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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DF07E it is the complementary color #620F81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DF07E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DF07E shade: #A2F079, #B3FF8C, #C4FF9F, #D5FFB2 and #E6FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DF07E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DF07E shade: #9DF07E, #8CDE6B, #7BCC58, #6ABA45 and #59A832

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DF07E shade: #9EF07F, #BCF07F, #DBF07F, #F0E77F and #F0C87F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DF07E shade: #9EF07F, #7FF07F, #7FF09D, #7FF0BC and #7FF0DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DF07E shade matches the following richer shades: #9EF07F and #99FC74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DF07E shade: #9EF07F, #A3E48B, #A8D996, #AECDA2 and #B3C2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DF07E shade: #DBF07F, #BDF07F, #9FF07F, #81F07F and #7FF09B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DF07E shade: #66E735, #82EC5A, #9EF07F, #BAF4A4 and #D6F9C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DF07E shade: #9DF07E, #7FF0E7 and #F07FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DF07E shade: #9DF07E, #7F9FF0 and #F07F9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DF07E shade: #9DF07E, #7FF0E7, #D07FF0 and #F07F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DF07E shade: #9DF07E, #7FD8F0, #D07FF0 and #F0987F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 48 / 6

HEX #9DF07E

RGB 157 240 126

HSL 103.68, 0.79%, 0.72%

LAB 87.48, -45.59, 47.03

 

Complementary color

CMYK 24 / 88 / 0 / 49

HEX #620F81

RGB 98 15 129

HSL 283.68, 0.79%, 0.28%

LAB 25.33, 51.17, -44.58

 

CMYK 33 / 0 / 50 / 6

HEX #A2F079

RGB 162 240 121

HSL 99.33, 0.8%, 0.71%

LAB 87.67, -44.55, 49.68

 

CMYK 30 / 0 / 45 / 0

HEX #B3FF8C

RGB 179 255 140

HSL 99.65, 1%, 0.77%

LAB 93.01, -43.16, 47.49

 

CMYK 23 / 0 / 38 / 0

HEX #C4FF9F

RGB 196 255 159

HSL 96.88, 1%, 0.81%

LAB 94.21, -35.01, 40.01

 

CMYK 16 / 0 / 30 / 0

HEX #D5FFB2

RGB 213 255 178

HSL 92.73, 1%, 0.85%

LAB 95.53, -26.56, 32.51

 

CMYK 10 / 0 / 23 / 0

HEX #E6FFC5

RGB 230 255 197

HSL 85.86, 1%, 0.89%

LAB 96.97, -17.89, 25.08

 

CMYK 35 / 0 / 48 / 6

HEX #9DF07E

RGB 157 240 126

HSL 103.68, 0.79%, 0.72%

LAB 87.48, -45.59, 47.03

 

CMYK 37 / 0 / 52 / 13

HEX #8CDE6B

RGB 140 222 107

HSL 102.78, 0.64%, 0.65%

LAB 81.23, -45.66, 48.19

 

CMYK 40 / 0 / 57 / 20

HEX #7BCC58

RGB 123 204 88

HSL 101.9, 0.53%, 0.57%

LAB 74.89, -45.66, 49.32

 

CMYK 43 / 0 / 63 / 27

HEX #6ABA45

RGB 106 186 69

HSL 101.03, 0.46%, 0.5%

LAB 68.47, -45.55, 50.32

 

CMYK 47 / 0 / 70 / 34

HEX #59A832

RGB 89 168 50

HSL 100.17, 0.54%, 0.43%

LAB 61.96, -45.25, 51.03

 

CMYK 34 / 0 / 47 / 6

HEX #9EF07F

RGB 158 240 127

HSL 103.54, 0.79%, 0.72%

LAB 87.54, -45.14, 46.64

 

CMYK 22 / 0 / 47 / 6

HEX #BCF07F

RGB 188 240 127

HSL 87.61, 0.79%, 0.72%

LAB 89.18, -34.87, 49.03

 

