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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EEF18 it is the complementary color #6110E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EEF18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EEF18 shade: #A3EF13, #B4FF26, #C5FF39, #D6FF4C and #E7FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EEF18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EEF18 shade: #9EEF18, #8DDD05, #7CCB00, #6BB900 and #5AA700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EEF18 shade: #9FEF1A, #D8EF1A, #EFCC1A, #EF931A and #EF5A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EEF18 shade: #9FEF1A, #65EF1A, #2CEF1A, #1AEF42 and #1AEF7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EEF18 shade matches the following richer shades: #9FEF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EEF18 shade: #9FEF1A, #9ADB2E, #95C742, #90B456 and #8BA069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EEF18 shade: #EFCC1A, #DAEF1A, #A1EF1A, #68EF1A and #2FEF1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EEF18 shade: #6FAB0C, #88D10F, #9FEF1A, #AFF241 and #BFF467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EEF18 shade: #9EEF18, #1AEF93 and #E81AEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EEF18 shade: #9EEF18, #1AA1EF and #EF1AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EEF18 shade: #9EEF18, #1AEF93, #681AEF and #EF1A76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EEF18 shade: #9EEF18, #1AEFD3, #681AEF and #EF1A37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 90 / 6

HEX #9EEF18

RGB 158 239 24

HSL 82.6, 0.87%, 0.52%

LAB 86.54, -51.89, 81.39

 

Complementary color

CMYK 58 / 93 / 0 / 9

HEX #6110E7

RGB 97 16 231

HSL 262.6, 0.87%, 0.48%

LAB 35.36, 73.7, -89.05

 

CMYK 32 / 0 / 92 / 6

HEX #A3EF13

RGB 163 239 19

HSL 80.73, 0.87%, 0.51%

LAB 86.78, -50.22, 82.36

 

CMYK 29 / 0 / 85 / 0

HEX #B4FF26

RGB 180 255 38

HSL 80.74, 1%, 0.57%

LAB 92.29, -50.3, 84.24

 

CMYK 23 / 0 / 78 / 0

HEX #C5FF39

RGB 197 255 57

HSL 77.58, 1%, 0.61%

LAB 93.31, -43.4, 81.02

 

CMYK 16 / 0 / 70 / 0

HEX #D6FF4C

RGB 214 255 76

HSL 73.74, 1%, 0.65%

LAB 94.46, -36.05, 76.59

 

CMYK 9 / 0 / 63 / 0

HEX #E7FF5F

RGB 231 255 95

HSL 69, 1%, 0.69%

LAB 95.72, -28.35, 71.24

 

CMYK 34 / 0 / 90 / 6

HEX #9EEF18

RGB 158 239 24

HSL 82.6, 0.87%, 0.52%

LAB 86.54, -51.89, 81.39

 

CMYK 36 / 0 / 98 / 13

HEX #8DDD05

RGB 141 221 5

HSL 82.22, 0.96%, 0.44%

LAB 80.4, -50.85, 78.19

 

CMYK 39 / 0 / 100 / 20

HEX #7CCB00

RGB 124 203 0

HSL 83.35, 1%, 0.4%

LAB 74.19, -49.57, 73.48

 

CMYK 42 / 0 / 100 / 27

HEX #6BB900

RGB 107 185 0

HSL 85.3, 1%, 0.36%

LAB 67.89, -48.17, 68.25

 

CMYK 46 / 0 / 100 / 35

HEX #5AA700

RGB 90 167 0

HSL 87.66, 1%, 0.33%

LAB 61.49, -46.69, 62.94

 

CMYK 33 / 0 / 89 / 6

HEX #9FEF1A

RGB 159 239 26

HSL 82.54, 0.87%, 0.52%

LAB 86.59, -51.5, 81.15

 

CMYK 10 / 0 / 89 / 6

HEX #D8EF1A

RGB 216 239 26

HSL 66.48, 0.87%, 0.52%

LAB 90.05, -29.69, 85.39

 

