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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F1196 it is the complementary color #60EE69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F1196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F1196 shade: #A41191, #B523A4, #C635B7, #D747CA and #E859DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F1196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F1196 shade: #9F1196, #8E0083, #7D0070, #6C005D and #5B004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F1196 shade: #A21198, #A21171, #A2114A, #A21123 and #A21111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F1196 shade: #A21198, #8411A2, #5D11A2, #3611A2 and #1111A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F1196 shade matches the following richer shades: #A21198 and #B003A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F1196 shade: #A21198, #931F8C, #852E7F, #763C73 and #684B66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F1196 shade: #5C11A2, #8211A2, #A2119A, #A21174 and #A2114D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F1196 shade: #570952, #7C0D75, #A21198, #C715BC and #E71EDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F1196 shade: #9F1196, #A23511 and #11A26F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F1196 shade: #9F1196, #9AA211 and #119AA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F1196 shade: #9F1196, #A23511, #11A218 and #117DA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F1196 shade: #9F1196, #A26011, #11A218 and #1152A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 6 / 38

HEX #9F1196

RGB 159 17 150

HSL 303.8, 0.81%, 0.35%

LAB 37.8, 65.54, -36.99

 

Complementary color

CMYK 60 / 0 / 56 / 7

HEX #60EE69

RGB 96 238 105

HSL 123.8, 0.81%, 0.65%

LAB 84.31, -64.18, 52.39

 

CMYK 0 / 90 / 12 / 36

HEX #A41191

RGB 164 17 145

HSL 307.76, 0.81%, 0.35%

LAB 38.44, 65.78, -32.86

 

CMYK 0 / 81 / 9 / 29

HEX #B523A4

RGB 181 35 164

HSL 306.99, 0.68%, 0.42%

LAB 43.81, 68.26, -35.66

 

CMYK 0 / 73 / 8 / 22

HEX #C635B7

RGB 198 53 183

HSL 306.21, 0.58%, 0.49%

LAB 49.46, 69.65, -37.77

 

CMYK 0 / 67 / 6 / 16

HEX #D747CA

RGB 215 71 202

HSL 305.42, 0.64%, 0.56%

LAB 55.3, 70.29, -39.39

 

CMYK 0 / 62 / 5 / 9

HEX #E859DD

RGB 232 89 221

HSL 304.62, 0.76%, 0.63%

LAB 61.24, 70.44, -40.65

 

CMYK 0 / 89 / 6 / 38

HEX #9F1196

RGB 159 17 150

HSL 303.8, 0.81%, 0.35%

LAB 37.8, 65.54, -36.99

 

CMYK 0 / 100 / 8 / 44

HEX #8E0083

RGB 142 0 131

HSL 304.65, 1%, 0.28%

LAB 32.68, 61.89, -33.6

 

CMYK 0 / 100 / 10 / 51

HEX #7D0070

RGB 125 0 112

HSL 306.24, 1%, 0.25%

LAB 28.19, 55.96, -28.89

 

CMYK 0 / 100 / 14 / 58

HEX #6C005D

RGB 108 0 93

HSL 308.33, 1%, 0.21%

LAB 23.6, 49.88, -24

 

CMYK 0 / 100 / 19 / 64

HEX #5B004A

RGB 91 0 74

HSL 311.21, 1%, 0.18%

LAB 18.88, 43.64, -18.86

 

CMYK 0 / 90 / 6 / 36

HEX #A21198

RGB 162 17 152

HSL 304.14, 0.81%, 0.35%

LAB 38.46, 66.4, -37.12

 

CMYK 0 / 90 / 30 / 36

HEX #A21171

RGB 162 17 113

HSL 320.28, 0.81%, 0.35%

LAB 36.51, 61.24, -16.01

 

CMYK 0 / 90 / 54 / 36

HEX #A2114A

RGB 162 17 74

HSL 336.41, 0.81%, 0.35%

LAB 35.16, 57.5, 7.05

 

CMYK 0 / 90 / 78 / 36

HEX #A21123

RGB 162 17 35

HSL 352.55, 0.81%, 0.35%

LAB 34.4, 55.35, 31.13

 

CMYK 0 / 90 / 90 / 36

HEX #A21111

RGB 162 17 17

HSL 0, 0.81%, 0.35%

LAB 34.24, 54.87, 40.94

 

CMYK 0 / 90 / 6 / 36

HEX #A21198

RGB 162 17 152

HSL 304.14, 0.81%, 0.35%

LAB 38.46, 66.4, -37.12

 

CMYK 19 / 90 / 0 / 36

HEX #8411A2

RGB 132 17 162

HSL 287.59, 0.81%, 0.35%

LAB 33.81, 62.76, -50.94

 

CMYK 43 / 90 / 0 / 36

HEX #5D11A2

RGB 93 17 162

HSL 271.45, 0.81%, 0.35%

LAB 27.67, 57.15, -61.21

 

CMYK 67 / 90 / 0 / 36

HEX #3611A2

RGB 54 17 162

HSL 255.31, 0.81%, 0.35%

LAB 22.98, 53.32, -69.12

 

CMYK 90 / 90 / 0 / 36

HEX #1111A2

RGB 17 17 162

HSL 240, 0.81%, 0.35%

LAB 20.55, 51.56, -73.22

 

CMYK 0 / 90 / 6 / 36

HEX #A21198

RGB 162 17 152

HSL 304.14, 0.81%, 0.35%

LAB 38.46, 66.4, -37.12

 

CMYK 0 / 98 / 6 / 31

HEX #B003A5

RGB 176 3 165

HSL 303.82, 0.97%, 0.35%

LAB 41.23, 72.49, -40.4

 

