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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF649 it is the complementary color #6209B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF649. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF649 shade: #A2F644, #B3FF57, #C4FF6A, #D5FF7D and #E6FF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF649. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF649 shade: #9DF649, #8CE436, #7BD223, #6AC010 and #59AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF649 shade: #9EF74B, #CCF74B, #F7F24B, #F7C44B and #F7964B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF649 shade: #9EF74B, #70F74B, #4BF754, #4BF782 and #4BF7B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF649 shade matches the following richer shades: #9EF74B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF649 shade: #9EF74B, #9FE75A, #9FD869, #9FC979 and #A0B988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF649 shade: #F7F14B, #CEF74B, #A1F74B, #73F74B and #4BF751

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF649 shade: #74E40B, #89F523, #9EF74B, #B3F872 and #C9FA9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF649 shade: #9DF649, #4BF7C3 and #F74BE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF649 shade: #9DF649, #4BA1F7 and #F74BA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF649 shade: #9DF649, #4BF7C3, #A14BF7 and #F74B7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF649 shade: #9DF649, #4BF7F7, #A14BF7 and #F74B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 70 / 4

HEX #9DF649

RGB 157 246 73

HSL 90.87, 0.91%, 0.63%

LAB 88.71, -53.01, 70.84

 

Complementary color

CMYK 46 / 95 / 0 / 29

HEX #6209B6

RGB 98 9 182

HSL 270.87, 0.91%, 0.37%

LAB 29.84, 63.81, -69.65

 

CMYK 34 / 0 / 72 / 4

HEX #A2F644

RGB 162 246 68

HSL 88.31, 0.91%, 0.62%

LAB 88.93, -51.63, 72.84

 

CMYK 30 / 0 / 66 / 0

HEX #B3FF57

RGB 179 255 87

HSL 87.14, 1%, 0.67%

LAB 92.48, -48.26, 69.95

 

CMYK 23 / 0 / 58 / 0

HEX #C4FF6A

RGB 196 255 106

HSL 83.76, 1%, 0.71%

LAB 93.58, -40.74, 63.77

 

CMYK 16 / 0 / 51 / 0

HEX #D5FF7D

RGB 213 255 125

HSL 79.38, 1%, 0.75%

LAB 94.8, -32.82, 57.11

 

CMYK 10 / 0 / 44 / 0

HEX #E6FF90

RGB 230 255 144

HSL 73.51, 1%, 0.78%

LAB 96.14, -24.6, 50.17

 

CMYK 36 / 0 / 70 / 4

HEX #9DF649

RGB 157 246 73

HSL 90.87, 0.91%, 0.63%

LAB 88.71, -53.01, 70.84

 

CMYK 39 / 0 / 76 / 11

HEX #8CE436

RGB 140 228 54

HSL 90.34, 0.76%, 0.55%

LAB 82.56, -52.55, 70.79

 

CMYK 41 / 0 / 83 / 18

HEX #7BD223

RGB 123 210 35

HSL 89.83, 0.71%, 0.48%

LAB 76.33, -51.89, 69.98

 

CMYK 45 / 0 / 92 / 25

HEX #6AC010

RGB 106 192 16

HSL 89.32, 0.85%, 0.41%

LAB 70.04, -50.97, 68.01

 

CMYK 49 / 0 / 100 / 32

HEX #59AE00

RGB 89 174 0

HSL 89.31, 1%, 0.34%

LAB 63.67, -49.74, 64.62

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 17 / 0 / 70 / 3

HEX #CCF74B

RGB 204 247 75

HSL 75, 0.91%, 0.63%

LAB 91.63, -36.34, 73.92

 

CMYK 0 / 2 / 70 / 3

HEX #F7F24B

RGB 247 242 75

HSL 58.26, 0.91%, 0.63%

LAB 93.36, -16.89, 76.65

 

CMYK 0 / 21 / 70 / 3

HEX #F7C44B

RGB 247 196 75

HSL 42.21, 0.91%, 0.63%

LAB 81.71, 6.25, 65.03

 

CMYK 0 / 39 / 70 / 3

HEX #F7964B

RGB 247 150 75

HSL 26.16, 0.91%, 0.63%

LAB 70.94, 30.33, 53.69

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 55 / 0 / 70 / 3

HEX #70F74B

RGB 112 247 75

HSL 107.09, 0.91%, 0.63%

LAB 87.23, -66.51, 68.04

 

CMYK 70 / 0 / 66 / 3

HEX #4BF754

RGB 75 247 84

HSL 123.14, 0.91%, 0.63%

LAB 86.33, -73.52, 63.42

 

CMYK 70 / 0 / 47 / 3

HEX #4BF782

RGB 75 247 130

HSL 139.19, 0.91%, 0.63%

LAB 86.81, -67.87, 43.69

 

CMYK 70 / 0 / 28 / 3

HEX #4BF7B1

RGB 75 247 177

HSL 155.58, 0.91%, 0.63%

LAB 87.58, -59.38, 21.24

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 31 / 0 / 61 / 9

HEX #9FE75A

RGB 159 231 90

HSL 90.64, 0.75%, 0.63%

LAB 84.62, -44.81, 59.96

 

CMYK 26 / 0 / 51 / 15

HEX #9FD869

RGB 159 216 105

HSL 90.81, 0.59%, 0.63%

LAB 80.46, -36.75, 48.46

 

