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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DFEB6 it is the complementary color #620149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DFEB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DFEB6 shade: #A2FEB1, #B3FFC4, #C4FFD7, #D5FFEA and #E6FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DFEB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DFEB6 shade: #9DFEB6, #8CECA3, #7BDA90, #6AC87D and #59B66A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DFEB6 shade: #9FFEB8, #A0FE9F, #BAFE9F, #D3FE9F and #EDFE9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DFEB6 shade: #9FFEB8, #9FFED1, #9FFEEB, #9FF8FE and #9FDEFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DFEB6 shade matches the following richer shades: #9FFEB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DFEB6 shade: #9FFEB8, #A7F6BB, #AFEEBF, #B7E7C3 and #BEDFC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DFEB6 shade: #BAFE9F, #A1FE9F, #9FFEB7, #9FFED0 and #9FFEE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DFEB6 shade: #4DFD7B, #76FE99, #9FFEB8, #C8FED6 and #F1FFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DFEB6 shade: #9DFEB6, #9FD3FE and #FE9FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DFEB6 shade: #9DFEB6, #B79FFE and #FEB79F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DFEB6 shade: #9DFEB6, #9FD3FE, #FE9FE6 and #FECA9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DFEB6 shade: #9DFEB6, #9FB7FE, #FE9FE6 and #FEE69F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 28 / 0

HEX #9DFEB6

RGB 157 254 182

HSL 135.46, 0.98%, 0.81%

LAB 92.32, -43.32, 25.64

 

Complementary color

CMYK 0 / 99 / 26 / 62

HEX #620149

RGB 98 1 73

HSL 315.46, 0.98%, 0.19%

LAB 20.44, 44.76, -15.63

 

CMYK 36 / 0 / 30 / 0

HEX #A2FEB1

RGB 162 254 177

HSL 129.78, 0.98%, 0.82%

LAB 92.46, -42.72, 28.4

 

CMYK 30 / 0 / 23 / 0

HEX #B3FFC4

RGB 179 255 196

HSL 133.42, 1%, 0.85%

LAB 93.92, -34.84, 20.89

 

CMYK 23 / 0 / 16 / 0

HEX #C4FFD7

RGB 196 255 215

HSL 139.32, 1%, 0.88%

LAB 95.23, -26.21, 13.15

 

CMYK 16 / 0 / 8 / 0

HEX #D5FFEA

RGB 213 255 234

HSL 150, 1%, 0.92%

LAB 96.66, -17.38, 5.57

 

CMYK 10 / 0 / 1 / 0

HEX #E6FFFD

RGB 230 255 253

HSL 175.2, 1%, 0.95%

LAB 98.21, -8.44, -1.81

 

CMYK 38 / 0 / 28 / 0

HEX #9DFEB6

RGB 157 254 182

HSL 135.46, 0.98%, 0.81%

LAB 92.32, -43.32, 25.64

 

CMYK 41 / 0 / 31 / 7

HEX #8CECA3

RGB 140 236 163

HSL 134.38, 0.72%, 0.74%

LAB 86.11, -43.57, 26.73

 

CMYK 44 / 0 / 34 / 15

HEX #7BDA90

RGB 123 218 144

HSL 133.26, 0.56%, 0.67%

LAB 79.82, -43.8, 27.88

 

CMYK 47 / 0 / 38 / 22

HEX #6AC87D

RGB 106 200 125

HSL 132.13, 0.46%, 0.6%

LAB 73.45, -44, 29.11

 

CMYK 51 / 0 / 42 / 29

HEX #59B66A

RGB 89 182 106

HSL 130.97, 0.39%, 0.53%

LAB 66.99, -44.13, 30.42

 

CMYK 37 / 0 / 28 / 0

HEX #9FFEB8

RGB 159 254 184

HSL 135.79, 0.98%, 0.81%

LAB 92.45, -42.4, 24.82

 

