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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DFE3A it is the complementary color #6201C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DFE3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DFE3A shade: #A2FE35, #B3FF48, #C4FF5B, #D5FF6E and #E6FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DFE3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DFE3A shade: #9DFE3A, #8CEC27, #7BDA14, #6AC801 and #59B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DFE3A shade: #9DFE39, #D2FE39, #FEF539, #FEC039 and #FE8B39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DFE3A shade: #9DFE39, #67FE39, #39FE40, #39FE75 and #39FEAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DFE3A shade matches the following richer shades: #9DFE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DFE3A shade: #9DFE39, #9CEE49, #9CDE59, #9CCE69 and #9CBE79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DFE3A shade: #FEF439, #D3FE39, #9FFE39, #6AFE39 and #39FE3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DFE3A shade: #73E301, #88FE10, #9DFE39, #B1FE62 and #C5FE8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DFE3A shade: #9DFE3A, #39FEC0 and #FE39EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DFE3A shade: #9DFE3A, #399FFE and #FE399F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DFE3A shade: #9DFE3A, #39FEC0, #9839FE and #FE3977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DFE3A shade: #9DFE3A, #39FEFB, #9839FE and #FE393C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 77 / 0

HEX #9DFE3A

RGB 157 254 58

HSL 89.69, 0.99%, 0.61%

LAB 90.94, -57.04, 77.79

 

Complementary color

CMYK 50 / 99 / 0 / 23

HEX #6201C5

RGB 98 1 197

HSL 269.69, 0.99%, 0.39%

LAB 31, 68.39, -76.61

 

CMYK 36 / 0 / 79 / 0

HEX #A2FE35

RGB 162 254 53

HSL 87.46, 0.99%, 0.6%

LAB 91.15, -55.61, 79.44

 

CMYK 30 / 0 / 72 / 0

HEX #B3FF48

RGB 179 255 72

HSL 84.92, 1%, 0.64%

LAB 92.39, -49.21, 75.21

 

CMYK 23 / 0 / 64 / 0

HEX #C4FF5B

RGB 196 255 91

HSL 81.59, 1%, 0.68%

LAB 93.46, -41.89, 69.73

 

CMYK 16 / 0 / 57 / 0

HEX #D5FF6E

RGB 213 255 110

HSL 77.38, 1%, 0.72%

LAB 94.65, -34.14, 63.55

 

CMYK 10 / 0 / 49 / 0

HEX #E6FF81

RGB 230 255 129

HSL 71.9, 1%, 0.75%

LAB 95.97, -26.07, 56.94

 

CMYK 38 / 0 / 77 / 0

HEX #9DFE3A

RGB 157 254 58

HSL 89.69, 0.99%, 0.61%

LAB 90.94, -57.04, 77.79

 

CMYK 41 / 0 / 83 / 7

HEX #8CEC27

RGB 140 236 39

HSL 89.24, 0.84%, 0.54%

LAB 84.85, -56.36, 76.85

 

CMYK 44 / 0 / 91 / 15

HEX #7BDA14

RGB 123 218 20

HSL 88.79, 0.83%, 0.47%

LAB 78.7, -55.46, 74.86

 

CMYK 47 / 0 / 100 / 22

HEX #6AC801

RGB 106 200 1

HSL 88.34, 0.99%, 0.39%

LAB 72.48, -54.3, 71.7

 

CMYK 51 / 0 / 100 / 29

HEX #59B600

RGB 89 182 0

HSL 90.66, 1%, 0.36%

LAB 66.2, -52.76, 66.6

 

CMYK 38 / 0 / 78 / 0

HEX #9DFE39

RGB 157 254 57

HSL 89.54, 0.99%, 0.61%

LAB 90.94, -57.08, 78.06

 

CMYK 17 / 0 / 78 / 0

HEX #D2FE39

RGB 210 254 57

HSL 73.4, 0.99%, 0.61%

LAB 93.83, -38.02, 81.78

 

CMYK 0 / 4 / 78 / 0

HEX #FEF539

RGB 254 245 57

HSL 57.26, 0.99%, 0.61%

LAB 94.6, -16.2, 83.66

 

CMYK 0 / 24 / 78 / 0

HEX #FEC039

RGB 254 192 57

HSL 41.12, 0.99%, 0.61%

LAB 81.33, 10.5, 71.69

 

CMYK 0 / 45 / 78 / 0

HEX #FE8B39

RGB 254 139 57

HSL 24.97, 0.99%, 0.61%

LAB 69.35, 38, 60.42

 

CMYK 38 / 0 / 78 / 0

HEX #9DFE39

RGB 157 254 57

HSL 89.54, 0.99%, 0.61%

LAB 90.94, -57.08, 78.06

 

CMYK 59 / 0 / 78 / 0

HEX #67FE39

RGB 103 254 57

HSL 105.99, 0.99%, 0.61%

LAB 88.95, -72.23, 75.49

 

CMYK 78 / 0 / 75 / 0

HEX #39FE40

RGB 57 254 64

HSL 122.13, 0.99%, 0.61%

LAB 88.03, -79.88, 72.16

 

CMYK 78 / 0 / 54 / 0

HEX #39FE75

RGB 57 254 117

HSL 138.27, 0.99%, 0.61%

LAB 88.47, -74.53, 51.73

 

CMYK 78 / 0 / 33 / 0

HEX #39FEAA

RGB 57 254 170

HSL 154.42, 0.99%, 0.61%

LAB 89.23, -65.67, 27.03

 

CMYK 38 / 0 / 78 / 0

HEX #9DFE39

RGB 157 254 57

HSL 89.54, 0.99%, 0.61%

LAB 90.94, -57.08, 78.06

 

