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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF445 it is the complementary color #620BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF445 shade: #A2F440, #B3FF53, #C4FF66, #D5FF79 and #E6FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF445 shade: #9DF445, #8CE232, #7BD01F, #6ABE0C and #59AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF445 shade: #9CF443, #CCF443, #F4ED43, #F4BD43 and #F48D43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF445 shade: #9CF443, #6CF443, #43F44A, #43F479 and #43F4A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF445 shade matches the following richer shades: #9CF443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF445 shade: #9CF443, #9CE453, #9CD463, #9CC473 and #9CB483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF445 shade: #F4EB43, #CEF443, #9FF443, #6FF443 and #43F446

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF445 shade: #73D80D, #88F21C, #9CF443, #B1F66A and #C5F991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF445 shade: #9DF445, #43F4BC and #F443E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF445 shade: #9DF445, #439FF4 and #F4439F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF445 shade: #9DF445, #43F4BC, #9943F4 and #F4437B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF445 shade: #9DF445, #43F4F1, #9943F4 and #F44346

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 72 / 4

HEX #9DF445

RGB 157 244 69

HSL 89.83, 0.89%, 0.61%

LAB 88.11, -52.45, 71.62

 

Complementary color

CMYK 47 / 94 / 0 / 27

HEX #620BBA

RGB 98 11 186

HSL 269.83, 0.89%, 0.39%

LAB 30.35, 64.38, -71.17

 

CMYK 34 / 0 / 74 / 4

HEX #A2F440

RGB 162 244 64

HSL 87.33, 0.89%, 0.6%

LAB 88.33, -51.04, 73.57

 

CMYK 30 / 0 / 67 / 0

HEX #B3FF53

RGB 179 255 83

HSL 86.51, 1%, 0.66%

LAB 92.45, -48.53, 71.42

 

CMYK 23 / 0 / 60 / 0

HEX #C4FF66

RGB 196 255 102

HSL 83.14, 1%, 0.7%

LAB 93.54, -41.06, 65.41

 

CMYK 16 / 0 / 53 / 0

HEX #D5FF79

RGB 213 255 121

HSL 78.81, 1%, 0.74%

LAB 94.76, -33.19, 58.86

 

CMYK 10 / 0 / 45 / 0

HEX #E6FF8C

RGB 230 255 140

HSL 73.04, 1%, 0.77%

LAB 96.09, -25.01, 51.99

 

CMYK 36 / 0 / 72 / 4

HEX #9DF445

RGB 157 244 69

HSL 89.83, 0.89%, 0.61%

LAB 88.11, -52.45, 71.62

 

CMYK 38 / 0 / 78 / 11

HEX #8CE232

RGB 140 226 50

HSL 89.32, 0.75%, 0.54%

LAB 81.95, -51.95, 71.4

 

CMYK 41 / 0 / 85 / 18

HEX #7BD01F

RGB 123 208 31

HSL 88.81, 0.74%, 0.47%

LAB 75.71, -51.25, 70.35

 

CMYK 44 / 0 / 94 / 25

HEX #6ABE0C

RGB 106 190 12

HSL 88.31, 0.88%, 0.4%

LAB 69.41, -50.27, 68.04

 

CMYK 48 / 0 / 100 / 33

HEX #59AC00

RGB 89 172 0

HSL 88.95, 1%, 0.34%

LAB 63.03, -48.97, 64.12

 

CMYK 36 / 0 / 73 / 4

HEX #9CF443

RGB 156 244 67

HSL 89.83, 0.89%, 0.61%

LAB 88.05, -52.91, 72.22

 

CMYK 16 / 0 / 73 / 4

HEX #CCF443

RGB 204 244 67

HSL 73.56, 0.89%, 0.61%

LAB 90.75, -35.4, 75.77

 

CMYK 0 / 3 / 73 / 4

HEX #F4ED43

RGB 244 237 67

HSL 57.63, 0.89%, 0.61%

LAB 91.78, -16.04, 77.76

 

CMYK 0 / 23 / 73 / 4

HEX #F4BD43

RGB 244 189 67

HSL 41.36, 0.89%, 0.61%

LAB 79.63, 8.25, 66.03

 

CMYK 0 / 42 / 73 / 4

HEX #F48D43

RGB 244 141 67

HSL 25.08, 0.89%, 0.61%

LAB 68.52, 33.42, 54.73

 

CMYK 36 / 0 / 73 / 4

HEX #9CF443

RGB 156 244 67

HSL 89.83, 0.89%, 0.61%

LAB 88.05, -52.91, 72.22

 

CMYK 56 / 0 / 73 / 4

HEX #6CF443

RGB 108 244 67

HSL 106.1, 0.89%, 0.61%

LAB 86.15, -67.04, 69.7

 

CMYK 73 / 0 / 70 / 4

HEX #43F44A

RGB 67 244 74

HSL 122.37, 0.89%, 0.61%

LAB 85.19, -74.75, 65.94

 

CMYK 73 / 0 / 50 / 4

HEX #43F479

RGB 67 244 121

HSL 138.31, 0.89%, 0.61%

LAB 85.64, -69.4, 46.47

 

CMYK 73 / 0 / 31 / 4

HEX #43F4A9

RGB 67 244 169

HSL 154.58, 0.89%, 0.61%

LAB 86.38, -61, 23.68

 

CMYK 36 / 0 / 73 / 4

HEX #9CF443

RGB 156 244 67

HSL 89.83, 0.89%, 0.61%

LAB 88.05, -52.91, 72.22

 

CMYK 36 / 0 / 73 / 4

HEX #9CF443

RGB 156 244 67

HSL 89.83, 0.89%, 0.61%

LAB 88.05, -52.91, 72.22

 

