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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EA5E44C it is the complementary color #615A1B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EA5E44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EA5E44C shade: #A3A5DF4C, #B4B7F24C, #C5C9FF4C, #D6DBFF4C and #E7EDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EA5E44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EA5E44C shade: #9EA5E44C, #8D93D14C, #7C81BE4C, #6B6FAB4C and #5A5D984C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EA5E44C shade: #A0A6E4, #ABA0E4, #BEA0E4, #D0A0E4 and #E3A0E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EA5E44C shade: #A0A6E4 and #A0A0E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EA5E44C shade matches the following richer shades: #A0A6E4, #969EEE and #8C97F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EA5E44C shade: #A0A6E4, #A9AEDA, #B3B6D0, #BDBEC6 and #C7C6BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EA5E44C shade: #A0CBE4, #A0B9E4, #A0A6E4, #ABA0E4 and #BDA0E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EA5E44C shade: #5F6BD2, #7F89DB, #A0A6E4, #C0C4ED and #E0E2F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EA5E44C shade: #9EA5E4, #E4A0DD and #C2E4A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EA5E44C shade: #9EA5E4, #E4A0A6 and #A6E4A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EA5E44C shade: #9EA5E4, #E4A0DD, #E4DDA0 and #A0E4A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EA5E44C shade: #9EA5E4, #E4A0C9, #E4DDA0 and #A0E4BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 8 / 0 / 3

HEX #9EA5E44C

RGBA 158 165 228 0.3

HSLA 234, 0.56%, 0.76%, 0.3

LABA 69.31, 11.77, -32.54, 0.3

 

Complementary color

CMYK 0 / 2 / 22 / 19

HEX #615A1B4C

RGBA 97 90 27 0.3

HSLA 54, 0.56%, 0.24%, 0.3

LABA 37.72, -5.5, 35.85, 0.3

 

CMYK 8 / 8 / 0 / 4

HEX #A3A5DF4C

RGBA 163 165 223 0.3

HSLA 238, 0.48%, 0.76%, 0.3

LABA 69.49, 11.99, -29.5, 0.3

 

CMYK 8 / 7 / 0 / 2

HEX #B4B7F24C

RGBA 180 183 242 0.3

HSLA 237.1, 0.7%, 0.83%, 0.3

LABA 76.06, 11.57, -29.62, 0.3

 

CMYK 7 / 6 / 0 / 0

HEX #C5C9FF4C

RGBA 197 201 255 0.3

HSLA 235.86, 1%, 0.89%, 0.3

LABA 82.31, 9.81, -26.9, 0.3

 

CMYK 5 / 4 / 0 / 0

HEX #D6DBFF4C

RGBA 214 219 255 0.3

HSLA 232.68, 1%, 0.92%, 0.3

LABA 88.05, 5.4, -18.06, 0.3

 

CMYK 3 / 2 / 0 / 0

HEX #E7EDFF4C

RGBA 231 237 255 0.3

HSLA 225, 1%, 0.95%, 0.3

LABA 93.79, 1.39, -9.36, 0.3

 

CMYK 9 / 8 / 0 / 3

HEX #9EA5E44C

RGBA 158 165 228 0.3

HSLA 234, 0.56%, 0.76%, 0.3

LABA 69.31, 11.77, -32.54, 0.3

 

CMYK 10 / 9 / 0 / 5

HEX #8D93D14C

RGBA 141 147 209 0.3

HSLA 234.71, 0.43%, 0.69%, 0.3

LABA 62.62, 12.28, -32.5, 0.3

 

CMYK 10 / 10 / 0 / 8

HEX #7C81BE4C

RGBA 124 129 190 0.3

HSLA 235.45, 0.34%, 0.62%, 0.3

LABA 55.79, 12.86, -32.5, 0.3

 

CMYK 11 / 11 / 0 / 10

HEX #6B6FAB4C

RGBA 107 111 171 0.3

HSLA 236.25, 0.28%, 0.55%, 0.3

LABA 48.8, 13.53, -32.56, 0.3

 

