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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF102 it is the complementary color #620EFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF102 shade: #A2F100, #B3FF10, #C4FF23, #D5FF36 and #E6FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF102 shade: #9DF102, #8CDF00, #7BCD00, #6ABB00 and #59A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF102 shade: #9EF202, #DFF202, #F2C502, #F28502 and #F24402

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF102 shade: #9EF202, #5DF202, #1DF202, #02F229 and #02F26A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF102 shade matches the following richer shades: #9EF202

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF102 shade: #9EF202, #98DF16, #92CB2A, #8CB73E and #86A352

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF102 shade: #F2C602, #DEF202, #9EF202, #5EF202 and #1EF202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF102 shade: #69A102, #83CA02, #9EF202, #B0FD21 and #BEFD4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF102 shade: #9DF102, #02F286 and #E602F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF102 shade: #9DF102, #029EF2 and #F2029E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF102 shade: #9DF102, #02F286, #5602F2 and #F2026E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF102 shade: #9DF102, #02F2CE, #5602F2 and #F20226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 99 / 5

HEX #9DF102

RGB 157 241 2

HSL 81.09, 0.98%, 0.48%

LAB 87.04, -53.36, 83.96

 

Complementary color

CMYK 61 / 94 / 0 / 1

HEX #620EFD

RGB 98 14 253

HSL 261.09, 0.98%, 0.52%

LAB 37.85, 79.13, -97.36

 

CMYK 33 / 0 / 100 / 5

HEX #A2F100

RGB 162 241 0

HSL 79.67, 1%, 0.47%

LAB 87.29, -51.63, 84.42

 

CMYK 30 / 0 / 94 / 0

HEX #B3FF10

RGB 179 255 16

HSL 79.08, 1%, 0.53%

LAB 92.19, -51.11, 87.35

 

CMYK 23 / 0 / 86 / 0

HEX #C4FF23

RGB 196 255 35

HSL 76.09, 1%, 0.57%

LAB 93.18, -44.49, 85.91

 

CMYK 16 / 0 / 79 / 0

HEX #D5FF36

RGB 213 255 54

HSL 72.54, 1%, 0.61%

LAB 94.28, -37.42, 83.06

 

CMYK 10 / 0 / 71 / 0

HEX #E6FF49

RGB 230 255 73

HSL 68.24, 1%, 0.64%

LAB 95.51, -29.97, 78.98

 

CMYK 35 / 0 / 99 / 5

HEX #9DF102

RGB 157 241 2

HSL 81.09, 0.98%, 0.48%

LAB 87.04, -53.36, 83.96

 

CMYK 37 / 0 / 100 / 13

HEX #8CDF00

RGB 140 223 0

HSL 82.33, 1%, 0.44%

LAB 80.93, -52.07, 79.04

 

CMYK 40 / 0 / 100 / 20

HEX #7BCD00

RGB 123 205 0

HSL 84, 1%, 0.4%

LAB 74.75, -50.71, 73.9

 

CMYK 43 / 0 / 100 / 27

HEX #6ABB00

RGB 106 187 0

HSL 85.99, 1%, 0.37%

LAB 68.46, -49.3, 68.68

 

CMYK 47 / 0 / 100 / 34

HEX #59A900

RGB 89 169 0

HSL 88.4, 1%, 0.33%

LAB 62.08, -47.81, 63.38

 

CMYK 35 / 0 / 99 / 5

HEX #9EF202

RGB 158 242 2

HSL 81, 0.98%, 0.48%

LAB 87.38, -53.42, 84.24

 

CMYK 8 / 0 / 99 / 5

HEX #DFF202

RGB 223 242 2

HSL 64.75, 0.98%, 0.48%

LAB 91.32, -28.52, 88.98

 

CMYK 0 / 19 / 99 / 5

HEX #F2C502

RGB 242 197 2

HSL 48.75, 0.98%, 0.48%

LAB 81.19, 1.73, 82.34

 

CMYK 0 / 45 / 99 / 5

HEX #F28502

RGB 242 133 2

HSL 32.75, 0.98%, 0.48%

LAB 66.26, 35.19, 72.33

 

CMYK 0 / 72 / 99 / 5

HEX #F24402

RGB 242 68 2

HSL 16.5, 0.98%, 0.48%

LAB 55.09, 64.16, 66.02

 

CMYK 35 / 0 / 99 / 5

HEX #9EF202

RGB 158 242 2

HSL 81, 0.98%, 0.48%

LAB 87.38, -53.42, 84.24

 

CMYK 62 / 0 / 99 / 5

HEX #5DF202

RGB 93 242 2

HSL 97.25, 0.98%, 0.48%

LAB 84.91, -72.28, 81.26

 

CMYK 88 / 0 / 99 / 5

HEX #1DF202

RGB 29 242 2

HSL 113.25, 0.98%, 0.48%

LAB 83.85, -81.56, 79.95

 

CMYK 99 / 0 / 83 / 5

HEX #02F229

RGB 2 242 41

HSL 129.75, 0.98%, 0.48%

LAB 83.8, -81.68, 74.36

 

CMYK 99 / 0 / 56 / 5

HEX #02F26A

RGB 2 242 106

HSL 146, 0.98%, 0.48%

LAB 84.26, -75.89, 51.57

 

CMYK 35 / 0 / 99 / 5

HEX #9EF202

RGB 158 242 2

HSL 81, 0.98%, 0.48%

LAB 87.38, -53.42, 84.24

 

CMYK 35 / 0 / 99 / 5

HEX #9EF202

RGB 158 242 2

HSL 81, 0.98%, 0.48%

LAB 87.38, -53.42, 84.24

 

