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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E475ACE it is the complementary color #61B8A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E475ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E475ACE shade: #A34755CE, #B45968CE, #C56B7BCE, #D67D8ECE and #E78FA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E475ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E475ACE shade: #9E475ACE, #8D3547CE, #7C2334CE, #6B1121CE and #5A000ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E475ACE shade: #9E475A and #9E4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E475ACE shade: #9E475A, #9E4772, #9E4789, #9C479E and #84479E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E475ACE shade matches the following richer shades: #9E475A, #B13550, #C32245 and #D60F3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E475ACE shade: #9E475A, #8C5A65, #796C6F, #677F7A and #549184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E475ACE shade: #9E478A, #9E4773, #9E475B, #9E4A47 and #9E6147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E475ACE shade: #652E3A, #823A4A, #9E475A, #B55A6E and #C27687

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E475ACE shade: #9E475A, #9E9B47 and #477E9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E475ACE shade: #9E475A, #5B9E47 and #475B9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E475ACE shade: #9E475A, #9E9B47, #479E8A and #474A9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E475ACE shade: #9E475A, #879E47, #479E8A and #5E479E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 35 / 31

HEX #9E475ACE

RGBA 158 71 90 0.81

HSLA 346.9, 0.38%, 0.45%, 0.81

LABA 42.02, 38.1, 6.53, 0.81

 

Complementary color

CMYK 38 / 0 / 8 / 23

HEX #61B8A5CE

RGBA 97 184 165 0.81

HSLA 166.9, 0.38%, 0.55%, 0.81

LABA 69.14, -30.91, 1.54, 0.81

 

CMYK 0 / 46 / 39 / 29

HEX #A34755CE

RGBA 163 71 85 0.81

HSLA 350.87, 0.39%, 0.46%, 0.81

LABA 42.69, 39.38, 10.67, 0.81

 

CMYK 0 / 41 / 34 / 24

HEX #B45968CE

RGBA 180 89 104 0.81

HSLA 350.11, 0.38%, 0.53%, 0.81

LABA 49.31, 38.39, 8.79, 0.81

 

CMYK 0 / 37 / 30 / 18

HEX #C56B7BCE

RGBA 197 107 123 0.81

HSLA 349.33, 0.44%, 0.6%, 0.81

LABA 55.9, 37.4, 7.22, 0.81

 

CMYK 0 / 34 / 27 / 13

HEX #D67D8ECE

RGBA 214 125 142 0.81

HSLA 348.54, 0.52%, 0.66%, 0.81

LABA 62.44, 36.44, 5.89, 0.81

 

CMYK 0 / 31 / 25 / 8

HEX #E78FA1CE

RGBA 231 143 161 0.81

HSLA 347.73, 0.65%, 0.73%, 0.81

LABA 68.9, 35.54, 4.72, 0.81

 

CMYK 0 / 45 / 35 / 31

HEX #9E475ACE

RGBA 158 71 90 0.81

HSLA 346.9, 0.38%, 0.45%, 0.81

LABA 42.02, 38.1, 6.53, 0.81

 

CMYK 0 / 51 / 40 / 36

HEX #8D3547CE

RGBA 141 53 71 0.81

HSLA 347.73, 0.45%, 0.38%, 0.81

LABA 35.33, 38.95, 8.66, 0.81

 

CMYK 0 / 58 / 47 / 42

HEX #7C2334CE

RGBA 124 35 52 0.81

HSLA 348.54, 0.56%, 0.31%, 0.81

LABA 28.73, 39.49, 11.46, 0.81

 

CMYK 0 / 68 / 56 / 47

HEX #6B1121CE

RGBA 107 17 33 0.81

HSLA 349.33, 0.73%, 0.24%, 0.81

LABA 22.43, 39.22, 15.35, 0.81

 

CMYK 0 / 81 / 68 / 52

HEX #5A000ECE

RGBA 90 0 14 0.81

HSLA 350.67, 1%, 0.18%, 0.81

LABA 16.53, 37.89, 19.71, 0.81

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 55 / 55 / 38

HEX #9E4747

RGB 158 71 71

HSL 0, 0.38%, 0.45%

LAB 41.58, 36.21, 17.66

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 55 / 28 / 38

HEX #9E4772

RGB 158 71 114

HSL 330.34, 0.38%, 0.45%

LAB 42.75, 41.12, -7.25

 

CMYK 0 / 55 / 13 / 38

HEX #9E4789

RGB 158 71 137

HSL 314.48, 0.38%, 0.45%

LAB 43.63, 44.63, -19.97

 

CMYK 1 / 55 / 0 / 38

HEX #9C479E

RGB 156 71 158

HSL 298.62, 0.38%, 0.45%

LAB 44.29, 47.73, -31.59

 

CMYK 16 / 55 / 0 / 38

HEX #84479E

RGB 132 71 158

HSL 282.07, 0.38%, 0.45%

LAB 41.03, 41.01, -36.96

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 70 / 55 / 31

HEX #B13550

RGB 177 53 80

HSL 346.94, 0.54%, 0.45%

LAB 41.96, 51.75, 13.14

 

