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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F06F8 it is the complementary color #60F907. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F06F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F06F8 shade: #A406F3, #B518FF, #C62AFF, #D73CFF and #E84EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F06F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F06F8 shade: #9F06F8, #8E00E5, #7D00D2, #6C00BF and #5B00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F06F8 shade: #9F06F8, #E006F8, #F806CF, #F8068D and #F8064C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F06F8 shade: #9F06F8, #5E06F8, #1C06F8 and #0606F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F06F8 shade matches the following richer shades: #9F06F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F06F8 shade: #9F06F8, #9A1BE3, #942FCF, #8F44BA and #8958A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F06F8 shade: #1A06F8, #5B06F8, #9B06F8, #DC06F8 and #F806D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F06F8 shade: #6B04A8, #8505D0, #9F06F8, #AE2EF9 and #BE56FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F06F8 shade: #9F06F8, #F80632 and #06F83A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F06F8 shade: #9F06F8, #F89B06 and #06F89B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F06F8 shade: #9F06F8, #F80632, #63F806 and #06F8CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F06F8 shade: #9F06F8, #F82206, #63F806 and #06DCF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

Complementary color

CMYK 61 / 0 / 97 / 2

HEX #60F907

RGB 96 249 7

HSL 97.93, 0.95%, 0.5%

LAB 87.12, -73.78, 82.66

 

CMYK 33 / 98 / 0 / 5

HEX #A406F3

RGB 164 6 243

HSL 280, 0.95%, 0.49%

LAB 44.93, 83.56, -79.77

 

CMYK 29 / 91 / 0 / 0

HEX #B518FF

RGB 181 24 255

HSL 280.78, 1%, 0.55%

LAB 49.13, 85.78, -79.53

 

CMYK 22 / 84 / 0 / 0

HEX #C62AFF

RGB 198 42 255

HSL 283.94, 1%, 0.58%

LAB 52.82, 84.7, -73.4

 

CMYK 16 / 76 / 0 / 0

HEX #D73CFF

RGB 215 60 255

HSL 287.69, 1%, 0.62%

LAB 56.98, 82.76, -66.55

 

CMYK 9 / 69 / 0 / 0

HEX #E84EFF

RGB 232 78 255

HSL 292.2, 1%, 0.65%

LAB 61.5, 80.19, -59.16

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 38 / 100 / 0 / 10

HEX #8E00E5

RGB 142 0 229

HSL 277.21, 1%, 0.45%

LAB 40.26, 79.13, -79.63

 

CMYK 40 / 100 / 0 / 18

HEX #7D00D2

RGB 125 0 210

HSL 275.71, 1%, 0.41%

LAB 36.01, 73.66, -75.79

 

CMYK 43 / 100 / 0 / 25

HEX #6C00BF

RGB 108 0 191

HSL 273.93, 1%, 0.37%

LAB 31.69, 68.12, -71.88

 

CMYK 47 / 100 / 0 / 33

HEX #5B00AC

RGB 91 0 172

HSL 271.74, 1%, 0.34%

LAB 27.3, 62.5, -67.87

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 10 / 98 / 0 / 3

HEX #E006F8

RGB 224 6 248

HSL 294.05, 0.95%, 0.5%

LAB 54.82, 92.22, -66.07

 

CMYK 0 / 98 / 17 / 3

HEX #F806CF

RGB 248 6 207

HSL 310.17, 0.95%, 0.5%

LAB 56.68, 90.48, -39.7

 

CMYK 0 / 98 / 43 / 3

HEX #F8068D

RGB 248 6 141

HSL 326.53, 0.95%, 0.5%

LAB 54.04, 83.68, -5.13

 

CMYK 0 / 98 / 69 / 3

HEX #F8064C

RGB 248 6 76

HSL 342.64, 0.95%, 0.5%

LAB 52.52, 79.61, 31.98

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 62 / 98 / 0 / 3

HEX #5E06F8

RGB 94 6 248

HSL 261.82, 0.95%, 0.5%

LAB 36.53, 78.81, -96.75

 

CMYK 89 / 98 / 0 / 3

HEX #1C06F8

RGB 28 6 248

HSL 245.45, 0.95%, 0.5%

LAB 32.16, 76.81, -104.16

 

CMYK 98 / 98 / 0 / 3

HEX #0606F8

RGB 6 6 248

HSL 240, 0.95%, 0.5%

LAB 31.68, 76.64, -104.96

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 32 / 88 / 0 / 11

HEX #9A1BE3

RGB 154 27 227

HSL 278.1, 0.79%, 0.5%

LAB 43.06, 76.45, -73.82

 

