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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF1A8 it is the complementary color #620E57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF1A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF1A8 shade: #A2F1A3, #B3FFB6, #C4FFC9, #D5FFDC and #E6FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF1A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF1A8 shade: #9DF1A8, #8CDF95, #7BCD82, #6ABB6F and #59A95C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF1A8 shade: #9CF0A7, #A8F09C, #BFF09C, #D5F09C and #ECF09C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF1A8 shade: #9CF0A7, #9CF0BE, #9CF0D5, #9CF0EB and #9CDFF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF1A8 shade matches the following richer shades: #9CF0A7 and #93FAA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF1A8 shade: #9CF0A7, #A5E7AE, #AEDEB5, #B8D5BB and #C1CCC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF1A8 shade: #BFF09C, #A9F09C, #9CF0A6, #9CF0BD and #9CF0D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF1A8 shade: #54E667, #78EB87, #9CF0A7, #C0F6C7 and #E5FBE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF1A8 shade: #9DF1A8, #9CD6F0 and #F09CB4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF1A8 shade: #9DF1A8, #A69CF0 and #F0A69C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF1A8 shade: #9DF1A8, #9CD6F0, #F09CE7 and #F0B79C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF1A8 shade: #9DF1A8, #9CBDF0, #F09CE7 and #F0D09C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 30 / 5

HEX #9DF1A8

RGB 157 241 168

HSL 127.86, 0.75%, 0.78%

LAB 88.4, -39.95, 27.42

 

Complementary color

CMYK 0 / 86 / 11 / 62

HEX #620E57

RGB 98 14 87

HSL 307.86, 0.75%, 0.22%

LAB 22.3, 43.65, -22.2

 

CMYK 33 / 0 / 32 / 5

HEX #A2F1A3

RGB 162 241 163

HSL 120.76, 0.74%, 0.79%

LAB 88.56, -39.23, 30.21

 

CMYK 30 / 0 / 29 / 0

HEX #B3FFB6

RGB 179 255 182

HSL 122.37, 1%, 0.85%

LAB 93.66, -37.19, 27.64

 

CMYK 23 / 0 / 21 / 0

HEX #C4FFC9

RGB 196 255 201

HSL 125.08, 1%, 0.88%

LAB 94.94, -28.66, 19.9

 

CMYK 16 / 0 / 14 / 0

HEX #D5FFDC

RGB 213 255 220

HSL 130, 1%, 0.92%

LAB 96.34, -19.91, 12.3

 

CMYK 10 / 0 / 6 / 0

HEX #E6FFEF

RGB 230 255 239

HSL 141.6, 1%, 0.95%

LAB 97.86, -11.02, 4.88

 

CMYK 35 / 0 / 30 / 5

HEX #9DF1A8

RGB 157 241 168

HSL 127.86, 0.75%, 0.78%

LAB 88.4, -39.95, 27.42

 

CMYK 37 / 0 / 33 / 13

HEX #8CDF95

RGB 140 223 149

HSL 126.51, 0.56%, 0.71%

LAB 82.12, -40.21, 28.52

 

CMYK 40 / 0 / 37 / 20

HEX #7BCD82

RGB 123 205 130

HSL 125.12, 0.45%, 0.64%

LAB 75.75, -40.45, 29.7

 

CMYK 43 / 0 / 41 / 27

HEX #6ABB6F

RGB 106 187 111

HSL 123.7, 0.37%, 0.57%

LAB 69.29, -40.66, 30.94

 

CMYK 47 / 0 / 46 / 34

HEX #59A95C

RGB 89 169 92

HSL 122.25, 0.32%, 0.51%

LAB 62.74, -40.81, 32.24

 

CMYK 35 / 0 / 30 / 6

HEX #9CF0A7

RGB 156 240 167

HSL 127.86, 0.74%, 0.78%

LAB 88.05, -39.98, 27.44

 

CMYK 30 / 0 / 35 / 6

HEX #A8F09C

RGB 168 240 156

HSL 111.43, 0.74%, 0.78%

LAB 88.47, -37.96, 33.68

 

