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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EDF8D it is the complementary color #612072. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EDF8D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EDF8D shade: #A3DF88, #B4F19B, #C5FFAE, #D6FFC1 and #E7FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EDF8D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EDF8D shade: #9EDF8D, #8DCD7A, #7CBB67, #6BA954 and #5A9741

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EDF8D shade: #9DDE8C, #B3DE8C, #C9DE8C, #DEDD8C and #DEC78C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EDF8D shade: #9DDE8C, #8CDE91, #8CDEA7, #8CDEBD and #8CDED4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EDF8D shade matches the following richer shades: #9DDE8C, #96EA80 and #8FF674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EDF8D shade: #9DDE8C, #A4D298, #ABC7A4, #B2BBB0 and #B9AFBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EDF8D shade: #CADE8C, #B4DE8C, #9EDE8C, #8CDE90 and #8CDEA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EDF8D shade: #66CC4B, #81D56B, #9DDE8C, #B8E8AC and #D4F1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EDF8D shade: #9EDF8D, #8CDEDD and #DE8CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EDF8D shade: #9EDF8D, #8C9EDE and #DE8C9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EDF8D shade: #9EDF8D, #8CDEDD, #CD8CDE and #DE8C8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EDF8D shade: #9EDF8D, #8CC7DE, #CD8CDE and #DEA38C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 37 / 13

HEX #9EDF8D

RGB 158 223 141

HSL 107.56, 0.56%, 0.71%

LAB 82.9, -35.73, 33.8

 

Complementary color

CMYK 15 / 72 / 0 / 55

HEX #612072

RGB 97 32 114

HSL 287.56, 0.56%, 0.29%

LAB 26.13, 41.87, -33.77

 

CMYK 27 / 0 / 39 / 13

HEX #A3DF88

RGB 163 223 136

HSL 101.38, 0.58%, 0.7%

LAB 83.09, -34.75, 36.64

 

CMYK 25 / 0 / 36 / 5

HEX #B4F19B

RGB 180 241 155

HSL 102.56, 0.75%, 0.78%

LAB 89.38, -34.59, 35.51

 

CMYK 23 / 0 / 32 / 0

HEX #C5FFAE

RGB 197 255 174

HSL 102.96, 1%, 0.84%

LAB 94.5, -32.59, 32.97

 

CMYK 16 / 0 / 24 / 0

HEX #D6FFC1

RGB 214 255 193

HSL 99.68, 1%, 0.88%

LAB 95.86, -24.01, 25.41

 

CMYK 9 / 0 / 17 / 0

HEX #E7FFD4

RGB 231 255 212

HSL 93.49, 1%, 0.92%

LAB 97.33, -15.25, 17.96

 

CMYK 29 / 0 / 37 / 13

HEX #9EDF8D

RGB 158 223 141

HSL 107.56, 0.56%, 0.71%

LAB 82.9, -35.73, 33.8

 

CMYK 31 / 0 / 40 / 20

HEX #8DCD7A

RGB 141 205 122

HSL 106.27, 0.45%, 0.64%

LAB 76.52, -35.91, 34.97

 

CMYK 34 / 0 / 45 / 27

HEX #7CBB67

RGB 124 187 103

HSL 105, 0.38%, 0.57%

LAB 70.04, -36.08, 36.18

 

CMYK 37 / 0 / 50 / 34

HEX #6BA954

RGB 107 169 84

HSL 103.76, 0.34%, 0.5%

LAB 63.46, -36.2, 37.42

 

CMYK 40 / 0 / 57 / 41

HEX #5A9741

RGB 90 151 65

HSL 102.56, 0.4%, 0.42%

LAB 56.77, -36.23, 38.63

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8C

RGB 157 222 140

HSL 107.56, 0.55%, 0.71%

LAB 82.54, -35.75, 33.84

 

CMYK 19 / 0 / 37 / 13

HEX #B3DE8C

RGB 179 222 140

HSL 91.46, 0.55%, 0.71%

LAB 83.82, -28.13, 35.75

 

