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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9E2EBA it is the complementary color #61D145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9E2EBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9E2EBA shade: #A32EB5, #B440C8, #C552DB, #D664EE and #E776FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9E2EBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9E2EBA shade: #9E2EBA, #8D1CA7, #7C0A94, #6B0081 and #5A006E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9E2EBA shade: #9C2EB8, #B82EAE, #B82E89, #B82E64 and #B82E3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9E2EBA shade: #9C2EB8, #772EB8, #522EB8 and #2E2EB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9E2EBA shade matches the following richer shades: #9C2EB8, #A71BCA and #B209DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9E2EBA shade: #9C2EB8, #9140A5, #865392, #7B6680 and #70786D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9E2EBA shade: #532EB8, #772EB8, #9C2EB8, #B82EAE and #B82E8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9E2EBA shade: #641D76, #802697, #9C2EB8, #B240CF and #C061D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9E2EBA shade: #9E2EBA, #B82E2E and #2EB865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9E2EBA shade: #9E2EBA, #B89C2E and #2EB89C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9E2EBA shade: #9E2EBA, #B82E2E, #49B82E and #2EB8B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9E2EBA shade: #9E2EBA, #B8572E, #49B82E and #2E8EB8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 75 / 0 / 27

HEX #9E2EBA

RGB 158 46 186

HSL 288, 0.6%, 0.45%

LAB 42.41, 63.99, -51.14

 

Complementary color

CMYK 54 / 0 / 67 / 18

HEX #61D145

RGB 97 209 69

HSL 108, 0.6%, 0.55%

LAB 75.18, -57.19, 57.52

 

CMYK 10 / 75 / 0 / 29

HEX #A32EB5

RGB 163 46 181

HSL 292, 0.59%, 0.45%

LAB 42.88, 64.08, -47.41

 

CMYK 10 / 68 / 0 / 22

HEX #B440C8

RGB 180 64 200

HSL 291.18, 0.55%, 0.52%

LAB 48.93, 64.59, -48.66

 

CMYK 10 / 63 / 0 / 14

HEX #C552DB

RGB 197 82 219

HSL 290.36, 0.66%, 0.59%

LAB 55.09, 64.57, -49.56

 

CMYK 10 / 58 / 0 / 7

HEX #D664EE

RGB 214 100 238

HSL 289.57, 0.8%, 0.66%

LAB 61.29, 64.24, -50.23

 

CMYK 9 / 54 / 0 / 0

HEX #E776FF

RGB 231 118 255

HSL 289.49, 1%, 0.73%

LAB 67.4, 63.35, -49.8

 

CMYK 15 / 75 / 0 / 27

HEX #9E2EBA

RGB 158 46 186

HSL 288, 0.6%, 0.45%

LAB 42.41, 63.99, -51.14

 

CMYK 16 / 83 / 0 / 35

HEX #8D1CA7

RGB 141 28 167

HSL 288.78, 0.71%, 0.38%

LAB 36.52, 62.71, -49.49

 

CMYK 16 / 93 / 0 / 42

HEX #7C0A94

RGB 124 10 148

HSL 289.57, 0.87%, 0.31%

LAB 30.97, 60.11, -47.06

 

CMYK 17 / 100 / 0 / 49

HEX #6B0081

RGB 107 0 129

HSL 289.77, 1%, 0.25%

LAB 25.89, 55.67, -43.6

 

CMYK 18 / 100 / 0 / 57

HEX #5A006E

RGB 90 0 110

HSL 289.09, 1%, 0.22%

LAB 21.21, 49.52, -39.19

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 0 / 75 / 5 / 28

HEX #B82EAE

RGB 184 46 174

HSL 304.35, 0.6%, 0.45%

LAB 45.91, 67.37, -38.25

 

CMYK 0 / 75 / 26 / 28

HEX #B82E89

RGB 184 46 137

HSL 320.43, 0.6%, 0.45%

LAB 44.16, 62.15, -18.79

 

CMYK 0 / 75 / 46 / 28

HEX #B82E64

RGB 184 46 100

HSL 336.52, 0.6%, 0.45%

LAB 42.86, 58.07, 2.09

 

CMYK 0 / 75 / 66 / 28

HEX #B82E3F

RGB 184 46 63

HSL 352.61, 0.6%, 0.45%

LAB 42, 55.3, 24.01

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 35 / 75 / 0 / 28

HEX #772EB8

RGB 119 46 184

HSL 271.74, 0.6%, 0.45%

LAB 36.62, 56.18, -59.6

 

CMYK 55 / 75 / 0 / 28

HEX #522EB8

RGB 82 46 184

HSL 255.65, 0.6%, 0.45%

LAB 32.28, 50.24, -66.89

 

CMYK 75 / 75 / 0 / 28

HEX #2E2EB8

RGB 46 46 184

HSL 240, 0.6%, 0.45%

LAB 29.4, 46.15, -71.73

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 17 / 87 / 0 / 21

HEX #A71BCA

RGB 167 27 202

HSL 288, 0.76%, 0.45%

LAB 43.16, 73.65, -59.21

 

CMYK 19 / 96 / 0 / 13

HEX #B209DD

RGB 178 9 221

HSL 287.83, 0.92%, 0.45%

LAB 45.47, 81.09, -66.32

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 12 / 61 / 0 / 35

HEX #9140A5

RGB 145 64 165

HSL 288.12, 0.44%, 0.45%

LAB 41.85, 49.53, -39.73

 