CMYK 37 / 0 / 37 / 0

HEX #A0FE9F

RGB 160 254 159

HSL 119.37, 0.98%, 0.81%

LAB 92.07, -46.16, 36.86

 

CMYK 27 / 0 / 37 / 0

HEX #BAFE9F

RGB 186 254 159

HSL 102.95, 0.98%, 0.81%

LAB 93.37, -37.93, 38.82

 

CMYK 17 / 0 / 37 / 0

HEX #D3FE9F

RGB 211 254 159

HSL 87.16, 0.98%, 0.81%

LAB 94.84, -29.33, 41

 

CMYK 7 / 0 / 37 / 0

HEX #EDFE9F

RGB 237 254 159

HSL 70.74, 0.98%, 0.81%

LAB 96.57, -19.87, 43.58

 

CMYK 37 / 0 / 28 / 0

HEX #9FFEB8

RGB 159 254 184

HSL 135.79, 0.98%, 0.81%

LAB 92.45, -42.4, 24.82

 

CMYK 37 / 0 / 18 / 0

HEX #9FFED1

RGB 159 254 209

HSL 151.58, 0.98%, 0.81%

LAB 92.95, -37.75, 12.73

 

CMYK 37 / 0 / 7 / 0

HEX #9FFEEB

RGB 159 254 235

HSL 168, 0.98%, 0.81%

LAB 93.56, -32.32, 0.2

 

CMYK 37 / 2 / 0 / 0

HEX #9FF8FE

RGB 159 248 254

HSL 183.79, 0.98%, 0.81%

LAB 92.43, -25.14, -11.32

 

CMYK 37 / 13 / 0 / 0

HEX #9FDEFE

RGB 159 222 254

HSL 200.21, 0.98%, 0.81%

LAB 85.39, -12.16, -21.89

 

CMYK 37 / 0 / 28 / 0

HEX #9FFEB8

RGB 159 254 184

HSL 135.79, 0.98%, 0.81%

LAB 92.45, -42.4, 24.82

 

CMYK 37 / 0 / 28 / 0

HEX #9FFEB8

RGB 159 254 184

HSL 135.79, 0.98%, 0.81%

LAB 92.45, -42.4, 24.82

 

CMYK 32 / 0 / 24 / 4

HEX #A7F6BB

RGB 167 246 187

HSL 135.19, 0.81%, 0.81%

LAB 90.65, -35.94, 20.86

 

CMYK 26 / 0 / 20 / 7

HEX #AFEEBF

RGB 175 238 191

HSL 135.24, 0.65%, 0.81%

LAB 88.93, -29.04, 16.46

 

CMYK 21 / 0 / 16 / 9

HEX #B7E7C3

RGB 183 231 195

HSL 135, 0.5%, 0.81%

LAB 87.56, -22.4, 12.51

 

CMYK 15 / 0 / 11 / 13

HEX #BEDFC7

RGB 190 223 199

HSL 136.36, 0.34%, 0.81%

LAB 85.93, -15.42, 8.14

 

CMYK 27 / 0 / 37 / 0

HEX #BAFE9F

RGB 186 254 159

HSL 102.95, 0.98%, 0.81%

LAB 93.37, -37.93, 38.82

 

CMYK 37 / 0 / 37 / 0

HEX #A1FE9F

RGB 161 254 159

HSL 118.74, 0.98%, 0.81%

LAB 92.12, -45.86, 36.93

 

CMYK 37 / 0 / 28 / 0

HEX #9FFEB7

RGB 159 254 183

HSL 135.16, 0.98%, 0.81%

LAB 92.43, -42.58, 25.3

 

CMYK 37 / 0 / 18 / 0

HEX #9FFED0

RGB 159 254 208

HSL 150.95, 0.98%, 0.81%

LAB 92.93, -37.95, 13.22

 

CMYK 37 / 0 / 8 / 0

HEX #9FFEE9

RGB 159 254 233

HSL 166.74, 0.98%, 0.81%

LAB 93.51, -32.76, 1.16

 

