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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF93F it is the complementary color #6206C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF93F shade: #A2F93A, #B3FF4D, #C4FF60, #D5FF73 and #E6FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF93F shade: #9DF93F, #8CE72C, #7BD519, #6AC306 and #59B100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF93F shade: #9DF93E, #CFF93E, #F9F13E, #F9BE3E and #F98C3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF93F shade: #9DF93E, #6AF93E, #3EF944, #3EF977 and #3EF9A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF93F shade matches the following richer shades: #9DF93E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF93F shade: #9DF93E, #9CE94E, #9CD95E, #9CC96E and #9CB97E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF93F shade: #F9F03E, #D1F93E, #9FF93E, #6DF93E and #3EF941

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF93F shade: #73DE07, #88F816, #9DF93E, #B1FA66 and #C5FC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF93F shade: #9DF93F, #3EF9BE and #F93EE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF93F shade: #9DF93F, #3E9FF9 and #F93E9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF93F shade: #9DF93F, #3EF9BE, #983EF9 and #F93E79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF93F shade: #9DF93F, #3EF9F6, #983EF9 and #F93E41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 75 / 2

HEX #9DF93F

RGB 157 249 63

HSL 89.68, 0.94%, 0.61%

LAB 89.52, -54.8, 74.95

 

Complementary color

CMYK 49 / 97 / 0 / 25

HEX #6206C0

RGB 98 6 192

HSL 269.68, 0.94%, 0.39%

LAB 30.72, 66.51, -74.12

 

CMYK 35 / 0 / 77 / 2

HEX #A2F93A

RGB 162 249 58

HSL 87.33, 0.94%, 0.6%

LAB 89.74, -53.38, 76.74

 

CMYK 30 / 0 / 70 / 0

HEX #B3FF4D

RGB 179 255 77

HSL 85.62, 1%, 0.65%

LAB 92.42, -48.92, 73.53

 

CMYK 23 / 0 / 62 / 0

HEX #C4FF60

RGB 196 255 96

HSL 82.26, 1%, 0.69%

LAB 93.49, -41.53, 67.8

 

CMYK 16 / 0 / 55 / 0

HEX #D5FF73

RGB 213 255 115

HSL 78, 1%, 0.73%

LAB 94.7, -33.72, 61.44

 

CMYK 10 / 0 / 47 / 0

HEX #E6FF86

RGB 230 255 134

HSL 72.4, 1%, 0.76%

LAB 96.02, -25.6, 54.71

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93F

RGB 157 249 63

HSL 89.68, 0.94%, 0.61%

LAB 89.52, -54.8, 74.95

 

CMYK 39 / 0 / 81 / 9

HEX #8CE72C

RGB 140 231 44

HSL 89.2, 0.8%, 0.54%

LAB 83.39, -54.21, 74.36

 

CMYK 42 / 0 / 88 / 16

HEX #7BD519

RGB 123 213 25

HSL 88.72, 0.79%, 0.47%

LAB 77.2, -53.4, 72.81

 

CMYK 46 / 0 / 97 / 24

HEX #6AC306

RGB 106 195 6

HSL 88.25, 0.94%, 0.39%

LAB 70.94, -52.32, 69.95

 

CMYK 50 / 0 / 100 / 31

HEX #59B100

RGB 89 177 0

HSL 89.83, 1%, 0.35%

LAB 64.62, -50.88, 65.36

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93E

RGB 157 249 62

HSL 89.52, 0.94%, 0.61%

LAB 89.52, -54.86, 75.25

 

CMYK 17 / 0 / 75 / 2

HEX #CFF93E

RGB 207 249 62

HSL 73.48, 0.94%, 0.61%

LAB 92.29, -36.73, 78.86

 

CMYK 0 / 3 / 75 / 2

HEX #F9F13E

RGB 249 241 62

HSL 57.43, 0.94%, 0.61%

LAB 93.19, -16.13, 80.79

 

CMYK 0 / 24 / 75 / 2

HEX #F9BE3E

RGB 249 190 62

HSL 41.07, 0.94%, 0.61%

LAB 80.36, 9.62, 68.81

 

CMYK 0 / 44 / 75 / 2

HEX #F98C3E

RGB 249 140 62

HSL 25.03, 0.94%, 0.61%

LAB 68.93, 35.71, 57.62

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93E

RGB 157 249 62

HSL 89.52, 0.94%, 0.61%

LAB 89.52, -54.86, 75.25

 

CMYK 57 / 0 / 75 / 2

HEX #6AF93E

RGB 106 249 62

HSL 105.88, 0.94%, 0.61%

LAB 87.56, -69.56, 72.69

 

CMYK 75 / 0 / 73 / 2

HEX #3EF944

RGB 62 249 68

HSL 121.93, 0.94%, 0.61%

LAB 86.6, -77.47, 69.46

 

CMYK 75 / 0 / 52 / 2

HEX #3EF977

RGB 62 249 119

HSL 138.29, 0.94%, 0.61%

LAB 87.05, -72.02, 49.11

 

CMYK 75 / 0 / 32 / 2

HEX #3EF9A9

RGB 62 249 169

HSL 154.33, 0.94%, 0.61%

LAB 87.8, -63.49, 25.59

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93E

RGB 157 249 62

HSL 89.52, 0.94%, 0.61%

LAB 89.52, -54.86, 75.25

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93E

RGB 157 249 62

HSL 89.52, 0.94%, 0.61%

LAB 89.52, -54.86, 75.25

 

