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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DFDB8 it is the complementary color #620247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DFDB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DFDB8 shade: #A2FDB3, #B3FFC6, #C4FFD9, #D5FFEC and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DFDB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DFDB8 shade: #9DFDB8, #8CEBA5, #7BD992, #6AC77F and #59B56C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DFDB8 shade: #9BFDB7, #9BFD9C, #B4FD9B, #CFFD9B and #E9FD9B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DFDB8 shade: #9BFDB7, #9BFDD1, #9BFDEB, #9BF4FD and #9BDAFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DFDB8 shade matches the following richer shades: #9BFDB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DFDB8 shade: #9BFDB7, #A3F5BA, #ACECBE, #B4E4C1 and #BCDCC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DFDB8 shade: #B5FD9B, #9BFD9B, #9BFDB5, #9BFDCF and #9BFDE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DFDB8 shade: #4AFB7C, #73FC99, #9BFDB7, #C3FED4 and #ECFFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DFDB8 shade: #9DFDB8, #9BCFFD and #FD9BA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DFDB8 shade: #9DFDB8, #B59BFD and #FDB59B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DFDB8 shade: #9DFDB8, #9BCFFD, #FD9BE3 and #FDC99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DFDB8 shade: #9DFDB8, #9BB2FD, #FD9BE3 and #FDE69B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 27 / 1

HEX #9DFDB8

RGB 157 253 184

HSL 136.88, 0.96%, 0.8%

LAB 92.08, -42.53, 24.29

 

Complementary color

CMYK 0 / 98 / 28 / 62

HEX #620247

RGB 98 2 71

HSL 316.88, 0.96%, 0.2%

LAB 20.42, 44.25, -14.28

 

CMYK 36 / 0 / 29 / 1

HEX #A2FDB3

RGB 162 253 179

HSL 131.21, 0.96%, 0.81%

LAB 92.21, -41.95, 27.05

 

CMYK 30 / 0 / 22 / 0

HEX #B3FFC6

RGB 179 255 198

HSL 135, 1%, 0.85%

LAB 93.96, -34.49, 19.93

 

CMYK 23 / 0 / 15 / 0

HEX #C4FFD9

RGB 196 255 217

HSL 141.36, 1%, 0.88%

LAB 95.27, -25.84, 12.18

 

CMYK 16 / 0 / 7 / 0

HEX #D5FFEC

RGB 213 255 236

HSL 152.86, 1%, 0.92%

LAB 96.71, -17.01, 4.61

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 38 / 0 / 27 / 1

HEX #9DFDB8

RGB 157 253 184

HSL 136.88, 0.96%, 0.8%

LAB 92.08, -42.53, 24.29

 

CMYK 40 / 0 / 30 / 8

HEX #8CEBA5

RGB 140 235 165

HSL 135.79, 0.7%, 0.74%

LAB 85.86, -42.79, 25.36

 

CMYK 43 / 0 / 33 / 15

HEX #7BD992

RGB 123 217 146

HSL 134.68, 0.55%, 0.67%

LAB 79.56, -43.02, 26.5

 

CMYK 47 / 0 / 36 / 22

HEX #6AC77F

RGB 106 199 127

HSL 133.55, 0.45%, 0.6%

LAB 73.18, -43.23, 27.71

 

CMYK 51 / 0 / 40 / 29

HEX #59B56C

RGB 89 181 108

HSL 132.39, 0.38%, 0.53%

LAB 66.71, -43.37, 29.01

 

CMYK 39 / 0 / 28 / 1

HEX #9BFDB7

RGB 155 253 183

HSL 137.14, 0.96%, 0.8%

LAB 91.97, -43.27, 24.64

 

CMYK 39 / 0 / 38 / 1

HEX #9BFD9C

RGB 155 253 156

HSL 120.61, 0.96%, 0.8%

LAB 91.51, -47.67, 37.57

 

