, 70.85, -53.81

 

CMYK 0 / 60 / 90 / 27

HEX #BA4A12

RGB 186 74 18

HSL 20, 0.82%, 0.4%

LAB 46.15, 42.82, 51.56

 

CMYK 75 / 0 / 90 / 27

HEX #2EBA12

RGB 46 186 18

HSL 110, 0.82%, 0.4%

LAB 66.32, -63.54, 63.85

 

CMYK 90 / 30 / 0 / 27

HEX #1282BA

RGB 18 130 186

HSL 200, 0.82%, 0.4%

LAB 51.43, -8.4, -37.37

 

Description

Color code: HEX #9F12B8 | qconv.com Color code: HEX #9F12B8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 18 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 18 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 90 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 90% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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