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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E38F4 it is the complementary color #61C70B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E38F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E38F4 shade: #A338EF, #B44AFF, #C55CFF, #D66EFF and #E780FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E38F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E38F4 shade: #9E38F4, #8D26E1, #7C14CE, #6B02BB and #5A00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E38F4 shade: #9E38F5, #D138F5, #F538E5, #F538B2 and #F53880

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E38F4 shade: #9E38F5, #6C38F5, #3938F5 and #3838F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E38F4 shade matches the following richer shades: #9E38F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E38F4 shade: #9E38F5, #9D49E4, #9C5AD3, #9A6BC2 and #997CB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E38F4 shade: #3838F5, #6B38F5, #9D38F5, #CF38F5 and #F538E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E38F4 shade: #760BCF, #8B11F2, #9E38F5, #B160F7 and #C587F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E38F4 shade: #9E38F4, #F5386B and #38F551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E38F4 shade: #9E38F4, #F59D38 and #38F59D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E38F4 shade: #9E38F4, #F5386B, #90F538 and #38F5C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E38F4 shade: #9E38F4, #F53F38, #90F538 and #38EEF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 77 / 0 / 4

HEX #9E38F4

RGB 158 56 244

HSL 272.55, 0.9%, 0.59%

LAB 47.79, 72.32, -75.69

 

Complementary color

CMYK 51 / 0 / 94 / 22

HEX #61C70B

RGB 97 199 11

HSL 92.55, 0.9%, 0.41%

LAB 71.83, -56.48, 69.98

 

CMYK 32 / 77 / 0 / 6

HEX #A338EF

RGB 163 56 239

HSL 275.08, 0.85%, 0.58%

LAB 48.07, 72.04, -72.4

 

CMYK 29 / 71 / 0 / 0

HEX #B44AFF

RGB 180 74 255

HSL 275.14, 1%, 0.65%

LAB 53.84, 71.54, -71.87

 

CMYK 23 / 64 / 0 / 0

HEX #C55CFF

RGB 197 92 255

HSL 278.65, 1%, 0.68%

LAB 58.74, 67.27, -63.85

 

CMYK 16 / 57 / 0 / 0

HEX #D66EFF

RGB 214 110 255

HSL 283.03, 1%, 0.72%

LAB 63.89, 62.89, -55.49

 

CMYK 9 / 50 / 0 / 0

HEX #E780FF

RGB 231 128 255

HSL 288.66, 1%, 0.75%

LAB 69.22, 58.54, -46.94

 

CMYK 35 / 77 / 0 / 4

HEX #9E38F4

RGB 158 56 244

HSL 272.55, 0.9%, 0.59%

LAB 47.79, 72.32, -75.69

 

CMYK 37 / 83 / 0 / 12

HEX #8D26E1

RGB 141 38 225

HSL 273.05, 0.76%, 0.52%

LAB 41.98, 71.6, -74.53

 

CMYK 40 / 90 / 0 / 19

HEX #7C14CE

RGB 124 20 206

HSL 273.55, 0.82%, 0.44%

LAB 36.45, 69.86, -72.76

 

CMYK 43 / 99 / 0 / 27

HEX #6B02BB

RGB 107 2 187

HSL 274.05, 0.98%, 0.37%

LAB 31.25, 66.88, -70.25

 

CMYK 46 / 100 / 0 / 34

HEX #5A00A8

RGB 90 0 168

HSL 272.14, 1%, 0.33%

LAB 26.74, 61.53, -66.4

 

CMYK 36 / 77 / 0 / 4

HEX #9E38F5

RGB 158 56 245

HSL 272.38, 0.9%, 0.59%

LAB 47.87, 72.53, -76.13

 

CMYK 15 / 77 / 0 / 4

HEX #D138F5

RGB 209 56 245

HSL 288.57, 0.9%, 0.59%

LAB 55.05, 81.11, -64.15

 

CMYK 0 / 77 / 7 / 4

HEX #F538E5

RGB 245 56 229

HSL 305.08, 0.9%, 0.59%

LAB 59.8, 85.39, -47.28

 

CMYK 0 / 77 / 27 / 4

HEX #F538B2

RGB 245 56 178

HSL 321.27, 0.9%, 0.59%

LAB 57.52, 78.8, -21.72

 

CMYK 0 / 77 / 48 / 4

HEX #F53880

RGB 245 56 128

HSL 337.14, 0.9%, 0.59%

LAB 55.89, 73.88, 5.26

 

CMYK 36 / 77 / 0 / 4

HEX #9E38F5

RGB 158 56 245

HSL 272.38, 0.9%, 0.59%

LAB 47.87, 72.53, -76.13

 

CMYK 56 / 77 / 0 / 4

HEX #6C38F5

RGB 108 56 245

HSL 256.51, 0.9%, 0.59%

LAB 42.17, 65.66, -85.69

 

CMYK 77 / 77 / 0 / 4

HEX #3938F5

RGB 57 56 245

HSL 240.32, 0.9%, 0.59%

LAB 38.36, 61.01, -92.11

 

CMYK 77 / 77 / 0 / 4

HEX #3838F5

RGB 56 56 245

HSL 240, 0.9%, 0.59%

LAB 38.31, 60.94, -92.19

 

CMYK 36 / 77 / 0 / 4

HEX #9E38F5

RGB 158 56 245

HSL 272.38, 0.9%, 0.59%

LAB 47.87, 72.53, -76.13

 

CMYK 36 / 77 / 0 / 4

HEX #9E38F5

RGB 158 56 245

HSL 272.38, 0.9%, 0.59%

LAB 47.87, 72.53, -76.13

 