CMYK 0 / 90 / 6 / 36

HEX #A21198

RGB 162 17 152

HSL 304.14, 0.81%, 0.35%

LAB 38.46, 66.4, -37.12

 

CMYK 0 / 79 / 5 / 42

HEX #931F8C

RGB 147 31 140

HSL 303.62, 0.65%, 0.35%

LAB 36.13, 58.42, -33.64

 

CMYK 0 / 65 / 5 / 48

HEX #852E7F

RGB 133 46 127

HSL 304.14, 0.49%, 0.35%

LAB 34.95, 47.44, -27.62

 

CMYK 0 / 49 / 3 / 54

HEX #763C73

RGB 118 60 115

HSL 303.1, 0.33%, 0.35%

LAB 34.64, 33.8, -20.77

 

CMYK 0 / 28 / 2 / 59

HEX #684B66

RGB 104 75 102

HSL 304.14, 0.16%, 0.35%

LAB 35.86, 17.32, -10.89

 

CMYK 43 / 90 / 0 / 36

HEX #5C11A2

RGB 92 17 162

HSL 271.03, 0.81%, 0.35%

LAB 27.53, 57.02, -61.45

 

CMYK 20 / 90 / 0 / 36

HEX #8211A2

RGB 130 17 162

HSL 286.76, 0.81%, 0.35%

LAB 33.47, 62.44, -51.5

 

CMYK 0 / 90 / 5 / 36

HEX #A2119A

RGB 162 17 154

HSL 303.31, 0.81%, 0.35%

LAB 38.58, 66.7, -38.15

 

CMYK 0 / 90 / 28 / 36

HEX #A21174

RGB 162 17 116

HSL 319.03, 0.81%, 0.35%

LAB 36.64, 61.59, -17.71

 

CMYK 0 / 90 / 52 / 36

HEX #A2114D

RGB 162 17 77

HSL 335.17, 0.81%, 0.35%

LAB 35.24, 57.73, 5.21

 

CMYK 0 / 90 / 6 / 66

HEX #570952

RGB 87 9 82

HSL 303.85, 0.81%, 0.19%

LAB 19.35, 41.61, -23.63

 

CMYK 0 / 90 / 6 / 51

HEX #7C0D75

RGB 124 13 117

HSL 303.78, 0.81%, 0.27%

LAB 29.05, 54.31, -30.75

 

CMYK 0 / 90 / 6 / 36

HEX #A21198

RGB 162 17 152

HSL 304.14, 0.81%, 0.35%

LAB 38.46, 66.4, -37.12

 

CMYK 0 / 89 / 6 / 22

HEX #C715BC

RGB 199 21 188

HSL 303.71, 0.81%, 0.43%

LAB 47.38, 77.88, -43.98

 

CMYK 0 / 87 / 5 / 9

HEX #E71EDB

RGB 231 30 219

HSL 303.58, 0.81%, 0.51%

LAB 55.11, 86.66, -49.22

 

CMYK 0 / 89 / 6 / 38

HEX #9F1196

RGB 159 17 150

HSL 303.8, 0.81%, 0.35%

LAB 37.8, 65.54, -36.99

 

CMYK 0 / 67 / 90 / 36

HEX #A23511

RGB 162 53 17

HSL 14.9, 0.81%, 0.35%

LAB 38.32, 43.51, 44.12

 

CMYK 90 / 0 / 31 / 36

HEX #11A26F

RGB 17 162 111

HSL 158.9, 0.81%, 0.35%

LAB 59.07, -47.4, 16.84

 

CMYK 0 / 89 / 6 / 38

HEX #9F1196

RGB 159 17 150

HSL 303.8, 0.81%, 0.35%

LAB 37.8, 65.54, -36.99

 

CMYK 5 / 0 / 90 / 36

HEX #9AA211

RGB 154 162 17

HSL 63.31, 0.81%, 0.35%

LAB 63.96, -18.63, 64.09

 

CMYK 90 / 5 / 0 / 36

HEX #119AA2

RGB 17 154 162

HSL 183.31, 0.81%, 0.35%

LAB 57.88, -29.7, -13.68

 

CMYK 0 / 89 / 6 / 38

HEX #9F1196

RGB 159 17 150

HSL 303.8, 0.81%, 0.35%

LAB 37.8, 65.54, -36.99

 

CMYK 0 / 67 / 90 / 36

HEX #A23511

RGB 162 53 17

HSL 14.9, 0.81%, 0.35%

LAB 38.32, 43.51, 44.12

 

CMYK 90 / 0 / 85 / 36

HEX #11A218

RGB 17 162 24

HSL 122.9, 0.81%, 0.35%

LAB 58.06, -59.54, 55.2

 

CMYK 90 / 23 / 0 / 36

HEX #117DA2

RGB 17 125 162

HSL 195.31, 0.81%, 0.35%

LAB 48.75, -14.51, -27.67

 

CMYK 0 / 89 / 6 / 38

HEX #9F1196

RGB 159 17 150

HSL 303.8, 0.81%, 0.35%

LAB 37.8, 65.54, -36.99

 

CMYK 0 / 41 / 90 / 36

HEX #A26011

RGB 162 96 17

HSL 32.69, 0.81%, 0.35%

LAB 47.09, 21.36, 51

 

CMYK 90 / 0 / 85 / 36

HEX #11A218

RGB 17 162 24

HSL 122.9, 0.81%, 0.35%

LAB 58.06, -59.54, 55.2

 

CMYK 90 / 49 / 0 / 36

HEX #1152A2

RGB 17 82 162

HSL 213.1, 0.81%, 0.35%

LAB 35.52, 12.14, -48.64

 

Description

Color code: HEX #9F1196 | qconv.com Color code: HEX #9F1196 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 17 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 17 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 6 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 6% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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