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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ECE2E it is the complementary color #6131D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ECE2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ECE2E shade: #A3CE29, #B4E03C, #C5F24F, #D6FF62 and #E7FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ECE2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ECE2E shade: #9ECE2E, #8DBC1B, #7CAA08, #6B9800 and #5A8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ECE2E shade: #9CCC2E, #C7CC2E, #CCA62E, #CC7C2E and #CC512E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ECE2E shade: #9CCC2E, #72CC2E, #48CC2E, #2ECC3F and #2ECC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ECE2E shade matches the following richer shades: #9CCC2E, #A5E01A and #ADF406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ECE2E shade: #9CCC2E, #94B742, #8CA357, #848F6B and #7C7B7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ECE2E shade: #CCA72E, #C6CC2E, #9CCC2E, #72CC2E and #48CC2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ECE2E shade: #69881F, #83AA27, #9CCC2E, #ADD74D and #BDDE6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ECE2E shade: #9ECE2E, #2ECC7D and #BC2ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ECE2E shade: #9ECE2E, #2E9CCC and #CC2E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ECE2E shade: #9ECE2E, #2ECC7D, #5D2ECC and #CC2E7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ECE2E shade: #9ECE2E, #2ECCAC, #5D2ECC and #CC2E4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 78 / 19

HEX #9ECE2E

RGB 158 206 46

HSL 78, 0.63%, 0.49%

LAB 77.05, -37.08, 68.38

 

Complementary color

CMYK 54 / 77 / 0 / 18

HEX #6131D1

RGB 97 49 209

HSL 258, 0.63%, 0.51%

LAB 36.63, 57.78, -74.31

 

CMYK 21 / 0 / 80 / 19

HEX #A3CE29

RGB 163 206 41

HSL 75.64, 0.67%, 0.48%

LAB 77.33, -35.34, 70.17

 

CMYK 20 / 0 / 73 / 12

HEX #B4E03C

RGB 180 224 60

HSL 76.1, 0.73%, 0.56%

LAB 83.62, -36.01, 70.67

 

CMYK 19 / 0 / 67 / 5

HEX #C5F24F

RGB 197 242 79

HSL 76.56, 0.86%, 0.63%

LAB 89.83, -36.53, 70.52

 

CMYK 16 / 0 / 62 / 0

HEX #D6FF62

RGB 214 255 98

HSL 75.67, 1%, 0.69%

LAB 94.61, -34.68, 68.52

 

CMYK 9 / 0 / 54 / 0

HEX #E7FF75

RGB 231 255 117

HSL 70.43, 1%, 0.73%

LAB 95.91, -26.74, 62.27

 

CMYK 23 / 0 / 78 / 19

HEX #9ECE2E

RGB 158 206 46

HSL 78, 0.63%, 0.49%

LAB 77.05, -37.08, 68.38

 

CMYK 25 / 0 / 86 / 26

HEX #8DBC1B

RGB 141 188 27

HSL 77.52, 0.75%, 0.42%

LAB 70.67, -36.33, 67.26

 

CMYK 27 / 0 / 95 / 33

HEX #7CAA08

RGB 124 170 8

HSL 77.04, 0.91%, 0.35%

LAB 64.2, -35.35, 64.75

 

CMYK 30 / 0 / 100 / 40

HEX #6B9800

RGB 107 152 0

HSL 77.76, 1%, 0.3%

LAB 57.64, -34.09, 60.33

 

CMYK 33 / 0 / 100 / 47

HEX #5A8600

RGB 90 134 0

HSL 79.7, 1%, 0.26%

LAB 50.95, -32.67, 54.76

 

CMYK 24 / 0 / 77 / 20

HEX #9CCC2E

RGB 156 204 46

HSL 78.23, 0.63%, 0.49%

LAB 76.35, -36.96, 67.69

 

CMYK 2 / 0 / 77 / 20

HEX #C7CC2E

RGB 199 204 46

HSL 61.9, 0.63%, 0.49%

LAB 79.34, -19.43, 71.53

 

