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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF8BE it is the complementary color #610741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF8BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF8BE shade: #A3F8B9, #B4FFCC, #C5FFDF, #D6FFF2 and #E7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF8BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF8BE shade: #9EF8BE, #8DE6AB, #7CD498, #6BC285 and #5AB072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF8BE shade: #A0F8BF, #A0F8A7, #B0F8A0, #C8F8A0 and #E0F8A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF8BE shade: #A0F8BF, #A0F8D7, #A0F8EF, #A0EAF8 and #A0D2F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF8BE shade matches the following richer shades: #A0F8BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF8BE shade: #A0F8BF, #A8F0C2, #B0E8C4, #B8E0C6 and #C1D7C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF8BE shade: #B0F8A0, #A0F8A7, #A0F8BF, #A0F8D6 and #A0F8EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF8BE shade: #52F38C, #79F6A5, #A0F8BF, #C6FBD9 and #EDFEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF8BE shade: #9EF8BE, #A0C8F8 and #F8A0A4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF8BE shade: #9EF8BE, #BFA0F8 and #F8BFA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF8BE shade: #9EF8BE, #A0C8F8, #F8A0D9 and #F8D0A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF8BE shade: #9EF8BE, #A0ADF8, #F8A0D9 and #F8EBA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 23 / 3

HEX #9EF8BE

RGB 158 248 190

HSL 141.33, 0.87%, 0.8%

LAB 90.84, -38.94, 19.51

 

Complementary color

CMYK 0 / 93 / 33 / 62

HEX #610741

RGB 97 7 65

HSL 321.33, 0.87%, 0.2%

LAB 20.34, 42, -10.28

 

CMYK 34 / 0 / 25 / 3

HEX #A3F8B9

RGB 163 248 185

HSL 135.53, 0.86%, 0.81%

LAB 90.97, -38.39, 22.3

 

CMYK 29 / 0 / 20 / 0

HEX #B4FFCC

RGB 180 255 204

HSL 139.2, 1%, 0.85%

LAB 94.13, -33.11, 17.11

 

CMYK 23 / 0 / 13 / 0

HEX #C5FFDF

RGB 197 255 223

HSL 146.9, 1%, 0.89%

LAB 95.46, -24.43, 9.38

 

CMYK 16 / 0 / 5 / 0

HEX #D6FFF2

RGB 214 255 242

HSL 160.98, 1%, 0.92%

LAB 96.91, -15.56, 1.83

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 36 / 0 / 23 / 3

HEX #9EF8BE

RGB 158 248 190

HSL 141.33, 0.87%, 0.8%

LAB 90.84, -38.94, 19.51

 

CMYK 39 / 0 / 26 / 10

HEX #8DE6AB

RGB 141 230 171

HSL 140.22, 0.64%, 0.73%

LAB 84.58, -39.2, 20.52

 

CMYK 42 / 0 / 28 / 17

HEX #7CD498

RGB 124 212 152

HSL 139.09, 0.51%, 0.66%

LAB 78.25, -39.46, 21.59

 

CMYK 45 / 0 / 31 / 24

HEX #6BC285

RGB 107 194 133

HSL 137.93, 0.42%, 0.59%

LAB 71.83, -39.7, 22.73

 

CMYK 49 / 0 / 35 / 31

HEX #5AB072

RGB 90 176 114

HSL 136.74, 0.35%, 0.52%

LAB 65.31, -39.9, 23.97

 

CMYK 35 / 0 / 23 / 3

HEX #A0F8BF

RGB 160 248 191

HSL 141.14, 0.86%, 0.8%

LAB 90.95, -38.19, 19.17

 

CMYK 35 / 0 / 33 / 3

HEX #A0F8A7

RGB 160 248 167

HSL 124.77, 0.86%, 0.8%

LAB 90.5, -42.32, 30.78

 

CMYK 29 / 0 / 35 / 3

HEX #B0F8A0

RGB 176 248 160

HSL 109.09, 0.86%, 0.8%

LAB 91.19, -38.38, 35.35

 

CMYK 19 / 0 / 35 / 3

HEX #C8F8A0

RGB 200 248 160

HSL 92.73, 0.86%, 0.8%

LAB 92.55, -30.27, 37.4

 

CMYK 10 / 0 / 35 / 3

HEX #E0F8A0

RGB 224 248 160

HSL 76.36, 0.86%, 0.8%

LAB 94.11, -21.67, 39.72

 

CMYK 35 / 0 / 23 / 3

HEX #A0F8BF

RGB 160 248 191

HSL 141.14, 0.86%, 0.8%

LAB 90.95, -38.19, 19.17

 

CMYK 35 / 0 / 13 / 3

HEX #A0F8D7

RGB 160 248 215

HSL 157.5, 0.86%, 0.8%

LAB 91.47, -33.51, 7.52

 

CMYK 35 / 0 / 4 / 3

HEX #A0F8EF

RGB 160 248 239

HSL 173.86, 0.86%, 0.8%

LAB 92.06, -28.35, -4.07

 

CMYK 35 / 6 / 0 / 3

HEX #A0EAF8

RGB 160 234 248

HSL 189.55, 0.86%, 0.8%

LAB 88.49, -19.44, -14.06

 

CMYK 35 / 15 / 0 / 3

HEX #A0D2F8

RGB 160 210 248

HSL 205.91, 0.86%, 0.8%

LAB 82.02, -7.16, -23.82

 

CMYK 35 / 0 / 23 / 3

HEX #A0F8BF

RGB 160 248 191

HSL 141.14, 0.86%, 0.8%

LAB 90.95, -38.19, 19.17

 

CMYK 35 / 0 / 23 / 3

HEX #A0F8BF

RGB 160 248 191

HSL 141.14, 0.86%, 0.8%

LAB 90.95, -38.19, 19.17

 