CMYK 38 / 0 / 78 / 0

HEX #9DFE39

RGB 157 254 57

HSL 89.54, 0.99%, 0.61%

LAB 90.94, -57.08, 78.06

 

CMYK 34 / 0 / 69 / 7

HEX #9CEE49

RGB 156 238 73

HSL 89.82, 0.83%, 0.61%

LAB 86.35, -50.08, 68.43

 

CMYK 30 / 0 / 60 / 13

HEX #9CDE59

RGB 156 222 89

HSL 89.77, 0.67%, 0.61%

LAB 81.86, -42.06, 57.26

 

CMYK 24 / 0 / 49 / 19

HEX #9CCE69

RGB 156 206 105

HSL 89.7, 0.51%, 0.61%

LAB 77.42, -33.26, 44.74

 

CMYK 18 / 0 / 36 / 25

HEX #9CBE79

RGB 156 190 121

HSL 89.57, 0.35%, 0.61%

LAB 73.07, -23.6, 31.18

 

CMYK 0 / 4 / 78 / 0

HEX #FEF439

RGB 254 244 57

HSL 56.95, 0.99%, 0.61%

LAB 94.34, -15.71, 83.43

 

CMYK 17 / 0 / 78 / 0

HEX #D3FE39

RGB 211 254 57

HSL 73.1, 0.99%, 0.61%

LAB 93.9, -37.63, 81.86

 

CMYK 37 / 0 / 78 / 0

HEX #9FFE39

RGB 159 254 57

HSL 88.93, 0.99%, 0.61%

LAB 91.03, -56.43, 78.18

 

CMYK 58 / 0 / 78 / 0

HEX #6AFE39

RGB 106 254 57

HSL 105.08, 0.99%, 0.61%

LAB 89.04, -71.53, 75.6

 

CMYK 78 / 0 / 76 / 0

HEX #39FE3C

RGB 57 254 60

HSL 120.91, 0.99%, 0.61%

LAB 88.01, -80.14, 73.37

 

CMYK 49 / 0 / 100 / 11

HEX #73E301

RGB 115 227 1

HSL 89.73, 0.99%, 0.45%

LAB 81.06, -61.55, 78.59

 

CMYK 46 / 0 / 94 / 0

HEX #88FE10

RGB 136 254 16

HSL 89.75, 0.99%, 0.53%

LAB 89.93, -64.92, 84.71

 

CMYK 38 / 0 / 78 / 0

HEX #9DFE39

RGB 157 254 57

HSL 89.54, 0.99%, 0.61%

LAB 90.94, -57.08, 78.06

 

CMYK 30 / 0 / 61 / 0

HEX #B1FE62

RGB 177 254 98

HSL 89.62, 0.99%, 0.69%

LAB 92.18, -47.69, 65.25

 

CMYK 22 / 0 / 45 / 0

HEX #C5FE8B

RGB 197 254 139

HSL 89.74, 0.98%, 0.77%

LAB 93.72, -36.68, 49.06

 

CMYK 38 / 0 / 77 / 0

HEX #9DFE3A

RGB 157 254 58

HSL 89.69, 0.99%, 0.61%

LAB 90.94, -57.04, 77.79

 

CMYK 78 / 0 / 24 / 0

HEX #39FEC0

RGB 57 254 192

HSL 161.12, 0.99%, 0.61%

LAB 89.65, -61.02, 16.4

 

CMYK 0 / 78 / 6 / 0

HEX #FE39EE

RGB 254 57 238

HSL 304.87, 0.99%, 0.61%

LAB 61.8, 88.19, -49.05

 

CMYK 38 / 0 / 77 / 0

HEX #9DFE3A

RGB 157 254 58

HSL 89.69, 0.99%, 0.61%

LAB 90.94, -57.04, 77.79

 

CMYK 78 / 37 / 0 / 0

HEX #399FFE

RGB 57 159 254

HSL 208.93, 0.99%, 0.61%

LAB 64.02, 2.85, -55.41

 

CMYK 0 / 78 / 37 / 0

HEX #FE399F

RGB 254 57 159

HSL 328.93, 0.99%, 0.61%

LAB 58.51, 78.65, -9

 

CMYK 38 / 0 / 77 / 0

HEX #9DFE3A

RGB 157 254 58

HSL 89.69, 0.99%, 0.61%

LAB 90.94, -57.04, 77.79

 

CMYK 78 / 0 / 24 / 0

HEX #39FEC0

RGB 57 254 192

HSL 161.12, 0.99%, 0.61%

LAB 89.65, -61.02, 16.4

 

CMYK 40 / 78 / 0 / 0

HEX #9839FE

RGB 152 57 254

HSL 268.93, 0.99%, 0.61%

LAB 47.95, 73.27, -81.05

 

CMYK 0 / 78 / 53 / 0

HEX #FE3977

RGB 254 57 119

HSL 341.12, 0.99%, 0.61%

LAB 57.39, 75.25, 12.98

 

CMYK 38 / 0 / 77 / 0

HEX #9DFE3A

RGB 157 254 58

HSL 89.69, 0.99%, 0.61%

LAB 90.94, -57.04, 77.79

 

CMYK 78 / 0 / 1 / 0

HEX #39FEFB

RGB 57 254 251

HSL 179.09, 0.99%, 0.61%

LAB 91.11, -46.17, -12.04

 

CMYK 40 / 78 / 0 / 0

HEX #9839FE

RGB 152 57 254

HSL 268.93, 0.99%, 0.61%

LAB 47.95, 73.27, -81.05

 

CMYK 0 / 78 / 76 / 0

HEX #FE393C

RGB 254 57 60

HSL 359.09, 0.99%, 0.61%

LAB 56.41, 72.18, 45.9

 

Description

Color code: HEX #9DFE3A | qconv.com Color code: HEX #9DFE3A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 254 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 254 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 77 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 77% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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