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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF794 it is the complementary color #61086B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF794 shade: #A3F78F, #B4FFA2, #C5FFB5, #D6FFC8 and #E7FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF794 shade: #9EF794, #8DE581, #7CD36E, #6BC15B and #5AAF48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF794 shade: #9CF792, #B7F792, #D3F792, #EEF792 and #F7E592

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF794 shade: #9CF792, #92F7A3, #92F7BE, #92F7D9 and #92F7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF794 shade matches the following richer shades: #9CF792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF794 shade: #9CF792, #A4ED9B, #ABE4A5, #B3DAAE and #BAD1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF794 shade: #D3F792, #B9F792, #9EF792, #92F7A1 and #92F7BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF794 shade: #57F145, #79F46C, #9CF792, #BFFAB8 and #E2FDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF794 shade: #9EF794, #92EEF7 and #F792C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF794 shade: #9EF794, #929EF7 and #F7929E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF794 shade: #9EF794, #92EEF7, #EB92F7 and #F79A92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF794 shade: #9EF794, #92D0F7, #EB92F7 and #F7B992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 40 / 3

HEX #9EF794

RGB 158 247 148

HSL 113.94, 0.86%, 0.77%

LAB 89.83, -45.36, 39.35

 

Complementary color

CMYK 9 / 93 / 0 / 58

HEX #61086B

RGB 97 8 107

HSL 293.94, 0.86%, 0.23%

LAB 22.92, 48.32, -34.4

 

CMYK 34 / 0 / 42 / 3

HEX #A3F78F

RGB 163 247 143

HSL 108.46, 0.87%, 0.76%

LAB 89.99, -44.49, 42.06

 

CMYK 29 / 0 / 36 / 0

HEX #B4FFA2

RGB 180 255 162

HSL 108.39, 1%, 0.82%

LAB 93.38, -39.92, 37.28

 

CMYK 23 / 0 / 29 / 0

HEX #C5FFB5

RGB 197 255 181

HSL 107.03, 1%, 0.85%

LAB 94.62, -31.55, 29.62

 

CMYK 16 / 0 / 22 / 0

HEX #D6FFC8

RGB 214 255 200

HSL 104.73, 1%, 0.89%

LAB 95.99, -22.92, 22.04

 

CMYK 9 / 0 / 14 / 0

HEX #E7FFDB

RGB 231 255 219

HSL 100, 1%, 0.93%

LAB 97.48, -14.12, 14.59

 

CMYK 36 / 0 / 40 / 3

HEX #9EF794

RGB 158 247 148

HSL 113.94, 0.86%, 0.77%

LAB 89.83, -45.36, 39.35

 

CMYK 38 / 0 / 44 / 10

HEX #8DE581

RGB 141 229 129

HSL 112.8, 0.66%, 0.7%

LAB 83.59, -45.54, 40.54

 

CMYK 41 / 0 / 48 / 17

HEX #7CD36E

RGB 124 211 110

HSL 111.68, 0.53%, 0.63%

LAB 77.28, -45.68, 41.76

 

CMYK 45 / 0 / 53 / 24

HEX #6BC15B

RGB 107 193 91

HSL 110.59, 0.45%, 0.56%

LAB 70.89, -45.73, 42.99

 

CMYK 49 / 0 / 59 / 31

HEX #5AAF48

RGB 90 175 72

HSL 109.51, 0.42%, 0.48%

LAB 64.4, -45.67, 44.18

 

CMYK 37 / 0 / 41 / 3

HEX #9CF792

RGB 156 247 146

HSL 114.06, 0.86%, 0.77%

LAB 89.7, -46.26, 40.15

 

CMYK 26 / 0 / 41 / 3

HEX #B7F792

RGB 183 247 146

HSL 98.02, 0.86%, 0.77%

LAB 91.08, -37.52, 42.2

 

CMYK 15 / 0 / 41 / 3

HEX #D3F792

RGB 211 247 146

HSL 81.39, 0.86%, 0.77%

LAB 92.77, -27.62, 44.7

 

CMYK 4 / 0 / 41 / 3

HEX #EEF792

RGB 238 247 146

HSL 65.35, 0.86%, 0.77%

LAB 94.64, -17.54, 47.45

 

CMYK 0 / 7 / 41 / 3

HEX #F7E592

RGB 247 229 146

HSL 49.31, 0.86%, 0.77%

LAB 90.73, -5.16, 42.64

 

CMYK 37 / 0 / 41 / 3

HEX #9CF792

RGB 156 247 146

HSL 114.06, 0.86%, 0.77%

LAB 89.7, -46.26, 40.15

 

CMYK 41 / 0 / 34 / 3

HEX #92F7A3

RGB 146 247 163

HSL 130.1, 0.86%, 0.77%

LAB 89.52, -46.62, 31.37

 

CMYK 41 / 0 / 23 / 3

HEX #92F7BE

RGB 146 247 190

HSL 146.14, 0.86%, 0.77%

LAB 90.02, -41.83, 18.3

 

CMYK 41 / 0 / 12 / 3

HEX #92F7D9

RGB 146 247 217

HSL 162.18, 0.86%, 0.77%

LAB 90.62, -36.34, 5.18

 

CMYK 41 / 0 / 1 / 3

HEX #92F7F5

RGB 146 247 245

HSL 178.81, 0.86%, 0.77%

LAB 91.34, -29.97, -8.32

 

CMYK 37 / 0 / 41 / 3

HEX #9CF792

RGB 156 247 146

HSL 114.06, 0.86%, 0.77%

LAB 89.7, -46.26, 40.15

 

CMYK 37 / 0 / 41 / 3

HEX #9CF792

RGB 156 247 146

HSL 114.06, 0.86%, 0.77%

LAB 89.7, -46.26, 40.15

 

