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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EEB5E it is the complementary color #6114A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EEB5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EEB5E shade: #A3EB59, #B4FD6C, #C5FF7F, #D6FF92 and #E7FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EEB5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EEB5E shade: #9EEB5E, #8DD94B, #7CC738, #6BB525 and #5AA312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EEB5E shade: #9FEB60, #C4EB60, #EAEB60, #EBC660 and #EBA160

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EEB5E shade: #9FEB60, #79EB60, #60EB6C, #60EB91 and #60EBB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EEB5E shade matches the following richer shades: #9FEB60 and #9DF951

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EEB5E shade: #9FEB60, #A0DC6E, #A1CE7D, #A3C08B and #A4B199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EEB5E shade: #EBEB60, #C6EB60, #A1EB60, #7BEB60 and #60EB69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EEB5E shade: #73DD1B, #89E63B, #9FEB60, #B5EF84 and #CBF4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EEB5E shade: #9EEB5E, #60EBC6 and #EB60D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EEB5E shade: #9EEB5E, #60A1EB and #EB60A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EEB5E shade: #9EEB5E, #60EBC6, #AA60EB and #EB6085

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EEB5E shade: #9EEB5E, #60E6EB, #AA60EB and #EB6460

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 60 / 8

HEX #9EEB5E

RGB 158 235 94

HSL 92.77, 0.78%, 0.65%

LAB 85.75, -46.51, 59.51

 

Complementary color

CMYK 40 / 88 / 0 / 37

HEX #6114A1

RGB 97 20 161

HSL 272.77, 0.78%, 0.35%

LAB 28.42, 56.64, -59.35

 

CMYK 31 / 0 / 62 / 8

HEX #A3EB59

RGB 163 235 89

HSL 89.59, 0.78%, 0.64%

LAB 85.97, -45.21, 61.92

 

CMYK 29 / 0 / 57 / 1

HEX #B4FD6C

RGB 180 253 108

HSL 90.21, 0.97%, 0.71%

LAB 92.15, -45.36, 61.06

 

CMYK 23 / 0 / 50 / 0

HEX #C5FF7F

RGB 197 255 127

HSL 87.19, 1%, 0.75%

LAB 93.85, -38.43, 54.82

 

CMYK 16 / 0 / 43 / 0

HEX #D6FF92

RGB 214 255 146

HSL 82.57, 1%, 0.79%

LAB 95.12, -30.27, 47.7

 

CMYK 9 / 0 / 35 / 0

HEX #E7FFA5

RGB 231 255 165

HSL 76, 1%, 0.82%

LAB 96.5, -21.85, 40.47

 

CMYK 33 / 0 / 60 / 8

HEX #9EEB5E

RGB 158 235 94

HSL 92.77, 0.78%, 0.65%

LAB 85.75, -46.51, 59.51

 

CMYK 35 / 0 / 65 / 15

HEX #8DD94B

RGB 141 217 75

HSL 92.11, 0.65%, 0.57%

LAB 79.5, -46.32, 60.28

 

CMYK 38 / 0 / 72 / 22

HEX #7CC738

RGB 124 199 56

HSL 91.47, 0.56%, 0.5%

LAB 73.17, -46, 60.71

 

CMYK 41 / 0 / 80 / 29

HEX #6BB525

RGB 107 181 37

HSL 90.83, 0.66%, 0.43%

LAB 66.75, -45.48, 60.51

 

CMYK 45 / 0 / 89 / 36

HEX #5AA312

RGB 90 163 18

HSL 90.21, 0.8%, 0.35%

LAB 60.26, -44.67, 59.21

 

CMYK 32 / 0 / 59 / 8

HEX #9FEB60

RGB 159 235 96

HSL 92.81, 0.78%, 0.65%

LAB 85.82, -45.99, 58.75

 

