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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF3BF it is the complementary color #620C40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF3BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF3BF shade: #A2F3BA, #B3FFCD, #C4FFE0, #D5FFF3 and #E6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF3BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF3BF shade: #9DF3BF, #8CE1AC, #7BCF99, #6ABD86 and #59AB73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF3BF shade: #9BF3BE, #9BF3A6, #A8F39B, #BFF39B and #D7F39B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF3BF shade: #9BF3BE, #9BF3D5, #9BF3ED, #9BE1F3 and #9BC9F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF3BF shade matches the following richer shades: #9BF3BE and #92FCBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF3BF shade: #9BF3BE, #A4EAC0, #ADE1C2, #B6D7C3 and #BFCEC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF3BF shade: #A8F39B, #9BF3A5, #9BF3BD, #9BF3D4 and #9BF3EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF3BF shade: #52EA8E, #76EEA6, #9BF3BE, #C0F7D6 and #E5FCEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF3BF shade: #9DF3BF, #9BC0F3 and #F39B9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF3BF shade: #9DF3BF, #BD9BF3 and #F3BD9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF3BF shade: #9DF3BF, #9BC0F3, #F39BD1 and #F3CE9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF3BF shade: #9DF3BF, #9BA5F3, #F39BD1 and #F3E89B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 21 / 5

HEX #9DF3BF

RGB 157 243 191

HSL 143.72, 0.78%, 0.78%

LAB 89.41, -36.78, 16.99

 

Complementary color

CMYK 0 / 88 / 35 / 62

HEX #620C40

RGB 98 12 64

HSL 323.72, 0.78%, 0.22%

LAB 20.94, 40.89, -8.65

 

CMYK 33 / 0 / 23 / 5

HEX #A2F3BA

RGB 162 243 186

HSL 137.78, 0.77%, 0.79%

LAB 89.55, -36.24, 19.8

 

CMYK 30 / 0 / 20 / 0

HEX #B3FFCD

RGB 179 255 205

HSL 140.53, 1%, 0.85%

LAB 94.1, -33.23, 16.55

 

CMYK 23 / 0 / 12 / 0

HEX #C4FFE0

RGB 196 255 224

HSL 148.47, 1%, 0.88%

LAB 95.43, -24.55, 8.81

 

CMYK 16 / 0 / 5 / 0

HEX #D5FFF3

RGB 213 255 243

HSL 162.86, 1%, 0.92%

LAB 96.88, -15.68, 1.25

 

CMYK 10 / 0 / 0 / 0

HEX #E6FFFF

RGB 230 255 255

HSL 180, 1%, 0.95%

LAB 98.26, -8.06, -2.77

 

CMYK 35 / 0 / 21 / 5

HEX #9DF3BF

RGB 157 243 191

HSL 143.72, 0.78%, 0.78%

LAB 89.41, -36.78, 16.99

 

CMYK 38 / 0 / 24 / 12

HEX #8CE1AC

RGB 140 225 172

HSL 142.59, 0.59%, 0.72%

LAB 83.13, -37.04, 17.97

 

CMYK 41 / 0 / 26 / 19

HEX #7BCF99

RGB 123 207 153

HSL 141.43, 0.47%, 0.65%

LAB 76.76, -37.3, 19

 

CMYK 44 / 0 / 29 / 26

HEX #6ABD86

RGB 106 189 134

HSL 140.24, 0.39%, 0.58%

LAB 70.3, -37.55, 20.11

 

CMYK 48 / 0 / 33 / 33

HEX #59AB73

RGB 89 171 115

HSL 139.02, 0.33%, 0.51%

LAB 63.74, -37.77, 21.31

 

CMYK 36 / 0 / 22 / 5

HEX #9BF3BE

RGB 155 243 190

HSL 143.86, 0.79%, 0.78%

LAB 89.29, -37.54, 17.34

 

CMYK 36 / 0 / 32 / 5

HEX #9BF3A6

RGB 155 243 166

HSL 127.5, 0.79%, 0.78%

LAB 88.84, -41.77, 29.01

 

