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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E416F it is the complementary color #61BE90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E416F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E416F shade: #A3416A, #B4537D, #C56590, #D677A3 and #E789B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E416F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E416F shade: #9E416F, #8D2F5C, #7C1D49, #6B0B36 and #5A0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E416F shade: #9F4170, #9F4156 and #9F4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E416F shade: #9F4170, #9F4189, #9C419F, #83419F and #69419F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E416F shade matches the following richer shades: #9F4170, #B12F70, #C41D6F and #D60B6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E416F shade: #9F4170, #8D5370, #7B6570, #697870 and #578A70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E416F shade: #9C419F, #9F4189, #9F4170, #9F4157 and #9F4441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E416F shade: #652947, #82355B, #9F4170, #B85284 and #C46F99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E416F shade: #9E416F, #9F8341 and #41969F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E416F shade: #9E416F, #709F41 and #41709F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E416F shade: #9E416F, #9F8341, #419F70 and #415D9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E416F shade: #9E416F, #9F9F41, #419F70 and #41419F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 30 / 38

HEX #9E416F

RGB 158 65 111

HSL 330.32, 0.42%, 0.44%

LAB 41.53, 43.67, -7.22

 

Complementary color

CMYK 49 / 0 / 24 / 25

HEX #61BE90

RGB 97 190 144

HSL 150.32, 0.42%, 0.56%

LAB 70.44, -38.42, 14.86

 

CMYK 0 / 60 / 35 / 36

HEX #A3416A

RGB 163 65 106

HSL 334.9, 0.43%, 0.45%

LAB 42.17, 44.66, -3.09

 

CMYK 0 / 54 / 31 / 29

HEX #B4537D

RGB 180 83 125

HSL 334.02, 0.39%, 0.52%

LAB 48.72, 43.99, -4.7

 

CMYK 0 / 49 / 27 / 23

HEX #C56590

RGB 197 101 144

HSL 333.13, 0.45%, 0.58%

LAB 55.27, 43.21, -6.01

 

CMYK 0 / 44 / 24 / 16

HEX #D677A3

RGB 214 119 163

HSL 332.21, 0.54%, 0.65%

LAB 61.77, 42.39, -7.11

 

CMYK 0 / 41 / 21 / 9

HEX #E789B6

RGB 231 137 182

HSL 331.28, 0.66%, 0.72%

LAB 68.21, 41.58, -8.06

 

CMYK 0 / 59 / 30 / 38

HEX #9E416F

RGB 158 65 111

HSL 330.32, 0.42%, 0.44%

LAB 41.53, 43.67, -7.22

 

CMYK 0 / 67 / 35 / 45

HEX #8D2F5C

RGB 141 47 92

HSL 331.28, 0.5%, 0.37%

LAB 34.94, 44.07, -5.39

 

CMYK 0 / 77 / 41 / 51

HEX #7C1D49

RGB 124 29 73

HSL 332.21, 0.62%, 0.3%

LAB 28.5, 43.88, -2.89

 

CMYK 0 / 90 / 50 / 58

HEX #6B0B36

RGB 107 11 54

HSL 333.13, 0.81%, 0.23%

LAB 22.41, 42.49, 0.7

 

CMYK 0 / 100 / 61 / 65

HEX #5A0023

RGB 90 0 35

HSL 336.67, 1%, 0.18%

LAB 16.96, 39.06, 5.94

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 0 / 59 / 46 / 38

HEX #9F4156

RGB 159 65 86

HSL 346.6, 0.42%, 0.44%

LAB 40.93, 41.02, 7.49

 

CMYK 0 / 59 / 59 / 38

HEX #9F4141

RGB 159 65 65

HSL 0, 0.42%, 0.44%

LAB 40.46, 39.12, 19.9

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 0 / 59 / 14 / 38

HEX #9F4189

RGB 159 65 137

HSL 314.04, 0.42%, 0.44%

LAB 42.7, 47.83, -21.39

 

CMYK 2 / 59 / 0 / 38

HEX #9C419F

RGB 156 65 159

HSL 298.09, 0.42%, 0.44%

LAB 43.29, 50.78, -33.76

 

CMYK 18 / 59 / 0 / 38

HEX #83419F

RGB 131 65 159

HSL 282.13, 0.42%, 0.44%

LAB 39.76, 44.13, -39.57

 

CMYK 34 / 59 / 0 / 38

HEX #69419F

RGB 105 65 159

HSL 265.53, 0.42%, 0.44%

LAB 36.53, 37.47, -44.92

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 0 / 73 / 37 / 31

HEX #B12F70

RGB 177 47 112

HSL 330, 0.58%, 0.44%

LAB 42.08, 57, -6.68

 

CMYK 0 / 85 / 43 / 23

HEX #C41D6F

RGB 196 29 111

HSL 330.54, 0.74%, 0.44%

LAB 43.89, 66.73, -2.98

 

CMYK 0 / 95 / 48 / 16

HEX #D60B6F

RGB 214 11 111

HSL 330.44, 0.9%, 0.44%

LAB 46.56, 73.5, 1.34

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 0 / 41 / 21 / 45

HEX #8D5370

RGB 141 83 112

HSL 330, 0.26%, 0.44%

LAB 42.79, 28.31, -6.21

 