CMYK 9 / 0 / 37 / 13

HEX #C9DE8C

RGB 201 222 140

HSL 75.37, 0.55%, 0.71%

LAB 85.28, -20.03, 37.93

 

CMYK 0 / 0 / 37 / 13

HEX #DEDD8C

RGB 222 221 140

HSL 59.27, 0.55%, 0.71%

LAB 86.57, -11.5, 39.9

 

CMYK 0 / 10 / 37 / 13

HEX #DEC78C

RGB 222 199 140

HSL 43.17, 0.55%, 0.71%

LAB 80.89, -0.26, 32.51

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8C

RGB 157 222 140

HSL 107.56, 0.55%, 0.71%

LAB 82.54, -35.75, 33.84

 

CMYK 37 / 0 / 35 / 13

HEX #8CDE91

RGB 140 222 145

HSL 123.66, 0.55%, 0.71%

LAB 81.76, -40.41, 30.1

 

CMYK 37 / 0 / 25 / 13

HEX #8CDEA7

RGB 140 222 167

HSL 139.76, 0.55%, 0.71%

LAB 82.17, -36.61, 19.25

 

CMYK 37 / 0 / 15 / 13

HEX #8CDEBD

RGB 140 222 189

HSL 155.85, 0.55%, 0.71%

LAB 82.64, -32.27, 8.34

 

CMYK 37 / 0 / 5 / 13

HEX #8CDED4

RGB 140 222 212

HSL 172.68, 0.55%, 0.71%

LAB 83.22, -27.23, -3.01

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8C

RGB 157 222 140

HSL 107.56, 0.55%, 0.71%

LAB 82.54, -35.75, 33.84

 

CMYK 36 / 0 / 45 / 8

HEX #96EA80

RGB 150 234 128

HSL 107.55, 0.72%, 0.71%

LAB 85.45, -45, 43.46

 

CMYK 42 / 0 / 53 / 4

HEX #8FF674

RGB 143 246 116

HSL 107.54, 0.88%, 0.71%

LAB 88.45, -53.62, 52.73

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8C

RGB 157 222 140

HSL 107.56, 0.55%, 0.71%

LAB 82.54, -35.75, 33.84

 

CMYK 22 / 0 / 28 / 18

HEX #A4D298

RGB 164 210 152

HSL 107.59, 0.39%, 0.71%

LAB 79.76, -25.89, 23.99

 

CMYK 14 / 0 / 18 / 22

HEX #ABC7A4

RGB 171 199 164

HSL 108, 0.24%, 0.71%

LAB 77.39, -16, 14.42

 

CMYK 5 / 0 / 6 / 27

HEX #B2BBB0

RGB 178 187 176

HSL 109.09, 0.07%, 0.71%

LAB 74.91, -5.18, 4.48

 

CMYK 1 / 6 / 0 / 27

HEX #B9AFBB

RGB 185 175 187

HSL 290, 0.08%, 0.71%

LAB 72.6, 5.78, -4.84

 

CMYK 9 / 0 / 37 / 13

HEX #CADE8C

RGB 202 222 140

HSL 74.63, 0.55%, 0.71%

LAB 85.35, -19.66, 38.03

 

CMYK 19 / 0 / 37 / 13

HEX #B4DE8C

RGB 180 222 140

HSL 90.73, 0.55%, 0.71%

LAB 83.88, -27.77, 35.84

 

CMYK 29 / 0 / 37 / 13

HEX #9EDE8C

RGB 158 222 140

HSL 106.83, 0.55%, 0.71%

LAB 82.6, -35.41, 33.92

 

CMYK 37 / 0 / 35 / 13

HEX #8CDE90

RGB 140 222 144

HSL 122.93, 0.55%, 0.71%

LAB 81.75, -40.57, 30.59

 

CMYK 37 / 0 / 25 / 13

HEX #8CDEA6

RGB 140 222 166

HSL 139.02, 0.55%, 0.71%

LAB 82.15, -36.79, 19.74

 

