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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F08B5 it is the complementary color #60F74A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F08B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F08B5 shade: #A408B0, #B51AC3, #C62CD6, #D73EE9 and #E850FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F08B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F08B5 shade: #9F08B5, #8E00A2, #7D008F, #6C007C and #5B0069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F08B5 shade: #9F07B5, #B5079C, #B5076D, #B5073E and #B5070F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F08B5 shade: #9F07B5, #7007B5, #4107B5, #1207B5 and #0707B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F08B5 shade matches the following richer shades: #9F07B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F08B5 shade: #9F07B5, #9316A5, #882696, #7C3587 and #714478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F08B5 shade: #4107B5, #6F07B5, #9E07B5, #B5079E and #B5076F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F08B5 shade: #590465, #7C058D, #9F07B5, #C109DC and #D919F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F08B5 shade: #9F08B5, #B51307 and #07B558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F08B5 shade: #9F08B5, #B59E07 and #07B59E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F08B5 shade: #9F08B5, #B51307, #1EB507 and #07A9B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F08B5 shade: #9F08B5, #B54707, #1EB507 and #0775B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 96 / 0 / 29

HEX #9F08B5

RGB 159 8 181

HSL 292.37, 0.92%, 0.37%

LAB 39.38, 71.63, -53.07

 

Complementary color

CMYK 61 / 0 / 70 / 3

HEX #60F74A

RGB 96 247 74

HSL 112.37, 0.92%, 0.63%

LAB 86.75, -70.34, 67.76

 

CMYK 7 / 95 / 0 / 31

HEX #A408B0

RGB 164 8 176

HSL 295.71, 0.91%, 0.36%

LAB 39.92, 71.61, -49.19

 

CMYK 7 / 87 / 0 / 24

HEX #B51AC3

RGB 181 26 195

HSL 295.03, 0.76%, 0.43%

LAB 44.95, 74.98, -52.14

 

CMYK 7 / 79 / 0 / 16

HEX #C62CD6

RGB 198 44 214

HSL 294.35, 0.67%, 0.51%

LAB 50.29, 77.12, -54.37

 

CMYK 8 / 73 / 0 / 9

HEX #D73EE9

RGB 215 62 233

HSL 293.68, 0.8%, 0.58%

LAB 55.86, 78.37, -56.07

 

CMYK 8 / 68 / 0 / 1

HEX #E850FC

RGB 232 80 252

HSL 293.02, 0.97%, 0.65%

LAB 61.59, 78.97, -57.37

 

CMYK 12 / 96 / 0 / 29

HEX #9F08B5

RGB 159 8 181

HSL 292.37, 0.92%, 0.37%

LAB 39.38, 71.63, -53.07

 

CMYK 12 / 100 / 0 / 36

HEX #8E00A2

RGB 142 0 162

HSL 292.59, 1%, 0.32%

LAB 34.72, 66.78, -49.38

 

CMYK 13 / 100 / 0 / 44

HEX #7D008F

RGB 125 0 143

HSL 292.45, 1%, 0.28%

LAB 30.26, 60.92, -45.11

 

CMYK 13 / 100 / 0 / 51

HEX #6C007C

RGB 108 0 124

HSL 292.26, 1%, 0.24%

LAB 25.69, 54.92, -40.75

 

CMYK 13 / 100 / 0 / 59

HEX #5B0069

RGB 91 0 105

HSL 292, 1%, 0.21%

LAB 21, 48.75, -36.26

 

CMYK 12 / 96 / 0 / 29

HEX #9F07B5

RGB 159 7 181

HSL 292.41, 0.93%, 0.37%

LAB 39.34, 71.74, -53.13

 

CMYK 0 / 96 / 14 / 29

HEX #B5079C

RGB 181 7 156

HSL 308.62, 0.93%, 0.37%

LAB 41.81, 71.75, -34.02

 

CMYK 0 / 96 / 40 / 29

HEX #B5076D

RGB 181 7 109

HSL 324.83, 0.93%, 0.37%

LAB 39.71, 66.34, -8.26

 

CMYK 0 / 96 / 66 / 29

HEX #B5073E

RGB 181 7 62

HSL 341.03, 0.93%, 0.37%

LAB 38.42, 62.85, 19.91

 

CMYK 0 / 96 / 92 / 29

HEX #B5070F

RGB 181 7 15

HSL 357.24, 0.93%, 0.37%

LAB 37.86, 61.31, 46.33

 

CMYK 12 / 96 / 0 / 29

HEX #9F07B5

RGB 159 7 181

HSL 292.41, 0.93%, 0.37%

LAB 39.34, 71.74, -53.13

 

CMYK 38 / 96 / 0 / 29

HEX #7007B5

RGB 112 7 181

HSL 276.21, 0.93%, 0.37%

LAB 31.65, 65.39, -65.99

 

CMYK 64 / 96 / 0 / 29

HEX #4107B5

RGB 65 7 181

HSL 260, 0.93%, 0.37%

LAB 25.6, 61.34, -76.19

 

CMYK 90 / 96 / 0 / 29

HEX #1207B5

RGB 18 7 181

HSL 243.79, 0.93%, 0.37%

LAB 22.36, 59.69, -81.67

 

CMYK 96 / 96 / 0 / 29

HEX #0707B5

RGB 7 7 181

HSL 240, 0.93%, 0.37%

LAB 22.06, 59.56, -82.18

 

CMYK 12 / 96 / 0 / 29

HEX #9F07B5

RGB 159 7 181

HSL 292.41, 0.93%, 0.37%

LAB 39.34, 71.74, -53.13

 

CMYK 12 / 96 / 0 / 29

HEX #9F07B5

RGB 159 7 181

HSL 292.41, 0.93%, 0.37%

LAB 39.34, 71.74, -53.13

 

