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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EB7FE00 it is the complementary color #61480100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EB7FE00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EB7FE00 shade: #A3B7F900, #B4C9FF00, #C5DBFF00, #D6EDFF00 and #E7FFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EB7FE00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EB7FE00 shade: #9EB7FE00, #8DA5EB00, #7C93D800, #6B81C500 and #5A6FB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EB7FE00 shade: #9FB8FE, #A09FFE, #BA9FFE, #D39FFE and #ED9FFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EB7FE00 shade: #9FB8FE and #9F9FFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EB7FE00 shade matches the following richer shades: #9FB8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EB7FE00 shade: #9FB8FE, #A7BCF6, #AFBFEE, #B7C3E7 and #BEC7DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EB7FE00 shade: #9FEBFE, #9FD2FE, #9FB8FE, #9F9FFE and #B89FFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EB7FE00 shade: #4D7BFD, #7699FE, #9FB8FE, #C8D6FE and #F1F4FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EB7FE00 shade: #9EB7FE, #F89FFE and #DEFE9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EB7FE00 shade: #9EB7FE, #FE9FB8 and #B8FE9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EB7FE00 shade: #9EB7FE, #F89FFE, #FEE59F and #A5FE9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EB7FE00 shade: #9EB7FE, #FE9FE8, #FEE59F and #9FFEB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #9EB7FE00

RGBA 158 183 254 0

HSLA 224.38, 0.98%, 0.81%, 0

LABA 75.01, 8.43, -37.82, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #61480100

RGBA 97 72 1 0

HSLA 44.38, 0.98%, 0.19%, 0

LABA 32.21, 4.28, 40.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A3B7F900

RGBA 163 183 249 0

HSLA 226.05, 0.88%, 0.81%, 0

LABA 75.13, 8.47, -34.91, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B4C9FF00

RGBA 180 201 255 0

HSLA 223.2, 1%, 0.85%, 0

LABA 81.12, 4.87, -28.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C5DBFF00

RGBA 197 219 255 0

HSLA 217.24, 1%, 0.89%, 0

LABA 86.88, 0.24, -19.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D6EDFF00

RGBA 214 237 255 0

HSLA 206.34, 1%, 0.92%, 0

LABA 92.61, -3.94, -11.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E7FFFF00

RGBA 231 255 255 0

HSLA 180, 1%, 0.95%, 0

LABA 98.32, -7.74, -2.66, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9EB7FE00

RGBA 158 183 254 0

HSLA 224.38, 0.98%, 0.81%, 0

LABA 75.01, 8.43, -37.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8DA5EB00

RGBA 141 165 235 0

HSLA 224.68, 0.7%, 0.74%, 0

LABA 68.44, 8.96, -37.82, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7C93D800

RGBA 124 147 216 0

HSLA 225, 0.54%, 0.67%, 0

LABA 61.75, 9.57, -37.85, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6B81C500

RGBA 107 129 197 0

HSLA 225.33, 0.44%, 0.6%, 0

LABA 54.93, 10.28, -37.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5A6FB200

RGBA 90 111 178 0

HSLA 225.68, 0.36%, 0.53%, 0

LABA 47.95, 11.14, -38.06, 0

 

CMYK 37 / 28 / 0 / 0

HEX #9FB8FE

RGB 159 184 254

HSL 224.21, 0.98%, 0.81%

LAB 75.33, 8.14, -37.32

 

CMYK 37 / 37 / 0 / 0

HEX #A09FFE

RGB 160 159 254

HSL 240.63, 0.98%, 0.81%

LAB 69.06, 22.44, -47.11

 

CMYK 27 / 37 / 0 / 0

HEX #BA9FFE

RGB 186 159 254

HSL 257.05, 0.98%, 0.81%

LAB 71.14, 29.47, -43.7

 

CMYK 17 / 37 / 0 / 0

HEX #D39FFE

RGB 211 159 254

HSL 272.84, 0.98%, 0.81%

LAB 73.42, 36.61, -39.98

 

CMYK 7 / 37 / 0 / 0

HEX #ED9FFE

RGB 237 159 254

HSL 289.26, 0.98%, 0.81%

LAB 76.04, 44.26, -35.69

 

CMYK 37 / 28 / 0 / 0

HEX #9FB8FE

RGB 159 184 254

HSL 224.21, 0.98%, 0.81%

LAB 75.33, 8.14, -37.32

 

CMYK 37 / 37 / 0 / 0

HEX #9F9FFE

RGB 159 159 254

HSL 240, 0.98%, 0.81%

LAB 68.98, 22.19, -47.23

 

CMYK 37 / 28 / 0 / 0

HEX #9FB8FE

RGB 159 184 254

HSL 224.21, 0.98%, 0.81%

LAB 75.33, 8.14, -37.32

 

CMYK 37 / 28 / 0 / 0

HEX #9FB8FE

RGB 159 184 254

HSL 224.21, 0.98%, 0.81%

LAB 75.33, 8.14, -37.32

 

CMYK 32 / 24 / 0 / 4

HEX #A7BCF6

RGB 167 188 246

HSL 224.05, 0.81%, 0.81%

LAB 76.58, 6.06, -31.04

 

CMYK 26 / 20 / 0 / 7

HEX #AFBFEE

RGB 175 191 238

HSL 224.76, 0.65%, 0.81%

LAB 77.61, 4.78, -25.12

 

