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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E5E43 it is the complementary color #61A1BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E5E43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E5E43 shade: #A35E3E, #B47051, #C58264, #D69477 and #E7A68A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E5E43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E5E43 shade: #9E5E43, #8D4C30, #7C3A1D, #6B280A and #5A1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E5E43 shade: #9D5E43, #9D4643 and #9D4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E5E43 shade: #9D5E43, #9D7643, #9D8E43, #949D43 and #7B9D43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E5E43 shade matches the following richer shades: #9D5E43, #AF5731, #C14F1F and #D4480D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E5E43 shade: #9D5E43, #8B6555, #796D68, #67747A and #547B8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E5E43 shade: #9D435A, #9D4543, #9D5D43, #9D7543 and #9D8D43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E5E43 shade: #633B2B, #804D37, #9D5E43, #B67154 and #C28971

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E5E43 shade: #9E5E43, #729D43 and #434E9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E5E43 shade: #9E5E43, #439D5D and #5D439D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E5E43 shade: #9E5E43, #729D43, #43849D and #6F439D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E5E43 shade: #9E5E43, #579D43, #43849D and #8A439D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 58 / 38

HEX #9E5E43

RGB 158 94 67

HSL 17.8, 0.4%, 0.44%

LAB 46.55, 23.33, 26.49

 

Complementary color

CMYK 48 / 14 / 0 / 26

HEX #61A1BC

RGB 97 161 188

HSL 197.8, 0.4%, 0.56%

LAB 63.06, -13.11, -20.29

 

CMYK 0 / 42 / 62 / 36

HEX #A35E3E

RGB 163 94 62

HSL 19.01, 0.45%, 0.44%

LAB 47.16, 25.05, 30.25

 

CMYK 0 / 38 / 55 / 29

HEX #B47051

RGB 180 112 81

HSL 18.79, 0.4%, 0.51%

LAB 53.91, 23.68, 28.43

 

CMYK 0 / 34 / 49 / 23

HEX #C58264

RGB 197 130 100

HSL 18.56, 0.46%, 0.58%

LAB 60.57, 22.49, 26.8

 

CMYK 0 / 31 / 44 / 16

HEX #D69477

RGB 214 148 119

HSL 18.32, 0.54%, 0.65%

LAB 67.13, 21.45, 25.33

 

CMYK 0 / 28 / 40 / 9

HEX #E7A68A

RGB 231 166 138

HSL 18.06, 0.66%, 0.72%

LAB 73.61, 20.53, 24

 

CMYK 0 / 41 / 58 / 38

HEX #9E5E43

RGB 158 94 67

HSL 17.8, 0.4%, 0.44%

LAB 46.55, 23.33, 26.49

 

CMYK 0 / 46 / 66 / 45

HEX #8D4C30

RGB 141 76 48

HSL 18.06, 0.49%, 0.37%

LAB 39.66, 24.8, 28.46

 

CMYK 0 / 53 / 77 / 51

HEX #7C3A1D

RGB 124 58 29

HSL 18.32, 0.62%, 0.3%

LAB 32.7, 26.5, 30.66

 

CMYK 0 / 63 / 91 / 58

HEX #6B280A

RGB 107 40 10

HSL 18.56, 0.83%, 0.23%

LAB 25.76, 28.35, 32.61

 

CMYK 0 / 76 / 100 / 65

HEX #5A1600

RGB 90 22 0

HSL 14.67, 1%, 0.18%

LAB 19, 30.05, 28.57

 

CMYK 0 / 40 / 57 / 38

HEX #9D5E43

RGB 157 94 67

HSL 18, 0.4%, 0.44%

LAB 46.42, 22.91, 26.29

 

CMYK 0 / 55 / 57 / 38

HEX #9D4643

RGB 157 70 67

HSL 2, 0.4%, 0.44%

LAB 41.14, 36, 19.5

 