CMYK 70 / 0 / 51 / 1

HEX #4DFD7B

RGB 77 253 123

HSL 135.68, 0.98%, 0.65%

LAB 88.57, -70.62, 49.18

 

CMYK 54 / 0 / 40 / 0

HEX #76FE99

RGB 118 254 153

HSL 135.44, 0.99%, 0.73%

LAB 90.34, -58.36, 37.24

 

CMYK 37 / 0 / 28 / 0

HEX #9FFEB8

RGB 159 254 184

HSL 135.79, 0.98%, 0.81%

LAB 92.45, -42.4, 24.82

 

CMYK 21 / 0 / 16 / 0

HEX #C8FED6

RGB 200 254 214

HSL 135.56, 0.96%, 0.89%

LAB 95.17, -24.65, 13.6

 

CMYK 5 / 0 / 4 / 0

HEX #F1FFF4

RGB 241 255 244

HSL 132.86, 1%, 0.97%

LAB 98.73, -6.53, 3.66

 

CMYK 38 / 0 / 28 / 0

HEX #9DFEB6

RGB 157 254 182

HSL 135.46, 0.98%, 0.81%

LAB 92.32, -43.32, 25.64

 

CMYK 37 / 17 / 0 / 0

HEX #9FD3FE

RGB 159 211 254

HSL 207.16, 0.98%, 0.81%

LAB 82.44, -6.44, -26.38

 

CMYK 0 / 37 / 32 / 0

HEX #FE9FAD

RGB 254 159 173

HSL 351.16, 0.98%, 0.81%

LAB 75.38, 36.97, 7.74

 

CMYK 38 / 0 / 28 / 0

HEX #9DFEB6

RGB 157 254 182

HSL 135.46, 0.98%, 0.81%

LAB 92.32, -43.32, 25.64

 

CMYK 28 / 37 / 0 / 0

HEX #B79FFE

RGB 183 159 254

HSL 255.16, 0.98%, 0.81%

LAB 70.88, 28.63, -44.12

 

CMYK 0 / 28 / 37 / 0

HEX #FEB79F

RGB 254 183 159

HSL 15.16, 0.98%, 0.81%

LAB 80.43, 22.76, 22.41

 

CMYK 38 / 0 / 28 / 0

HEX #9DFEB6

RGB 157 254 182

HSL 135.46, 0.98%, 0.81%

LAB 92.32, -43.32, 25.64

 

CMYK 37 / 17 / 0 / 0

HEX #9FD3FE

RGB 159 211 254

HSL 207.16, 0.98%, 0.81%

LAB 82.44, -6.44, -26.38

 

CMYK 0 / 37 / 9 / 0

HEX #FE9FE6

RGB 254 159 230

HSL 315.16, 0.98%, 0.81%

LAB 77.03, 45.22, -21.02

 

CMYK 0 / 20 / 37 / 0

HEX #FECA9F

RGB 254 202 159

HSL 27.16, 0.98%, 0.81%

LAB 84.9, 12.82, 28.49

 

CMYK 38 / 0 / 28 / 0

HEX #9DFEB6

RGB 157 254 182

HSL 135.46, 0.98%, 0.81%

LAB 92.32, -43.32, 25.64

 

CMYK 37 / 28 / 0 / 0

HEX #9FB7FE

RGB 159 183 254

HSL 224.84, 0.98%, 0.81%

LAB 75.07, 8.69, -37.72

 

CMYK 0 / 37 / 9 / 0

HEX #FE9FE6

RGB 254 159 230

HSL 315.16, 0.98%, 0.81%

LAB 77.03, 45.22, -21.02

 

CMYK 0 / 9 / 37 / 0

HEX #FEE69F

RGB 254 230 159

HSL 44.84, 0.98%, 0.81%

LAB 91.76, -1.57, 37.6

 

Description

Color code: HEX #9DFEB6 | qconv.com Color code: HEX #9DFEB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 254 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 254 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 28 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 28% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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