CMYK 21 / 0 / 40 / 21

HEX #9FC979

RGB 159 201 121

HSL 91.5, 0.43%, 0.63%

LAB 76.39, -27.85, 35.52

 

CMYK 14 / 0 / 26 / 27

HEX #A0B988

RGB 160 185 136

HSL 90.61, 0.26%, 0.63%

LAB 72.19, -17.42, 22.12

 

CMYK 0 / 2 / 70 / 3

HEX #F7F14B

RGB 247 241 75

HSL 57.91, 0.91%, 0.63%

LAB 93.1, -16.4, 76.4

 

CMYK 17 / 0 / 70 / 3

HEX #CEF74B

RGB 206 247 75

HSL 74.3, 0.91%, 0.63%

LAB 91.75, -35.57, 74.09

 

CMYK 35 / 0 / 70 / 3

HEX #A1F74B

RGB 161 247 75

HSL 90, 0.91%, 0.63%

LAB 89.21, -51.94, 70.7

 

CMYK 53 / 0 / 70 / 3

HEX #73F74B

RGB 115 247 75

HSL 106.05, 0.91%, 0.63%

LAB 87.33, -65.74, 68.17

 

CMYK 70 / 0 / 67 / 3

HEX #4BF751

RGB 75 247 81

HSL 122.09, 0.91%, 0.63%

LAB 86.31, -73.8, 64.55

 

CMYK 49 / 0 / 95 / 11

HEX #74E40B

RGB 116 228 11

HSL 90.97, 0.91%, 0.47%

LAB 81.41, -61.49, 78.01

 

CMYK 44 / 0 / 86 / 4

HEX #89F523

RGB 137 245 35

HSL 90.86, 0.91%, 0.55%

LAB 87.36, -60.88, 79.82

 

CMYK 36 / 0 / 70 / 3

HEX #9EF74B

RGB 158 247 75

HSL 91.05, 0.91%, 0.63%

LAB 89.06, -52.95, 70.5

 

CMYK 28 / 0 / 54 / 3

HEX #B3F872

RGB 179 248 114

HSL 90.9, 0.91%, 0.71%

LAB 90.75, -42.98, 56.79

 

CMYK 20 / 0 / 38 / 2

HEX #C9FA9A

RGB 201 250 154

HSL 90.63, 0.91%, 0.79%

LAB 93.07, -31.63, 41.04

 

CMYK 36 / 0 / 70 / 4

HEX #9DF649

RGB 157 246 73

HSL 90.87, 0.91%, 0.63%

LAB 88.71, -53.01, 70.84

 

CMYK 70 / 0 / 21 / 3

HEX #4BF7C3

RGB 75 247 195

HSL 161.86, 0.91%, 0.63%

LAB 87.95, -55.45, 12.48

 

CMYK 0 / 70 / 7 / 3

HEX #F74BE5

RGB 247 75 229

HSL 306.28, 0.91%, 0.63%

LAB 62.05, 80.27, -43.7

 

CMYK 36 / 0 / 70 / 4

HEX #9DF649

RGB 157 246 73

HSL 90.87, 0.91%, 0.63%

LAB 88.71, -53.01, 70.84

 

CMYK 70 / 35 / 0 / 3

HEX #4BA1F7

RGB 75 161 247

HSL 210, 0.91%, 0.63%

LAB 64.72, 1.45, -50.44

 

CMYK 0 / 70 / 35 / 3

HEX #F74BA1

RGB 247 75 161

HSL 330, 0.91%, 0.63%

LAB 59.32, 71.57, -9.08

 

CMYK 36 / 0 / 70 / 4

HEX #9DF649

RGB 157 246 73

HSL 90.87, 0.91%, 0.63%

LAB 88.71, -53.01, 70.84

 

CMYK 70 / 0 / 21 / 3

HEX #4BF7C3

RGB 75 247 195

HSL 161.86, 0.91%, 0.63%

LAB 87.95, -55.45, 12.48

 

CMYK 35 / 70 / 0 / 3

HEX #A14BF7

RGB 161 75 247

HSL 270, 0.91%, 0.63%

LAB 51.06, 65.87, -72.02

 

CMYK 0 / 70 / 49 / 3

HEX #F74B7E

RGB 247 75 126

HSL 342.21, 0.91%, 0.63%

LAB 58.33, 68.26, 9.98

 

CMYK 36 / 0 / 70 / 4

HEX #9DF649

RGB 157 246 73

HSL 90.87, 0.91%, 0.63%

LAB 88.71, -53.01, 70.84

 

CMYK 70 / 0 / 0 / 3

HEX #4BF7F7

RGB 75 247 247

HSL 180, 0.91%, 0.63%

LAB 89.27, -42.32, -12.67

 

CMYK 35 / 70 / 0 / 3

HEX #A14BF7

RGB 161 75 247

HSL 270, 0.91%, 0.63%

LAB 51.06, 65.87, -72.02

 

CMYK 0 / 70 / 70 / 3

HEX #F74B4B

RGB 247 75 75

HSL 0, 0.91%, 0.63%

LAB 57.38, 64.98, 38.37

 

Description

Color code: HEX #9DF649 | qconv.com Color code: HEX #9DF649 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 246 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 246 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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