CMYK 21 / 16 / 0 / 9

HEX #B7C3E7

RGB 183 195 231

HSL 225, 0.5%, 0.81%

LAB 78.96, 3.42, -19.24

 

CMYK 15 / 11 / 0 / 13

HEX #BEC7DF

RGB 190 199 223

HSL 223.64, 0.34%, 0.81%

LAB 80.25, 1.74, -12.96

 

CMYK 37 / 7 / 0 / 0

HEX #9FEBFE

RGB 159 235 254

HSL 192, 0.98%, 0.81%

LAB 88.9, -18.75, -16.6

 

CMYK 37 / 17 / 0 / 0

HEX #9FD2FE

RGB 159 210 254

HSL 207.79, 0.98%, 0.81%

LAB 82.17, -5.92, -26.78

 

CMYK 37 / 28 / 0 / 0

HEX #9FB8FE

RGB 159 184 254

HSL 224.21, 0.98%, 0.81%

LAB 75.33, 8.14, -37.32

 

CMYK 37 / 37 / 0 / 0

HEX #9F9FFE

RGB 159 159 254

HSL 240, 0.98%, 0.81%

LAB 68.98, 22.19, -47.23

 

CMYK 28 / 37 / 0 / 0

HEX #B89FFE

RGB 184 159 254

HSL 255.79, 0.98%, 0.81%

LAB 70.97, 28.91, -43.98

 

CMYK 70 / 51 / 0 / 1

HEX #4D7BFD

RGB 77 123 253

HSL 224.32, 0.98%, 0.65%

LAB 54.9, 26.58, -69.44

 

CMYK 54 / 40 / 0 / 0

HEX #7699FE

RGB 118 153 254

HSL 224.56, 0.99%, 0.73%

LAB 64.8, 16.01, -54.03

 

CMYK 37 / 28 / 0 / 0

HEX #9FB8FE

RGB 159 184 254

HSL 224.21, 0.98%, 0.81%

LAB 75.33, 8.14, -37.32

 

CMYK 21 / 16 / 0 / 0

HEX #C8D6FE

RGB 200 214 254

HSL 224.44, 0.96%, 0.89%

LAB 85.77, 3.55, -21.08

 

CMYK 5 / 4 / 0 / 0

HEX #F1F4FF

RGB 241 244 255

HSL 227.14, 1%, 0.97%

LAB 96.25, 1.01, -5.63

 

CMYK 38 / 28 / 0 / 0

HEX #9EB7FE

RGB 158 183 254

HSL 224.38, 0.98%, 0.81%

LAB 75.01, 8.43, -37.82

 

CMYK 2 / 37 / 0 / 0

HEX #F89FFE

RGB 248 159 254

HSL 296.21, 0.98%, 0.81%

LAB 77.23, 47.53, -33.77

 

CMYK 13 / 0 / 37 / 0

HEX #DEFE9F

RGB 222 254 159

HSL 80.21, 0.98%, 0.81%

LAB 95.55, -25.38, 42.06

 

CMYK 38 / 28 / 0 / 0

HEX #9EB7FE

RGB 158 183 254

HSL 224.38, 0.98%, 0.81%

LAB 75.01, 8.43, -37.82

 

CMYK 0 / 37 / 28 / 0

HEX #FE9FB8

RGB 254 159 184

HSL 344.21, 0.98%, 0.81%

LAB 75.65, 38.39, 2.09

 

CMYK 28 / 0 / 37 / 0

HEX #B8FE9F

RGB 184 254 159

HSL 104.21, 0.98%, 0.81%

LAB 93.27, -38.59, 38.65

 

CMYK 38 / 28 / 0 / 0

HEX #9EB7FE

RGB 158 183 254

HSL 224.38, 0.98%, 0.81%

LAB 75.01, 8.43, -37.82

 

CMYK 2 / 37 / 0 / 0

HEX #F89FFE

RGB 248 159 254

HSL 296.21, 0.98%, 0.81%

LAB 77.23, 47.53, -33.77

 

CMYK 0 / 10 / 37 / 0

HEX #FEE59F

RGB 254 229 159

HSL 44.21, 0.98%, 0.81%

LAB 91.51, -1.06, 37.27

 

CMYK 35 / 0 / 37 / 0

HEX #A5FE9F

RGB 165 254 159

HSL 116.21, 0.98%, 0.81%

LAB 92.3, -44.64, 37.21

 

CMYK 38 / 28 / 0 / 0

HEX #9EB7FE

RGB 158 183 254

HSL 224.38, 0.98%, 0.81%

LAB 75.01, 8.43, -37.82

 

CMYK 0 / 37 / 9 / 0

HEX #FE9FE8

RGB 254 159 232

HSL 313.89, 0.98%, 0.81%

LAB 77.1, 45.55, -22

 

CMYK 0 / 10 / 37 / 0

HEX #FEE59F

RGB 254 229 159

HSL 44.21, 0.98%, 0.81%

LAB 91.51, -1.06, 37.27

 

CMYK 37 / 0 / 29 / 0

HEX #9FFEB5

RGB 159 254 181

HSL 133.89, 0.98%, 0.81%

LAB 92.39, -42.92, 26.26

 

Description

Color code: HEX #9EB7FE00 | qconv.com Color code: HEX #9EB7FE00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 183 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 183 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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