CMYK 29 / 0 / 39 / 1

HEX #B4FD9B

RGB 180 253 155

HSL 104.69, 0.96%, 0.8%

LAB 92.72, -40.01, 39.86

 

CMYK 18 / 0 / 39 / 1

HEX #CFFD9B

RGB 207 253 155

HSL 88.16, 0.96%, 0.8%

LAB 94.26, -30.78, 42.17

 

CMYK 8 / 0 / 39 / 1

HEX #E9FD9B

RGB 233 253 155

HSL 72.24, 0.96%, 0.8%

LAB 95.97, -21.33, 44.7

 

CMYK 39 / 0 / 28 / 1

HEX #9BFDB7

RGB 155 253 183

HSL 137.14, 0.96%, 0.8%

LAB 91.97, -43.27, 24.64

 

CMYK 39 / 0 / 17 / 1

HEX #9BFDD1

RGB 155 253 209

HSL 153.06, 0.96%, 0.8%

LAB 92.5, -38.38, 12.06

 

CMYK 39 / 0 / 7 / 1

HEX #9BFDEB

RGB 155 253 235

HSL 168.98, 0.96%, 0.8%

LAB 93.11, -32.88, -0.48

 

CMYK 39 / 4 / 0 / 1

HEX #9BF4FD

RGB 155 244 253

HSL 185.51, 0.96%, 0.8%

LAB 91.13, -24.43, -12.75

 

CMYK 39 / 14 / 0 / 1

HEX #9BDAFD

RGB 155 218 253

HSL 201.43, 0.96%, 0.8%

LAB 84.07, -11.38, -23.38

 

CMYK 39 / 0 / 28 / 1

HEX #9BFDB7

RGB 155 253 183

HSL 137.14, 0.96%, 0.8%

LAB 91.97, -43.27, 24.64

 

CMYK 39 / 0 / 28 / 1

HEX #9BFDB7

RGB 155 253 183

HSL 137.14, 0.96%, 0.8%

LAB 91.97, -43.27, 24.64

 

CMYK 33 / 0 / 24 / 4

HEX #A3F5BA

RGB 163 245 186

HSL 136.83, 0.8%, 0.8%

LAB 90.15, -36.85, 20.65

 

CMYK 27 / 0 / 19 / 7

HEX #ACECBE

RGB 172 236 190

HSL 136.88, 0.63%, 0.8%

LAB 88.2, -29.21, 15.92

 

CMYK 21 / 0 / 15 / 11

HEX #B4E4C1

RGB 180 228 193

HSL 136.25, 0.47%, 0.8%

LAB 86.52, -22.27, 12.06

 

CMYK 15 / 0 / 10 / 14

HEX #BCDCC5

RGB 188 220 197

HSL 136.88, 0.31%, 0.8%

LAB 84.95, -14.94, 7.77

 

CMYK 28 / 0 / 39 / 1

HEX #B5FD9B

RGB 181 253 155

HSL 104.08, 0.96%, 0.8%

LAB 92.77, -39.68, 39.94

 

CMYK 39 / 0 / 39 / 1

HEX #9BFD9B

RGB 155 253 155

HSL 120, 0.96%, 0.8%

LAB 91.5, -47.82, 38.05

 

CMYK 39 / 0 / 28 / 1

HEX #9BFDB5

RGB 155 253 181

HSL 135.92, 0.96%, 0.8%

LAB 91.93, -43.62, 25.6

 

CMYK 39 / 0 / 18 / 1

HEX #9BFDCF

RGB 155 253 207

HSL 151.84, 0.96%, 0.8%

LAB 92.45, -38.78, 13.03

 

CMYK 39 / 0 / 8 / 1

HEX #9BFDE9

RGB 155 253 233

HSL 167.76, 0.96%, 0.8%

LAB 93.06, -33.32, 0.48

 