CMYK 0 / 15 / 89 / 6

HEX #EFCC1A

RGB 239 204 26

HSL 50.14, 0.87%, 0.52%

LAB 82.71, -2.89, 80.42

 

CMYK 0 / 38 / 89 / 6

HEX #EF931A

RGB 239 147 26

HSL 34.08, 0.87%, 0.52%

LAB 68.96, 26.96, 69.85

 

CMYK 0 / 62 / 89 / 6

HEX #EF5A1A

RGB 239 90 26

HSL 18.03, 0.87%, 0.52%

LAB 57.79, 54.89, 61.48

 

CMYK 33 / 0 / 89 / 6

HEX #9FEF1A

RGB 159 239 26

HSL 82.54, 0.87%, 0.52%

LAB 86.59, -51.5, 81.15

 

CMYK 58 / 0 / 89 / 6

HEX #65EF1A

RGB 101 239 26

HSL 98.87, 0.87%, 0.52%

LAB 84.26, -69.01, 78.27

 

CMYK 82 / 0 / 89 / 6

HEX #2CEF1A

RGB 44 239 26

HSL 114.93, 0.87%, 0.52%

LAB 83.1, -78.97, 76.81

 

CMYK 89 / 0 / 72 / 6

HEX #1AEF42

RGB 26 239 66

HSL 131.27, 0.87%, 0.52%

LAB 83.1, -78.31, 66.46

 

CMYK 89 / 0 / 49 / 6

HEX #1AEF7B

RGB 26 239 123

HSL 147.32, 0.87%, 0.52%

LAB 83.64, -71.57, 42.92

 

CMYK 33 / 0 / 89 / 6

HEX #9FEF1A

RGB 159 239 26

HSL 82.54, 0.87%, 0.52%

LAB 86.59, -51.5, 81.15

 

CMYK 33 / 0 / 89 / 6

HEX #9FEF1A

RGB 159 239 26

HSL 82.54, 0.87%, 0.52%

LAB 86.59, -51.5, 81.15

 

CMYK 30 / 0 / 79 / 14

HEX #9ADB2E

RGB 154 219 46

HSL 82.54, 0.71%, 0.52%

LAB 80.59, -44.31, 71.55

 

CMYK 25 / 0 / 67 / 22

HEX #95C742

RGB 149 199 66

HSL 82.56, 0.54%, 0.52%

LAB 74.59, -36.23, 58.82

 

CMYK 20 / 0 / 52 / 29

HEX #90B456

RGB 144 180 86

HSL 82.98, 0.39%, 0.52%

LAB 68.93, -27.53, 43.54

 

CMYK 13 / 0 / 34 / 37

HEX #8BA069

RGB 139 160 105

HSL 82.91, 0.22%, 0.52%

LAB 63.05, -17.14, 26.3

 

CMYK 0 / 15 / 89 / 6

HEX #EFCC1A

RGB 239 204 26

HSL 50.14, 0.87%, 0.52%

LAB 82.71, -2.89, 80.42

 

CMYK 9 / 0 / 89 / 6

HEX #DAEF1A

RGB 218 239 26

HSL 65.92, 0.87%, 0.52%

LAB 90.19, -28.87, 85.56

 

CMYK 33 / 0 / 89 / 6

HEX #A1EF1A

RGB 161 239 26

HSL 81.97, 0.87%, 0.52%

LAB 86.69, -50.79, 81.28

 

CMYK 56 / 0 / 89 / 6

HEX #68EF1A

RGB 104 239 26

HSL 98.03, 0.87%, 0.52%

LAB 84.36, -68.27, 78.38

 

CMYK 80 / 0 / 89 / 6

HEX #2FEF1A

RGB 47 239 26

HSL 114.08, 0.87%, 0.52%

LAB 83.13, -78.64, 76.86

 