CMYK 0 / 57 / 57 / 38

HEX #9D4343

RGB 157 67 67

HSL 0, 0.4%, 0.44%

LAB 40.55, 37.53, 18.72

 

CMYK 0 / 40 / 57 / 38

HEX #9D5E43

RGB 157 94 67

HSL 18, 0.4%, 0.44%

LAB 46.42, 22.91, 26.29

 

CMYK 0 / 25 / 57 / 38

HEX #9D7643

RGB 157 118 67

HSL 34, 0.4%, 0.44%

LAB 52.43, 9.2, 33.71

 

CMYK 0 / 10 / 57 / 38

HEX #9D8E43

RGB 157 142 67

HSL 50, 0.4%, 0.44%

LAB 58.9, -4.24, 41.34

 

CMYK 6 / 0 / 57 / 38

HEX #949D43

RGB 148 157 67

HSL 66, 0.4%, 0.44%

LAB 62.35, -16.16, 45.08

 

CMYK 22 / 0 / 57 / 38

HEX #7B9D43

RGB 123 157 67

HSL 82.67, 0.4%, 0.44%

LAB 60.54, -26.51, 42.54

 

CMYK 0 / 40 / 57 / 38

HEX #9D5E43

RGB 157 94 67

HSL 18, 0.4%, 0.44%

LAB 46.42, 22.91, 26.29

 

CMYK 0 / 50 / 72 / 31

HEX #AF5731

RGB 175 87 49

HSL 18.1, 0.56%, 0.44%

LAB 47.17, 33.02, 37.86

 

CMYK 0 / 59 / 84 / 24

HEX #C14F1F

RGB 193 79 31

HSL 17.78, 0.72%, 0.44%

LAB 48.3, 43.37, 48.73

 

CMYK 0 / 66 / 94 / 17

HEX #D4480D

RGB 212 72 13

HSL 17.79, 0.88%, 0.44%

LAB 50.29, 52.96, 58.01

 

CMYK 0 / 40 / 57 / 38

HEX #9D5E43

RGB 157 94 67

HSL 18, 0.4%, 0.44%

LAB 46.42, 22.91, 26.29

 

CMYK 0 / 27 / 39 / 45

HEX #8B6555

RGB 139 101 85

HSL 17.78, 0.24%, 0.44%

LAB 46.25, 13.08, 15.08

 

CMYK 0 / 10 / 14 / 53

HEX #796D68

RGB 121 109 104

HSL 17.65, 0.08%, 0.44%

LAB 46.98, 3.77, 4.49

 

CMYK 16 / 5 / 0 / 52

HEX #67747A

RGB 103 116 122

HSL 198.95, 0.08%, 0.44%

LAB 47.98, -3.48, -4.95

 

CMYK 40 / 12 / 0 / 45

HEX #547B8C

RGB 84 123 140

HSL 198.21, 0.25%, 0.44%

LAB 49.43, -9.01, -13.55

 

CMYK 0 / 57 / 43 / 38

HEX #9D435A

RGB 157 67 90

HSL 344.67, 0.4%, 0.44%

LAB 41.09, 39.76, 5.18

 

CMYK 0 / 56 / 57 / 38

HEX #9D4543

RGB 157 69 67

HSL 1.33, 0.4%, 0.44%

LAB 40.94, 36.52, 19.24

 

CMYK 0 / 41 / 57 / 38

HEX #9D5D43

RGB 157 93 67

HSL 17.33, 0.4%, 0.44%

LAB 46.18, 23.47, 25.99

 

CMYK 0 / 25 / 57 / 38

HEX #9D7543

RGB 157 117 67

HSL 33.33, 0.4%, 0.44%

LAB 52.17, 9.77, 33.4

 

CMYK 0 / 10 / 57 / 38

HEX #9D8D43

RGB 157 141 67

HSL 49.33, 0.4%, 0.44%

LAB 58.62, -3.69, 41.03

 