CMYK 33 / 0 / 67 / 9

HEX #9CE94E

RGB 156 233 78

HSL 89.81, 0.78%, 0.61%

LAB 84.94, -47.65, 65.1

 

CMYK 28 / 0 / 57 / 15

HEX #9CD95E

RGB 156 217 94

HSL 89.76, 0.62%, 0.61%

LAB 80.46, -39.4, 53.48

 

CMYK 22 / 0 / 45 / 21

HEX #9CC96E

RGB 156 201 110

HSL 89.67, 0.46%, 0.61%

LAB 76.05, -30.33, 40.6

 

CMYK 16 / 0 / 32 / 27

HEX #9CB97E

RGB 156 185 126

HSL 89.49, 0.3%, 0.61%

LAB 71.74, -20.4, 26.79

 

CMYK 0 / 4 / 75 / 2

HEX #F9F03E

RGB 249 240 62

HSL 57.11, 0.94%, 0.61%

LAB 92.93, -15.65, 80.55

 

CMYK 16 / 0 / 75 / 2

HEX #D1F93E

RGB 209 249 62

HSL 72.83, 0.94%, 0.61%

LAB 92.42, -35.96, 79.03

 

CMYK 36 / 0 / 75 / 2

HEX #9FF93E

RGB 159 249 62

HSL 88.88, 0.94%, 0.61%

LAB 89.61, -54.19, 75.38

 

CMYK 56 / 0 / 75 / 2

HEX #6DF93E

RGB 109 249 62

HSL 104.92, 0.94%, 0.61%

LAB 87.65, -68.84, 72.81

 

CMYK 75 / 0 / 74 / 2

HEX #3EF941

RGB 62 249 65

HSL 120.96, 0.94%, 0.61%

LAB 86.58, -77.69, 70.43

 

CMYK 48 / 0 / 97 / 13

HEX #73DE07

RGB 115 222 7

HSL 89.86, 0.94%, 0.45%

LAB 79.56, -59.65, 76.87

 

CMYK 45 / 0 / 91 / 3

HEX #88F816

RGB 136 248 22

HSL 89.73, 0.94%, 0.53%

LAB 88.17, -62.63, 82.6

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93E

RGB 157 249 62

HSL 89.52, 0.94%, 0.61%

LAB 89.52, -54.86, 75.25

 

CMYK 29 / 0 / 59 / 2

HEX #B1FA66

RGB 177 250 102

HSL 89.59, 0.94%, 0.69%

LAB 91.09, -45.65, 62.37

 

CMYK 22 / 0 / 44 / 1

HEX #C5FC8E

RGB 197 252 142

HSL 90, 0.95%, 0.77%

LAB 93.21, -35.43, 47

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93F

RGB 157 249 63

HSL 89.68, 0.94%, 0.61%

LAB 89.52, -54.8, 74.95

 

CMYK 75 / 0 / 24 / 2

HEX #3EF9BE

RGB 62 249 190

HSL 161.07, 0.94%, 0.61%

LAB 88.21, -59.01, 15.4

 

CMYK 0 / 75 / 6 / 2

HEX #F93EE9

RGB 249 62 233

HSL 305.13, 0.94%, 0.61%

LAB 61.19, 85.18, -47.27

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93F

RGB 157 249 63

HSL 89.68, 0.94%, 0.61%

LAB 89.52, -54.8, 74.95

 

CMYK 75 / 36 / 0 / 2

HEX #3E9FF9

RGB 62 159 249

HSL 208.88, 0.94%, 0.61%

LAB 63.88, 1.62, -52.89

 

CMYK 0 / 75 / 36 / 2

HEX #F93E9F

RGB 249 62 159

HSL 328.88, 0.94%, 0.61%

LAB 58.12, 76.04, -9.67

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93F

RGB 157 249 63

HSL 89.68, 0.94%, 0.61%

LAB 89.52, -54.8, 74.95

 

CMYK 75 / 0 / 24 / 2

HEX #3EF9BE

RGB 62 249 190

HSL 161.07, 0.94%, 0.61%

LAB 88.21, -59.01, 15.4

 

CMYK 39 / 75 / 0 / 2

HEX #983EF9

RGB 152 62 249

HSL 268.88, 0.94%, 0.61%

LAB 48.21, 70.23, -77.84

 

CMYK 0 / 75 / 51 / 2

HEX #F93E79

RGB 249 62 121

HSL 341.07, 0.94%, 0.61%

LAB 57.04, 72.66, 11.16

 

CMYK 37 / 0 / 75 / 2

HEX #9DF93F

RGB 157 249 63

HSL 89.68, 0.94%, 0.61%

LAB 89.52, -54.8, 74.95

 

CMYK 75 / 0 / 1 / 2

HEX #3EF9F6

RGB 62 249 246

HSL 179.04, 0.94%, 0.61%

LAB 89.59, -44.91, -11.69

 

CMYK 39 / 75 / 0 / 2

HEX #983EF9

RGB 152 62 249

HSL 268.88, 0.94%, 0.61%

LAB 48.21, 70.23, -77.84

 

CMYK 0 / 75 / 74 / 2

HEX #F93E41

RGB 249 62 65

HSL 359.04, 0.94%, 0.61%

LAB 56.05, 69.48, 42.51

 

Description

Color code: HEX #9DF93F | qconv.com Color code: HEX #9DF93F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 249 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 249 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 75% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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