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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EBAD9 it is the complementary color #614526. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EBAD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EBAD9 shade: #A3BAD4, #B4CCE7, #C5DEFA, #D6F0FF and #E7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EBAD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EBAD9 shade: #9EBAD9, #8DA8C6, #7C96B3, #6B84A0 and #5A728D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EBAD9 shade: #A0BBDA, #A0ABDA, #A3A0DA, #B3A0DA and #C3A0DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EBAD9 shade: #A0BBDA, #A0ABDA and #A0A0DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EBAD9 shade matches the following richer shades: #A0BBDA, #95BBE5, #8ABAEF and #7FBAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EBAD9 shade: #A0BBDA, #AABCCF, #B5BCC4, #C0BDBA and #CABDAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EBAD9 shade: #A0DAD9, #A0CBDA, #A0BCDA, #A0ACDA and #A2A0DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EBAD9 shade: #6491C3, #82A6CE, #A0BBDA, #BDD0E5 and #DBE5F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EBAD9 shade: #9EBAD9, #C9A0DA and #D3DAA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EBAD9 shade: #9EBAD9, #DAA0BC and #BCDAA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EBAD9 shade: #9EBAD9, #C9A0DA, #DABEA0 and #B0DAA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EBAD9 shade: #9EBAD9, #DAA0D9, #DABEA0 and #A0DAA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 14 / 0 / 15

HEX #9EBAD9

RGB 158 186 217

HSL 211.53, 0.44%, 0.74%

LAB 74.44, -2.51, -18.68

 

Complementary color

CMYK 0 / 29 / 61 / 62

HEX #614526

RGB 97 69 38

HSL 31.53, 0.44%, 0.26%

LAB 31.66, 8.13, 23.27

 

CMYK 23 / 12 / 0 / 17

HEX #A3BAD4

RGB 163 186 212

HSL 211.84, 0.36%, 0.74%

LAB 74.61, -2.17, -15.68

 

CMYK 22 / 12 / 0 / 9

HEX #B4CCE7

RGB 180 204 231

HSL 211.76, 0.52%, 0.81%

LAB 81.1, -2.3, -16.03

 

CMYK 21 / 11 / 0 / 2

HEX #C5DEFA

RGB 197 222 250

HSL 211.7, 0.84%, 0.88%

LAB 87.49, -2.43, -16.39

 

CMYK 16 / 6 / 0 / 0

HEX #D6F0FF

RGB 214 240 255

HSL 201.95, 1%, 0.92%

LAB 93.38, -5.47, -10.09

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 27 / 14 / 0 / 15

HEX #9EBAD9

RGB 158 186 217

HSL 211.53, 0.44%, 0.74%

LAB 74.44, -2.51, -18.68

 

CMYK 29 / 15 / 0 / 22

HEX #8DA8C6

RGB 141 168 198

HSL 211.58, 0.33%, 0.66%

LAB 67.83, -2.35, -18.38

 

CMYK 31 / 16 / 0 / 30

HEX #7C96B3

RGB 124 150 179

HSL 211.64, 0.27%, 0.59%

LAB 61.09, -2.17, -18.1

 

CMYK 33 / 18 / 0 / 37

HEX #6B84A0

RGB 107 132 160

HSL 211.7, 0.22%, 0.52%

LAB 54.2, -1.97, -17.83

 

CMYK 36 / 19 / 0 / 45

HEX #5A728D

RGB 90 114 141

HSL 211.76, 0.22%, 0.45%

LAB 47.15, -1.73, -17.58

 

CMYK 27 / 14 / 0 / 15

HEX #A0BBDA

RGB 160 187 218

HSL 212.07, 0.44%, 0.74%

LAB 74.87, -2.22, -18.56

 

CMYK 27 / 22 / 0 / 15

HEX #A0ABDA

RGB 160 171 218

HSL 228.62, 0.44%, 0.74%

LAB 70.64, 6.54, -25.01

 