CMYK 30 / 0 / 19 / 6

HEX #A8F0C2

RGB 168 240 194

HSL 141.67, 0.71%, 0.8%

LAB 89.18, -31.59, 15.2

 

CMYK 24 / 0 / 16 / 9

HEX #B0E8C4

RGB 176 232 196

HSL 141.43, 0.55%, 0.8%

LAB 87.45, -24.94, 11.77

 

CMYK 18 / 0 / 12 / 12

HEX #B8E0C6

RGB 184 224 198

HSL 141, 0.39%, 0.8%

LAB 85.8, -18.08, 8.42

 

CMYK 10 / 0 / 7 / 16

HEX #C1D7C9

RGB 193 215 201

HSL 141.82, 0.22%, 0.8%

LAB 84.05, -9.99, 4.4

 

CMYK 29 / 0 / 35 / 3

HEX #B0F8A0

RGB 176 248 160

HSL 109.09, 0.86%, 0.8%

LAB 91.19, -38.38, 35.35

 

CMYK 35 / 0 / 33 / 3

HEX #A0F8A7

RGB 160 248 167

HSL 124.77, 0.86%, 0.8%

LAB 90.5, -42.32, 30.78

 

CMYK 35 / 0 / 23 / 3

HEX #A0F8BF

RGB 160 248 191

HSL 141.14, 0.86%, 0.8%

LAB 90.95, -38.19, 19.17

 

CMYK 35 / 0 / 14 / 3

HEX #A0F8D6

RGB 160 248 214

HSL 156.82, 0.86%, 0.8%

LAB 91.44, -33.72, 8.01

 

CMYK 35 / 0 / 4 / 3

HEX #A0F8EE

RGB 160 248 238

HSL 173.18, 0.86%, 0.8%

LAB 92.03, -28.57, -3.59

 

CMYK 66 / 0 / 42 / 5

HEX #52F38C

RGB 82 243 140

HSL 141.61, 0.87%, 0.64%

LAB 85.9, -63.71, 37.69

 

CMYK 51 / 0 / 33 / 4

HEX #79F6A5

RGB 121 246 165

HSL 141.12, 0.87%, 0.72%

LAB 88.3, -52.42, 28.55

 

CMYK 35 / 0 / 23 / 3

HEX #A0F8BF

RGB 160 248 191

HSL 141.14, 0.86%, 0.8%

LAB 90.95, -38.19, 19.17

 

CMYK 21 / 0 / 14 / 2

HEX #C6FBD9

RGB 198 251 217

HSL 141.51, 0.87%, 0.88%

LAB 94.32, -23.3, 10.83

 

CMYK 7 / 0 / 4 / 0

HEX #EDFEF3

RGB 237 254 243

HSL 141.18, 0.89%, 0.96%

LAB 98.18, -7.52, 3.34

 

CMYK 36 / 0 / 23 / 3

HEX #9EF8BE

RGB 158 248 190

HSL 141.33, 0.87%, 0.8%

LAB 90.84, -38.94, 19.51

 

CMYK 35 / 19 / 0 / 3

HEX #A0C8F8

RGB 160 200 248

HSL 212.73, 0.86%, 0.8%

LAB 79.36, -1.86, -27.88

 

CMYK 0 / 35 / 34 / 3

HEX #F8A0A4

RGB 248 160 164

HSL 357.27, 0.86%, 0.8%

LAB 74.68, 33.17, 11.59

 

CMYK 36 / 0 / 23 / 3

HEX #9EF8BE

RGB 158 248 190

HSL 141.33, 0.87%, 0.8%

LAB 90.84, -38.94, 19.51

 

CMYK 23 / 35 / 0 / 3

HEX #BFA0F8

RGB 191 160 248

HSL 261.14, 0.86%, 0.8%

LAB 71.55, 28.92, -39.77

 

CMYK 0 / 23 / 35 / 3

HEX #F8BFA0

RGB 248 191 160

HSL 21.14, 0.86%, 0.8%

LAB 81.71, 16.39, 23.53

 

CMYK 36 / 0 / 23 / 3

HEX #9EF8BE

RGB 158 248 190

HSL 141.33, 0.87%, 0.8%

LAB 90.84, -38.94, 19.51

 

CMYK 35 / 19 / 0 / 3

HEX #A0C8F8

RGB 160 200 248

HSL 212.73, 0.86%, 0.8%

LAB 79.36, -1.86, -27.88

 

CMYK 0 / 35 / 13 / 3

HEX #F8A0D9

RGB 248 160 217

HSL 321.14, 0.86%, 0.8%

LAB 76.14, 40.67, -15.35

 

CMYK 0 / 16 / 35 / 3

HEX #F8D0A0

RGB 248 208 160

HSL 32.73, 0.86%, 0.8%

LAB 85.81, 7.51, 29.09

 

CMYK 36 / 0 / 23 / 3

HEX #9EF8BE

RGB 158 248 190

HSL 141.33, 0.87%, 0.8%

LAB 90.84, -38.94, 19.51

 

CMYK 35 / 30 / 0 / 3

HEX #A0ADF8

RGB 160 173 248

HSL 231.14, 0.86%, 0.8%

LAB 72.32, 12.96, -38.75

 

CMYK 0 / 35 / 13 / 3

HEX #F8A0D9

RGB 248 160 217

HSL 321.14, 0.86%, 0.8%

LAB 76.14, 40.67, -15.35

 

CMYK 0 / 5 / 35 / 3

HEX #F8EBA0

RGB 248 235 160

HSL 51.14, 0.86%, 0.8%

LAB 92.54, -6.27, 38.01

 

Description

Color code: HEX #9EF8BE | qconv.com Color code: HEX #9EF8BE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 248 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 248 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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