CMYK 17 / 0 / 59 / 8

HEX #C4EB60

RGB 196 235 96

HSL 76.83, 0.78%, 0.65%

LAB 87.97, -32.53, 61.74

 

CMYK 0 / 0 / 59 / 8

HEX #EAEB60

RGB 234 235 96

HSL 60.43, 0.78%, 0.65%

LAB 90.67, -17.57, 65.48

 

CMYK 0 / 16 / 59 / 8

HEX #EBC660

RGB 235 198 96

HSL 44.03, 0.78%, 0.65%

LAB 81.23, 1.46, 55

 

CMYK 0 / 31 / 59 / 8

HEX #EBA160

RGB 235 161 96

HSL 28.06, 0.78%, 0.65%

LAB 72.23, 20.95, 44.48

 

CMYK 32 / 0 / 59 / 8

HEX #9FEB60

RGB 159 235 96

HSL 92.81, 0.78%, 0.65%

LAB 85.82, -45.99, 58.75

 

CMYK 49 / 0 / 59 / 8

HEX #79EB60

RGB 121 235 96

HSL 109.21, 0.78%, 0.65%

LAB 84.14, -57.85, 56.38

 

CMYK 59 / 0 / 54 / 8

HEX #60EB6C

RGB 96 235 108

HSL 125.18, 0.78%, 0.65%

LAB 83.44, -62.73, 49.99

 

CMYK 59 / 0 / 38 / 8

HEX #60EB91

RGB 96 235 145

HSL 141.15, 0.78%, 0.65%

LAB 83.94, -57.19, 32.69

 

CMYK 59 / 0 / 22 / 8

HEX #60EBB7

RGB 96 235 183

HSL 157.55, 0.78%, 0.65%

LAB 84.65, -49.76, 14.12

 

CMYK 32 / 0 / 59 / 8

HEX #9FEB60

RGB 159 235 96

HSL 92.81, 0.78%, 0.65%

LAB 85.82, -45.99, 58.75

 

CMYK 37 / 0 / 67 / 2

HEX #9DF951

RGB 157 249 81

HSL 92.86, 0.93%, 0.65%

LAB 89.63, -53.67, 68.89

 

CMYK 32 / 0 / 59 / 8

HEX #9FEB60

RGB 159 235 96

HSL 92.81, 0.78%, 0.65%

LAB 85.82, -45.99, 58.75

 

CMYK 27 / 0 / 50 / 14

HEX #A0DC6E

RGB 160 220 110

HSL 92.73, 0.61%, 0.65%

LAB 81.72, -37.66, 47.62

 

CMYK 22 / 0 / 39 / 19

HEX #A1CE7D

RGB 161 206 125

HSL 93.33, 0.45%, 0.65%

LAB 77.99, -28.98, 35.58

 

CMYK 15 / 0 / 28 / 25

HEX #A3C08B

RGB 163 192 139

HSL 92.83, 0.3%, 0.65%

LAB 74.41, -19.4, 23.57

 

CMYK 7 / 0 / 14 / 31

HEX #A4B199

RGB 164 177 153

HSL 92.5, 0.13%, 0.65%

LAB 70.62, -9, 10.75

 

CMYK 0 / 0 / 59 / 8

HEX #EBEB60

RGB 235 235 96

HSL 60, 0.78%, 0.65%

LAB 90.74, -17.16, 65.58

 

CMYK 16 / 0 / 59 / 8

HEX #C6EB60

RGB 198 235 96

HSL 75.97, 0.78%, 0.65%

LAB 88.1, -31.76, 61.92

 

CMYK 31 / 0 / 59 / 8

HEX #A1EB60

RGB 161 235 96

HSL 91.94, 0.78%, 0.65%

LAB 85.93, -45.3, 58.89

 

CMYK 48 / 0 / 59 / 8

HEX #7BEB60

RGB 123 235 96

HSL 108.35, 0.78%, 0.65%

LAB 84.21, -57.29, 56.49

 