CMYK 20 / 0 / 35 / 6

HEX #BFF09C

RGB 191 240 156

HSL 95, 0.74%, 0.78%

LAB 89.76, -30.21, 35.63

 

CMYK 11 / 0 / 35 / 6

HEX #D5F09C

RGB 213 240 156

HSL 79.29, 0.74%, 0.78%

LAB 91.17, -22.34, 37.74

 

CMYK 2 / 0 / 35 / 6

HEX #ECF09C

RGB 236 240 156

HSL 62.86, 0.74%, 0.78%

LAB 92.82, -13.77, 40.2

 

CMYK 35 / 0 / 30 / 6

HEX #9CF0A7

RGB 156 240 167

HSL 127.86, 0.74%, 0.78%

LAB 88.05, -39.98, 27.44

 

CMYK 35 / 0 / 21 / 6

HEX #9CF0BE

RGB 156 240 190

HSL 144.29, 0.74%, 0.78%

LAB 88.5, -35.89, 16.23

 

CMYK 35 / 0 / 11 / 6

HEX #9CF0D5

RGB 156 240 213

HSL 160.71, 0.74%, 0.78%

LAB 89.01, -31.29, 5

 

CMYK 35 / 0 / 2 / 6

HEX #9CF0EB

RGB 156 240 235

HSL 176.43, 0.74%, 0.78%

LAB 89.57, -26.46, -5.67

 

CMYK 35 / 7 / 0 / 6

HEX #9CDFF0

RGB 156 223 240

HSL 192.14, 0.74%, 0.78%

LAB 85.06, -16.89, -15.01

 

CMYK 35 / 0 / 30 / 6

HEX #9CF0A7

RGB 156 240 167

HSL 127.86, 0.74%, 0.78%

LAB 88.05, -39.98, 27.44

 

CMYK 41 / 0 / 36 / 2

HEX #93FAA1

RGB 147 250 161

HSL 128.16, 0.91%, 0.78%

LAB 90.39, -47.94, 33.54

 

CMYK 35 / 0 / 30 / 6

HEX #9CF0A7

RGB 156 240 167

HSL 127.86, 0.74%, 0.78%

LAB 88.05, -39.98, 27.44

 

CMYK 29 / 0 / 25 / 9

HEX #A5E7AE

RGB 165 231 174

HSL 128.18, 0.58%, 0.78%

LAB 86.11, -31.89, 21.26

 

CMYK 22 / 0 / 18 / 13

HEX #AEDEB5

RGB 174 222 181

HSL 128.75, 0.42%, 0.78%

LAB 84.27, -23.46, 15.11

 

CMYK 14 / 0 / 12 / 16

HEX #B8D5BB

RGB 184 213 187

HSL 126.21, 0.26%, 0.78%

LAB 82.58, -14.57, 9.63

 

CMYK 5 / 0 / 5 / 20

HEX #C1CCC2

RGB 193 204 194

HSL 125.45, 0.1%, 0.78%

LAB 80.97, -5.6, 3.68

 

CMYK 20 / 0 / 35 / 6

HEX #BFF09C

RGB 191 240 156

HSL 95, 0.74%, 0.78%

LAB 89.76, -30.21, 35.63

 

CMYK 30 / 0 / 35 / 6

HEX #A9F09C

RGB 169 240 156

HSL 110.71, 0.74%, 0.78%

LAB 88.52, -37.63, 33.76

 

CMYK 35 / 0 / 31 / 6

HEX #9CF0A6

RGB 156 240 166

HSL 127.14, 0.74%, 0.78%

LAB 88.04, -40.14, 27.93

 

CMYK 35 / 0 / 21 / 6

HEX #9CF0BD

RGB 156 240 189

HSL 143.57, 0.74%, 0.78%

LAB 88.48, -36.08, 16.72

 

CMYK 35 / 0 / 12 / 6

HEX #9CF0D3

RGB 156 240 211

HSL 159.29, 0.74%, 0.78%

LAB 88.97, -31.71, 5.97

 