CMYK 31 / 0 / 36 / 5

HEX #A8F39B

RGB 168 243 155

HSL 111.14, 0.79%, 0.78%

LAB 89.3, -39.45, 35.27

 

CMYK 21 / 0 / 36 / 5

HEX #BFF39B

RGB 191 243 155

HSL 95.45, 0.79%, 0.78%

LAB 90.57, -31.75, 37.19

 

CMYK 12 / 0 / 36 / 5

HEX #D7F39B

RGB 215 243 155

HSL 79.09, 0.79%, 0.78%

LAB 92.09, -23.18, 39.46

 

CMYK 36 / 0 / 22 / 5

HEX #9BF3BE

RGB 155 243 190

HSL 143.86, 0.79%, 0.78%

LAB 89.29, -37.54, 17.34

 

CMYK 36 / 0 / 12 / 5

HEX #9BF3D5

RGB 155 243 213

HSL 159.55, 0.79%, 0.78%

LAB 89.8, -32.97, 6.13

 

CMYK 36 / 0 / 2 / 5

HEX #9BF3ED

RGB 155 243 237

HSL 175.91, 0.79%, 0.78%

LAB 90.41, -27.7, -5.49

 

CMYK 36 / 7 / 0 / 5

HEX #9BE1F3

RGB 155 225 243

HSL 192.27, 0.79%, 0.78%

LAB 85.65, -17.44, -15.72

 

CMYK 36 / 17 / 0 / 5

HEX #9BC9F3

RGB 155 201 243

HSL 208.64, 0.79%, 0.78%

LAB 79.16, -5, -25.54

 

CMYK 36 / 0 / 22 / 5

HEX #9BF3BE

RGB 155 243 190

HSL 143.86, 0.79%, 0.78%

LAB 89.29, -37.54, 17.34

 

CMYK 42 / 0 / 25 / 1

HEX #92FCBC

RGB 146 252 188

HSL 143.77, 0.95%, 0.78%

LAB 91.4, -44.4, 21.24

 

CMYK 36 / 0 / 22 / 5

HEX #9BF3BE

RGB 155 243 190

HSL 143.86, 0.79%, 0.78%

LAB 89.29, -37.54, 17.34

 

CMYK 30 / 0 / 18 / 8

HEX #A4EAC0

RGB 164 234 192

HSL 144, 0.63%, 0.78%

LAB 87.26, -30.35, 13.5

 

CMYK 23 / 0 / 14 / 12

HEX #ADE1C2

RGB 173 225 194

HSL 144.23, 0.46%, 0.78%

LAB 85.32, -22.86, 9.76

 

CMYK 15 / 0 / 9 / 16

HEX #B6D7C3

RGB 182 215 195

HSL 143.64, 0.29%, 0.78%

LAB 83.17, -14.78, 6.22

 

CMYK 7 / 0 / 4 / 19

HEX #BFCEC5

RGB 191 206 197

HSL 144, 0.13%, 0.78%

LAB 81.43, -6.77, 2.72

 

CMYK 31 / 0 / 36 / 5

HEX #A8F39B

RGB 168 243 155

HSL 111.14, 0.79%, 0.78%

LAB 89.3, -39.45, 35.27

 

CMYK 36 / 0 / 32 / 5

HEX #9BF3A5

RGB 155 243 165

HSL 126.82, 0.79%, 0.78%

LAB 88.82, -41.94, 29.49

 

CMYK 36 / 0 / 22 / 5

HEX #9BF3BD

RGB 155 243 189

HSL 143.18, 0.79%, 0.78%

LAB 89.27, -37.73, 17.82

 

CMYK 36 / 0 / 13 / 5

HEX #9BF3D4

RGB 155 243 212

HSL 158.86, 0.79%, 0.78%

LAB 89.78, -33.18, 6.62

 

CMYK 36 / 0 / 3 / 5

HEX #9BF3EB

RGB 155 243 235

HSL 174.55, 0.79%, 0.78%

LAB 90.35, -28.16, -4.53

 