CMYK 0 / 83 / 65 / 24

HEX #C32245

RGB 195 34 69

HSL 346.96, 0.7%, 0.45%

LAB 43.03, 62.27, 22.03

 

CMYK 0 / 93 / 72 / 16

HEX #D60F3B

RGB 214 15 59

HSL 346.73, 0.87%, 0.45%

LAB 45.57, 70.02, 32.17

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 36 / 28 / 45

HEX #8C5A65

RGB 140 90 101

HSL 346.8, 0.22%, 0.45%

LAB 43.98, 22.16, 2.25

 

CMYK 0 / 11 / 8 / 53

HEX #796C6F

RGB 121 108 111

HSL 346.15, 0.06%, 0.45%

LAB 46.89, 5.66, 0.18

 

CMYK 19 / 0 / 4 / 50

HEX #677F7A

RGB 103 127 122

HSL 167.5, 0.1%, 0.45%

LAB 51.23, -9.76, -0.17

 

CMYK 42 / 0 / 9 / 43

HEX #549184

RGB 84 145 132

HSL 167.21, 0.27%, 0.45%

LAB 55.89, -23.02, 0.7

 

CMYK 0 / 55 / 13 / 38

HEX #9E478A

RGB 158 71 138

HSL 313.79, 0.38%, 0.45%

LAB 43.67, 44.79, -20.51

 

CMYK 0 / 55 / 27 / 38

HEX #9E4773

RGB 158 71 115

HSL 329.66, 0.38%, 0.45%

LAB 42.78, 41.26, -7.82

 

CMYK 0 / 55 / 42 / 38

HEX #9E475B

RGB 158 71 91

HSL 346.21, 0.38%, 0.45%

LAB 42.05, 38.21, 5.94

 

CMYK 0 / 53 / 55 / 38

HEX #9E4A47

RGB 158 74 71

HSL 2.07, 0.38%, 0.45%

LAB 42.19, 34.65, 18.47

 

CMYK 0 / 39 / 55 / 38

HEX #9E6147

RGB 158 97 71

HSL 17.93, 0.38%, 0.45%

LAB 47.33, 21.98, 25.17

 

CMYK 0 / 54 / 43 / 60

HEX #652E3A

RGB 101 46 58

HSL 346.91, 0.37%, 0.29%

LAB 26.81, 26.13, 4.16

 

CMYK 0 / 55 / 43 / 49

HEX #823A4A

RGB 130 58 74

HSL 346.67, 0.38%, 0.37%

LAB 34.53, 32.71, 5.34

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 50 / 39 / 29

HEX #B55A6E

RGB 181 90 110

HSL 346.81, 0.38%, 0.53%

LAB 49.81, 38.92, 5.92

 

CMYK 0 / 39 / 30 / 24

HEX #C27687

RGB 194 118 135

HSL 346.58, 0.38%, 0.61%

LAB 58.2, 31.93, 3.49

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 2 / 55 / 38

HEX #9E9B47

RGB 158 155 71

HSL 57.93, 0.38%, 0.45%

LAB 62.65, -10.48, 43.72

 

CMYK 55 / 20 / 0 / 38

HEX #477E9E

RGB 71 126 158

HSL 202.07, 0.38%, 0.45%

LAB 50.37, -8.68, -22.71

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 42 / 0 / 55 / 38

HEX #5B9E47

RGB 91 158 71

HSL 106.21, 0.38%, 0.45%

LAB 59.1, -38.28, 38.45

 

CMYK 55 / 42 / 0 / 38

HEX #475B9E

RGB 71 91 158

HSL 226.21, 0.38%, 0.45%

LAB 40.07, 12.68, -38.85

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 0 / 2 / 55 / 38

HEX #9E9B47

RGB 158 155 71

HSL 57.93, 0.38%, 0.45%

LAB 62.65, -10.48, 43.72

 

CMYK 55 / 0 / 13 / 38

HEX #479E8A

RGB 71 158 138

HSL 166.21, 0.38%, 0.45%

LAB 59.55, -31.2, 2.54

 

CMYK 55 / 53 / 0 / 38

HEX #474A9E

RGB 71 74 158

HSL 237.93, 0.38%, 0.45%

LAB 35.41, 23.67, -46.29

 

CMYK 0 / 55 / 43 / 38

HEX #9E475A

RGB 158 71 90

HSL 346.9, 0.38%, 0.45%

LAB 42.02, 38.1, 6.53

 

CMYK 15 / 0 / 55 / 38

HEX #879E47

RGB 135 158 71

HSL 75.86, 0.38%, 0.45%

LAB 61.71, -21.76, 42.17

 

CMYK 55 / 0 / 13 / 38

HEX #479E8A

RGB 71 158 138

HSL 166.21, 0.38%, 0.45%

LAB 59.55, -31.2, 2.54

 

CMYK 41 / 55 / 0 / 38

HEX #5E479E

RGB 94 71 158

HSL 255.86, 0.38%, 0.45%

LAB 36.66, 30.91, -44.18

 

Description

Color code: HEX #9E475ACE | qconv.com Color code: HEX #9E475ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 71 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 71 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 35 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 35% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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