CMYK 0 / 40 / 57 / 61

HEX #633B2B

RGB 99 59 43

HSL 17.14, 0.39%, 0.28%

LAB 29.3, 15.77, 17.31

 

CMYK 0 / 40 / 57 / 50

HEX #804D37

RGB 128 77 55

HSL 18.08, 0.4%, 0.36%

LAB 38.15, 19.12, 22.07

 

CMYK 0 / 40 / 57 / 38

HEX #9D5E43

RGB 157 94 67

HSL 18, 0.4%, 0.44%

LAB 46.42, 22.91, 26.29

 

CMYK 0 / 38 / 54 / 29

HEX #B67154

RGB 182 113 84

HSL 17.76, 0.4%, 0.52%

LAB 54.44, 24.22, 27.47

 

CMYK 0 / 29 / 42 / 24

HEX #C28971

RGB 194 137 113

HSL 17.78, 0.4%, 0.6%

LAB 62.13, 18.78, 21.55

 

CMYK 0 / 41 / 58 / 38

HEX #9E5E43

RGB 158 94 67

HSL 17.8, 0.4%, 0.44%

LAB 46.55, 23.33, 26.49

 

CMYK 27 / 0 / 57 / 38

HEX #729D43

RGB 114 157 67

HSL 88.67, 0.4%, 0.44%

LAB 59.98, -30.04, 41.73

 

CMYK 57 / 50 / 0 / 38

HEX #434E9D

RGB 67 78 157

HSL 232.67, 0.4%, 0.44%

LAB 36.13, 19.88, -44.55

 

CMYK 0 / 41 / 58 / 38

HEX #9E5E43

RGB 158 94 67

HSL 17.8, 0.4%, 0.44%

LAB 46.55, 23.33, 26.49

 

CMYK 57 / 0 / 41 / 38

HEX #439D5D

RGB 67 157 93

HSL 137.33, 0.4%, 0.44%

LAB 58.13, -41.46, 25.6

 

CMYK 41 / 57 / 0 / 38

HEX #5D439D

RGB 93 67 157

HSL 257.33, 0.4%, 0.44%

LAB 35.55, 32.8, -45.37

 

CMYK 0 / 41 / 58 / 38

HEX #9E5E43

RGB 158 94 67

HSL 17.8, 0.4%, 0.44%

LAB 46.55, 23.33, 26.49

 

CMYK 27 / 0 / 57 / 38

HEX #729D43

RGB 114 157 67

HSL 88.67, 0.4%, 0.44%

LAB 59.98, -30.04, 41.73

 

CMYK 57 / 16 / 0 / 38

HEX #43849D

RGB 67 132 157

HSL 196.67, 0.4%, 0.44%

LAB 51.98, -13.26, -19.67

 

CMYK 29 / 57 / 0 / 38

HEX #6F439D

RGB 111 67 157

HSL 269.33, 0.4%, 0.44%

LAB 37.53, 37.33, -42.08

 

CMYK 0 / 41 / 58 / 38

HEX #9E5E43

RGB 158 94 67

HSL 17.8, 0.4%, 0.44%

LAB 46.55, 23.33, 26.49

 

CMYK 45 / 0 / 57 / 38

HEX #579D43

RGB 87 157 67

HSL 106.67, 0.4%, 0.44%

LAB 58.55, -39.63, 39.71

 

CMYK 57 / 16 / 0 / 38

HEX #43849D

RGB 67 132 157

HSL 196.67, 0.4%, 0.44%

LAB 51.98, -13.26, -19.67

 

CMYK 12 / 57 / 0 / 38

HEX #8A439D

RGB 138 67 157

HSL 287.33, 0.4%, 0.44%

LAB 40.98, 44.55, -36.38

 

Description

Color code: HEX #9E5E43 | qconv.com Color code: HEX #9E5E43 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 94 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 94 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 58 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 58% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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