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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF225 it is the complementary color #610DDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF225 shade: #A3F220, #B4FF33, #C5FF46, #D6FF59 and #E7FF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF225 shade: #9EF225, #8DE012, #7CCE00, #6BBC00 and #5AAA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF225 shade: #9FF226, #D6F226, #F2D826, #F2A126 and #F26A26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF225 shade: #9FF226, #68F226, #31F226, #26F253 and #26F28A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF225 shade matches the following richer shades: #9FF226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF225 shade: #9FF226, #9BE039, #98CD4B, #95BB5E and #91A870

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF225 shade: #F2D726, #D7F226, #A1F226, #6AF226 and #34F226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF225 shade: #73BB0B, #8BE20D, #9FF226, #B0F54D and #C1F774

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF225 shade: #9EF225, #26F2A1 and #F226F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF225 shade: #9EF225, #26A1F2 and #F226A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF225 shade: #9EF225, #26F2A1, #7826F2 and #F22678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF225 shade: #9EF225, #26F2DE, #7826F2 and #F2263B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 85 / 5

HEX #9EF225

RGB 158 242 37

HSL 84.59, 0.89%, 0.55%

LAB 87.44, -52.77, 79.86

 

Complementary color

CMYK 56 / 94 / 0 / 15

HEX #610DDA

RGB 97 13 218

HSL 264.59, 0.89%, 0.45%

LAB 33.76, 71.22, -84.26

 

CMYK 33 / 0 / 87 / 5

HEX #A3F220

RGB 163 242 32

HSL 82.57, 0.89%, 0.54%

LAB 87.68, -51.17, 81.13

 

CMYK 29 / 0 / 80 / 0

HEX #B4FF33

RGB 180 255 51

HSL 82.06, 1%, 0.6%

LAB 92.34, -49.86, 81.36

 

CMYK 23 / 0 / 73 / 0

HEX #C5FF46

RGB 197 255 70

HSL 78.81, 1%, 0.64%

LAB 93.38, -42.8, 77.18

 

CMYK 16 / 0 / 65 / 0

HEX #D6FF59

RGB 214 255 89

HSL 74.82, 1%, 0.67%

LAB 94.54, -35.29, 71.98

 

CMYK 9 / 0 / 58 / 0

HEX #E7FF6C

RGB 231 255 108

HSL 69.8, 1%, 0.71%

LAB 95.83, -27.44, 66.05

 

CMYK 35 / 0 / 85 / 5

HEX #9EF225

RGB 158 242 37

HSL 84.59, 0.89%, 0.55%

LAB 87.44, -52.77, 79.86

 

CMYK 37 / 0 / 92 / 12

HEX #8DE012

RGB 141 224 18

HSL 84.17, 0.85%, 0.47%

LAB 81.3, -51.87, 77.6

 

CMYK 40 / 0 / 100 / 19

HEX #7CCE00

RGB 124 206 0

HSL 83.88, 1%, 0.4%

LAB 75.09, -50.77, 74.19

 

CMYK 43 / 0 / 100 / 26

HEX #6BBC00

RGB 107 188 0

HSL 85.85, 1%, 0.37%

LAB 68.82, -49.36, 68.97

 

CMYK 47 / 0 / 100 / 33

HEX #5AAA00

RGB 90 170 0

HSL 88.24, 1%, 0.33%

LAB 62.44, -47.87, 63.68

 

CMYK 34 / 0 / 84 / 5

HEX #9FF226

RGB 159 242 38

HSL 84.41, 0.89%, 0.55%

LAB 87.49, -52.39, 79.71

 

CMYK 12 / 0 / 84 / 5

HEX #D6F226

RGB 214 242 38

HSL 68.24, 0.89%, 0.55%

LAB 90.75, -31.62, 83.78

 

CMYK 0 / 11 / 84 / 5

HEX #F2D826

RGB 242 216 38

HSL 52.35, 0.89%, 0.55%

LAB 86.07, -7.44, 80.79

 

CMYK 0 / 33 / 84 / 5

HEX #F2A126

RGB 242 161 38

HSL 36.18, 0.89%, 0.55%

LAB 72.57, 21.1, 69.62

 

CMYK 0 / 56 / 84 / 5

HEX #F26A26

RGB 242 106 38

HSL 20, 0.89%, 0.55%

LAB 61.07, 49.02, 59.97

 

CMYK 34 / 0 / 84 / 5

HEX #9FF226

RGB 159 242 38

HSL 84.41, 0.89%, 0.55%

LAB 87.49, -52.39, 79.71

 

CMYK 57 / 0 / 84 / 5

HEX #68F226

RGB 104 242 38

HSL 100.59, 0.89%, 0.55%

LAB 85.3, -68.89, 76.94

 

CMYK 80 / 0 / 84 / 5

HEX #31F226

RGB 49 242 38

HSL 116.76, 0.89%, 0.55%

LAB 84.12, -78.83, 75.46

 

CMYK 84 / 0 / 66 / 5

HEX #26F253

RGB 38 242 83

HSL 133.24, 0.89%, 0.55%

LAB 84.25, -76.77, 61.38

 

CMYK 84 / 0 / 43 / 5

HEX #26F28A

RGB 38 242 138

HSL 149.41, 0.89%, 0.55%

LAB 84.87, -69.24, 37.2

 

CMYK 34 / 0 / 84 / 5

HEX #9FF226

RGB 159 242 38

HSL 84.41, 0.89%, 0.55%

LAB 87.49, -52.39, 79.71

 

CMYK 34 / 0 / 84 / 5

HEX #9FF226

RGB 159 242 38

HSL 84.41, 0.89%, 0.55%

LAB 87.49, -52.39, 79.71

 