CMYK 0 / 19 / 77 / 20

HEX #CCA62E

RGB 204 166 46

HSL 45.57, 0.63%, 0.49%

LAB 69.69, 2.3, 62.91

 

CMYK 0 / 39 / 77 / 20

HEX #CC7C2E

RGB 204 124 46

HSL 29.62, 0.63%, 0.49%

LAB 59.39, 25.06, 53.18

 

CMYK 0 / 60 / 77 / 20

HEX #CC512E

RGB 204 81 46

HSL 13.29, 0.63%, 0.49%

LAB 50.59, 46.99, 44.44

 

CMYK 24 / 0 / 77 / 20

HEX #9CCC2E

RGB 156 204 46

HSL 78.23, 0.63%, 0.49%

LAB 76.35, -36.96, 67.69

 

CMYK 44 / 0 / 77 / 20

HEX #72CC2E

RGB 114 204 46

HSL 94.18, 0.63%, 0.49%

LAB 74.16, -51.93, 64.86

 

CMYK 65 / 0 / 77 / 20

HEX #48CC2E

RGB 72 204 46

HSL 110.13, 0.63%, 0.49%

LAB 72.73, -63.15, 63

 

CMYK 77 / 0 / 69 / 20

HEX #2ECC3F

RGB 46 204 63

HSL 126.46, 0.63%, 0.49%

LAB 72.31, -66.32, 56.44

 

CMYK 77 / 0 / 48 / 20

HEX #2ECC6A

RGB 46 204 106

HSL 142.78, 0.63%, 0.49%

LAB 72.76, -60.88, 37.58

 

CMYK 24 / 0 / 77 / 20

HEX #9CCC2E

RGB 156 204 46

HSL 78.23, 0.63%, 0.49%

LAB 76.35, -36.96, 67.69

 

CMYK 26 / 0 / 88 / 12

HEX #A5E01A

RGB 165 224 26

HSL 77.88, 0.79%, 0.49%

LAB 82.59, -43.02, 77.99

 

CMYK 29 / 0 / 98 / 4

HEX #ADF406

RGB 173 244 6

HSL 77.9, 0.95%, 0.49%

LAB 88.73, -48.84, 85.32

 

CMYK 24 / 0 / 77 / 20

HEX #9CCC2E

RGB 156 204 46

HSL 78.23, 0.63%, 0.49%

LAB 76.35, -36.96, 67.69

 

CMYK 19 / 0 / 64 / 28

HEX #94B742

RGB 148 183 66

HSL 77.95, 0.47%, 0.49%

LAB 69.86, -29.18, 53.79

 

CMYK 14 / 0 / 47 / 36

HEX #8CA357

RGB 140 163 87

HSL 78.16, 0.3%, 0.49%

LAB 63.72, -20.58, 36.67

 

CMYK 8 / 0 / 25 / 44

HEX #848F6B

RGB 132 143 107

HSL 78.33, 0.14%, 0.49%

LAB 57.67, -10.57, 17.87

 

CMYK 2 / 3 / 0 / 50

HEX #7C7B7F

RGB 124 123 127

HSL 255, 0.02%, 0.49%

LAB 51.82, 1.19, -2.05

 

CMYK 0 / 18 / 77 / 20

HEX #CCA72E

RGB 204 167 46

HSL 45.95, 0.63%, 0.49%

LAB 69.95, 1.77, 63.15

 

CMYK 3 / 0 / 77 / 20

HEX #C6CC2E

RGB 198 204 46

HSL 62.28, 0.63%, 0.49%

LAB 79.26, -19.85, 71.43

 

CMYK 24 / 0 / 77 / 20

HEX #9CCC2E

RGB 156 204 46

HSL 78.23, 0.63%, 0.49%

LAB 76.35, -36.96, 67.69

 

CMYK 44 / 0 / 77 / 20

HEX #72CC2E

RGB 114 204 46

HSL 94.18, 0.63%, 0.49%

LAB 74.16, -51.93, 64.86

 

