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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EE623 it is the complementary color #6119DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EE623. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EE623 shade: #A3E61E, #B4F831, #C5FF44, #D6FF57 and #E7FF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EE623. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EE623 shade: #9EE623, #8DD410, #7CC200, #6BB000 and #5A9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EE623 shade: #9EE723, #D3E723, #E7C523, #E79023 and #E75C23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EE623 shade: #9EE723, #69E723, #35E723, #23E746 and #23E77A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EE623 shade matches the following richer shades: #9EE723 and #A3FA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EE623 shade: #9EE723, #99D336, #94BF4A, #8FAB5E and #899772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EE623 shade: #E7C623, #D3E723, #9FE723, #6AE723 and #36E723

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EE623 shade: #6EA412, #87CA16, #9EE723, #AFEB48 and #BFEF6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EE623 shade: #9EE623, #23E792 and #E023E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EE623 shade: #9EE623, #239FE7 and #E7239F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EE623 shade: #9EE623, #23E792, #6A23E7 and #E72378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EE623 shade: #9EE623, #23E7CC, #6A23E7 and #E7233D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 85 / 10

HEX #9EE623

RGB 158 230 35

HSL 82.15, 0.8%, 0.52%

LAB 83.96, -47.91, 77.28

 

Complementary color

CMYK 56 / 89 / 0 / 14

HEX #6119DC

RGB 97 25 220

HSL 262.15, 0.8%, 0.48%

LAB 34.81, 69.16, -83.66

 

CMYK 29 / 0 / 87 / 10

HEX #A3E61E

RGB 163 230 30

HSL 80.1, 0.8%, 0.51%

LAB 84.21, -46.23, 78.59

 

CMYK 27 / 0 / 80 / 3

HEX #B4F831

RGB 180 248 49

HSL 80.5, 0.93%, 0.58%

LAB 90.35, -47, 80.09

 

CMYK 23 / 0 / 73 / 0

HEX #C5FF44

RGB 197 255 68

HSL 78.61, 1%, 0.63%

LAB 93.37, -42.9, 77.81

 

CMYK 16 / 0 / 66 / 0

HEX #D6FF57

RGB 214 255 87

HSL 74.64, 1%, 0.67%

LAB 94.53, -35.42, 72.72

 

CMYK 9 / 0 / 58 / 0

HEX #E7FF6A

RGB 231 255 106

HSL 69.66, 1%, 0.71%

LAB 95.81, -27.59, 66.87

 

CMYK 31 / 0 / 85 / 10

HEX #9EE623

RGB 158 230 35

HSL 82.15, 0.8%, 0.52%

LAB 83.96, -47.91, 77.28

 

CMYK 33 / 0 / 92 / 17

HEX #8DD410

RGB 141 212 16

HSL 81.73, 0.86%, 0.45%

LAB 77.75, -47.01, 74.99

 

CMYK 36 / 0 / 100 / 24

HEX #7CC200

RGB 124 194 0

HSL 81.65, 1%, 0.38%

LAB 71.47, -45.89, 71.38

 

CMYK 39 / 0 / 100 / 31

HEX #6BB000

RGB 107 176 0

HSL 83.52, 1%, 0.35%

LAB 65.1, -44.51, 66.08

 

CMYK 43 / 0 / 100 / 38

HEX #5A9E00

RGB 90 158 0

HSL 85.82, 1%, 0.31%

LAB 58.63, -43.07, 60.7

 

CMYK 32 / 0 / 85 / 9

HEX #9EE723

RGB 158 231 35

HSL 82.35, 0.8%, 0.52%

LAB 84.25, -48.32, 77.53

 

CMYK 9 / 0 / 85 / 9

HEX #D3E723

RGB 211 231 35

HSL 66.12, 0.8%, 0.52%

LAB 87.54, -27.79, 81.63

 

