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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EE870 it is the complementary color #61178F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EE870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EE870 shade: #A3E86B, #B4FA7E, #C5FF91, #D6FFA4 and #E7FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EE870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EE870 shade: #9EE870, #8DD65D, #7CC44A, #6BB237 and #5AA024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EE870 shade: #9DE76E, #BDE76E, #DEE76E, #E7D06E and #E7AF6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EE870 shade: #9DE76E, #7CE76E, #6EE781, #6EE7A2 and #6EE7C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EE870 shade matches the following richer shades: #9DE76E and #9AF561

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EE870 shade: #9DE76E, #A0DA7C, #A3CC89, #A6BF97 and #A9B1A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EE870 shade: #DDE76E, #BDE76E, #9DE76E, #7CE76E and #6EE780

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EE870 shade: #6DDC27, #85E24B, #9DE76E, #B5ED92 and #CDF3B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EE870 shade: #9EE870, #6EE7D1 and #E76ECD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EE870 shade: #9EE870, #6E9DE7 and #E76E9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EE870 shade: #9EE870, #6EE7D1, #B96EE7 and #E76E84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EE870 shade: #9EE870, #6ED9E7, #B96EE7 and #E77C6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 52 / 9

HEX #9EE870

RGB 158 232 112

HSL 97, 0.72%, 0.67%

LAB 85.07, -43.44, 50.7

 

Complementary color

CMYK 32 / 84 / 0 / 44

HEX #61178F

RGB 97 23 143

HSL 277, 0.72%, 0.33%

LAB 27.12, 51.69, -50.43

 

CMYK 30 / 0 / 54 / 9

HEX #A3E86B

RGB 163 232 107

HSL 93.12, 0.73%, 0.66%

LAB 85.28, -42.26, 53.31

 

CMYK 28 / 0 / 50 / 2

HEX #B4FA7E

RGB 180 250 126

HSL 93.87, 0.93%, 0.74%

LAB 91.5, -42.26, 52.22

 

CMYK 23 / 0 / 43 / 0

HEX #C5FF91

RGB 197 255 145

HSL 91.64, 1%, 0.78%

LAB 94.07, -36.43, 46.64

 

CMYK 16 / 0 / 36 / 0

HEX #D6FFA4

RGB 214 255 164

HSL 87.03, 1%, 0.82%

LAB 95.37, -28.09, 39.27

 

CMYK 9 / 0 / 28 / 0

HEX #E7FFB7

RGB 231 255 183

HSL 80, 1%, 0.86%

LAB 96.79, -19.53, 31.9

 

CMYK 32 / 0 / 52 / 9

HEX #9EE870

RGB 158 232 112

HSL 97, 0.72%, 0.67%

LAB 85.07, -43.44, 50.7

 

CMYK 34 / 0 / 57 / 16

HEX #8DD65D

RGB 141 214 93

HSL 96.2, 0.6%, 0.6%

LAB 78.78, -43.43, 51.78

 

CMYK 37 / 0 / 62 / 23

HEX #7CC44A

RGB 124 196 74

HSL 95.41, 0.51%, 0.53%

LAB 72.4, -43.32, 52.74

 

CMYK 40 / 0 / 69 / 30

HEX #6BB237

RGB 107 178 55

HSL 94.63, 0.53%, 0.46%

LAB 65.94, -43.08, 53.44

 

CMYK 44 / 0 / 78 / 37

HEX #5AA024

RGB 90 160 36

HSL 93.87, 0.63%, 0.38%

LAB 59.38, -42.63, 53.59

 

CMYK 32 / 0 / 52 / 9

HEX #9DE76E

RGB 157 231 110

HSL 96.69, 0.72%, 0.67%

LAB 84.71, -43.56, 51.18

 

CMYK 18 / 0 / 52 / 9

HEX #BDE76E

RGB 189 231 110

HSL 80.83, 0.72%, 0.67%

LAB 86.55, -32.11, 53.81

 

