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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF956 it is the complementary color #6106A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF956 shade: #A3F951, #B4FF64, #C5FF77, #D6FF8A and #E7FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF956 shade: #9EF956, #8DE743, #7CD530, #6BC31D and #5AB10A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF956 shade: #9FF958, #CAF958, #F6F958, #F9D158 and #F9A558

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF956 shade: #9FF958, #73F958, #58F967, #58F993 and #58F9BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF956 shade matches the following richer shades: #9FF958

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF956 shade: #9FF958, #A1EB66, #A2DD74, #A4CF82 and #A5C190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF956 shade: #F6F958, #CBF958, #A0F958, #75F958 and #58F965

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF956 shade: #71F509, #88F730, #9FF958, #B6FA7F and #CDFCA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF956 shade: #9EF956, #58F9D1 and #F958E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF956 shade: #9EF956, #58A0F9 and #F958A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF956 shade: #9EF956, #58F9D1, #B058F9 and #F95880

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF956 shade: #9EF956, #58F1F9, #B058F9 and #F96058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 65 / 2

HEX #9EF956

RGB 158 249 86

HSL 93.5, 0.93%, 0.66%

LAB 89.72, -52.97, 67.09

 

Complementary color

CMYK 43 / 96 / 0 / 34

HEX #6106A9

RGB 97 6 169

HSL 273.5, 0.93%, 0.34%

LAB 28.21, 61.35, -64.54

 

CMYK 35 / 0 / 67 / 2

HEX #A3F951

RGB 163 249 81

HSL 90.71, 0.93%, 0.65%

LAB 89.92, -51.68, 69.27

 

CMYK 29 / 0 / 61 / 0

HEX #B4FF64

RGB 180 255 100

HSL 89.03, 1%, 0.7%

LAB 92.64, -46.91, 64.98

 

CMYK 23 / 0 / 53 / 0

HEX #C5FF77

RGB 197 255 119

HSL 85.59, 1%, 0.73%

LAB 93.76, -39.22, 58.34

 

CMYK 16 / 0 / 46 / 0

HEX #D6FF8A

RGB 214 255 138

HSL 81.03, 1%, 0.77%

LAB 95.01, -31.14, 51.37

 

CMYK 9 / 0 / 38 / 0

HEX #E7FF9D

RGB 231 255 157

HSL 74.69, 1%, 0.81%

LAB 96.39, -22.8, 44.23

 

CMYK 37 / 0 / 65 / 2

HEX #9EF956

RGB 158 249 86

HSL 93.5, 0.93%, 0.66%

LAB 89.72, -52.97, 67.09

 

CMYK 39 / 0 / 71 / 9

HEX #8DE743

RGB 141 231 67

HSL 92.93, 0.77%, 0.58%

LAB 83.56, -52.65, 67.51

 

CMYK 42 / 0 / 77 / 16

HEX #7CD530

RGB 124 213 48

HSL 92.36, 0.66%, 0.51%

LAB 77.33, -52.16, 67.41

 

CMYK 45 / 0 / 85 / 24

HEX #6BC31D

RGB 107 195 29

HSL 91.81, 0.74%, 0.44%

LAB 71.04, -51.43, 66.45

 

CMYK 49 / 0 / 94 / 31

HEX #5AB10A

RGB 90 177 10

HSL 91.26, 0.89%, 0.37%

LAB 64.68, -50.38, 64.16

 

CMYK 36 / 0 / 65 / 2

HEX #9FF958

RGB 159 249 88

HSL 93.54, 0.93%, 0.66%

LAB 89.78, -52.49, 66.39

 

CMYK 19 / 0 / 65 / 2

HEX #CAF958

RGB 202 249 88

HSL 77.52, 0.93%, 0.66%

LAB 92.14, -37.2, 69.61

 

CMYK 1 / 0 / 65 / 2

HEX #F6F958

RGB 246 249 88

HSL 61.12, 0.93%, 0.66%

LAB 95.18, -20, 73.72

 

CMYK 0 / 16 / 65 / 2

HEX #F9D158

RGB 249 209 88

HSL 45.09, 0.93%, 0.66%

LAB 85.22, 1.09, 63.34

 

CMYK 0 / 34 / 65 / 2

HEX #F9A558

RGB 249 165 88

HSL 28.7, 0.93%, 0.66%

LAB 74.67, 24.02, 51.7

 

CMYK 36 / 0 / 65 / 2

HEX #9FF958

RGB 159 249 88

HSL 93.54, 0.93%, 0.66%

LAB 89.78, -52.49, 66.39

 

CMYK 54 / 0 / 65 / 2

HEX #73F958

RGB 115 249 88

HSL 109.94, 0.93%, 0.66%

LAB 88.02, -65.39, 63.97

 

CMYK 65 / 0 / 59 / 2

HEX #58F967

RGB 88 249 103

HSL 125.59, 0.93%, 0.66%

LAB 87.39, -69.87, 56.82

 

CMYK 65 / 0 / 41 / 2

HEX #58F993

RGB 88 249 147

HSL 141.99, 0.93%, 0.66%

LAB 87.94, -63.67, 36.91

 

CMYK 65 / 0 / 24 / 2

HEX #58F9BE

RGB 88 249 190

HSL 158.01, 0.93%, 0.66%

LAB 88.71, -55.39, 16.18

 

CMYK 36 / 0 / 65 / 2

HEX #9FF958

RGB 159 249 88

HSL 93.54, 0.93%, 0.66%

LAB 89.78, -52.49, 66.39

 

CMYK 36 / 0 / 65 / 2

HEX #9FF958

RGB 159 249 88

HSL 93.54, 0.93%, 0.66%

LAB 89.78, -52.49, 66.39

 