CMYK 0 / 15 / 85 / 9

HEX #E7C523

RGB 231 197 35

HSL 49.59, 0.8%, 0.52%

LAB 80.2, -2.55, 76.25

 

CMYK 0 / 38 / 85 / 9

HEX #E79023

RGB 231 144 35

HSL 33.37, 0.8%, 0.52%

LAB 67.32, 25.39, 65.63

 

CMYK 0 / 60 / 85 / 9

HEX #E75C23

RGB 231 92 35

HSL 17.45, 0.8%, 0.52%

LAB 56.85, 51.38, 56.88

 

CMYK 32 / 0 / 85 / 9

HEX #9EE723

RGB 158 231 35

HSL 82.35, 0.8%, 0.52%

LAB 84.25, -48.32, 77.53

 

CMYK 55 / 0 / 85 / 9

HEX #69E723

RGB 105 231 35

HSL 98.57, 0.8%, 0.52%

LAB 81.99, -64.99, 74.69

 

CMYK 77 / 0 / 85 / 9

HEX #35E723

RGB 53 231 35

HSL 114.49, 0.8%, 0.52%

LAB 80.76, -75.31, 73.13

 

CMYK 85 / 0 / 70 / 9

HEX #23E746

RGB 35 231 70

HSL 130.71, 0.8%, 0.52%

LAB 80.71, -75.02, 62.59

 

CMYK 85 / 0 / 47 / 9

HEX #23E77A

RGB 35 231 122

HSL 146.63, 0.8%, 0.52%

LAB 81.24, -68.51, 40.39

 

CMYK 32 / 0 / 85 / 9

HEX #9EE723

RGB 158 231 35

HSL 82.35, 0.8%, 0.52%

LAB 84.25, -48.32, 77.53

 

CMYK 35 / 0 / 94 / 2

HEX #A3FA0F

RGB 163 250 15

HSL 82.21, 0.96%, 0.52%

LAB 89.95, -54.73, 85.32

 

CMYK 32 / 0 / 85 / 9

HEX #9EE723

RGB 158 231 35

HSL 82.35, 0.8%, 0.52%

LAB 84.25, -48.32, 77.53

 

CMYK 27 / 0 / 74 / 17

HEX #99D336

RGB 153 211 54

HSL 82.17, 0.64%, 0.52%

LAB 78.24, -40.82, 66.9

 

CMYK 23 / 0 / 61 / 25

HEX #94BF4A

RGB 148 191 74

HSL 82.05, 0.48%, 0.52%

LAB 72.26, -32.32, 52.97

 

CMYK 16 / 0 / 45 / 33

HEX #8FAB5E

RGB 143 171 94

HSL 81.82, 0.31%, 0.52%

LAB 66.35, -22.6, 36.39

 

CMYK 9 / 0 / 25 / 41

HEX #899772

RGB 137 151 114

HSL 82.7, 0.15%, 0.52%

LAB 60.49, -11.82, 17.87

 

CMYK 0 / 14 / 85 / 9

HEX #E7C623

RGB 231 198 35

HSL 49.9, 0.8%, 0.52%

LAB 80.46, -3.06, 76.46

 

CMYK 9 / 0 / 85 / 9

HEX #D3E723

RGB 211 231 35

HSL 66.12, 0.8%, 0.52%

LAB 87.54, -27.79, 81.63

 

CMYK 31 / 0 / 85 / 9

HEX #9FE723

RGB 159 231 35

HSL 82.04, 0.8%, 0.52%

LAB 84.3, -47.96, 77.6

 

CMYK 54 / 0 / 85 / 9

HEX #6AE723

RGB 106 231 35

HSL 98.27, 0.8%, 0.52%

LAB 82.02, -64.73, 74.74

 

CMYK 77 / 0 / 85 / 9

HEX #36E723

RGB 54 231 35

HSL 114.18, 0.8%, 0.52%

LAB 80.77, -75.17, 73.15

 