CMYK 59 / 0 / 55 / 8

HEX #60EB69

RGB 96 235 105

HSL 123.88, 0.78%, 0.65%

LAB 83.4, -63.11, 51.32

 

CMYK 48 / 0 / 88 / 13

HEX #73DD1B

RGB 115 221 27

HSL 92.78, 0.78%, 0.49%

LAB 79.29, -58.88, 74.09

 

CMYK 40 / 0 / 74 / 10

HEX #89E63B

RGB 137 230 59

HSL 92.63, 0.77%, 0.57%

LAB 83.03, -54.05, 69.63

 

CMYK 32 / 0 / 59 / 8

HEX #9FEB60

RGB 159 235 96

HSL 92.81, 0.78%, 0.65%

LAB 85.82, -45.99, 58.75

 

CMYK 24 / 0 / 45 / 6

HEX #B5EF84

RGB 181 239 132

HSL 92.52, 0.77%, 0.73%

LAB 88.55, -36.32, 45.77

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 33 / 0 / 60 / 8

HEX #9EEB5E

RGB 158 235 94

HSL 92.77, 0.78%, 0.65%

LAB 85.75, -46.51, 59.51

 

CMYK 59 / 0 / 16 / 8

HEX #60EBC6

RGB 96 235 198

HSL 164.03, 0.78%, 0.65%

LAB 84.99, -46.38, 6.75

 

CMYK 0 / 59 / 8 / 8

HEX #EB60D8

RGB 235 96 216

HSL 308.2, 0.78%, 0.65%

LAB 62.5, 67.53, -35.84

 

CMYK 33 / 0 / 60 / 8

HEX #9EEB5E

RGB 158 235 94

HSL 92.77, 0.78%, 0.65%

LAB 85.75, -46.51, 59.51

 

CMYK 59 / 31 / 0 / 8

HEX #60A1EB

RGB 96 161 235

HSL 211.94, 0.78%, 0.65%

LAB 64.94, 0.98, -43.46

 

CMYK 0 / 59 / 31 / 8

HEX #EB60A1

RGB 235 96 161

HSL 331.94, 0.78%, 0.65%

LAB 60.43, 59.91, -7.63

 

CMYK 33 / 0 / 60 / 8

HEX #9EEB5E

RGB 158 235 94

HSL 92.77, 0.78%, 0.65%

LAB 85.75, -46.51, 59.51

 

CMYK 59 / 0 / 16 / 8

HEX #60EBC6

RGB 96 235 198

HSL 164.03, 0.78%, 0.65%

LAB 84.99, -46.38, 6.75

 

CMYK 28 / 59 / 0 / 8

HEX #AA60EB

RGB 170 96 235

HSL 271.94, 0.78%, 0.65%

LAB 54.98, 55, -58.94

 

CMYK 0 / 59 / 43 / 8

HEX #EB6085

RGB 235 96 133

HSL 344.03, 0.78%, 0.65%

LAB 59.64, 56.86, 7.46

 

CMYK 33 / 0 / 60 / 8

HEX #9EEB5E

RGB 158 235 94

HSL 92.77, 0.78%, 0.65%

LAB 85.75, -46.51, 59.51

 

CMYK 59 / 2 / 0 / 8

HEX #60E6EB

RGB 96 230 235

HSL 182.16, 0.78%, 0.65%

LAB 84.52, -34.8, -13.42

 

CMYK 28 / 59 / 0 / 8

HEX #AA60EB

RGB 170 96 235

HSL 271.94, 0.78%, 0.65%

LAB 54.98, 55, -58.94

 

CMYK 0 / 57 / 59 / 8

HEX #EB6460

RGB 235 100 96

HSL 1.73, 0.78%, 0.65%

LAB 59.54, 51.95, 28.73

 

Description

Color code: HEX #9EEB5E | qconv.com Color code: HEX #9EEB5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 235 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 235 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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