CMYK 8 / 43 / 0 / 43

HEX #865392

RGB 134 83 146

HSL 288.57, 0.28%, 0.45%

LAB 43.26, 32.32, -26.23

 

CMYK 4 / 20 / 0 / 50

HEX #7B6680

RGB 123 102 128

HSL 288.46, 0.11%, 0.45%

LAB 46, 13.43, -11.31

 

CMYK 7 / 0 / 9 / 53

HEX #70786D

RGB 112 120 109

HSL 103.64, 0.05%, 0.45%

LAB 49.47, -5.23, 5.01

 

CMYK 55 / 75 / 0 / 28

HEX #532EB8

RGB 83 46 184

HSL 256.09, 0.6%, 0.45%

LAB 32.38, 50.38, -66.72

 

CMYK 35 / 75 / 0 / 28

HEX #772EB8

RGB 119 46 184

HSL 271.74, 0.6%, 0.45%

LAB 36.62, 56.18, -59.6

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 0 / 75 / 5 / 28

HEX #B82EAE

RGB 184 46 174

HSL 304.35, 0.6%, 0.45%

LAB 45.91, 67.37, -38.25

 

CMYK 0 / 75 / 25 / 28

HEX #B82E8A

RGB 184 46 138

HSL 320, 0.6%, 0.45%

LAB 44.2, 62.27, -19.33

 

CMYK 15 / 75 / 0 / 54

HEX #641D76

RGB 100 29 118

HSL 287.87, 0.61%, 0.29%

LAB 26.44, 44.68, -35.81

 

CMYK 15 / 75 / 0 / 41

HEX #802697

RGB 128 38 151

HSL 287.79, 0.6%, 0.37%

LAB 34.42, 53.97, -43.31

 

CMYK 15 / 75 / 0 / 28

HEX #9C2EB8

RGB 156 46 184

HSL 287.83, 0.6%, 0.45%

LAB 41.97, 63.22, -50.69

 

CMYK 14 / 69 / 0 / 19

HEX #B240CF

RGB 178 64 207

HSL 287.83, 0.6%, 0.53%

LAB 49.05, 65.45, -52.51

 

CMYK 11 / 55 / 0 / 16

HEX #C061D7

RGB 192 97 215

HSL 288.31, 0.6%, 0.61%

LAB 56.74, 55.69, -44.72

 

CMYK 15 / 75 / 0 / 27

HEX #9E2EBA

RGB 158 46 186

HSL 288, 0.6%, 0.45%

LAB 42.41, 63.99, -51.14

 

CMYK 0 / 75 / 75 / 28

HEX #B82E2E

RGB 184 46 46

HSL 0, 0.6%, 0.45%

LAB 41.75, 54.47, 33.95

 

CMYK 75 / 0 / 45 / 28

HEX #2EB865

RGB 46 184 101

HSL 143.91, 0.6%, 0.45%

LAB 66.37, -54.62, 31.97

 

CMYK 15 / 75 / 0 / 27

HEX #9E2EBA

RGB 158 46 186

HSL 288, 0.6%, 0.45%

LAB 42.41, 63.99, -51.14

 

CMYK 0 / 15 / 75 / 28

HEX #B89C2E

RGB 184 156 46

HSL 47.83, 0.6%, 0.45%

LAB 65.09, -1.16, 57.89

 

CMYK 75 / 0 / 15 / 28

HEX #2EB89C

RGB 46 184 156

HSL 167.83, 0.6%, 0.45%

LAB 67.47, -42.6, 3.9

 

CMYK 15 / 75 / 0 / 27

HEX #9E2EBA

RGB 158 46 186

HSL 288, 0.6%, 0.45%

LAB 42.41, 63.99, -51.14

 

CMYK 0 / 75 / 75 / 28

HEX #B82E2E

RGB 184 46 46

HSL 0, 0.6%, 0.45%

LAB 41.75, 54.47, 33.95

 

CMYK 60 / 0 / 75 / 28

HEX #49B82E

RGB 73 184 46

HSL 108.26, 0.6%, 0.45%

LAB 66.44, -56.07, 56.86

 

CMYK 75 / 0 / 0 / 28

HEX #2EB8B8

RGB 46 184 184

HSL 180, 0.6%, 0.45%

LAB 68.26, -34.82, -10.38

 

CMYK 15 / 75 / 0 / 27

HEX #9E2EBA

RGB 158 46 186

HSL 288, 0.6%, 0.45%

LAB 42.41, 63.99, -51.14

 

CMYK 0 / 53 / 75 / 28

HEX #B8572E

RGB 184 87 46

HSL 17.83, 0.6%, 0.45%

LAB 48.52, 36.48, 41.29

 

CMYK 60 / 0 / 75 / 28

HEX #49B82E

RGB 73 184 46

HSL 108.26, 0.6%, 0.45%

LAB 66.44, -56.07, 56.86

 

CMYK 75 / 23 / 0 / 28

HEX #2E8EB8

RGB 46 142 184

HSL 198.26, 0.6%, 0.45%

LAB 55.47, -13.41, -29.87

 

Description

Color code: HEX #9E2EBA | qconv.com Color code: HEX #9E2EBA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 46 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 46 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 75 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 75% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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