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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F0D3E it is the complementary color #60F2C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F0D3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F0D3E shade: #A40D39, #B51F4C, #C6315F, #D74372 and #E85585

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F0D3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F0D3E shade: #9F0D3E, #8E002B, #7D0018, #6C0005 and #5B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F0D3E shade: #A00D3E, #A00D16 and #A00D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F0D3E shade: #A00D3E, #A00D66, #A00D8D, #8B0DA0 and #630DA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F0D3E shade matches the following richer shades: #A00D3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F0D3E shade: #A00D3E, #921B43, #842947, #76374C and #684550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F0D3E shade: #A00D8F, #A00D67, #A00D40, #A00D19 and #A0280D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F0D3E shade: #540620, #7A092F, #A00D3E, #C6104D and #EB135C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F0D3E shade: #9F0D3E, #A08A0D and #0D7BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F0D3E shade: #9F0D3E, #40A00D and #0D40A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F0D3E shade: #9F0D3E, #A08A0D, #0DA06C and #0D23A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F0D3E shade: #9F0D3E, #8AA00D, #0DA06C and #230DA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 61 / 38

HEX #9F0D3E

RGB 159 13 62

HSL 339.86, 0.85%, 0.34%

LAB 34, 56.56, 13.2

 

Complementary color

CMYK 60 / 0 / 20 / 5

HEX #60F2C1

RGB 96 242 193

HSL 159.86, 0.85%, 0.66%

LAB 86.92, -50.48, 12.12

 

CMYK 0 / 92 / 65 / 36

HEX #A40D39

RGB 164 13 57

HSL 342.52, 0.85%, 0.35%

LAB 34.95, 57.55, 17.93

 

CMYK 0 / 83 / 58 / 29

HEX #B51F4C

RGB 181 31 76

HSL 342, 0.71%, 0.42%

LAB 40.12, 59.64, 13.26

 

CMYK 0 / 75 / 52 / 22

HEX #C6315F

RGB 198 49 95

HSL 341.48, 0.6%, 0.48%

LAB 45.67, 60.61, 9.56

 

CMYK 0 / 69 / 47 / 16

HEX #D74372

RGB 215 67 114

HSL 340.95, 0.65%, 0.55%

LAB 51.47, 60.85, 6.61

 

CMYK 0 / 63 / 43 / 9

HEX #E85585

RGB 232 85 133

HSL 340.41, 0.76%, 0.62%

LAB 57.41, 60.63, 4.21

 

CMYK 0 / 92 / 61 / 38

HEX #9F0D3E

RGB 159 13 62

HSL 339.86, 0.85%, 0.34%

LAB 34, 56.56, 13.2

 

CMYK 0 / 100 / 70 / 44

HEX #8E002B

RGB 142 0 43

HSL 341.83, 1%, 0.28%

LAB 29.22, 53.03, 18.81

 

CMYK 0 / 100 / 81 / 51

HEX #7D0018

RGB 125 0 24

HSL 348.48, 1%, 0.25%

LAB 25.03, 47.8, 25.46

 

CMYK 0 / 100 / 95 / 58

HEX #6C0005

RGB 108 0 5

HSL 357.22, 1%, 0.21%

LAB 20.82, 42.68, 29.7

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 92 / 61 / 37

HEX #A00D3E

RGB 160 13 62

HSL 340, 0.85%, 0.34%

LAB 34.21, 56.81, 13.52

 

CMYK 0 / 92 / 86 / 37

HEX #A00D16

RGB 160 13 22

HSL 356.33, 0.85%, 0.34%

LAB 33.6, 55.1, 37.7

 

CMYK 0 / 92 / 92 / 37

HEX #A00D0D

RGB 160 13 13

HSL 0, 0.85%, 0.34%

LAB 33.54, 54.93, 42.07

 

CMYK 0 / 92 / 61 / 37

HEX #A00D3E

RGB 160 13 62

HSL 340, 0.85%, 0.34%

LAB 34.21, 56.81, 13.52

 

CMYK 0 / 92 / 36 / 37

HEX #A00D66

RGB 160 13 102

HSL 323.67, 0.85%, 0.34%

LAB 35.44, 60.2, -10.68

 

CMYK 0 / 92 / 12 / 37

HEX #A00D8D

RGB 160 13 141

HSL 307.76, 0.85%, 0.34%

LAB 37.27, 65.03, -32.3

 

CMYK 13 / 92 / 0 / 37

HEX #8B0DA0

RGB 139 13 160

HSL 291.43, 0.85%, 0.34%

LAB 34.63, 64.23, -48.34

 

CMYK 38 / 92 / 0 / 37

HEX #630DA0

RGB 99 13 160

HSL 275.1, 0.85%, 0.34%

LAB 28.06, 58.36, -59.33

 

CMYK 0 / 92 / 61 / 37

HEX #A00D3E

RGB 160 13 62

HSL 340, 0.85%, 0.34%

LAB 34.21, 56.81, 13.52

 

CMYK 0 / 92 / 61 / 37

HEX #A00D3E

RGB 160 13 62

HSL 340, 0.85%, 0.34%

LAB 34.21, 56.81, 13.52

 

CMYK 0 / 82 / 54 / 43

HEX #921B43

RGB 146 27 67

HSL 339.83, 0.69%, 0.34%

LAB 32.48, 50.35, 7.39

 