CMYK 71 / 0 / 51 / 2

HEX #4AFB7C

RGB 74 251 124

HSL 136.95, 0.96%, 0.64%

LAB 87.92, -70.28, 47.9

 

CMYK 54 / 0 / 39 / 1

HEX #73FC99

RGB 115 252 153

HSL 136.64, 0.96%, 0.72%

LAB 89.66, -58.27, 36.33

 

CMYK 39 / 0 / 28 / 1

HEX #9BFDB7

RGB 155 253 183

HSL 137.14, 0.96%, 0.8%

LAB 91.97, -43.27, 24.64

 

CMYK 23 / 0 / 17 / 0

HEX #C3FED4

RGB 195 254 212

HSL 137.29, 0.97%, 0.88%

LAB 94.84, -26.59, 14.12

 

CMYK 7 / 0 / 5 / 0

HEX #ECFFF1

RGB 236 255 241

HSL 135.79, 1%, 0.96%

LAB 98.31, -8.7, 4.55

 

CMYK 38 / 0 / 27 / 1

HEX #9DFDB8

RGB 157 253 184

HSL 136.88, 0.96%, 0.8%

LAB 92.08, -42.53, 24.29

 

CMYK 39 / 18 / 0 / 1

HEX #9BCFFD

RGB 155 207 253

HSL 208.16, 0.96%, 0.8%

LAB 81.12, -5.63, -27.88

 

CMYK 0 / 39 / 34 / 1

HEX #FD9BA8

RGB 253 155 168

HSL 352.04, 0.96%, 0.8%

LAB 74.29, 38.07, 8.91

 

CMYK 38 / 0 / 27 / 1

HEX #9DFDB8

RGB 157 253 184

HSL 136.88, 0.96%, 0.8%

LAB 92.08, -42.53, 24.29

 

CMYK 28 / 39 / 0 / 1

HEX #B59BFD

RGB 181 155 253

HSL 255.92, 0.96%, 0.8%

LAB 69.72, 30.07, -45.41

 

CMYK 0 / 28 / 39 / 1

HEX #FDB59B

RGB 253 181 155

HSL 15.92, 0.96%, 0.8%

LAB 79.78, 22.98, 23.64

 

CMYK 38 / 0 / 27 / 1

HEX #9DFDB8

RGB 157 253 184

HSL 136.88, 0.96%, 0.8%

LAB 92.08, -42.53, 24.29

 

CMYK 39 / 18 / 0 / 1

HEX #9BCFFD

RGB 155 207 253

HSL 208.16, 0.96%, 0.8%

LAB 81.12, -5.63, -27.88

 

CMYK 0 / 39 / 10 / 1

HEX #FD9BE3

RGB 253 155 227

HSL 315.92, 0.96%, 0.8%

LAB 75.99, 46.47, -20.97

 

CMYK 0 / 21 / 39 / 1

HEX #FDC99B

RGB 253 201 155

HSL 28.16, 0.96%, 0.8%

LAB 84.5, 12.51, 30.01

 

CMYK 38 / 0 / 27 / 1

HEX #9DFDB8

RGB 157 253 184

HSL 136.88, 0.96%, 0.8%

LAB 92.08, -42.53, 24.29

 

CMYK 39 / 30 / 0 / 1

HEX #9BB2FD

RGB 155 178 253

HSL 225.92, 0.96%, 0.8%

LAB 73.48, 10.16, -39.67

 

CMYK 0 / 39 / 10 / 1

HEX #FD9BE3

RGB 253 155 227

HSL 315.92, 0.96%, 0.8%

LAB 75.99, 46.47, -20.97

 

CMYK 0 / 9 / 39 / 1

HEX #FDE69B

RGB 253 230 155

HSL 45.92, 0.96%, 0.8%

LAB 91.61, -2.39, 39.4

 

Description

Color code: HEX #9DFDB8 | qconv.com Color code: HEX #9DFDB8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 253 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 253 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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