CMYK 65 / 0 / 77 / 20

HEX #48CC2E

RGB 72 204 46

HSL 110.13, 0.63%, 0.49%

LAB 72.73, -63.15, 63

 

CMYK 23 / 0 / 77 / 47

HEX #69881F

RGB 105 136 31

HSL 77.71, 0.63%, 0.33%

LAB 52.63, -26.36, 49.13

 

CMYK 23 / 0 / 77 / 33

HEX #83AA27

RGB 131 170 39

HSL 77.86, 0.63%, 0.41%

LAB 64.74, -31.55, 58.49

 

CMYK 24 / 0 / 77 / 20

HEX #9CCC2E

RGB 156 204 46

HSL 78.23, 0.63%, 0.49%

LAB 76.35, -36.96, 67.69

 

CMYK 20 / 0 / 64 / 16

HEX #ADD74D

RGB 173 215 77

HSL 78.26, 0.63%, 0.57%

LAB 80.75, -33.57, 61.36

 

CMYK 15 / 0 / 50 / 13

HEX #BDDE6E

RGB 189 222 110

HSL 77.68, 0.63%, 0.65%

LAB 84.06, -27.89, 50.86

 

CMYK 23 / 0 / 78 / 19

HEX #9ECE2E

RGB 158 206 46

HSL 78, 0.63%, 0.49%

LAB 77.05, -37.08, 68.38

 

CMYK 77 / 0 / 39 / 20

HEX #2ECC7D

RGB 46 204 125

HSL 150, 0.63%, 0.49%

LAB 73.05, -57.54, 28.29

 

CMYK 8 / 77 / 0 / 20

HEX #BC2ECC

RGB 188 46 204

HSL 293.92, 0.63%, 0.49%

LAB 48.27, 73.04, -51.96

 

CMYK 23 / 0 / 78 / 19

HEX #9ECE2E

RGB 158 206 46

HSL 78, 0.63%, 0.49%

LAB 77.05, -37.08, 68.38

 

CMYK 77 / 24 / 0 / 20

HEX #2E9CCC

RGB 46 156 204

HSL 198.23, 0.63%, 0.49%

LAB 60.53, -14.22, -33.29

 

CMYK 0 / 77 / 24 / 20

HEX #CC2E9C

RGB 204 46 156

HSL 318.23, 0.63%, 0.49%

LAB 48.5, 69.38, -23.26

 

CMYK 23 / 0 / 78 / 19

HEX #9ECE2E

RGB 158 206 46

HSL 78, 0.63%, 0.49%

LAB 77.05, -37.08, 68.38

 

CMYK 77 / 0 / 39 / 20

HEX #2ECC7D

RGB 46 204 125

HSL 150, 0.63%, 0.49%

LAB 73.05, -57.54, 28.29

 

CMYK 54 / 77 / 0 / 20

HEX #5D2ECC

RGB 93 46 204

HSL 257.85, 0.63%, 0.49%

LAB 35.28, 57.26, -73.64

 

CMYK 0 / 77 / 39 / 20

HEX #CC2E7D

RGB 204 46 125

HSL 330, 0.63%, 0.49%

LAB 47.33, 65.87, -6.34

 

CMYK 23 / 0 / 78 / 19

HEX #9ECE2E

RGB 158 206 46

HSL 78, 0.63%, 0.49%

LAB 77.05, -37.08, 68.38

 

CMYK 77 / 0 / 16 / 20

HEX #2ECCAC

RGB 46 204 172

HSL 167.85, 0.63%, 0.49%

LAB 74.03, -46.99, 4.65

 

CMYK 54 / 77 / 0 / 20

HEX #5D2ECC

RGB 93 46 204

HSL 257.85, 0.63%, 0.49%

LAB 35.28, 57.26, -73.64

 

CMYK 0 / 77 / 62 / 20

HEX #CC2E4E

RGB 204 46 78

HSL 347.85, 0.63%, 0.49%

LAB 46.1, 62.05, 20.82

 

Description

Color code: HEX #9ECE2E | qconv.com Color code: HEX #9ECE2E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 206 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 206 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 78 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 78% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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