CMYK 33 / 0 / 89 / 36

HEX #6EA412

RGB 110 164 18

HSL 82.19, 0.8%, 0.36%

LAB 61.58, -37.9, 60.72

 

CMYK 33 / 0 / 89 / 21

HEX #87CA16

RGB 135 202 22

HSL 82.33, 0.8%, 0.44%

LAB 74.48, -44.86, 71.29

 

CMYK 32 / 0 / 85 / 9

HEX #9EE723

RGB 158 231 35

HSL 82.35, 0.8%, 0.52%

LAB 84.25, -48.32, 77.53

 

CMYK 26 / 0 / 69 / 8

HEX #AFEB48

RGB 175 235 72

HSL 82.09, 0.8%, 0.6%

LAB 86.5, -42.12, 69.27

 

CMYK 20 / 0 / 54 / 6

HEX #BFEF6D

RGB 191 239 109

HSL 82.15, 0.8%, 0.68%

LAB 88.88, -35.14, 57.02

 

CMYK 31 / 0 / 85 / 10

HEX #9EE623

RGB 158 230 35

HSL 82.15, 0.8%, 0.52%

LAB 83.96, -47.91, 77.28

 

CMYK 85 / 0 / 37 / 9

HEX #23E792

RGB 35 231 146

HSL 153.98, 0.8%, 0.52%

LAB 81.61, -64.22, 28.88

 

CMYK 3 / 85 / 0 / 9

HEX #E023E7

RGB 224 35 231

HSL 297.86, 0.8%, 0.52%

LAB 54.89, 86.35, -56.43

 

CMYK 31 / 0 / 85 / 10

HEX #9EE623

RGB 158 230 35

HSL 82.15, 0.8%, 0.52%

LAB 83.96, -47.91, 77.28

 

CMYK 85 / 31 / 0 / 9

HEX #239FE7

RGB 35 159 231

HSL 202.04, 0.8%, 0.52%

LAB 62.44, -7.35, -45.31

 

CMYK 0 / 85 / 31 / 9

HEX #E7239F

RGB 231 35 159

HSL 322.04, 0.8%, 0.52%

LAB 52.61, 78.37, -18.31

 

CMYK 31 / 0 / 85 / 10

HEX #9EE623

RGB 158 230 35

HSL 82.15, 0.8%, 0.52%

LAB 83.96, -47.91, 77.28

 

CMYK 85 / 0 / 37 / 9

HEX #23E792

RGB 35 231 146

HSL 153.98, 0.8%, 0.52%

LAB 81.61, -64.22, 28.88

 

CMYK 54 / 85 / 0 / 9

HEX #6A23E7

RGB 106 35 231

HSL 261.73, 0.8%, 0.52%

LAB 37.91, 69.77, -84.81

 

CMYK 0 / 85 / 48 / 9

HEX #E72378

RGB 231 35 120

HSL 333.98, 0.8%, 0.52%

LAB 51.32, 74.73, 3.15

 

CMYK 31 / 0 / 85 / 10

HEX #9EE623

RGB 158 230 35

HSL 82.15, 0.8%, 0.52%

LAB 83.96, -47.91, 77.28

 

CMYK 85 / 0 / 12 / 9

HEX #23E7CC

RGB 35 231 204

HSL 171.73, 0.8%, 0.52%

LAB 82.84, -50.83, 0.35

 

CMYK 54 / 85 / 0 / 9

HEX #6A23E7

RGB 106 35 231

HSL 261.73, 0.8%, 0.52%

LAB 37.91, 69.77, -84.81

 

CMYK 0 / 85 / 74 / 9

HEX #E7233D

RGB 231 35 61

HSL 352.04, 0.8%, 0.52%

LAB 50.13, 71.27, 37.16

 

Description

Color code: HEX #9EE623 | qconv.com Color code: HEX #9EE623 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 230 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 230 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 85 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 85% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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