CMYK 31 / 68 / 0 / 11

HEX #9D49E4

RGB 157 73 228

HSL 272.52, 0.74%, 0.59%

LAB 48.93, 61.67, -64.83

 

CMYK 26 / 57 / 0 / 17

HEX #9C5AD3

RGB 156 90 211

HSL 272.73, 0.58%, 0.59%

LAB 50.78, 49.22, -52.19

 

CMYK 21 / 45 / 0 / 24

HEX #9A6BC2

RGB 154 107 194

HSL 272.41, 0.42%, 0.59%

LAB 53.26, 35.45, -38.57

 

CMYK 14 / 30 / 0 / 31

HEX #997CB1

RGB 153 124 177

HSL 272.83, 0.25%, 0.59%

LAB 56.45, 21.52, -23.85

 

CMYK 77 / 77 / 0 / 4

HEX #3838F5

RGB 56 56 245

HSL 240, 0.9%, 0.59%

LAB 38.31, 60.94, -92.19

 

CMYK 56 / 77 / 0 / 4

HEX #6B38F5

RGB 107 56 245

HSL 256.19, 0.9%, 0.59%

LAB 42.07, 65.54, -85.85

 

CMYK 36 / 77 / 0 / 4

HEX #9D38F5

RGB 157 56 245

HSL 272.06, 0.9%, 0.59%

LAB 47.74, 72.38, -76.34

 

CMYK 16 / 77 / 0 / 4

HEX #CF38F5

RGB 207 56 245

HSL 287.94, 0.9%, 0.59%

LAB 54.75, 80.75, -64.65

 

CMYK 0 / 77 / 5 / 4

HEX #F538E8

RGB 245 56 232

HSL 304.13, 0.9%, 0.59%

LAB 59.95, 85.82, -48.72

 

CMYK 43 / 95 / 0 / 19

HEX #760BCF

RGB 118 11 207

HSL 272.76, 0.9%, 0.43%

LAB 35.19, 70.93, -75.43

 

CMYK 43 / 93 / 0 / 5

HEX #8B11F2

RGB 139 17 242

HSL 272.53, 0.9%, 0.51%

LAB 41.69, 79.51, -84.66

 

CMYK 36 / 77 / 0 / 4

HEX #9E38F5

RGB 158 56 245

HSL 272.38, 0.9%, 0.59%

LAB 47.87, 72.53, -76.13

 

CMYK 28 / 61 / 0 / 3

HEX #B160F7

RGB 177 96 247

HSL 272.19, 0.9%, 0.67%

LAB 56.51, 59.31, -63.12

 

CMYK 21 / 46 / 0 / 2

HEX #C587F9

RGB 197 135 249

HSL 272.63, 0.9%, 0.75%

LAB 66.55, 44.53, -48.12

 

CMYK 35 / 77 / 0 / 4

HEX #9E38F4

RGB 158 56 244

HSL 272.55, 0.9%, 0.59%

LAB 47.79, 72.32, -75.69

 

CMYK 0 / 77 / 56 / 4

HEX #F5386B

RGB 245 56 107

HSL 343.81, 0.9%, 0.59%

LAB 55.38, 72.32, 17.08

 

CMYK 77 / 0 / 67 / 4

HEX #38F551

RGB 56 245 81

HSL 127.94, 0.9%, 0.59%

LAB 85.37, -75.96, 63.45

 

CMYK 35 / 77 / 0 / 4

HEX #9E38F4

RGB 158 56 244

HSL 272.55, 0.9%, 0.59%

LAB 47.79, 72.32, -75.69

 

CMYK 0 / 36 / 77 / 4

HEX #F59D38

RGB 245 157 56

HSL 32.06, 0.9%, 0.59%

LAB 72.1, 25.02, 63.07

 

CMYK 77 / 0 / 36 / 4

HEX #38F59D

RGB 56 245 157

HSL 152.06, 0.9%, 0.59%

LAB 86.3, -65.09, 29.63

 

CMYK 35 / 77 / 0 / 4

HEX #9E38F4

RGB 158 56 244

HSL 272.55, 0.9%, 0.59%

LAB 47.79, 72.32, -75.69

 

CMYK 0 / 77 / 56 / 4

HEX #F5386B

RGB 245 56 107

HSL 343.81, 0.9%, 0.59%

LAB 55.38, 72.32, 17.08

 

CMYK 41 / 0 / 77 / 4

HEX #90F538

RGB 144 245 56

HSL 92.06, 0.9%, 0.59%

LAB 87.74, -57.83, 75.15

 

CMYK 77 / 0 / 21 / 4

HEX #38F5C2

RGB 56 245 194

HSL 163.81, 0.9%, 0.59%

LAB 87.02, -57.19, 11.63

 

CMYK 35 / 77 / 0 / 4

HEX #9E38F4

RGB 158 56 244

HSL 272.55, 0.9%, 0.59%

LAB 47.79, 72.32, -75.69

 

CMYK 0 / 74 / 77 / 4

HEX #F53F38

RGB 245 63 56

HSL 2.22, 0.9%, 0.59%

LAB 55.33, 67.69, 46.4

 

CMYK 41 / 0 / 77 / 4

HEX #90F538

RGB 144 245 56

HSL 92.06, 0.9%, 0.59%

LAB 87.74, -57.83, 75.15

 

CMYK 77 / 3 / 0 / 4

HEX #38EEF5

RGB 56 238 245

HSL 182.22, 0.9%, 0.59%

LAB 86.3, -40.87, -16.11

 

Description

Color code: HEX #9E38F4 | qconv.com Color code: HEX #9E38F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 56 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 56 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 77 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 77% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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