CMYK 12 / 12 / 0 / 12

HEX #5A5D984C

RGBA 90 93 152 0.3

HSLA 237.1, 0.26%, 0.47%, 0.3

LABA 41.64, 14.33, -32.68, 0.3

 

CMYK 30 / 27 / 0 / 11

HEX #A0A6E4

RGB 160 166 228

HSL 234.71, 0.56%, 0.76%

LAB 69.72, 11.78, -31.9

 

CMYK 25 / 30 / 0 / 11

HEX #ABA0E4

RGB 171 160 228

HSL 249.71, 0.56%, 0.76%

LAB 69.04, 18.38, -32.88

 

CMYK 17 / 30 / 0 / 11

HEX #BEA0E4

RGB 190 160 228

HSL 266.47, 0.56%, 0.76%

LAB 70.66, 24.12, -30.25

 

CMYK 9 / 30 / 0 / 11

HEX #D0A0E4

RGB 208 160 228

HSL 282.35, 0.56%, 0.76%

LAB 72.33, 29.74, -27.53

 

CMYK 0 / 30 / 0 / 11

HEX #E3A0E4

RGB 227 160 228

HSL 299.12, 0.56%, 0.76%

LAB 74.24, 35.76, -24.45

 

CMYK 30 / 27 / 0 / 11

HEX #A0A6E4

RGB 160 166 228

HSL 234.71, 0.56%, 0.76%

LAB 69.72, 11.78, -31.9

 

CMYK 30 / 30 / 0 / 11

HEX #A0A0E4

RGB 160 160 228

HSL 240, 0.56%, 0.76%

LAB 68.18, 15.17, -34.28

 

CMYK 30 / 27 / 0 / 11

HEX #A0A6E4

RGB 160 166 228

HSL 234.71, 0.56%, 0.76%

LAB 69.72, 11.78, -31.9

 

CMYK 37 / 34 / 0 / 7

HEX #969EEE

RGB 150 158 238

HSL 234.55, 0.72%, 0.76%

LAB 67.36, 16.12, -41.1

 

CMYK 44 / 39 / 0 / 3

HEX #8C97F8

RGB 140 151 248

HSL 233.89, 0.89%, 0.76%

LAB 65.35, 20.36, -49.79

 

CMYK 30 / 27 / 0 / 11

HEX #A0A6E4

RGB 160 166 228

HSL 234.71, 0.56%, 0.76%

LAB 69.72, 11.78, -31.9

 

CMYK 22 / 20 / 0 / 15

HEX #A9AEDA

RGB 169 174 218

HSL 233.88, 0.4%, 0.76%

LAB 72.07, 7.61, -22.75

 

CMYK 14 / 13 / 0 / 18

HEX #B3B6D0

RGB 179 182 208

HSL 233.79, 0.24%, 0.76%

LAB 74.57, 4.18, -13.45

 

CMYK 5 / 4 / 0 / 22

HEX #BDBEC6

RGB 189 190 198

HSL 233.33, 0.07%, 0.76%

LAB 77.11, 1.17, -4.15

 

CMYK 0 / 1 / 6 / 22

HEX #C7C6BC

RGB 199 198 188

HSL 54.55, 0.09%, 0.76%

LAB 79.71, -1.43, 5.12

 

CMYK 30 / 11 / 0 / 11

HEX #A0CBE4

RGB 160 203 228

HSL 202.06, 0.56%, 0.76%

LAB 79.49, -8.36, -16.98

 

CMYK 30 / 19 / 0 / 11

HEX #A0B9E4

RGB 160 185 228

HSL 217.94, 0.56%, 0.76%

LAB 74.68, 1.27, -24.28

 

CMYK 30 / 27 / 0 / 11

HEX #A0A6E4

RGB 160 166 228

HSL 234.71, 0.56%, 0.76%

LAB 69.72, 11.78, -31.9

 

CMYK 25 / 30 / 0 / 11

HEX #ABA0E4

RGB 171 160 228

HSL 249.71, 0.56%, 0.76%

LAB 69.04, 18.38, -32.88

 