CMYK 11 / 87 / 0 / 35

HEX #9316A5

RGB 147 22 165

HSL 292.45, 0.76%, 0.37%

LAB 36.92, 64.83, -47.6

 

CMYK 9 / 75 / 0 / 41

HEX #882696

RGB 136 38 150

HSL 292.5, 0.6%, 0.37%

LAB 35.64, 55.5, -40.66

 

CMYK 8 / 61 / 0 / 47

HEX #7C3587

RGB 124 53 135

HSL 291.95, 0.44%, 0.37%

LAB 35.16, 43.26, -32.33

 

CMYK 6 / 43 / 0 / 53

HEX #714478

RGB 113 68 120

HSL 291.92, 0.28%, 0.37%

LAB 35.99, 28.6, -21.86

 

CMYK 64 / 96 / 0 / 29

HEX #4107B5

RGB 65 7 181

HSL 260, 0.93%, 0.37%

LAB 25.6, 61.34, -76.19

 

CMYK 39 / 96 / 0 / 29

HEX #6F07B5

RGB 111 7 181

HSL 275.86, 0.93%, 0.37%

LAB 31.5, 65.28, -66.24

 

CMYK 13 / 96 / 0 / 29

HEX #9E07B5

RGB 158 7 181

HSL 292.07, 0.93%, 0.37%

LAB 39.17, 71.59, -53.42

 

CMYK 0 / 96 / 13 / 29

HEX #B5079E

RGB 181 7 158

HSL 307.93, 0.93%, 0.37%

LAB 41.91, 72.02, -35.05

 

CMYK 0 / 96 / 39 / 29

HEX #B5076F

RGB 181 7 111

HSL 324.14, 0.93%, 0.37%

LAB 39.79, 66.54, -9.41

 

CMYK 12 / 96 / 0 / 60

HEX #590465

RGB 89 4 101

HSL 292.58, 0.92%, 0.21%

LAB 20.64, 46.68, -34.24

 

CMYK 12 / 96 / 0 / 45

HEX #7C058D

RGB 124 5 141

HSL 292.5, 0.93%, 0.29%

LAB 30.2, 59.63, -43.99

 

CMYK 12 / 96 / 0 / 29

HEX #9F07B5

RGB 159 7 181

HSL 292.41, 0.93%, 0.37%

LAB 39.34, 71.74, -53.13

 

CMYK 12 / 96 / 0 / 14

HEX #C109DC

RGB 193 9 220

HSL 292.32, 0.92%, 0.45%

LAB 47.88, 83.07, -61.72

 

CMYK 11 / 90 / 0 / 4

HEX #D919F5

RGB 217 25 245

HSL 292.36, 0.92%, 0.53%

LAB 54.07, 88.96, -65.66

 

CMYK 12 / 96 / 0 / 29

HEX #9F08B5

RGB 159 8 181

HSL 292.37, 0.92%, 0.37%

LAB 39.38, 71.63, -53.07

 

CMYK 0 / 90 / 96 / 29

HEX #B51307

RGB 181 19 7

HSL 4.14, 0.93%, 0.37%

LAB 38.38, 59.61, 49.61

 

CMYK 96 / 0 / 51 / 29

HEX #07B558

RGB 7 181 88

HSL 147.93, 0.93%, 0.37%

LAB 64.8, -59.18, 36.51

 

CMYK 12 / 96 / 0 / 29

HEX #9F08B5

RGB 159 8 181

HSL 292.37, 0.92%, 0.37%

LAB 39.38, 71.63, -53.07

 

CMYK 0 / 13 / 96 / 29

HEX #B59E07

RGB 181 158 7

HSL 52.07, 0.93%, 0.37%

LAB 65.19, -4.62, 67.57

 

CMYK 96 / 0 / 13 / 29

HEX #07B59E

RGB 7 181 158

HSL 172.07, 0.93%, 0.37%

LAB 66.18, -43.64, 0.87

 

CMYK 12 / 96 / 0 / 29

HEX #9F08B5

RGB 159 8 181

HSL 292.37, 0.92%, 0.37%

LAB 39.38, 71.63, -53.07

 

CMYK 0 / 90 / 96 / 29

HEX #B51307

RGB 181 19 7

HSL 4.14, 0.93%, 0.37%

LAB 38.38, 59.61, 49.61

 

CMYK 83 / 0 / 96 / 29

HEX #1EB507

RGB 30 181 7

HSL 112.07, 0.93%, 0.37%

LAB 64.43, -64.45, 63.71

 

CMYK 96 / 7 / 0 / 29

HEX #07A9B5

RGB 7 169 181

HSL 184.14, 0.93%, 0.37%

LAB 63.14, -31.29, -16.45

 

CMYK 12 / 96 / 0 / 29

HEX #9F08B5

RGB 159 8 181

HSL 292.37, 0.92%, 0.37%

LAB 39.38, 71.63, -53.07

 

CMYK 0 / 61 / 96 / 29

HEX #B54707

RGB 181 71 7

HSL 22.07, 0.93%, 0.37%

LAB 44.72, 42.19, 53.33

 

CMYK 83 / 0 / 96 / 29

HEX #1EB507

RGB 30 181 7

HSL 112.07, 0.93%, 0.37%

LAB 64.43, -64.45, 63.71

 

CMYK 96 / 35 / 0 / 29

HEX #0775B5

RGB 7 117 181

HSL 202.07, 0.93%, 0.37%

LAB 47.11, -3.1, -41.31

 

Description

Color code: HEX #9F08B5 | qconv.com Color code: HEX #9F08B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 8 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 8 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 96 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 96% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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