CMYK 31 / 0 / 75 / 12

HEX #9BE039

RGB 155 224 57

HSL 84.79, 0.73%, 0.55%

LAB 82.15, -45.54, 69.72

 

CMYK 26 / 0 / 63 / 20

HEX #98CD4B

RGB 152 205 75

HSL 84.46, 0.57%, 0.55%

LAB 76.59, -37.14, 57.33

 

CMYK 20 / 0 / 50 / 27

HEX #95BB5E

RGB 149 187 94

HSL 84.52, 0.41%, 0.55%

LAB 71.38, -28.12, 42.66

 

CMYK 14 / 0 / 33 / 34

HEX #91A870

RGB 145 168 112

HSL 84.64, 0.24%, 0.55%

LAB 65.9, -17.95, 26.36

 

CMYK 0 / 11 / 84 / 5

HEX #F2D726

RGB 242 215 38

HSL 52.06, 0.89%, 0.55%

LAB 85.82, -6.94, 80.58

 

CMYK 11 / 0 / 84 / 5

HEX #D7F226

RGB 215 242 38

HSL 67.94, 0.89%, 0.55%

LAB 90.82, -31.22, 83.86

 

CMYK 33 / 0 / 84 / 5

HEX #A1F226

RGB 161 242 38

HSL 83.82, 0.89%, 0.55%

LAB 87.59, -51.69, 79.84

 

CMYK 56 / 0 / 84 / 5

HEX #6AF226

RGB 106 242 38

HSL 100, 0.89%, 0.55%

LAB 85.36, -68.39, 77.02

 

CMYK 79 / 0 / 84 / 5

HEX #34F226

RGB 52 242 38

HSL 115.88, 0.89%, 0.55%

LAB 84.16, -78.47, 75.51

 

CMYK 39 / 0 / 94 / 27

HEX #73BB0B

RGB 115 187 11

HSL 84.55, 0.89%, 0.39%

LAB 68.9, -46.02, 67.93

 

CMYK 38 / 0 / 94 / 11

HEX #8BE20D

RGB 139 226 13

HSL 84.51, 0.89%, 0.47%

LAB 81.79, -53.43, 78.53

 

CMYK 34 / 0 / 84 / 5

HEX #9FF226

RGB 159 242 38

HSL 84.41, 0.89%, 0.55%

LAB 87.49, -52.39, 79.71

 

CMYK 28 / 0 / 69 / 4

HEX #B0F54D

RGB 176 245 77

HSL 84.64, 0.89%, 0.63%

LAB 89.43, -45.76, 70.45

 

CMYK 22 / 0 / 53 / 3

HEX #C1F774

RGB 193 247 116

HSL 84.73, 0.89%, 0.71%

LAB 91.29, -37.37, 56.72

 

CMYK 35 / 0 / 85 / 5

HEX #9EF225

RGB 158 242 37

HSL 84.59, 0.89%, 0.55%

LAB 87.44, -52.77, 79.86

 

CMYK 84 / 0 / 33 / 5

HEX #26F2A1

RGB 38 242 161

HSL 156.18, 0.89%, 0.55%

LAB 85.25, -64.91, 26.14

 

CMYK 0 / 84 / 0 / 5

HEX #F226F2

RGB 242 38 242

HSL 300, 0.89%, 0.55%

LAB 58.67, 90.56, -56.37

 

CMYK 35 / 0 / 85 / 5

HEX #9EF225

RGB 158 242 37

HSL 84.59, 0.89%, 0.55%

LAB 87.44, -52.77, 79.86

 

CMYK 84 / 33 / 0 / 5

HEX #26A1F2

RGB 38 161 242

HSL 203.82, 0.89%, 0.55%

LAB 63.6, -4.3, -49.53

 

CMYK 0 / 84 / 33 / 5

HEX #F226A1

RGB 242 38 161

HSL 323.82, 0.89%, 0.55%

LAB 54.9, 80.42, -15.82

 

CMYK 35 / 0 / 85 / 5

HEX #9EF225

RGB 158 242 37

HSL 84.59, 0.89%, 0.55%

LAB 87.44, -52.77, 79.86

 

CMYK 84 / 0 / 33 / 5

HEX #26F2A1

RGB 38 242 161

HSL 156.18, 0.89%, 0.55%

LAB 85.25, -64.91, 26.14

 

CMYK 50 / 84 / 0 / 5

HEX #7826F2

RGB 120 38 242

HSL 264.12, 0.89%, 0.55%

LAB 40.88, 72.89, -86.08

 

CMYK 0 / 84 / 50 / 5

HEX #F22678

RGB 242 38 120

HSL 335.88, 0.89%, 0.55%

LAB 53.62, 76.78, 6.73

 

CMYK 35 / 0 / 85 / 5

HEX #9EF225

RGB 158 242 37

HSL 84.59, 0.89%, 0.55%

LAB 87.44, -52.77, 79.86

 

CMYK 84 / 0 / 8 / 5

HEX #26F2DE

RGB 38 242 222

HSL 174.12, 0.89%, 0.55%

LAB 86.6, -50.42, -3.62

 

CMYK 50 / 84 / 0 / 5

HEX #7826F2

RGB 120 38 242

HSL 264.12, 0.89%, 0.55%

LAB 40.88, 72.89, -86.08

 

CMYK 0 / 84 / 76 / 5

HEX #F2263B

RGB 242 38 59

HSL 353.82, 0.89%, 0.55%

LAB 52.49, 73.47, 41.54

 

Description

Color code: HEX #9EF225 | qconv.com Color code: HEX #9EF225 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 242 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 242 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 85 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 85% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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