CMYK 50 / 0 / 63 / 20

HEX #66CC4B

RGB 102 204 75

HSL 107.44, 0.56%, 0.55%

LAB 73.88, -53.37, 53.68

 

CMYK 39 / 0 / 50 / 16

HEX #81D56B

RGB 129 213 107

HSL 107.55, 0.56%, 0.63%

LAB 78.06, -45.35, 44.23

 

CMYK 29 / 0 / 37 / 13

HEX #9DDE8C

RGB 157 222 140

HSL 107.56, 0.55%, 0.71%

LAB 82.54, -35.75, 33.84

 

CMYK 21 / 0 / 26 / 9

HEX #B8E8AC

RGB 184 232 172

HSL 108, 0.57%, 0.79%

LAB 87.43, -26.47, 24.27

 

CMYK 12 / 0 / 15 / 5

HEX #D4F1CC

RGB 212 241 204

HSL 107.03, 0.57%, 0.87%

LAB 92.25, -16.13, 14.73

 

CMYK 29 / 0 / 37 / 13

HEX #9EDF8D

RGB 158 223 141

HSL 107.56, 0.56%, 0.71%

LAB 82.9, -35.73, 33.8

 

CMYK 37 / 0 / 0 / 13

HEX #8CDEDD

RGB 140 222 221

HSL 179.27, 0.55%, 0.71%

LAB 83.46, -25.12, -7.42

 

CMYK 0 / 37 / 14 / 13

HEX #DE8CBF

RGB 222 140 191

HSL 322.68, 0.55%, 0.71%

LAB 68.06, 38.35, -13.44

 

CMYK 29 / 0 / 37 / 13

HEX #9EDF8D

RGB 158 223 141

HSL 107.56, 0.56%, 0.71%

LAB 82.9, -35.73, 33.8

 

CMYK 37 / 29 / 0 / 13

HEX #8C9EDE

RGB 140 158 222

HSL 226.83, 0.55%, 0.71%

LAB 65.98, 9.14, -34.5

 

CMYK 0 / 37 / 29 / 13

HEX #DE8C9E

RGB 222 140 158

HSL 346.83, 0.55%, 0.71%

LAB 67.09, 33.48, 3.65

 

CMYK 29 / 0 / 37 / 13

HEX #9EDF8D

RGB 158 223 141

HSL 107.56, 0.56%, 0.71%

LAB 82.9, -35.73, 33.8

 

CMYK 37 / 0 / 0 / 13

HEX #8CDEDD

RGB 140 222 221

HSL 179.27, 0.55%, 0.71%

LAB 83.46, -25.12, -7.42

 

CMYK 8 / 37 / 0 / 13

HEX #CD8CDE

RGB 205 140 222

HSL 287.56, 0.55%, 0.71%

LAB 67.28, 38.47, -32.04

 

CMYK 0 / 37 / 36 / 13

HEX #DE8C8D

RGB 222 140 141

HSL 359.27, 0.55%, 0.71%

LAB 66.68, 31.32, 12.62

 

CMYK 29 / 0 / 37 / 13

HEX #9EDF8D

RGB 158 223 141

HSL 107.56, 0.56%, 0.71%

LAB 82.9, -35.73, 33.8

 

CMYK 37 / 10 / 0 / 13

HEX #8CC7DE

RGB 140 199 222

HSL 196.83, 0.55%, 0.71%

LAB 77.1, -13.26, -17.47

 

CMYK 8 / 37 / 0 / 13

HEX #CD8CDE

RGB 205 140 222

HSL 287.56, 0.55%, 0.71%

LAB 67.28, 38.47, -32.04

 

CMYK 0 / 27 / 37 / 13

HEX #DEA38C

RGB 222 163 140

HSL 16.83, 0.55%, 0.71%

LAB 71.97, 18.86, 20.53

 

Description

Color code: HEX #9EDF8D | qconv.com Color code: HEX #9EDF8D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 223 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 223 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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