CMYK 32 / 0 / 90 / 13

HEX #98DF16

RGB 152 223 22

HSL 81.19, 0.82%, 0.48%

LAB 81.57, -47.49, 77.5

 

CMYK 28 / 0 / 79 / 20

HEX #92CB2A

RGB 146 203 42

HSL 81.24, 0.66%, 0.48%

LAB 75.45, -40.52, 67.81

 

CMYK 23 / 0 / 66 / 28

HEX #8CB73E

RGB 140 183 62

HSL 81.32, 0.49%, 0.48%

LAB 69.32, -32.63, 54.73

 

CMYK 18 / 0 / 50 / 36

HEX #86A352

RGB 134 163 82

HSL 81.48, 0.33%, 0.48%

LAB 63.24, -23.54, 38.52

 

CMYK 0 / 18 / 99 / 5

HEX #F2C602

RGB 242 198 2

HSL 49, 0.98%, 0.48%

LAB 81.44, 1.21, 82.51

 

CMYK 8 / 0 / 99 / 5

HEX #DEF202

RGB 222 242 2

HSL 65, 0.98%, 0.48%

LAB 91.25, -28.92, 88.89

 

CMYK 35 / 0 / 99 / 5

HEX #9EF202

RGB 158 242 2

HSL 81, 0.98%, 0.48%

LAB 87.38, -53.42, 84.24

 

CMYK 61 / 0 / 99 / 5

HEX #5EF202

RGB 94 242 2

HSL 97, 0.98%, 0.48%

LAB 84.94, -72.05, 81.29

 

CMYK 88 / 0 / 99 / 5

HEX #1EF202

RGB 30 242 2

HSL 113, 0.98%, 0.48%

LAB 83.85, -81.49, 79.96

 

CMYK 35 / 0 / 99 / 37

HEX #69A102

RGB 105 161 2

HSL 81.13, 0.98%, 0.32%

LAB 60.34, -38.84, 62.06

 

CMYK 35 / 0 / 99 / 21

HEX #83CA02

RGB 131 202 2

HSL 81.3, 0.98%, 0.4%

LAB 74.23, -46.66, 73.46

 

CMYK 35 / 0 / 99 / 5

HEX #9EF202

RGB 158 242 2

HSL 81, 0.98%, 0.48%

LAB 87.38, -53.42, 84.24

 

CMYK 30 / 0 / 87 / 1

HEX #B0FD21

RGB 176 253 33

HSL 81, 0.98%, 0.56%

LAB 91.5, -51.04, 84.42

 

CMYK 25 / 0 / 71 / 1

HEX #BEFD4A

RGB 190 253 74

HSL 81.12, 0.98%, 0.64%

LAB 92.44, -44.3, 74.79

 

CMYK 35 / 0 / 99 / 5

HEX #9DF102

RGB 157 241 2

HSL 81.09, 0.98%, 0.48%

LAB 87.04, -53.36, 83.96

 

CMYK 99 / 0 / 45 / 5

HEX #02F286

RGB 2 242 134

HSL 153, 0.98%, 0.48%

LAB 84.61, -71.62, 38.78

 

CMYK 5 / 99 / 0 / 5

HEX #E602F2

RGB 230 2 242

HSL 297, 0.98%, 0.48%

LAB 55.36, 92.48, -61.8

 

CMYK 35 / 0 / 99 / 5

HEX #9DF102

RGB 157 241 2

HSL 81.09, 0.98%, 0.48%

LAB 87.04, -53.36, 83.96

 

CMYK 99 / 35 / 0 / 5

HEX #029EF2

RGB 2 158 242

HSL 201, 0.98%, 0.48%

LAB 62.4, -4.15, -51.45

 

CMYK 0 / 99 / 35 / 5

HEX #F2029E

RGB 242 2 158

HSL 321, 0.98%, 0.48%

LAB 53.37, 84.25, -16.37

 

CMYK 35 / 0 / 99 / 5

HEX #9DF102

RGB 157 241 2

HSL 81.09, 0.98%, 0.48%

LAB 87.04, -53.36, 83.96

 

CMYK 99 / 0 / 45 / 5

HEX #02F286

RGB 2 242 134

HSL 153, 0.98%, 0.48%

LAB 84.61, -71.62, 38.78

 

CMYK 64 / 99 / 0 / 5

HEX #5602F2

RGB 86 2 242

HSL 261, 0.98%, 0.48%

LAB 34.87, 77.57, -96.15

 

CMYK 0 / 99 / 55 / 5

HEX #F2026E

RGB 242 2 110

HSL 333, 0.98%, 0.48%

LAB 51.89, 80.35, 10.33

 

CMYK 35 / 0 / 99 / 5

HEX #9DF102

RGB 157 241 2

HSL 81.09, 0.98%, 0.48%

LAB 87.04, -53.36, 83.96

 

CMYK 99 / 0 / 15 / 5

HEX #02F2CE

RGB 2 242 206

HSL 171, 0.98%, 0.48%

LAB 85.99, -56.03, 3.85

 

CMYK 64 / 99 / 0 / 5

HEX #5602F2

RGB 86 2 242

HSL 261, 0.98%, 0.48%

LAB 34.87, 77.57, -96.15

 

CMYK 0 / 99 / 84 / 5

HEX #F20226

RGB 242 2 38

HSL 351, 0.98%, 0.48%

LAB 50.76, 77.3, 51.13

 

Description

Color code: HEX #9DF102 | qconv.com Color code: HEX #9DF102 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 241 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 241 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 99 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 99% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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