CMYK 25 / 27 / 0 / 15

HEX #A3A0DA

RGB 163 160 218

HSL 243.1, 0.44%, 0.74%

LAB 68.01, 13.6, -29.02

 

CMYK 18 / 27 / 0 / 15

HEX #B3A0DA

RGB 179 160 218

HSL 259.66, 0.44%, 0.74%

LAB 69.32, 18.5, -26.9

 

CMYK 11 / 27 / 0 / 15

HEX #C3A0DA

RGB 195 160 218

HSL 276.21, 0.44%, 0.74%

LAB 70.74, 23.56, -24.6

 

CMYK 27 / 14 / 0 / 15

HEX #A0BBDA

RGB 160 187 218

HSL 212.07, 0.44%, 0.74%

LAB 74.87, -2.22, -18.56

 

CMYK 27 / 22 / 0 / 15

HEX #A0ABDA

RGB 160 171 218

HSL 228.62, 0.44%, 0.74%

LAB 70.64, 6.54, -25.01

 

CMYK 27 / 27 / 0 / 15

HEX #A0A0DA

RGB 160 160 218

HSL 240, 0.44%, 0.74%

LAB 67.78, 12.7, -29.39

 

CMYK 27 / 14 / 0 / 15

HEX #A0BBDA

RGB 160 187 218

HSL 212.07, 0.44%, 0.74%

LAB 74.87, -2.22, -18.56

 

CMYK 35 / 18 / 0 / 10

HEX #95BBE5

RGB 149 187 229

HSL 211.5, 0.61%, 0.74%

LAB 74.56, -2.67, -25.06

 

CMYK 42 / 22 / 0 / 6

HEX #8ABAEF

RGB 138 186 239

HSL 211.49, 0.76%, 0.74%

LAB 74.03, -2.39, -31.34

 

CMYK 49 / 26 / 0 / 2

HEX #7FBAFA

RGB 127 186 250

HSL 211.22, 0.92%, 0.74%

LAB 73.89, -1.94, -37.55

 

CMYK 27 / 14 / 0 / 15

HEX #A0BBDA

RGB 160 187 218

HSL 212.07, 0.44%, 0.74%

LAB 74.87, -2.22, -18.56

 

CMYK 18 / 9 / 0 / 19

HEX #AABCCF

RGB 170 188 207

HSL 210.81, 0.28%, 0.74%

LAB 75.46, -2.17, -11.63

 

CMYK 8 / 4 / 0 / 23

HEX #B5BCC4

RGB 181 188 196

HSL 212, 0.11%, 0.74%

LAB 75.93, -0.86, -4.88

 

CMYK 0 / 2 / 3 / 25

HEX #C0BDBA

RGB 192 189 186

HSL 30, 0.05%, 0.74%

LAB 76.77, 0.51, 1.87

 

CMYK 0 / 6 / 13 / 21

HEX #CABDAF

RGB 202 189 175

HSL 31.11, 0.2%, 0.74%

LAB 77.31, 2.22, 8.71

 

CMYK 27 / 0 / 0 / 15

HEX #A0DAD9

RGB 160 218 217

HSL 178.97, 0.44%, 0.74%

LAB 83.25, -18.6, -5.51

 

CMYK 27 / 7 / 0 / 15

HEX #A0CBDA

RGB 160 203 218

HSL 195.52, 0.44%, 0.74%

LAB 79.18, -10.7, -12.08

 

CMYK 27 / 14 / 0 / 15

HEX #A0BCDA

RGB 160 188 218

HSL 211.03, 0.44%, 0.74%

LAB 75.14, -2.76, -18.16

 

CMYK 27 / 21 / 0 / 15

HEX #A0ACDA

RGB 160 172 218

HSL 227.59, 0.44%, 0.74%

LAB 70.9, 5.99, -24.61

 

CMYK 26 / 27 / 0 / 15

HEX #A2A0DA

RGB 162 160 218

HSL 242.07, 0.44%, 0.74%

LAB 67.94, 13.3, -29.14

 

