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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EEDFA00 it is the complementary color #61120500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EEDFA00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EEDFA00 shade: #A3EDF500, #B4FFFF00, #C5FFFF00, #D6FFFF00 and #E7FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EEDFA00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EEDFA00 shade: #9EEDFA00, #8DDBE700, #7CC9D400, #6BB7C100 and #5AA5AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EEDFA00 shade: #9EEDFA, #9ED4FA, #9EBBFA, #9EA3FA and #B29EFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EEDFA00 shade: #9EEDFA, #9ED4FA, #9EBBFA, #9EA3FA and #9E9EFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EEDFA00 shade matches the following richer shades: #9EEDFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EEDFA00 shade: #9EEDFA, #A6E7F2, #AFE1E9, #B7DBE1 and #BFD5D9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EEDFA00 shade: #9EFAD5, #9EFAEE, #9EEEFA, #9ED5FA and #9EBDFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EEDFA00 shade: #50DEF6, #77E6F8, #9EEDFA, #C5F4FC and #ECFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EEDFA00 shade: #9EEDFA, #BD9EFA and #FAE19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EEDFA00 shade: #9EEDFA, #FA9EEE and #EEFA9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EEDFA00 shade: #9EEDFA, #BD9EFA, #FAAA9E and #DBFA9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EEDFA00 shade: #9EEDFA, #D89EFA, #FAAA9E and #C0FA9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #9EEDFA00

RGBA 158 237 250 0

HSLA 188.48, 0.9%, 0.8%, 0

LABA 89.27, -20.96, -13.95, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #61120500

RGBA 97 18 5 0

HSLA 8.48, 0.9%, 0.2%, 0

LABA 19.98, 34.39, 28.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3EDF500

RGBA 163 237 245 0

HSLA 185.85, 0.8%, 0.8%, 0

LABA 89.37, -20.85, -11.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4FFFF00

RGBA 180 255 255 0

HSLA 180, 1%, 0.85%, 0

LABA 95.35, -22.82, -7.39, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5FFFF00

RGBA 197 255 255 0

HSLA 180, 1%, 0.89%, 0

LABA 96.25, -18.06, -5.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6FFFF00

RGBA 214 255 255 0

HSLA 180, 1%, 0.92%, 0

LABA 97.24, -13.01, -4.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7FFFF00

RGBA 231 255 255 0

HSLA 180, 1%, 0.95%, 0

LABA 98.32, -7.74, -2.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EEDFA00

RGBA 158 237 250 0

HSLA 188.48, 0.9%, 0.8%, 0

LABA 89.27, -20.96, -13.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8DDBE700

RGBA 141 219 231 0

HSLA 188, 0.65%, 0.73%, 0

LABA 82.96, -20.96, -13.46, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7CC9D400

RGBA 124 201 212 0

HSLA 187.5, 0.51%, 0.66%, 0

LABA 76.56, -20.94, -12.96, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6BB7C100

RGBA 107 183 193 0

HSLA 186.98, 0.41%, 0.59%, 0

LABA 70.07, -20.9, -12.44, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5AA5AE00

RGBA 90 165 174 0

HSLA 186.43, 0.34%, 0.52%, 0

LABA 63.46, -20.81, -11.88, 0

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 37 / 15 / 0 / 2

HEX #9ED4FA

RGB 158 212 250

HSL 204.78, 0.9%, 0.8%

LAB 82.52, -8.24, -24.14

 

CMYK 37 / 25 / 0 / 2

HEX #9EBBFA

RGB 158 187 250

HSL 221.09, 0.9%, 0.8%

LAB 75.89, 5.18, -34.3

 

CMYK 37 / 35 / 0 / 2

HEX #9EA3FA

RGB 158 163 250

HSL 236.74, 0.9%, 0.8%

LAB 69.73, 18.59, -43.9

 

CMYK 29 / 37 / 0 / 2

HEX #B29EFA

RGB 178 158 250

HSL 253.04, 0.9%, 0.8%

LAB 70.05, 26.83, -43.28

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 37 / 15 / 0 / 2

HEX #9ED4FA

RGB 158 212 250

HSL 204.78, 0.9%, 0.8%

LAB 82.52, -8.24, -24.14

 

CMYK 37 / 25 / 0 / 2

HEX #9EBBFA

RGB 158 187 250

HSL 221.09, 0.9%, 0.8%

LAB 75.89, 5.18, -34.3

 

CMYK 37 / 35 / 0 / 2

HEX #9EA3FA

RGB 158 163 250

HSL 236.74, 0.9%, 0.8%

LAB 69.73, 18.59, -43.9

 

CMYK 37 / 37 / 0 / 2

HEX #9E9EFA

RGB 158 158 250

HSL 240, 0.9%, 0.8%

LAB 68.48, 21.43, -45.86

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 31 / 5 / 0 / 5

HEX #A6E7F2

RGB 166 231 242

HSL 188.68, 0.75%, 0.8%

LAB 87.81, -17.75, -11.9

 