CMYK 9 / 0 / 47 / 6

HEX #DBF07F

RGB 219 240 127

HSL 71.15, 0.79%, 0.72%

LAB 91.19, -23.34, 51.95

 

CMYK 0 / 4 / 47 / 6

HEX #F0E77F

RGB 240 231 127

HSL 55.22, 0.79%, 0.72%

LAB 90.42, -10.76, 51.37

 

CMYK 0 / 17 / 47 / 6

HEX #F0C87F

RGB 240 200 127

HSL 38.76, 0.79%, 0.72%

LAB 82.58, 5.02, 41.66

 

CMYK 34 / 0 / 47 / 6

HEX #9EF07F

RGB 158 240 127

HSL 103.54, 0.79%, 0.72%

LAB 87.54, -45.14, 46.64

 

CMYK 47 / 0 / 47 / 6

HEX #7FF07F

RGB 127 240 127

HSL 120, 0.79%, 0.72%

LAB 86.19, -54.43, 44.66

 

CMYK 47 / 0 / 35 / 6

HEX #7FF09D

RGB 127 240 157

HSL 135.93, 0.79%, 0.72%

LAB 86.64, -49.84, 30.4

 

CMYK 47 / 0 / 22 / 6

HEX #7FF0BC

RGB 127 240 188

HSL 152.39, 0.79%, 0.72%

LAB 87.22, -44.04, 15.29

 

CMYK 47 / 0 / 9 / 6

HEX #7FF0DA

RGB 127 240 218

HSL 168.32, 0.79%, 0.72%

LAB 87.92, -37.5, 0.65

 

CMYK 34 / 0 / 47 / 6

HEX #9EF07F

RGB 158 240 127

HSL 103.54, 0.79%, 0.72%

LAB 87.54, -45.14, 46.64

 

CMYK 39 / 0 / 54 / 1

HEX #99FC74

RGB 153 252 116

HSL 103.68, 0.96%, 0.72%

LAB 90.62, -53.01, 55.42

 

CMYK 34 / 0 / 47 / 6

HEX #9EF07F

RGB 158 240 127

HSL 103.54, 0.79%, 0.72%

LAB 87.54, -45.14, 46.64

 

CMYK 29 / 0 / 39 / 11

HEX #A3E48B

RGB 163 228 139

HSL 103.82, 0.62%, 0.72%

LAB 84.55, -36.62, 37.03

 

CMYK 23 / 0 / 31 / 15

HEX #A8D996

RGB 168 217 150

HSL 103.88, 0.47%, 0.72%

LAB 81.92, -28.19, 28

 

CMYK 15 / 0 / 21 / 20

HEX #AECDA2

RGB 174 205 162

HSL 103.26, 0.3%, 0.72%

LAB 79.2, -18.31, 18.04

 

CMYK 8 / 0 / 11 / 24

HEX #B3C2AD

RGB 179 194 173

HSL 102.86, 0.15%, 0.72%

LAB 76.79, -9.04, 8.81

 

CMYK 9 / 0 / 47 / 6

HEX #DBF07F

RGB 219 240 127

HSL 71.15, 0.79%, 0.72%

LAB 91.19, -23.34, 51.95

 

CMYK 21 / 0 / 47 / 6

HEX #BDF07F

RGB 189 240 127

HSL 87.08, 0.79%, 0.72%

LAB 89.24, -34.51, 49.11

 

CMYK 34 / 0 / 47 / 6

HEX #9FF07F

RGB 159 240 127

HSL 103.01, 0.79%, 0.72%

LAB 87.59, -44.82, 46.71

 

CMYK 46 / 0 / 47 / 6

HEX #81F07F

RGB 129 240 127

HSL 118.94, 0.79%, 0.72%

LAB 86.27, -53.88, 44.77

 

CMYK 47 / 0 / 35 / 6

HEX #7FF09B

RGB 127 240 155

HSL 134.87, 0.79%, 0.72%

LAB 86.6, -50.18, 31.37

 