CMYK 35 / 0 / 93 / 33

HEX #6FAB0C

RGB 111 171 12

HSL 82.64, 0.87%, 0.36%

LAB 63.78, -40.72, 63.57

 

CMYK 35 / 0 / 93 / 18

HEX #88D10F

RGB 136 209 15

HSL 82.58, 0.87%, 0.44%

LAB 76.6, -47.57, 74.08

 

CMYK 33 / 0 / 89 / 6

HEX #9FEF1A

RGB 159 239 26

HSL 82.54, 0.87%, 0.52%

LAB 86.59, -51.5, 81.15

 

CMYK 28 / 0 / 73 / 5

HEX #AFF241

RGB 175 242 65

HSL 82.71, 0.87%, 0.6%

LAB 88.45, -45.54, 73.59

 

CMYK 22 / 0 / 58 / 4

HEX #BFF467

RGB 191 244 103

HSL 82.55, 0.87%, 0.68%

LAB 90.21, -37.92, 61.17

 

CMYK 34 / 0 / 90 / 6

HEX #9EEF18

RGB 158 239 24

HSL 82.6, 0.87%, 0.52%

LAB 86.54, -51.89, 81.39

 

CMYK 89 / 0 / 38 / 6

HEX #1AEF93

RGB 26 239 147

HSL 154.08, 0.87%, 0.52%

LAB 84, -67.39, 31.55

 

CMYK 3 / 89 / 0 / 6

HEX #E81AEF

RGB 232 26 239

HSL 298.03, 0.87%, 0.52%

LAB 56.21, 90.27, -58.72

 

CMYK 34 / 0 / 90 / 6

HEX #9EEF18

RGB 158 239 24

HSL 82.6, 0.87%, 0.52%

LAB 86.54, -51.89, 81.39

 

CMYK 89 / 33 / 0 / 6

HEX #1AA1EF

RGB 26 161 239

HSL 201.97, 0.87%, 0.52%

LAB 63.29, -6.15, -48.38

 

CMYK 0 / 89 / 33 / 6

HEX #EF1AA1

RGB 239 26 161

HSL 321.97, 0.87%, 0.52%

LAB 53.67, 81.75, -17.75

 

CMYK 34 / 0 / 90 / 6

HEX #9EEF18

RGB 158 239 24

HSL 82.6, 0.87%, 0.52%

LAB 86.54, -51.89, 81.39

 

CMYK 89 / 0 / 38 / 6

HEX #1AEF93

RGB 26 239 147

HSL 154.08, 0.87%, 0.52%

LAB 84, -67.39, 31.55

 

CMYK 56 / 89 / 0 / 6

HEX #681AEF

RGB 104 26 239

HSL 261.97, 0.87%, 0.52%

LAB 37.69, 73.99, -89.72

 

CMYK 0 / 89 / 51 / 6

HEX #EF1A76

RGB 239 26 118

HSL 334.08, 0.87%, 0.52%

LAB 52.28, 77.97, 5.95

 

CMYK 34 / 0 / 90 / 6

HEX #9EEF18

RGB 158 239 24

HSL 82.6, 0.87%, 0.52%

LAB 86.54, -51.89, 81.39

 

CMYK 89 / 0 / 12 / 6

HEX #1AEFD3

RGB 26 239 211

HSL 172.11, 0.87%, 0.52%

LAB 85.33, -52.78, 0.28

 

CMYK 56 / 89 / 0 / 6

HEX #681AEF

RGB 104 26 239

HSL 261.97, 0.87%, 0.52%

LAB 37.69, 73.99, -89.72

 

CMYK 0 / 89 / 77 / 6

HEX #EF1A37

RGB 239 26 55

HSL 351.83, 0.87%, 0.52%

LAB 51.11, 74.67, 42.14

 

Description

Color code: HEX #9EEF18 | qconv.com Color code: HEX #9EEF18 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 239 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 239 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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