CMYK 31 / 0 / 35 / 7

HEX #A4ED9B

RGB 164 237 155

HSL 113.41, 0.69%, 0.77%

LAB 87.4, -38.04, 32.73

 

CMYK 25 / 0 / 28 / 11

HEX #ABE4A5

RGB 171 228 165

HSL 114.29, 0.54%, 0.77%

LAB 85.43, -30.04, 25.04

 

CMYK 18 / 0 / 20 / 15

HEX #B3DAAE

RGB 179 218 174

HSL 113.18, 0.37%, 0.77%

LAB 83.33, -21.04, 17.51

 

CMYK 11 / 0 / 12 / 18

HEX #BAD1B8

RGB 186 209 184

HSL 115.2, 0.21%, 0.77%

LAB 81.57, -12.39, 9.8

 

CMYK 15 / 0 / 41 / 3

HEX #D3F792

RGB 211 247 146

HSL 81.39, 0.86%, 0.77%

LAB 92.77, -27.62, 44.7

 

CMYK 25 / 0 / 41 / 3

HEX #B9F792

RGB 185 247 146

HSL 96.83, 0.86%, 0.77%

LAB 91.19, -36.83, 42.36

 

CMYK 36 / 0 / 41 / 3

HEX #9EF792

RGB 158 247 146

HSL 112.87, 0.86%, 0.77%

LAB 89.8, -45.65, 40.29

 

CMYK 41 / 0 / 35 / 3

HEX #92F7A1

RGB 146 247 161

HSL 128.91, 0.86%, 0.77%

LAB 89.49, -46.95, 32.33

 

CMYK 41 / 0 / 24 / 3

HEX #92F7BC

RGB 146 247 188

HSL 144.95, 0.86%, 0.77%

LAB 89.98, -42.21, 19.27

 

CMYK 64 / 0 / 71 / 5

HEX #57F145

RGB 87 241 69

HSL 113.72, 0.86%, 0.61%

LAB 84.67, -70.63, 67.32

 

CMYK 50 / 0 / 56 / 4

HEX #79F46C

RGB 121 244 108

HSL 114.26, 0.86%, 0.69%

LAB 86.92, -59.97, 54.33

 

CMYK 37 / 0 / 41 / 3

HEX #9CF792

RGB 156 247 146

HSL 114.06, 0.86%, 0.77%

LAB 89.7, -46.26, 40.15

 

CMYK 24 / 0 / 26 / 2

HEX #BFFAB8

RGB 191 250 184

HSL 113.64, 0.87%, 0.85%

LAB 92.97, -30.73, 25.8

 

CMYK 11 / 0 / 12 / 1

HEX #E2FDDF

RGB 226 253 223

HSL 114, 0.88%, 0.93%

LAB 96.72, -14.14, 11.41

 

CMYK 36 / 0 / 40 / 3

HEX #9EF794

RGB 158 247 148

HSL 113.94, 0.86%, 0.77%

LAB 89.83, -45.36, 39.35

 

CMYK 41 / 4 / 0 / 3

HEX #92EEF7

RGB 146 238 247

HSL 185.35, 0.86%, 0.77%

LAB 88.91, -25.16, -12.98

 

CMYK 0 / 41 / 20 / 3

HEX #F792C6

RGB 247 146 198

HSL 329.11, 0.86%, 0.77%

LAB 72.5, 44.64, -10.37

 

CMYK 36 / 0 / 40 / 3

HEX #9EF794

RGB 158 247 148

HSL 113.94, 0.86%, 0.77%

LAB 89.83, -45.36, 39.35

 

CMYK 41 / 36 / 0 / 3

HEX #929EF7

RGB 146 158 247

HSL 232.87, 0.86%, 0.77%

LAB 67.49, 17.53, -45.84

 

CMYK 0 / 41 / 36 / 3

HEX #F7929E

RGB 247 146 158

HSL 352.87, 0.86%, 0.77%

LAB 71.42, 39.36, 10.26

 

CMYK 36 / 0 / 40 / 3

HEX #9EF794

RGB 158 247 148

HSL 113.94, 0.86%, 0.77%

LAB 89.83, -45.36, 39.35

 

CMYK 41 / 4 / 0 / 3

HEX #92EEF7

RGB 146 238 247

HSL 185.35, 0.86%, 0.77%

LAB 88.91, -25.16, -12.98

 

CMYK 5 / 41 / 0 / 3

HEX #EB92F7

RGB 235 146 247

HSL 292.87, 0.86%, 0.77%

LAB 72.85, 49.09, -36.87

 

CMYK 0 / 38 / 41 / 3

HEX #F79A92

RGB 247 154 146

HSL 4.75, 0.86%, 0.77%

LAB 72.87, 33.87, 18.92

 

CMYK 36 / 0 / 40 / 3

HEX #9EF794

RGB 158 247 148

HSL 113.94, 0.86%, 0.77%

LAB 89.83, -45.36, 39.35

 

CMYK 41 / 16 / 0 / 3

HEX #92D0F7

RGB 146 208 247

HSL 203.17, 0.86%, 0.77%

LAB 80.7, -10, -25.37

 

CMYK 5 / 41 / 0 / 3

HEX #EB92F7

RGB 235 146 247

HSL 292.87, 0.86%, 0.77%

LAB 72.85, 49.09, -36.87

 

CMYK 0 / 25 / 41 / 3

HEX #F7B992

RGB 247 185 146

HSL 23.17, 0.86%, 0.77%

LAB 79.92, 17.57, 28.51

 

Description

Color code: HEX #9EF794 | qconv.com Color code: HEX #9EF794 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 247 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 247 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 40 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 40% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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