CMYK 49 / 26 / 0 / 24

HEX #6491C3

RGB 100 145 195

HSL 211.58, 0.44%, 0.58%

LAB 58.88, -1.42, -30.65

 

CMYK 37 / 19 / 0 / 19

HEX #82A6CE

RGB 130 166 206

HSL 211.58, 0.44%, 0.66%

LAB 66.88, -2.37, -24.32

 

CMYK 27 / 14 / 0 / 15

HEX #A0BBDA

RGB 160 187 218

HSL 212.07, 0.44%, 0.74%

LAB 74.87, -2.22, -18.56

 

CMYK 17 / 9 / 0 / 10

HEX #BDD0E5

RGB 189 208 229

HSL 211.5, 0.43%, 0.82%

LAB 82.69, -2.07, -12.52

 

CMYK 9 / 5 / 0 / 5

HEX #DBE5F1

RGB 219 229 241

HSL 212.73, 0.44%, 0.9%

LAB 90.53, -1.05, -6.98

 

CMYK 27 / 14 / 0 / 15

HEX #9EBAD9

RGB 158 186 217

HSL 211.53, 0.44%, 0.74%

LAB 74.44, -2.51, -18.68

 

CMYK 8 / 27 / 0 / 15

HEX #C9A0DA

RGB 201 160 218

HSL 282.41, 0.44%, 0.74%

LAB 71.3, 25.49, -23.7

 

CMYK 3 / 0 / 27 / 15

HEX #D3DAA0

RGB 211 218 160

HSL 67.24, 0.44%, 0.74%

LAB 85.27, -11.71, 27.83

 

CMYK 27 / 14 / 0 / 15

HEX #9EBAD9

RGB 158 186 217

HSL 211.53, 0.44%, 0.74%

LAB 74.44, -2.51, -18.68

 

CMYK 0 / 27 / 14 / 15

HEX #DAA0BC

RGB 218 160 188

HSL 331.03, 0.44%, 0.74%

LAB 72.01, 25.77, -5.92

 

CMYK 14 / 0 / 27 / 15

HEX #BCDAA0

RGB 188 218 160

HSL 91.03, 0.44%, 0.74%

LAB 83.64, -20.13, 25.35

 

CMYK 27 / 14 / 0 / 15

HEX #9EBAD9

RGB 158 186 217

HSL 211.53, 0.44%, 0.74%

LAB 74.44, -2.51, -18.68

 

CMYK 8 / 27 / 0 / 15

HEX #C9A0DA

RGB 201 160 218

HSL 282.41, 0.44%, 0.74%

LAB 71.3, 25.49, -23.7

 

CMYK 0 / 13 / 27 / 15

HEX #DABEA0

RGB 218 190 160

HSL 31.03, 0.44%, 0.74%

LAB 78.62, 5.43, 18.83

 

CMYK 19 / 0 / 27 / 15

HEX #B0DAA0

RGB 176 218 160

HSL 103.45, 0.44%, 0.74%

LAB 82.87, -24.35, 24.17

 

CMYK 27 / 14 / 0 / 15

HEX #9EBAD9

RGB 158 186 217

HSL 211.53, 0.44%, 0.74%

LAB 74.44, -2.51, -18.68

 

CMYK 0 / 27 / 0 / 15

HEX #DAA0D9

RGB 218 160 217

HSL 301.03, 0.44%, 0.74%

LAB 72.93, 30.82, -20.51

 

CMYK 0 / 13 / 27 / 15

HEX #DABEA0

RGB 218 190 160

HSL 31.03, 0.44%, 0.74%

LAB 78.62, 5.43, 18.83

 

CMYK 27 / 0 / 26 / 15

HEX #A0DAA1

RGB 160 218 161

HSL 121.03, 0.44%, 0.74%

LAB 81.94, -29.59, 22.23

 

Description

Color code: HEX #9EBAD9 | qconv.com Color code: HEX #9EBAD9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 186 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 186 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 14 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 14% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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