CMYK 29 / 77 / 0 / 19

HEX #942FCF

RGB 148 47 207

HSL 277.88, 0.63%, 0.5%

LAB 42.51, 65.97, -63.28

 

CMYK 23 / 63 / 0 / 27

HEX #8F44BA

RGB 143 68 186

HSL 278.14, 0.46%, 0.5%

LAB 43.54, 51.57, -49.45

 

CMYK 17 / 47 / 0 / 35

HEX #8958A6

RGB 137 88 166

HSL 277.69, 0.31%, 0.5%

LAB 45.7, 34.81, -34.29

 

CMYK 90 / 98 / 0 / 3

HEX #1A06F8

RGB 26 6 248

HSL 244.96, 0.95%, 0.5%

LAB 32.09, 76.79, -104.26

 

CMYK 63 / 98 / 0 / 3

HEX #5B06F8

RGB 91 6 248

HSL 261.07, 0.95%, 0.5%

LAB 36.24, 78.65, -97.25

 

CMYK 38 / 98 / 0 / 3

HEX #9B06F8

RGB 155 6 248

HSL 276.94, 0.95%, 0.5%

LAB 44.05, 83.55, -84.07

 

CMYK 11 / 98 / 0 / 3

HEX #DC06F8

RGB 220 6 248

HSL 293.06, 0.95%, 0.5%

LAB 54.16, 91.64, -67.17

 

CMYK 0 / 98 / 15 / 3

HEX #F806D4

RGB 248 6 212

HSL 308.93, 0.95%, 0.5%

LAB 56.92, 91.09, -42.17

 

CMYK 36 / 98 / 0 / 34

HEX #6B04A8

RGB 107 4 168

HSL 277.68, 0.95%, 0.34%

LAB 29.51, 62.59, -61.74

 

CMYK 36 / 98 / 0 / 18

HEX #8505D0

RGB 133 5 208

HSL 277.83, 0.95%, 0.42%

LAB 37.21, 73.48, -72.62

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 30 / 82 / 0 / 2

HEX #AE2EF9

RGB 174 46 249

HSL 277.83, 0.94%, 0.58%

LAB 49.24, 78.97, -76.03

 

CMYK 24 / 66 / 0 / 2

HEX #BE56FA

RGB 190 86 250

HSL 278.05, 0.94%, 0.66%

LAB 56.59, 67.4, -64.58

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 0 / 98 / 80 / 3

HEX #F80632

RGB 248 6 50

HSL 349.09, 0.95%, 0.5%

LAB 52.19, 78.72, 46.61

 

CMYK 98 / 0 / 77 / 3

HEX #06F83A

RGB 6 248 58

HSL 132.89, 0.95%, 0.5%

LAB 85.75, -82.21, 71.64

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 0 / 38 / 98 / 3

HEX #F89B06

RGB 248 155 6

HSL 36.94, 0.95%, 0.5%

LAB 71.83, 26.28, 75.79

 

CMYK 98 / 0 / 38 / 3

HEX #06F89B

RGB 6 248 155

HSL 156.94, 0.95%, 0.5%

LAB 86.77, -69.67, 31.2

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 0 / 98 / 80 / 3

HEX #F80632

RGB 248 6 50

HSL 349.09, 0.95%, 0.5%

LAB 52.19, 78.72, 46.61

 

CMYK 60 / 0 / 98 / 3

HEX #63F806

RGB 99 248 6

HSL 96.94, 0.95%, 0.5%

LAB 86.9, -72.79, 82.59

 

CMYK 98 / 0 / 18 / 3

HEX #06F8CC

RGB 6 248 204

HSL 169.09, 0.95%, 0.5%

LAB 87.74, -58.8, 7.42

 

CMYK 36 / 98 / 0 / 3

HEX #9F06F8

RGB 159 6 248

HSL 277.93, 0.95%, 0.5%

LAB 44.63, 83.97, -83.1

 

CMYK 0 / 86 / 98 / 3

HEX #F82206

RGB 248 34 6

HSL 6.94, 0.95%, 0.5%

LAB 53.07, 74.82, 64.82

 

CMYK 60 / 0 / 98 / 3

HEX #63F806

RGB 99 248 6

HSL 96.94, 0.95%, 0.5%

LAB 86.9, -72.79, 82.59

 

CMYK 98 / 11 / 0 / 3

HEX #06DCF8

RGB 6 220 248

HSL 186.94, 0.95%, 0.5%

LAB 80.74, -34.31, -26.15

 

Description

Color code: HEX #9F06F8 | qconv.com Color code: HEX #9F06F8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 6 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 6 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 98 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 98% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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