CMYK 63 / 0 / 55 / 10

HEX #54E667

RGB 84 230 103

HSL 127.81, 0.74%, 0.62%

LAB 81.54, -64.12, 49.94

 

CMYK 49 / 0 / 43 / 8

HEX #78EB87

RGB 120 235 135

HSL 127.83, 0.74%, 0.7%

LAB 84.57, -53.16, 38.65

 

CMYK 35 / 0 / 30 / 6

HEX #9CF0A7

RGB 156 240 167

HSL 127.86, 0.74%, 0.78%

LAB 88.05, -39.98, 27.44

 

CMYK 22 / 0 / 19 / 4

HEX #C0F6C7

RGB 192 246 199

HSL 127.78, 0.75%, 0.86%

LAB 92.24, -26.03, 17.11

 

CMYK 9 / 0 / 8 / 2

HEX #E5FBE7

RGB 229 251 231

HSL 125.45, 0.73%, 0.94%

LAB 96.58, -10.77, 7.13

 

CMYK 35 / 0 / 30 / 5

HEX #9DF1A8

RGB 157 241 168

HSL 127.86, 0.75%, 0.78%

LAB 88.4, -39.95, 27.42

 

CMYK 35 / 11 / 0 / 6

HEX #9CD6F0

RGB 156 214 240

HSL 198.57, 0.74%, 0.78%

LAB 82.62, -12.3, -18.68

 

CMYK 0 / 35 / 25 / 6

HEX #F09CB4

RGB 240 156 180

HSL 342.86, 0.74%, 0.78%

LAB 73.28, 34.48, 0.65

 

CMYK 35 / 0 / 30 / 5

HEX #9DF1A8

RGB 157 241 168

HSL 127.86, 0.75%, 0.78%

LAB 88.4, -39.95, 27.42

 

CMYK 31 / 35 / 0 / 6

HEX #A69CF0

RGB 166 156 240

HSL 247.14, 0.74%, 0.78%

LAB 68.15, 22.14, -40.87

 

CMYK 0 / 31 / 35 / 6

HEX #F0A69C

RGB 240 166 156

HSL 7.14, 0.74%, 0.78%

LAB 74.95, 26.07, 16.21

 

CMYK 35 / 0 / 30 / 5

HEX #9DF1A8

RGB 157 241 168

HSL 127.86, 0.75%, 0.78%

LAB 88.4, -39.95, 27.42

 

CMYK 35 / 11 / 0 / 6

HEX #9CD6F0

RGB 156 214 240

HSL 198.57, 0.74%, 0.78%

LAB 82.62, -12.3, -18.68

 

CMYK 0 / 35 / 4 / 6

HEX #F09CE7

RGB 240 156 231

HSL 306.43, 0.74%, 0.78%

LAB 74.87, 42.53, -24.99

 

CMYK 0 / 24 / 35 / 6

HEX #F0B79C

RGB 240 183 156

HSL 19.29, 0.74%, 0.78%

LAB 78.92, 17.06, 21.71

 

CMYK 35 / 0 / 30 / 5

HEX #9DF1A8

RGB 157 241 168

HSL 127.86, 0.75%, 0.78%

LAB 88.4, -39.95, 27.42

 

CMYK 35 / 21 / 0 / 6

HEX #9CBDF0

RGB 156 189 240

HSL 216.43, 0.74%, 0.78%

LAB 75.92, 0.96, -28.89

 

CMYK 0 / 35 / 4 / 6

HEX #F09CE7

RGB 240 156 231

HSL 306.43, 0.74%, 0.78%

LAB 74.87, 42.53, -24.99

 

CMYK 0 / 13 / 35 / 6

HEX #F0D09C

RGB 240 208 156

HSL 37.14, 0.74%, 0.78%

LAB 85.02, 3.95, 29.98

 

Description

Color code: HEX #9DF1A8 | qconv.com Color code: HEX #9DF1A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 241 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 241 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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