CMYK 56 / 0 / 77 / 9

HEX #66E735

RGB 102 231 53

HSL 103.48, 0.79%, 0.56%

LAB 81.97, -64.91, 70.01

 

CMYK 45 / 0 / 62 / 7

HEX #82EC5A

RGB 130 236 90

HSL 103.56, 0.79%, 0.64%

LAB 84.73, -56.24, 59.7

 

CMYK 34 / 0 / 47 / 6

HEX #9EF07F

RGB 158 240 127

HSL 103.54, 0.79%, 0.72%

LAB 87.54, -45.14, 46.64

 

CMYK 24 / 0 / 33 / 4

HEX #BAF4A4

RGB 186 244 164

HSL 103.5, 0.78%, 0.8%

LAB 90.7, -32.66, 32.79

 

CMYK 14 / 0 / 19 / 2

HEX #D6F9C9

RGB 214 249 201

HSL 103.75, 0.8%, 0.88%

LAB 94.43, -19.86, 19.35

 

CMYK 35 / 0 / 48 / 6

HEX #9DF07E

RGB 157 240 126

HSL 103.68, 0.79%, 0.72%

LAB 87.48, -45.59, 47.03

 

CMYK 47 / 0 / 4 / 6

HEX #7FF0E7

RGB 127 240 231

HSL 175.22, 0.79%, 0.72%

LAB 88.26, -34.41, -5.66

 

CMYK 0 / 47 / 15 / 6

HEX #F07FCC

RGB 240 127 204

HSL 319.12, 0.79%, 0.72%

LAB 68.07, 52.84, -20.47

 

CMYK 35 / 0 / 48 / 6

HEX #9DF07E

RGB 157 240 126

HSL 103.68, 0.79%, 0.72%

LAB 87.48, -45.59, 47.03

 

CMYK 47 / 34 / 0 / 6

HEX #7F9FF0

RGB 127 159 240

HSL 223.01, 0.79%, 0.72%

LAB 66.21, 10.32, -44.1

 

CMYK 0 / 47 / 34 / 6

HEX #F07F9F

RGB 240 127 159

HSL 343.01, 0.79%, 0.72%

LAB 66.68, 46.67, 2.77

 

CMYK 35 / 0 / 48 / 6

HEX #9DF07E

RGB 157 240 126

HSL 103.68, 0.79%, 0.72%

LAB 87.48, -45.59, 47.03

 

CMYK 47 / 0 / 4 / 6

HEX #7FF0E7

RGB 127 240 231

HSL 175.22, 0.79%, 0.72%

LAB 88.26, -34.41, -5.66

 

CMYK 13 / 47 / 0 / 6

HEX #D07FF0

RGB 208 127 240

HSL 283.01, 0.79%, 0.72%

LAB 65.66, 49.85, -44.5

 

CMYK 0 / 47 / 43 / 6

HEX #F07F89

RGB 240 127 137

HSL 354.69, 0.79%, 0.72%

LAB 66.14, 44.21, 14.46

 

CMYK 35 / 0 / 48 / 6

HEX #9DF07E

RGB 157 240 126

HSL 103.68, 0.79%, 0.72%

LAB 87.48, -45.59, 47.03

 

CMYK 47 / 10 / 0 / 6

HEX #7FD8F0

RGB 127 216 240

HSL 192.74, 0.79%, 0.72%

LAB 81.79, -20.5, -20.07

 

CMYK 13 / 47 / 0 / 6

HEX #D07FF0

RGB 208 127 240

HSL 283.01, 0.79%, 0.72%

LAB 65.66, 49.85, -44.5

 

CMYK 0 / 37 / 47 / 6

HEX #F0987F

RGB 240 152 127

HSL 13.27, 0.79%, 0.72%

LAB 71.22, 30.32, 26.95

 

Description

Color code: HEX #9DF07E | qconv.com Color code: HEX #9DF07E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 240 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 240 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 48 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 48% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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