CMYK 17 / 30 / 0 / 11

HEX #BDA0E4

RGB 189 160 228

HSL 265.59, 0.56%, 0.76%

LAB 70.57, 23.82, -30.4

 

CMYK 55 / 49 / 0 / 18

HEX #5F6BD2

RGB 95 107 210

HSL 233.74, 0.56%, 0.6%

LAB 49.01, 24.96, -54.78

 

CMYK 42 / 37 / 0 / 14

HEX #7F89DB

RGB 127 137 219

HSL 233.48, 0.56%, 0.68%

LAB 59.45, 17.04, -43.12

 

CMYK 30 / 27 / 0 / 11

HEX #A0A6E4

RGB 160 166 228

HSL 234.71, 0.56%, 0.76%

LAB 69.72, 11.78, -31.9

 

CMYK 19 / 17 / 0 / 7

HEX #C0C4ED

RGB 192 196 237

HSL 234.67, 0.56%, 0.84%

LAB 80.07, 6.98, -20.73

 

CMYK 9 / 8 / 0 / 4

HEX #E0E2F6

RGB 224 226 246

HSL 234.55, 0.55%, 0.92%

LAB 90.27, 3.08, -9.94

 

CMYK 31 / 28 / 0 / 11

HEX #9EA5E4

RGB 158 165 228

HSL 234, 0.56%, 0.76%

LAB 69.31, 11.77, -32.54

 

CMYK 0 / 30 / 3 / 11

HEX #E4A0DD

RGB 228 160 221

HSL 306.18, 0.56%, 0.76%

LAB 74.1, 34.81, -20.83

 

CMYK 15 / 0 / 30 / 11

HEX #C2E4A0

RGB 194 228 160

HSL 90, 0.56%, 0.76%

LAB 86.75, -22.88, 29.62

 

CMYK 31 / 28 / 0 / 11

HEX #9EA5E4

RGB 158 165 228

HSL 234, 0.56%, 0.76%

LAB 69.31, 11.77, -32.54

 

CMYK 0 / 30 / 27 / 11

HEX #E4A0A6

RGB 228 160 166

HSL 354.71, 0.56%, 0.76%

LAB 72.49, 26.08, 7.05

 

CMYK 27 / 0 / 30 / 11

HEX #A6E4A0

RGB 166 228 160

HSL 114.71, 0.56%, 0.76%

LAB 85.06, -32.49, 27.06

 

CMYK 31 / 28 / 0 / 11

HEX #9EA5E4

RGB 158 165 228

HSL 234, 0.56%, 0.76%

LAB 69.31, 11.77, -32.54

 

CMYK 0 / 30 / 3 / 11

HEX #E4A0DD

RGB 228 160 221

HSL 306.18, 0.56%, 0.76%

LAB 74.1, 34.81, -20.83

 

CMYK 0 / 3 / 30 / 11

HEX #E4DDA0

RGB 228 221 160

HSL 53.82, 0.56%, 0.76%

LAB 87.36, -6.83, 30.87

 

CMYK 30 / 0 / 27 / 11

HEX #A0E4A6

RGB 160 228 166

HSL 125.29, 0.56%, 0.76%

LAB 84.85, -33.44, 23.62

 

CMYK 31 / 28 / 0 / 11

HEX #9EA5E4

RGB 158 165 228

HSL 234, 0.56%, 0.76%

LAB 69.31, 11.77, -32.54

 

CMYK 0 / 30 / 12 / 11

HEX #E4A0C9

RGB 228 160 201

HSL 323.82, 0.56%, 0.76%

LAB 73.45, 31.37, -10.83

 

CMYK 0 / 3 / 30 / 11

HEX #E4DDA0

RGB 228 221 160

HSL 53.82, 0.56%, 0.76%

LAB 87.36, -6.83, 30.87

 

CMYK 30 / 0 / 18 / 11

HEX #A0E4BB

RGB 160 228 187

HSL 143.82, 0.56%, 0.76%

LAB 85.28, -29.67, 13.27

 

Description

Color code: HEX #9EA5E44C | qconv.com Color code: HEX #9EA5E44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 165 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 165 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 8 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 8% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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