CMYK 31 / 0 / 57 / 8

HEX #A1EB66

RGB 161 235 102

HSL 93.38, 0.77%, 0.66%

LAB 85.98, -44.74, 56.34

 

CMYK 27 / 0 / 48 / 13

HEX #A2DD74

RGB 162 221 116

HSL 93.71, 0.61%, 0.66%

LAB 82.19, -36.72, 45.35

 

CMYK 21 / 0 / 37 / 19

HEX #A4CF82

RGB 164 207 130

HSL 93.51, 0.45%, 0.66%

LAB 78.54, -27.71, 33.77

 

CMYK 15 / 0 / 25 / 24

HEX #A5C190

RGB 165 193 144

HSL 94.29, 0.28%, 0.66%

LAB 74.92, -18.39, 21.62

 

CMYK 1 / 0 / 65 / 2

HEX #F6F958

RGB 246 249 88

HSL 61.12, 0.93%, 0.66%

LAB 95.18, -20, 73.72

 

CMYK 18 / 0 / 65 / 2

HEX #CBF958

RGB 203 249 88

HSL 77.14, 0.93%, 0.66%

LAB 92.2, -36.83, 69.69

 

CMYK 36 / 0 / 65 / 2

HEX #A0F958

RGB 160 249 88

HSL 93.17, 0.93%, 0.66%

LAB 89.83, -52.16, 66.46

 

CMYK 53 / 0 / 65 / 2

HEX #75F958

RGB 117 249 88

HSL 109.19, 0.93%, 0.66%

LAB 88.08, -64.88, 64.06

 

CMYK 65 / 0 / 59 / 2

HEX #58F965

RGB 88 249 101

HSL 124.84, 0.93%, 0.66%

LAB 87.37, -70.09, 57.67

 

CMYK 54 / 0 / 96 / 4

HEX #71F509

RGB 113 245 9

HSL 93.56, 0.93%, 0.5%

LAB 86.42, -68.31, 82.15

 

CMYK 45 / 0 / 81 / 3

HEX #88F730

RGB 136 247 48

HSL 93.47, 0.93%, 0.58%

LAB 87.95, -61.44, 77.4

 

CMYK 36 / 0 / 65 / 2

HEX #9FF958

RGB 159 249 88

HSL 93.54, 0.93%, 0.66%

LAB 89.78, -52.49, 66.39

 

CMYK 27 / 0 / 49 / 2

HEX #B6FA7F

RGB 182 250 127

HSL 93.17, 0.92%, 0.74%

LAB 91.62, -41.46, 51.93

 

CMYK 19 / 0 / 34 / 1

HEX #CDFCA7

RGB 205 252 167

HSL 93.18, 0.93%, 0.82%

LAB 94.05, -29.45, 35.95

 

CMYK 37 / 0 / 65 / 2

HEX #9EF956

RGB 158 249 86

HSL 93.5, 0.93%, 0.66%

LAB 89.72, -52.97, 67.09

 

CMYK 65 / 0 / 16 / 2

HEX #58F9D1

RGB 88 249 209

HSL 165.09, 0.93%, 0.66%

LAB 89.13, -51.1, 6.94

 

CMYK 0 / 65 / 10 / 2

HEX #F958E1

RGB 249 88 225

HSL 308.94, 0.93%, 0.66%

LAB 63.8, 75.57, -38.7

 

CMYK 37 / 0 / 65 / 2

HEX #9EF956

RGB 158 249 86

HSL 93.5, 0.93%, 0.66%

LAB 89.72, -52.97, 67.09

 

CMYK 65 / 36 / 0 / 2

HEX #58A0F9

RGB 88 160 249

HSL 213.17, 0.93%, 0.66%

LAB 65.01, 4.7, -51.05

 

CMYK 0 / 65 / 36 / 2

HEX #F958A0

RGB 249 88 160

HSL 333.17, 0.93%, 0.66%

LAB 61.36, 67.21, -5.44

 

CMYK 37 / 0 / 65 / 2

HEX #9EF956

RGB 158 249 86

HSL 93.5, 0.93%, 0.66%

LAB 89.72, -52.97, 67.09

 

CMYK 65 / 0 / 16 / 2

HEX #58F9D1

RGB 88 249 209

HSL 165.09, 0.93%, 0.66%

LAB 89.13, -51.1, 6.94

 

CMYK 29 / 65 / 0 / 2

HEX #B058F9

RGB 176 88 249

HSL 272.8, 0.93%, 0.66%

LAB 55.12, 63.36, -66.48

 

CMYK 0 / 65 / 49 / 2

HEX #F95880

RGB 249 88 128

HSL 345.09, 0.93%, 0.66%

LAB 60.5, 64.12, 11.91

 

CMYK 37 / 0 / 65 / 2

HEX #9EF956

RGB 158 249 86

HSL 93.5, 0.93%, 0.66%

LAB 89.72, -52.97, 67.09

 

CMYK 65 / 3 / 0 / 2

HEX #58F1F9

RGB 88 241 249

HSL 182.98, 0.93%, 0.66%

LAB 87.88, -37.33, -15.76

 

CMYK 29 / 65 / 0 / 2

HEX #B058F9

RGB 176 88 249

HSL 272.8, 0.93%, 0.66%

LAB 55.12, 63.36, -66.48

 

CMYK 0 / 61 / 65 / 2

HEX #F96058

RGB 249 96 88

HSL 2.98, 0.93%, 0.66%

LAB 60.97, 57.98, 35.5

 

Description

Color code: HEX #9EF956 | qconv.com Color code: HEX #9EF956 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 249 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 249 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 65 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 65% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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