CMYK 65 / 0 / 39 / 8

HEX #52EA8E

RGB 82 234 142

HSL 143.68, 0.78%, 0.62%

LAB 83.23, -60.06, 33.19

 

CMYK 50 / 0 / 30 / 7

HEX #76EEA6

RGB 118 238 166

HSL 144, 0.78%, 0.7%

LAB 85.88, -49.66, 24.74

 

CMYK 36 / 0 / 22 / 5

HEX #9BF3BE

RGB 155 243 190

HSL 143.86, 0.79%, 0.78%

LAB 89.29, -37.54, 17.34

 

CMYK 22 / 0 / 13 / 3

HEX #C0F7D6

RGB 192 247 214

HSL 144, 0.77%, 0.86%

LAB 92.83, -23.81, 10.21

 

CMYK 9 / 0 / 6 / 1

HEX #E5FCEE

RGB 229 252 238

HSL 143.48, 0.79%, 0.94%

LAB 97, -10.03, 4.14

 

CMYK 35 / 0 / 21 / 5

HEX #9DF3BF

RGB 157 243 191

HSL 143.72, 0.78%, 0.78%

LAB 89.41, -36.78, 16.99

 

CMYK 36 / 21 / 0 / 5

HEX #9BC0F3

RGB 155 192 243

HSL 214.77, 0.79%, 0.78%

LAB 76.76, -0.17, -29.21

 

CMYK 0 / 36 / 35 / 5

HEX #F39B9D

RGB 243 155 157

HSL 358.64, 0.79%, 0.78%

LAB 72.85, 33.11, 12.76

 

CMYK 35 / 0 / 21 / 5

HEX #9DF3BF

RGB 157 243 191

HSL 143.72, 0.78%, 0.78%

LAB 89.41, -36.78, 16.99

 

CMYK 22 / 36 / 0 / 5

HEX #BD9BF3

RGB 189 155 243

HSL 263.18, 0.79%, 0.78%

LAB 69.99, 29.97, -39.5

 

CMYK 0 / 22 / 36 / 5

HEX #F3BD9B

RGB 243 189 155

HSL 23.18, 0.79%, 0.78%

LAB 80.64, 14.93, 24.64

 

CMYK 35 / 0 / 21 / 5

HEX #9DF3BF

RGB 157 243 191

HSL 143.72, 0.78%, 0.78%

LAB 89.41, -36.78, 16.99

 

CMYK 36 / 21 / 0 / 5

HEX #9BC0F3

RGB 155 192 243

HSL 214.77, 0.79%, 0.78%

LAB 76.76, -0.17, -29.21

 

CMYK 0 / 36 / 14 / 5

HEX #F39BD1

RGB 243 155 209

HSL 323.18, 0.79%, 0.78%

LAB 74.25, 40.35, -13.86

 

CMYK 0 / 15 / 36 / 5

HEX #F3CE9B

RGB 243 206 155

HSL 34.77, 0.79%, 0.78%

LAB 84.77, 6.03, 30.22

 

CMYK 35 / 0 / 21 / 5

HEX #9DF3BF

RGB 157 243 191

HSL 143.72, 0.78%, 0.78%

LAB 89.41, -36.78, 16.99

 

CMYK 36 / 32 / 0 / 5

HEX #9BA5F3

RGB 155 165 243

HSL 233.18, 0.79%, 0.78%

LAB 69.72, 14.81, -40.12

 

CMYK 0 / 36 / 14 / 5

HEX #F39BD1

RGB 243 155 209

HSL 323.18, 0.79%, 0.78%

LAB 74.25, 40.35, -13.86

 

CMYK 0 / 5 / 36 / 5

HEX #F3E89B

RGB 243 232 155

HSL 52.5, 0.79%, 0.78%

LAB 91.3, -7.25, 38.82

 

Description

Color code: HEX #9DF3BF | qconv.com Color code: HEX #9DF3BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 243 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 243 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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