CMYK 0 / 18 / 9 / 52

HEX #7B6570

RGB 123 101 112

HSL 330, 0.1%, 0.44%

LAB 45.2, 10.8, -2.87

 

CMYK 13 / 0 / 7 / 53

HEX #697870

RGB 105 120 112

HSL 148, 0.07%, 0.44%

LAB 49.01, -7.26, 2.51

 

CMYK 37 / 0 / 19 / 46

HEX #578A70

RGB 87 138 112

HSL 149.41, 0.23%, 0.44%

LAB 53.36, -23.19, 8.58

 

CMYK 2 / 59 / 0 / 38

HEX #9C419F

RGB 156 65 159

HSL 298.09, 0.42%, 0.44%

LAB 43.29, 50.78, -33.76

 

CMYK 0 / 59 / 14 / 38

HEX #9F4189

RGB 159 65 137

HSL 314.04, 0.42%, 0.44%

LAB 42.7, 47.83, -21.39

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 0 / 59 / 45 / 38

HEX #9F4157

RGB 159 65 87

HSL 345.96, 0.42%, 0.44%

LAB 40.96, 41.13, 6.91

 

CMYK 0 / 57 / 59 / 38

HEX #9F4441

RGB 159 68 65

HSL 1.91, 0.42%, 0.44%

LAB 41.04, 37.62, 20.65

 

CMYK 0 / 59 / 30 / 60

HEX #652947

RGB 101 41 71

HSL 330, 0.42%, 0.28%

LAB 26.18, 30.7, -5.46

 

CMYK 0 / 59 / 30 / 49

HEX #82355B

RGB 130 53 91

HSL 330.39, 0.42%, 0.36%

LAB 34.08, 37.5, -6.23

 

CMYK 0 / 59 / 30 / 38

HEX #9F4170

RGB 159 65 112

HSL 330, 0.42%, 0.44%

LAB 41.72, 44.13, -7.54

 

CMYK 0 / 55 / 28 / 28

HEX #B85284

RGB 184 82 132

HSL 330.59, 0.42%, 0.52%

LAB 49.36, 46.74, -7.89

 

CMYK 0 / 43 / 22 / 23

HEX #C46F99

RGB 196 111 153

HSL 330.35, 0.42%, 0.6%

LAB 57.47, 38.96, -8

 

CMYK 0 / 59 / 30 / 38

HEX #9E416F

RGB 158 65 111

HSL 330.32, 0.42%, 0.44%

LAB 41.53, 43.67, -7.22

 

CMYK 0 / 18 / 59 / 38

HEX #9F8341

RGB 159 131 65

HSL 42.13, 0.42%, 0.44%

LAB 56.07, 2.57, 39.13

 

CMYK 59 / 6 / 0 / 38

HEX #41969F

RGB 65 150 159

HSL 185.74, 0.42%, 0.44%

LAB 57.5, -22.71, -12.45

 

CMYK 0 / 59 / 30 / 38

HEX #9E416F

RGB 158 65 111

HSL 330.32, 0.42%, 0.44%

LAB 41.53, 43.67, -7.22

 

CMYK 30 / 0 / 59 / 38

HEX #709F41

RGB 112 159 65

HSL 90, 0.42%, 0.44%

LAB 60.45, -31.95, 43.19

 

CMYK 59 / 30 / 0 / 38

HEX #41709F

RGB 65 112 159

HSL 210, 0.42%, 0.44%

LAB 45.93, -1.42, -30.22

 

CMYK 0 / 59 / 30 / 38

HEX #9E416F

RGB 158 65 111

HSL 330.32, 0.42%, 0.44%

LAB 41.53, 43.67, -7.22

 

CMYK 0 / 18 / 59 / 38

HEX #9F8341

RGB 159 131 65

HSL 42.13, 0.42%, 0.44%

LAB 56.07, 2.57, 39.13

 

CMYK 59 / 0 / 30 / 38

HEX #419F70

RGB 65 159 112

HSL 150, 0.42%, 0.44%

LAB 59.06, -39.06, 16.41

 

CMYK 59 / 42 / 0 / 38

HEX #415D9F

RGB 65 93 159

HSL 222.13, 0.42%, 0.44%

LAB 40.34, 10.43, -39.03

 

CMYK 0 / 59 / 30 / 38

HEX #9E416F

RGB 158 65 111

HSL 330.32, 0.42%, 0.44%

LAB 41.53, 43.67, -7.22

 

CMYK 0 / 0 / 59 / 38

HEX #9F9F41

RGB 159 159 65

HSL 60, 0.42%, 0.44%

LAB 63.79, -12.64, 47.87

 

CMYK 59 / 0 / 30 / 38

HEX #419F70

RGB 65 159 112

HSL 150, 0.42%, 0.44%

LAB 59.06, -39.06, 16.41

 

CMYK 59 / 59 / 0 / 38

HEX #41419F

RGB 65 65 159

HSL 240, 0.42%, 0.44%

LAB 32.72, 28.61, -51.27

 

Description

Color code: HEX #9E416F | qconv.com Color code: HEX #9E416F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 65 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 65 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 30 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 30% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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