CMYK 32 / 0 / 64 / 11

HEX #9CE453

RGB 156 228 83

HSL 89.79, 0.73%, 0.61%

LAB 83.54, -45.16, 61.62

 

CMYK 26 / 0 / 53 / 17

HEX #9CD463

RGB 156 212 99

HSL 89.73, 0.57%, 0.61%

LAB 79.07, -36.65, 49.57

 

CMYK 20 / 0 / 41 / 23

HEX #9CC473

RGB 156 196 115

HSL 89.63, 0.41%, 0.61%

LAB 74.69, -27.32, 36.36

 

CMYK 13 / 0 / 27 / 29

HEX #9CB483

RGB 156 180 131

HSL 89.39, 0.25%, 0.61%

LAB 70.42, -17.12, 22.34

 

CMYK 0 / 4 / 73 / 4

HEX #F4EB43

RGB 244 235 67

HSL 56.95, 0.89%, 0.61%

LAB 91.26, -15.07, 77.27

 

CMYK 16 / 0 / 73 / 4

HEX #CEF443

RGB 206 244 67

HSL 72.88, 0.89%, 0.61%

LAB 90.88, -34.63, 75.94

 

CMYK 35 / 0 / 73 / 4

HEX #9FF443

RGB 159 244 67

HSL 88.81, 0.89%, 0.61%

LAB 88.2, -51.89, 72.41

 

CMYK 55 / 0 / 73 / 4

HEX #6FF443

RGB 111 244 67

HSL 105.08, 0.89%, 0.61%

LAB 86.25, -66.29, 69.82

 

CMYK 73 / 0 / 71 / 4

HEX #43F446

RGB 67 244 70

HSL 121.02, 0.89%, 0.61%

LAB 85.17, -75.07, 67.34

 

CMYK 47 / 0 / 94 / 15

HEX #73D80D

RGB 115 216 13

HSL 89.85, 0.89%, 0.45%

LAB 77.75, -57.35, 74.84

 

CMYK 44 / 0 / 88 / 5

HEX #88F21C

RGB 136 242 28

HSL 89.72, 0.89%, 0.53%

LAB 86.42, -60.26, 80.26

 

CMYK 36 / 0 / 73 / 4

HEX #9CF443

RGB 156 244 67

HSL 89.83, 0.89%, 0.61%

LAB 88.05, -52.91, 72.22

 

CMYK 28 / 0 / 57 / 4

HEX #B1F66A

RGB 177 246 106

HSL 89.57, 0.89%, 0.69%

LAB 90, -43.57, 59.42

 

CMYK 21 / 0 / 42 / 2

HEX #C5F991

RGB 197 249 145

HSL 90, 0.9%, 0.77%

LAB 92.43, -33.7, 44.57

 

CMYK 36 / 0 / 72 / 4

HEX #9DF445

RGB 157 244 69

HSL 89.83, 0.89%, 0.61%

LAB 88.11, -52.45, 71.62

 

CMYK 73 / 0 / 23 / 4

HEX #43F4BC

RGB 67 244 188

HSL 161.02, 0.89%, 0.61%

LAB 86.76, -56.91, 14.41

 

CMYK 0 / 73 / 6 / 4

HEX #F443E5

RGB 244 67 229

HSL 305.08, 0.89%, 0.61%

LAB 60.7, 82.13, -45.86

 

CMYK 36 / 0 / 72 / 4

HEX #9DF445

RGB 157 244 69

HSL 89.83, 0.89%, 0.61%

LAB 88.11, -52.45, 71.62

 

CMYK 73 / 35 / 0 / 4

HEX #439FF4

RGB 67 159 244

HSL 208.81, 0.89%, 0.61%

LAB 63.77, 0.49, -50.32

 

CMYK 0 / 73 / 35 / 4

HEX #F4439F

RGB 244 67 159

HSL 328.81, 0.89%, 0.61%

LAB 57.8, 73.24, -10.24

 

CMYK 36 / 0 / 72 / 4

HEX #9DF445

RGB 157 244 69

HSL 89.83, 0.89%, 0.61%

LAB 88.11, -52.45, 71.62

 

CMYK 73 / 0 / 23 / 4

HEX #43F4BC

RGB 67 244 188

HSL 161.02, 0.89%, 0.61%

LAB 86.76, -56.91, 14.41

 

CMYK 37 / 73 / 0 / 4

HEX #9943F4

RGB 153 67 244

HSL 269.15, 0.89%, 0.61%

LAB 48.66, 67.22, -74.3

 

CMYK 0 / 73 / 50 / 4

HEX #F4437B

RGB 244 67 123

HSL 341.02, 0.89%, 0.61%

LAB 56.76, 69.89, 9.45

 

CMYK 36 / 0 / 72 / 4

HEX #9DF445

RGB 157 244 69

HSL 89.83, 0.89%, 0.61%

LAB 88.11, -52.45, 71.62

 

CMYK 73 / 0 / 1 / 4

HEX #43F4F1

RGB 67 244 241

HSL 178.98, 0.89%, 0.61%

LAB 88.09, -43.57, -11.31

 

CMYK 37 / 73 / 0 / 4

HEX #9943F4

RGB 153 67 244

HSL 269.15, 0.89%, 0.61%

LAB 48.66, 67.22, -74.3

 

CMYK 0 / 73 / 71 / 4

HEX #F44346

RGB 244 67 70

HSL 358.98, 0.89%, 0.61%

LAB 55.78, 66.63, 39.17

 

Description

Color code: HEX #9DF445 | qconv.com Color code: HEX #9DF445 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 244 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 244 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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