CMYK 0 / 69 / 46 / 48

HEX #842947

RGB 132 41 71

HSL 340.22, 0.53%, 0.34%

LAB 31.68, 41.38, 3.26

 

CMYK 0 / 53 / 36 / 54

HEX #76374C

RGB 118 55 76

HSL 340, 0.36%, 0.34%

LAB 32.05, 30.06, 0.22

 

CMYK 0 / 34 / 23 / 59

HEX #684550

RGB 104 69 80

HSL 341.14, 0.2%, 0.34%

LAB 33.52, 16.84, -0.44

 

CMYK 0 / 92 / 11 / 37

HEX #A00D8F

RGB 160 13 143

HSL 306.94, 0.85%, 0.34%

LAB 37.38, 65.31, -33.36

 

CMYK 0 / 92 / 36 / 37

HEX #A00D67

RGB 160 13 103

HSL 323.27, 0.85%, 0.34%

LAB 35.48, 60.31, -11.26

 

CMYK 0 / 92 / 60 / 37

HEX #A00D40

RGB 160 13 64

HSL 339.18, 0.85%, 0.34%

LAB 34.26, 56.94, 12.27

 

CMYK 0 / 92 / 84 / 37

HEX #A00D19

RGB 160 13 25

HSL 355.1, 0.85%, 0.34%

LAB 33.63, 55.17, 36.07

 

CMYK 0 / 75 / 92 / 37

HEX #A0280D

RGB 160 40 13

HSL 11.02, 0.85%, 0.34%

LAB 36.02, 47.92, 43.82

 

CMYK 0 / 93 / 62 / 67

HEX #540620

RGB 84 6 32

HSL 340, 0.87%, 0.18%

LAB 16.1, 35.29, 6.71

 

CMYK 0 / 93 / 61 / 52

HEX #7A092F

RGB 122 9 47

HSL 339.82, 0.86%, 0.26%

LAB 25.38, 46.44, 10.2

 

CMYK 0 / 92 / 61 / 37

HEX #A00D3E

RGB 160 13 62

HSL 340, 0.85%, 0.34%

LAB 34.21, 56.81, 13.52

 

CMYK 0 / 92 / 61 / 22

HEX #C6104D

RGB 198 16 77

HSL 339.89, 0.85%, 0.42%

LAB 42.63, 66.84, 16.61

 

CMYK 0 / 92 / 61 / 8

HEX #EB135C

RGB 235 19 92

HSL 339.72, 0.85%, 0.5%

LAB 50.57, 76.24, 19.28

 

CMYK 0 / 92 / 61 / 38

HEX #9F0D3E

RGB 159 13 62

HSL 339.86, 0.85%, 0.34%

LAB 34, 56.56, 13.2

 

CMYK 0 / 14 / 92 / 37

HEX #A08A0D

RGB 160 138 13

HSL 51.02, 0.85%, 0.34%

LAB 57.73, -3.29, 60.14

 

CMYK 92 / 23 / 0 / 37

HEX #0D7BA0

RGB 13 123 160

HSL 195.1, 0.85%, 0.34%

LAB 47.99, -14.35, -27.68

 

CMYK 0 / 92 / 61 / 38

HEX #9F0D3E

RGB 159 13 62

HSL 339.86, 0.85%, 0.34%

LAB 34, 56.56, 13.2

 

CMYK 60 / 0 / 92 / 37

HEX #40A00D

RGB 64 160 13

HSL 99.18, 0.85%, 0.34%

LAB 58.28, -51.45, 58.06

 

CMYK 92 / 60 / 0 / 37

HEX #0D40A0

RGB 13 64 160

HSL 219.18, 0.85%, 0.34%

LAB 30.13, 23.37, -56.19

 

CMYK 0 / 92 / 61 / 38

HEX #9F0D3E

RGB 159 13 62

HSL 339.86, 0.85%, 0.34%

LAB 34, 56.56, 13.2

 

CMYK 0 / 14 / 92 / 37

HEX #A08A0D

RGB 160 138 13

HSL 51.02, 0.85%, 0.34%

LAB 57.73, -3.29, 60.14

 

CMYK 92 / 0 / 33 / 37

HEX #0DA06C

RGB 13 160 108

HSL 158.78, 0.85%, 0.34%

LAB 58.33, -47.55, 17.48

 

CMYK 92 / 78 / 0 / 37

HEX #0D23A0

RGB 13 35 160

HSL 231.02, 0.85%, 0.34%

LAB 23.09, 42.22, -67.79

 

CMYK 0 / 92 / 61 / 38

HEX #9F0D3E

RGB 159 13 62

HSL 339.86, 0.85%, 0.34%

LAB 34, 56.56, 13.2

 

CMYK 14 / 0 / 92 / 37

HEX #8AA00D

RGB 138 160 13

HSL 68.98, 0.85%, 0.34%

LAB 62.15, -24.7, 62.81

 

CMYK 92 / 0 / 33 / 37

HEX #0DA06C

RGB 13 160 108

HSL 158.78, 0.85%, 0.34%

LAB 58.33, -47.55, 17.48

 

CMYK 78 / 92 / 0 / 37

HEX #230DA0

RGB 35 13 160

HSL 248.98, 0.85%, 0.34%

LAB 20.76, 52.92, -71.62

 

Description

Color code: HEX #9F0D3E | qconv.com Color code: HEX #9F0D3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 13 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 13 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 61 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 61% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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