CMYK 4 / 0 / 52 / 9

HEX #DEE76E

RGB 222 231 110

HSL 64.46, 0.72%, 0.67%

LAB 88.83, -19.36, 57.05

 

CMYK 0 / 10 / 52 / 9

HEX #E7D06E

RGB 231 208 110

HSL 48.6, 0.72%, 0.67%

LAB 83.56, -4.25, 51.04

 

CMYK 0 / 24 / 52 / 9

HEX #E7AF6E

RGB 231 175 110

HSL 32.23, 0.72%, 0.67%

LAB 75.31, 12.98, 41.02

 

CMYK 32 / 0 / 52 / 9

HEX #9DE76E

RGB 157 231 110

HSL 96.69, 0.72%, 0.67%

LAB 84.71, -43.56, 51.18

 

CMYK 46 / 0 / 52 / 9

HEX #7CE76E

RGB 124 231 110

HSL 113.06, 0.72%, 0.67%

LAB 83.21, -53.87, 49.02

 

CMYK 52 / 0 / 44 / 9

HEX #6EE781

RGB 110 231 129

HSL 129.42, 0.72%, 0.67%

LAB 82.94, -55.02, 39.45

 

CMYK 52 / 0 / 30 / 9

HEX #6EE7A2

RGB 110 231 162

HSL 145.79, 0.72%, 0.67%

LAB 83.48, -49.4, 23.47

 

CMYK 52 / 0 / 16 / 9

HEX #6EE7C3

RGB 110 231 195

HSL 162.15, 0.72%, 0.67%

LAB 84.18, -42.51, 7.22

 

CMYK 32 / 0 / 52 / 9

HEX #9DE76E

RGB 157 231 110

HSL 96.69, 0.72%, 0.67%

LAB 84.71, -43.56, 51.18

 

CMYK 37 / 0 / 60 / 4

HEX #9AF561

RGB 154 245 97

HSL 96.89, 0.88%, 0.67%

LAB 88.47, -51.73, 61.23

 

CMYK 32 / 0 / 52 / 9

HEX #9DE76E

RGB 157 231 110

HSL 96.69, 0.72%, 0.67%

LAB 84.71, -43.56, 51.18

 

CMYK 27 / 0 / 43 / 15

HEX #A0DA7C

RGB 160 218 124

HSL 97.02, 0.56%, 0.67%

LAB 81.33, -35.08, 40.34

 

CMYK 20 / 0 / 33 / 20

HEX #A3CC89

RGB 163 204 137

HSL 96.72, 0.4%, 0.67%

LAB 77.74, -25.63, 29.1

 

CMYK 13 / 0 / 21 / 25

HEX #A6BF97

RGB 166 191 151

HSL 97.5, 0.24%, 0.67%

LAB 74.57, -15.89, 17.4

 

CMYK 5 / 0 / 7 / 31

HEX #A9B1A5

RGB 169 177 165

HSL 100, 0.07%, 0.67%

LAB 71.28, -5.06, 5.16

 

CMYK 4 / 0 / 52 / 9

HEX #DDE76E

RGB 221 231 110

HSL 64.96, 0.72%, 0.67%

LAB 88.76, -19.76, 56.95

 

CMYK 18 / 0 / 52 / 9

HEX #BDE76E

RGB 189 231 110

HSL 80.83, 0.72%, 0.67%

LAB 86.55, -32.11, 53.81

 

CMYK 32 / 0 / 52 / 9

HEX #9DE76E

RGB 157 231 110

HSL 96.69, 0.72%, 0.67%

LAB 84.71, -43.56, 51.18

 

CMYK 46 / 0 / 52 / 9

HEX #7CE76E

RGB 124 231 110

HSL 113.06, 0.72%, 0.67%

LAB 83.21, -53.87, 49.02

 

CMYK 52 / 0 / 45 / 9

HEX #6EE780

RGB 110 231 128

HSL 128.93, 0.72%, 0.67%

LAB 82.93, -55.17, 39.93

 