CMYK 25 / 3 / 0 / 9

HEX #AFE1E9

RGB 175 225 233

HSL 188.28, 0.57%, 0.8%

LAB 86.43, -14.23, -9.17

 

CMYK 19 / 3 / 0 / 12

HEX #B7DBE1

RGB 183 219 225

HSL 188.57, 0.41%, 0.8%

LAB 85.08, -10.5, -6.89

 

CMYK 12 / 2 / 0 / 15

HEX #BFD5D9

RGB 191 213 217

HSL 189.23, 0.25%, 0.8%

LAB 83.8, -6.53, -4.48

 

CMYK 37 / 0 / 15 / 2

HEX #9EFAD5

RGB 158 250 213

HSL 155.87, 0.9%, 0.8%

LAB 91.88, -35.39, 9.14

 

CMYK 37 / 0 / 5 / 2

HEX #9EFAEE

RGB 158 250 238

HSL 172.17, 0.9%, 0.8%

LAB 92.49, -30.04, -2.92

 

CMYK 37 / 5 / 0 / 2

HEX #9EEEFA

RGB 158 238 250

HSL 187.83, 0.9%, 0.8%

LAB 89.54, -21.46, -13.54

 

CMYK 37 / 15 / 0 / 2

HEX #9ED5FA

RGB 158 213 250

HSL 204.13, 0.9%, 0.8%

LAB 82.79, -8.76, -23.73

 

CMYK 37 / 24 / 0 / 2

HEX #9EBDFA

RGB 158 189 250

HSL 219.78, 0.9%, 0.8%

LAB 76.42, 4.08, -33.5

 

CMYK 67 / 10 / 0 / 4

HEX #50DEF6

RGB 80 222 246

HSL 188.67, 0.9%, 0.64%

LAB 82.16, -30.38, -22.83

 

CMYK 52 / 7 / 0 / 3

HEX #77E6F8

RGB 119 230 248

HSL 188.37, 0.9%, 0.72%

LAB 85.65, -27, -18.5

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 22 / 3 / 0 / 1

HEX #C5F4FC

RGB 197 244 252

HSL 188.73, 0.9%, 0.88%

LAB 93.28, -13.24, -8.8

 

CMYK 7 / 1 / 0 / 0

HEX #ECFCFE

RGB 236 252 254

HSL 186.67, 0.9%, 0.96%

LAB 97.88, -4.84, -2.76

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 24 / 37 / 0 / 2

HEX #BD9EFA

RGB 189 158 250

HSL 260.22, 0.9%, 0.8%

LAB 70.99, 29.92, -41.74

 

CMYK 0 / 10 / 37 / 2

HEX #FAE19E

RGB 250 225 158

HSL 43.7, 0.9%, 0.8%

LAB 90.16, -0.68, 35.93

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 0 / 37 / 5 / 2

HEX #FA9EEE

RGB 250 158 238

HSL 307.83, 0.9%, 0.8%

LAB 76.65, 45.82, -25.98

 

CMYK 5 / 0 / 37 / 2

HEX #EEFA9E

RGB 238 250 158

HSL 67.83, 0.9%, 0.8%

LAB 95.59, -17.68, 42.82

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 24 / 37 / 0 / 2

HEX #BD9EFA

RGB 189 158 250

HSL 260.22, 0.9%, 0.8%

LAB 70.99, 29.92, -41.74

 

CMYK 0 / 32 / 37 / 2

HEX #FAAA9E

RGB 250 170 158

HSL 7.83, 0.9%, 0.8%

LAB 77.01, 27.96, 18.16

 

CMYK 12 / 0 / 37 / 2

HEX #DBFA9E

RGB 219 250 158

HSL 80.22, 0.9%, 0.8%

LAB 94.27, -24.69, 40.86

 

CMYK 37 / 5 / 0 / 2

HEX #9EEDFA

RGB 158 237 250

HSL 188.48, 0.9%, 0.8%

LAB 89.27, -20.96, -13.95

 

CMYK 14 / 37 / 0 / 2

HEX #D89EFA

RGB 216 158 250

HSL 277.83, 0.9%, 0.8%

LAB 73.52, 37.77, -37.62

 

CMYK 0 / 32 / 37 / 2

HEX #FAAA9E

RGB 250 170 158

HSL 7.83, 0.9%, 0.8%

LAB 77.01, 27.96, 18.16

 

CMYK 23 / 0 / 37 / 2

HEX #C0FA9E

RGB 192 250 158

HSL 97.83, 0.9%, 0.8%

LAB 92.6, -34.23, 38.36

 

Description

Color code: HEX #9EEDFA00 | qconv.com Color code: HEX #9EEDFA00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 237 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 237 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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