CMYK 50 / 0 / 82 / 14

HEX #6DDC27

RGB 109 220 39

HSL 96.8, 0.72%, 0.51%

LAB 78.8, -59.83, 71

 

CMYK 41 / 0 / 67 / 11

HEX #85E24B

RGB 133 226 75

HSL 96.95, 0.72%, 0.59%

LAB 81.78, -52.66, 62.59

 

CMYK 32 / 0 / 52 / 9

HEX #9DE76E

RGB 157 231 110

HSL 96.69, 0.72%, 0.67%

LAB 84.71, -43.56, 51.18

 

CMYK 24 / 0 / 38 / 7

HEX #B5ED92

RGB 181 237 146

HSL 96.92, 0.72%, 0.75%

LAB 88.19, -33.65, 38.45

 

CMYK 16 / 0 / 26 / 5

HEX #CDF3B5

RGB 205 243 181

HSL 96.77, 0.72%, 0.83%

LAB 91.87, -23.17, 25.95

 

CMYK 32 / 0 / 52 / 9

HEX #9EE870

RGB 158 232 112

HSL 97, 0.72%, 0.67%

LAB 85.07, -43.44, 50.7

 

CMYK 52 / 0 / 10 / 9

HEX #6EE7D1

RGB 110 231 209

HSL 169.09, 0.72%, 0.67%

LAB 84.52, -39.25, 0.34

 

CMYK 0 / 52 / 11 / 9

HEX #E76ECD

RGB 231 110 205

HSL 312.89, 0.72%, 0.67%

LAB 63.79, 58.48, -27.68

 

CMYK 32 / 0 / 52 / 9

HEX #9EE870

RGB 158 232 112

HSL 97, 0.72%, 0.67%

LAB 85.07, -43.44, 50.7

 

CMYK 52 / 32 / 0 / 9

HEX #6E9DE7

RGB 110 157 231

HSL 216.69, 0.72%, 0.67%

LAB 64.32, 4.89, -42.19

 

CMYK 0 / 52 / 32 / 9

HEX #E76E9D

RGB 231 110 157

HSL 336.69, 0.72%, 0.67%

LAB 62.15, 51.75, -2.85

 

CMYK 32 / 0 / 52 / 9

HEX #9EE870

RGB 158 232 112

HSL 97, 0.72%, 0.67%

LAB 85.07, -43.44, 50.7

 

CMYK 52 / 0 / 10 / 9

HEX #6EE7D1

RGB 110 231 209

HSL 169.09, 0.72%, 0.67%

LAB 84.52, -39.25, 0.34

 

CMYK 20 / 52 / 0 / 9

HEX #B96EE7

RGB 185 110 231

HSL 277.19, 0.72%, 0.67%

LAB 59.19, 50.61, -49.88

 

CMYK 0 / 52 / 43 / 9

HEX #E76E84

RGB 231 110 132

HSL 349.09, 0.72%, 0.67%

LAB 61.49, 48.93, 10.59

 

CMYK 32 / 0 / 52 / 9

HEX #9EE870

RGB 158 232 112

HSL 97, 0.72%, 0.67%

LAB 85.07, -43.44, 50.7

 

CMYK 52 / 6 / 0 / 9

HEX #6ED9E7

RGB 110 217 231

HSL 186.94, 0.72%, 0.67%

LAB 81.13, -27.06, -16.34

 

CMYK 20 / 52 / 0 / 9

HEX #B96EE7

RGB 185 110 231

HSL 277.19, 0.72%, 0.67%

LAB 59.19, 50.61, -49.88

 

CMYK 0 / 46 / 52 / 9

HEX #E77C6E

RGB 231 124 110

HSL 6.94, 0.72%, 0.67%

LAB 63.78, 39.9, 26.25

 

Description

Color code: HEX #9EE870 | qconv.com Color code: HEX #9EE870 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 232 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 232 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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